Ned O'Gorman's Politics for Everybody is, at its core, a defense of politics for our polarized times. In an accessible and impassioned style, O'Gorman argues for a political middle ground, which is not aligned with any particular party or ideology, but which embraces the worth, value, and importance of politics itself. Inspired by Hannah Arendt, O'Gorman shows how political thinking is rooted in common sense and everyday experiences, and is rooted in all of us, even and especially (...) when politics is the last thing we want to talk about. Resisting the deadening of political experience by the bombast of contemporary media, the impoverishment of public discourse, and the low-minded violence of smear campaigns, O'Gorman calls for a purer, simpler relation to politics, one that does justice to the virtues of open, honest exchange, which can be critical without being hateful. Politics for Everybody is, in short, a defense of the dignity of politics in the age of its infamy, and a plea for the notion that to give politics a thinking chance, we must take it more seriously, not write it off. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Aristotle’s Phantasia in the Rhetoric:Lexis, Appearance, and the Epideictic Function of DiscourseNed O’GormanIntroductionThe well-known opening line of Aristotle's Rhetoric, where he defines rhetoric as a "counterpart" (antistrophos) to dialectic, has spurred many conversations on Aristotelian rhetoric and motivated the widespread interpretation of Aristotle's theory of civic discourse as heavily rationalistic. This study starts from a statement in the Rhetoric less discussed, yet still important, that suggests that a visual (...) aspect inheres in Aristotle's theory of rhetoric. Near the beginning of book 3, which deals with lexis (style, sometimes subsuming delivery1 ), Aristotle conjoins lexis and phantasia with the copula "is" (eimi): "The subject of expression [lexeôs], however, has some small necessary place in all teaching; for to speak in one way rather than another does make some difference in regard to clarity, though not a great difference; but all these things are forms of outward show [phantasia] and intended to affect the audience" (1404a).2 Whereas scholars exploring the relationship between rhetoric and dialectic have compared and contrasted the Rhetoric and the Topics, I explore rhetoric's relationship with phantasia by reading the Rhetoric alongside De Anima. De Anima is Aristotle's seminal account of the senses and their relationship to psychê (often translated "soul"). It addresses topics intimately connected to rhetoric: perception, cognition, deliberation, visualization, imagination, and the image. Phantasia is integral to each of these psychic processes and to Aristotle's understanding of the function of appearance in human experience. Hence, itis a lens suitable for exploring the relationship between Aristotle's conception of civic discourse and his notions of sight and appearances as they relate to perception, interpretation, deliberation, and judgment. I find in Aristotle's phantasia a tie between his art of rhetoric and his psychology and phenomenology (anachronistic though these terms are). Aristotle's psychological works, as Richard McKeon points out, are foundational to Aristotle's philosophy, and thus to his Rhetoric. [End Page 16] "Psychological inquiries occupy an extremely important position in the philosophy of Aristotle, for the conception of the psychê lays the foundation for the continuity of functions in nature" (1947, 142). De Anima, especially, articulates the psychological and phenomenological conceptions often tacitly at work in the Rhetoric.The importance of phantasia for the trajectory of ancient rhetorical and aesthetic theory is seen in the parallels between the visual arts, rhetoric, and poetics in Greek and Roman thought.3 As David Freedberg states (perhaps, slightly overstates), parallels between painting and poetry are "to be found everywhere in classical literature" (1989, 50). With respect to such visual-verbal parallels in Aristotle, D. Thomas Benediktson's reading of Aristotle's psychological, poetic, and rhetorical works concludes that phantasia ties together the visual and the literary. "[Aristotle's passages on phantasia] do help to see why Aristotle took for granted the similarity, almost the identity, of literature and the visual arts. Both types of art are imagistic; they present to the viewer either an image, as in visual art, or as in literature, a set of moving images that the soul then uses as raw data (phantasia) to enable thought to occur" (2000, 170). Phantasia developed a legacy in Hellenistic aesthetics, where it came to designate suprarealism in painting, moving art "beyond imitation" (Fowler 1989, 180–81). In later Greco-Roman works, phantasia was used to designate vivid imagery in written and oral discourse, imagery that could create sights and scenes in the minds of audience members. As Quintilian noted in his discussion of forensic rhetoric, in Latin phantasiai were termed visiones. Here, phantasiabecame a mode of displacing narrative in rhetorical discourse:There are certain experiences which the Greeks call phantasiai, and the Romans visions [visiones], whereby things absent are presented to our imagination with such extreme vividness that they seem actually to be before our very eyes.... From such impressions arises that enargeia which Cicero calls illumination [illustration] and actuality [evidential], which makes us seem not so much to narrate [dicere] as to exhibit [ostendere] the actual scene.