In this article I respond to objections that Matías Oroño, Silvia del Luján di Saanza, Pedro Stepanenko and Luciana Martínez have raised against my non-conceptualist reading of Kant’s aesthetics. The objections are both, substantial and instructive. I first sketch my non-conceptualist reading of Kant’s doctrine of judgments of taste and then turn to what I take to be the most important criticisms that these authors have put forward. Two difficulties with a non-conceptualist reading of Kant’s aesthetics seem to be central: (...) the cognitive status of judgments of taste and the representationalist capacity of aesthetic feeling as non-conceptual mental content. I respond to these and additional objections and defend my overall non-conceptualist interpretation of Kant’s aesthetics against my critics. I argue that Kant’s aesthetics is highly relevant for the debate over whether or not Kant is a conceptualist. (shrink)

„The paper discusses Kant’s first argument from space in the „Critique of pure Reason”. It argues that, contrary to what parts of the literature have claimed, the argument provides convincing reasons for the view that in order to locate objects in space outside us we must already presuppose the idea of space such that it cannot be borrowed from the objects perceived in space. The paper shows how the argument can be made transparent not only by clarifying Kant’s usage of (...) “distinct from” and “ausser uns” but also by retracing its main idea back to the 1768 essay “Concerning the Ultimate Foundation of the Differentiation of Regions in Space” and its incongruent counterparts argument.”. (shrink)

International Journal of Philosophical Studies, Volume 19, Issue 3, Page 319-322, July 2011.

Research on federalism is rarely concerned with its philosophical foundations. However, arguments on why and how best to organise a plurality of states in a multilevel political order have first been discussed by philosophers and continue to inspire contemporary reasoning on international and supranational relations not only in political philosophy. This book offers a unique overview of the philosophical foundations of federalism from both a historical and a systematic perspective. The analyses proposed by renowned scholars from the US and from (...) several European countries cover classic writers such as Hobbes and the authors of the Federalist Papers, Kant and Rawls, and range from anthropological justifications of federal orders to contemporary problems of EU constitutionalism, the principle of subsidiarity and the jurisdiction of the European Court of Human Rights. The book is of relevance to anyone interested in philosophical justifications of federalism. (shrink)

In der 1970 gegründeten Reihe erscheinen Arbeiten, die philosophiehistorische Studien mit einem systematischen Ansatz oder systematische Studien mit philosophiehistorischen Rekonstruktionen verbinden. Neben deutschsprachigen werden auch englischsprachige Monographien veröffentlicht. Gründungsherausgeber sind: Erhard Scheibe, Günther Patzig und Wolfgang Wieland. Von 1990 bis 2007 wurde die Reihe von Jürgen Mittelstraß mitherausgegeben.

In der Reihe werden herausragende monographische Untersuchungen und Sammelbände zu allen Aspekten der Philosophie Kants veröffentlicht, ebenso zum systematischen Verhältnis seiner Philosophie zu anderen philosophischen Ansätzen in Geschichte und Gegenwart. Veröffentlicht werden Studien, die einen innovativen Charakter haben und ausdrückliche Desiderate der Forschung erfüllen. Die Publikationen repräsentieren damit den aktuellsten Stand der Forschung.

Das seit einigen Jahren wachsende Interesse an Fragen der philosophischen Ethik scheint ungebrochen. Dabei ergeben sich durch die Auseinandersetzungen mit den unterschiedlichen Formen und Konzepten der Moralphilosophie Spannungen, aus denen ein heute kaum noch überschaubarer Pluralismus der Ethiken hervorgegangen ist. Dieser Pluralismus lässt sich jedoch im wesentlichen auf zwei unterschiedliche Begründungskonzepte zurückführen: Universalismus und Relativismus. Der von Heidemann und Engelhard vorgelegte Band untersucht die beiden Konzepte sowohl in philosophiegeschichtlicher als auch in systematischer Hinsicht. Pluspunkte umfassendes Kompendium geeignet als Einführung (...) in die Thematik sowie zur Vertiefung einzelner Positionen berücksichtigt neue Positionen in der Ethikbegründung. (shrink)

Conceptualism is the view that cognizers can have mental representations of the world only if they possess the adequate concepts by means of which they can specify what they represent. By contrast, non-conceptualism is the view that mental representations of the world do not necessarily presuppose concepts by means of which the content of these representations can be specified, thus cognizers can have mental representations of the world that are non-conceptual. Consequently, if conceptualism is true then non-conceptualism must be false, (...) and vice versa. This incompatibility makes the current debate over conceptualism and non-conceptualism a fundamental controversy since the range of conceptual capacities that cognizers have certainly has an impact on their mental representations of the world, on how sense perception is structured, and how external world beliefs are justified. Conceptualists and non-conceptualists alike refer to Kant as the major authoritative reference point from which they start and develop their arguments. The appeal to Kant attempts to pave the way for a robust answer to the question of whether or not there is non-conceptual content. Since the incompatibility of the conceptualist and non-conceptualist readings of Kant indicate a paradigm case, hopes have risen that the answer to the question of whether Kant is a conceptualist or a non-conceptualist might settle the contemporary controversy across the board. This volume searches for that answer. This book is based on a special issue of the International Journal of Philosophical Studies. (shrink)

