woven in the wind's white noise, from lastcall's crowdbuzz lifted - warnings from yr hell-self gone unsifted SPARK bespot / scatter the stars AS to breathe, and SKAP to dig, scrape, shave MAK to hav power, MAK to be great near-death, a sign you've died in variant lives, in adjacent Multiverse space spontaneous combustion, The Lord High Chancellor in his High Court of Chancery, Bleak House exist :the world as caricature: Dickens as journalist 'documentary', 'literally' mean mediated : stable words, a whole vocab as Freudian slips On quality free HD I've seen: Bolivian young, in great tin halls, boys in staggered rows unnumbered, naked on their knees; Tony Jay..............Voice of Supreme Being Edwin Finn...........Supreme Being's Face & shows about persons institutionally dwarfed, receding down hallways always a rock fest from 1970 you never knew; whose parts on YouTube outnumber its views [ always, always, in Amazon & lab, drugs unscheduled, vine unshredd ] INT shot, w/verité : A thru Z, B thru Y, C thru X in placid remembrance et cetera, then: [ opens w/in a gravity well, vowels sloemerging ] [ every phoneme causal, born organic from preceding ] Sire , said I, the idols are ALL broken; the Temple of Baal, to Legos retokened, pieces ARRAYED on PLAY Room's rug we'll do what we will w/ in teams we lean from a tilted, eviscerated E.S.B. o thought outruns its solemn home o from lonely stinkholes men instream boyfriends, nanas, kinder wander here & there in chemical clusters find their place w/out conference or murmur, kneel & squeeze in for a photo-take each could be : any accent, as protean as: a bookless home, a faux-Versailles wedding venue :for reckoners beyond the lens they'll not temper their elation an altruism I infer, an ethnophilic datebook wherein Micmac, Gaelic, Pashto, Cyrillic make each day a holiday somewhere, for someone from just off-frame, nares ["aflare"], eyes gone wide & tribal in his strained impression of the Human Smile, forearm far from blazer's sleeve in holy-roller splay [Convocation Day, May 2008: raking the steps of the James A. Farley postal building] pls now appear, in the bounds of my doorframe [ the only response is for you to appear, unannounced in the bounds of my doorframe ] [ hands about yr frazzled hair, "astonishment!" you exclaim ] [again you exclaim] • could hear the oil sizzle inmouth, on roof & tongue the redbean paste like napalm • too big to breathe through, and spitting out would not be cute so • skin soon hung from roof to tongue • a great raw swath did dangle on my blasted tongue [ every scene a Bardo theme , titters in the wings that seem a natural patter, an enthralling Realism's intricacies, vis.:  a COURTIER's thoughts on Lady MacB's lavabos versus notes on an actor's unity of Grief  stageprompts FELT, FIT & SNUG, wove in-script w/ lyric aplomb  every rhyme, uncontrived,  every line, a dirty songo she's a region in Guyana, all Bounty & Gold and  every pan, a framed paysage ] • I did range a pale god over works outspread on a K-town teashop's rotary service • appetites huge & distractable • appetites huge & distracted • took own notes, generated own laughter enjoyed "the wrong thing" I did, to a source deserving credits flowed but still, still like "a jet taking off" [Hendrix] or a short-wave radio [Tony Visconti] tuning in-- whose ontic implications the human ear dreads & comprehends second followed first so true the two did flange and soundmen fear the HINDU MIND unready for this time-based effect enjoyed the wrong thing I did, to a source deserving credits flowed but still : thought Nico on my headphones when was "Dear Marge" ---- more melodic, less sparse, stabler than The Marble Index I'd remembered