(Institutio Oratoria 4.2.29, 32)Quintilian's invocations of phantasia and enargeia can be traced to Aristotle's discussion of rhetorical style in book... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Philosophy and Rhetoric 36.2 (2003) 168-172 [Access article in PDF] Logic and the Art of Memory: The Quest for a Universal Language. Paolo Rossi. Trans. Stephen Clucas. Chicago: University of Chicago Press, 2000. Pp. xxviii + 333. $32.00 cloth. Of the traditional five canons of rhetoric—inventio, dispositio, elocutio, memoria, and actio—the most circuitous and fascinating history belongs to memoria. From its propulsion of Homeric lore to its grounding of (...) rhetorical invention to its exile under print culture to its recent revival in public memory studies, the promiscuous and perplexing history of memory in the West may be one of the least appreciated, and perhaps least understood, elements of rhetorical and intellectual history. The publication in 1966 of Frances Yates's highly praised The Art of Memory drew the attention of contemporary scholars to the importance of mnemotechnics to the culture of late medieval and early modern Europe. 1 Yates persuasively argued that the art of memory is an integral element of European intellectual history, one that can enrich our understanding of everything from Dominican theology to Shakespearian theater. However, six years earlier, in 1960, the Italian intellectual historian Paolo Rossi published in Italian an important precursor to Yates's work entitled Clavis Universalis: Arti Della Memoria e Logica Combinatoria da Lullo a Leibniz. The book traces the encyclopaedic and mnemotechnical traditions from Aristotle through Cicero and Raymond Lull and into the early-modern period, arguing that the art of memory provides an important antecedent to the advent of method in seventeenth-century philosophy, especially in the works of Bacon, Descartes, and Leibniz. Yates, in her preface to The Art of Memory, acknowledges her debt to Rossi's work, and now this work has been made available in English translation. Stephen Clucas's translation, under the title Logic and the Art of Memory, will no doubt stimulate and supplement research into the mnemotechnical tradition in the English-speaking world, and perhaps lead us to reconsider the relationship between philosophy and rhetoric.Rossi argues that the neglect of the mnemotechnical tradition in its Ciceronian and Lullian strands has distorted our understanding of the "new" science and philosophy of the seventeenth-century, which is often interpreted as constituting, in a Kuhnian sense, a drastic paradigm shift from a [End Page 168] Renaissance worldview that still retained occult elements. Rossi places the work of Bacon, Descartes, and Leibniz within the historical strand of the logico-encyclopaedic and mnemotechnical traditions, suggesting that these figures culminate late medieval and early modern intellectual and cultural ambitions as much as they give rise to new ones. Rossi makes his argument by providing a history of mnemotechnics from Aristotle into the fifteenth century in chapter one; by examining the fascination with encyclopaedism, combinatoria, and memory in the sixteenth century in chapters two and three; by investigating the role of artificial memory in the works of key intellectual figures in the late sixteenth and seventeenth centuries in chapters four through six; and by tracing the impulse toward universal knowledge and its connection to mnemotechnics among seventeenth-century Cartesians, Baconians, and in the work of Leibniz, in chapters seven and eight.Chapter one, after showing the pervasiveness of Renaissance mnemotechnical literature, surveys its classical and medieval antecedents in philosophy and rhetoric. Rossi argues that Aristotle's De memoria et reminiscentia, Cicero's De oratore, Quintilian's De institutione oratoria, the Rhetorica ad Herennium, and the works of Albertus Magnus and Thomas Aquinas were each important to the mnemotechnical tradition into the seventeenth century. Fourteenth- and fifteenth-century treatises on the ars memorativa and the ars predicandi, drawing on these classical and medieval theories, emphasize the importance of memory places (loci), images (imagines), and order or arrangement (dispositio) in mnemotechnics. Additionally, they intimately link the memory to the imagination, stressing the importance of exciting and stimulating the imagination in memorization. The Italian Pietro da Ravenna, for example, attributed the might of his memory to, in his own words, turning "the images of the most beautiful virgins into memory places" (22). Such imaginative mnemonic techniques were considered to... (shrink)