Realism takes many forms. The aim of this paper is to show that the “Critique of pure Reason” is the founding document of realism and that to the present-day Kant’s discussion of realism has shaped the theoretical landscape of the debates over realism. Kant not only invents the now common philosophical term ‘realism’. He also lays out the theoretical topography of the forms of realism that still frames our understanding of philosophical questions concerning reality. The paper explores this by analysis (...) of Kant’s methodological procedure to distinguish between empirical and transcendental realism. This methodological procedure is still of great help in contemporary philosophy, although it has its limits. (shrink)

The debate about Kantian conceptualism and non-conceptualism has completely overlooked the importance of Kant’s aesthetics. I show how this debate can be significantly advanced by exploring Kant’s aesthetics, that is, the theory of judgments of taste and the doctrine of the aesthetic genius of the third Critique. The analysis of judgments of taste demonstrates that non-conceptual mental content is a condition of the possibility of aesthetic experience. The subsequent discussion of the doctrine of the aesthetic genius reveals that aesthetic ideas (...) must also be conceived in terms of non-conceptual mental content. I finally restrict Kant’s aesthetic non-conceptualism to the way aesthetic perceivers cognitively evaluate artwork, while the doctrine of the genius cannot count as a viable form of aesthetic non-conceptualism. (shrink)

Conceptualism is the view that cognizers can have mental representations of the world only if they possess the adequate concepts by means of which they can specify what they represent. By contrast, non-conceptualism is the view that mental representations of the world do not necessarily presuppose concepts by means of which the content of these representations can be specified, thus cognizers can have mental representations of the world that are non-conceptual. Consequently, if conceptualism is true then non-conceptualism must be false, (...) and vice versa. This incompatibility makes the current debate over conceptualism and non-conceptualism a fundamental controversy since the range of conceptual capacities that cognizers have certainly has an impact on their mental representations of the world, on how sense perception is structured, and how external world beliefs are justified. Conceptualists and non-conceptualists alike refer to Kant as the major authoritative reference point from which they start and develop their arguments. The appeal to Kant attempts to pave the way for a robust answer to the question of whether or not there is non-conceptual content. Since the incompatibility of the conceptualist and non-conceptualist readings of Kant indicate a paradigm case, hopes have risen that the answer to the question of whether Kant is a conceptualist or a non-conceptualist might settle the contemporary controversy across the board. This volume searches for that answer. This book is based on a special issue of the _International Journal of Philosophical Studies. _. (shrink)

I argue that in his aesthetics, Kant puts forward arguments that help to answer the question of whether he is a conceptualist or a non-conceptualist. The current debate on Kantian conceptualism and non-conceptualism has completely overlooked the importance of Kant’s aesthetics. There are two candidates for non-conceptuality in Kant’s aesthetics. First, non-conceptual content plays a crucial role in aesthetic evaluation. Second, non-conceptual content has a systematic explanatory function in the theory of aesthetic creation of the genius of art. Accordingly, my (...) argument proceeds in two steps: In first analyse the role of non-conceptual content in aesthetic evaluation, i.e., Kant’s claim that aesthetic experience is cognition of a special kind that does not bear on conceptual activities. In then look at the role of non-conceptual content in the genius’s creation of artwork. I argue that art production does not imply conceptual activity and therefore seems to count as a second systematic instance of Kantian non-conceptualism. If my argument is correct, then Kant’s aesthetics implies non-conceptualism with respect to aesthetic evaluation but does not in any objective sense with respect to aesthetic creation. (shrink)

In his book Kant and the Problem of Self-Knowledge (New York, Abingdon: Routledge 2019, 214 pages) Luca Forgione argues that the semantic, epistemic and metaphysical analysis of Kant’s theory of self-knowledge is possible within the frame of a merely formal understanding of ‘I’. Although the author shows that for Kant self-knowledge is in fact knowledge of a formal thinking subject, there remains the difficulty that the formal analysis of self-knowledge entails the existence claim about the transcendental apperception. This claim is (...) incompatible, I argue, with Kant’s theory of the analytic and synthetic unity of apperception. (shrink)

The paper argues that in the Critique of Pure Reason Kant develops two anti-sceptical strategies. In the Fourth Paralogism (CPR A) he believes himself able to refute the sceptic by demonstrating that external perception is immediate. This strategy is rather unconvincing. In the Refutation of Idealism (CPR B) Kant promotes the material dependence of inner sense on outer sense. I show that Kant’s argument for material dependence has been widely overlooked, even though it is the strongest argument against external world (...) scepticism he develops, since it anticipates mental content externalism while preserving transcendental idealism and empirical realism. (shrink)