Examines the history and the consequences of living in the contemporary culture of forgetfulness.

Norms have a strong influence on human social interactions, but the emotions and actions associated with norm-breaking events have not been systematically studied. We asked subjects to imagine themselves in a conflict situation and then to report how they would feel, how they would act, and how they would imagine the feelings and actions of their opponent. By altering the fictional scenario that they were asked to imagine (weak vs. strong norm) and the perspective of the subject (norm-breaker vs. the (...) one whose norm has been violated), the emotions and actions associated with norm-breaking events could be examined. We tested the following hypotheses: (1) norms create emotional asymmetries that resolve conflicts in otherwise symmetrical contest situations; (2) sex differences exist in response to norm-breaking events, with males more prone to violence than females; (3) individual differences exist in response to norm-breaking events, along the lines predicted by theoretical models; and (4) emotions and actions attributed to one’s opponent are distorted in ways that can be interpreted as adaptive for the believer. In addition to these basic hypotheses, we address more subtle issues concerning the particular emotions provoked by norm-breaking events, the degree to which emotional response is fine-tuned to the situation, and the degree to which emotional response correlates with anticipated behavioral response. We discuss the relevance of our study to the general study of emotions and the use of fictional scenarios as a research method in addition to the study of norms from an evolutionary perspective. (shrink)

BackgroundThe rigor and integrity of the published research in nutrition studies has come into serious question in recent years. Concerns focus on the use of flexible data analysis practices and selective reporting and the failure of peer review journals to identify and correct these practices. In response, it has been proposed that journals employ editorial procedures designed to improve the transparency of published research.ObjectiveThe present study examines the adoption of editorial procedures designed to improve the reporting of empirical studies in (...) the field of nutrition and dietetics research.DesignThe instructions for authors of 43 journals included in Quartiles 1 and 2 of the Clarivate Analytics’ 2018 Journal Citation Report category Nutrition and Dietetics were reviewed. For journals that published original research, conflict of interest disclosure, recommendation of reporting guidelines, registration of clinical trials, registration of other types of studies, encouraging data sharing, and use of the Registered Reports were assessed. For journals that only published reviews, all of the procedures except clinical trial registration were assessed.ResultsThirty-three journals published original research and 10 published only reviews. Conflict of interest disclosure was required by all 33 original research journals. Use of guidelines, trial registration and encouragement of data sharing were mentioned by 30, 27 and 25 journals, respectively. Registration of other studies was required by eight and none offered Registered Reports as a publication option at the time of the review. All 10 review journals required conflict of interest disclosure, four recommended data sharing and three the use of guidelines. None mentioned the other two procedures.ConclusionsWhile nutrition journals have adopted a number of procedures designed to improve the reporting of research findings, their limited effects likely result from the mechanisms through which they influence analytic flexibility and selective reporting and the extent to which they are properly implemented and enforced by journals. (shrink)

A concise and readable account of Burke's political philosophy.

Economic methodology has been dominated by developments in the philosophy of science. This book's central thesis is that a great deal can be gained by refocusing attention on developments in the philosophy of mathematics, in particular those that took place over the course of the twentieth century. In this book the authors argue that a close examination of the major developments in the philosophy of mathematics both deepens and enriches our understanding of the formalisation of economics, while also offering novel (...) methods of critically evaluating the strengths and limitations of formalism in economics. This book represents an innovative attempt to more fully understand the complexity of the interaction between developments in the philosophy of mathematics and the process of formalisation in economics. (shrink)

Abstract Kaldor, one of the leading figures of the post?war ?Cambridge School?, has produced a large volume of methodological writings since the mid?1960s, which we will argue represents one of the major critiques of orthodox equilibrium economic theory produced this century. While Kaldor's position represents a fundamental and radical rejection of the methodological basis of equilibrium economics, he did not provide a systematically formulated alternative methodology for economics. Recent attempts at providing such a reconstruction has argued that scientific realism provides (...) the most convincing philosophical interpretation of Kaldor's methodological contributions. In this paper we will argue that van Fraassen's constructive empiricism represent a more compelling alternative methodological framework to realism for systematizing Kaldor's important contributions. In particular it will be argued that this constructive empiricist reading of Kaldor has the capacity to critically undermine the methodological basis of orthodox equilibrium economics. In addition we explore the potential of this alternative framework to provide a novel and challenging reconstruction of economic methodology. (shrink)

Kinship and friendship are key human relationships. Increasingly, data suggest that people are not less altruistic toward friends than close kin. Some accounts suggest that psychologically we do not distinguish between them; countering this is evidence that kinship provides a unique explanatory factor. Using the Implicit Association Test, we examined how people implicitly think about close friends versus close kin in three contexts. In Experiment 1, we examined generic attitudinal dispositions toward friends and family. In Experiment 2, attitude similarity as (...) a marker of family and friends was examined, and in Experiments 3 and 4, strength of in-group membership for family and friends was examined. Findings show that differences exist in implicit cognitive associations toward family and friends. There is some evidence that people hold more positive general dispositions toward friends, associate attitude similarity more with friends, consider family as more representative of the in-group than friends, but see friends as more in-group than distant kin. (shrink)

Rudolf Bultmann aimed to make the revelation of Jesus a reality for people in the present, but fell short of his objective. In Demythologizing Revelation, Chester O’Gorman picks up where Bultmann left off by demythologizing the Christ event through the philosophy of provocative thinker Slavoj Žižek.

Essays on Philosophy and Economic Methodology By Daniel M. Hausman Cambridge University Press, 1992. Pp. 259. ISBN 0?521?41740?6. £35.00. Le Fondement de la morale: Essai d'éthiquephilosophique By André Léonard Cerf, 1991. Pp. 381. ISBN not available. FF240. The Philosophy of Time Edited By Robin Le Poidevin and Murray MacBeath Oxford University Press, 1993. Pp. 230. ISBN 0?19?823998?X. £27.50. The Ethics and Politics of Human Experimentation By Paul M. McNeill Cambridge University Press, 1993. Pp. 315. ISBN 0?521?41627?2. £35.00. Modern Conditions, Postmodern (...) Controversies By Barry Smart Routledge, 1991. Pp. 241. ISBN 0?415?06952. £10.99. Religion in Relation. Method, Application and Moral Location By Ivan Strenski Macmillan, 1993. Pp. ix + 257. ISBN 0?333?53469?7. £45.00. Robert Nozick: Property, Justice and the Minimal State By Jonathan Wolff Polity Press, 1991. Pp. ix + 168. ISBN 0?7456?0603?2. £8.95 pbk. (shrink)

First published in 1973, this title offers a concise and readable account of Burke's political philosophy. As well as examining the foundation for Burke's thought, the book also provides much needed connections between the fields of history and political theory. Critical comment and analysis of Burke's attitudes to the problems of the second half of the eighteenth century are also included.

The evolved psychological process for producing social norms is both needed to facilitate emergent group-level traits and capable of delivering such a process. I discuss how this process can work to generate group-level traits and how specific mechanisms established to buttress social norms similarly can explain how group-level traits are supported.

This article mobilizes the troublesome and unrigorous concept of love to open an oblique entry into the equally troublesome concepts of object-oriented ontology and speculative realism. Issues of object fetishism, species companionship, bestiality, and assemblages of desire are traced in the theories of Graham Harman, Donna Haraway, Jane Bennett, Mario Perniola, and other posthumanist thinkers. Both romantic and Christian love are identified in the discursive practices of speculative realists as a way of outlining recurrent tropes in posthumanist thinking. From here, (...) a vector is traced back to the romantic literary tradition, thus linking the posthumanist tendencies of William Blake, for example, to the romanticism of Jane Bennett and Ian Bogost. Pulling against the chains of language, these thinkers challenge the finitude of human being by developing discursive strategies that focus attention sideways, away from human subjectivity and toward the world of organic and inorganic things. The essay concludes with a description of “applied media theory,” a method developed by the Critical Media Lab to generate objects-to-think-with for the sake of posthumanist speculation. (shrink)