Results for 'Kendall Lewis Walton'

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  1. Morals in Fiction and Fictional Morality (I).Kendall Lewis Walton - 1994/2015 - Proceedings of the Aristotelian Society 68:27-50.
  2. On the (so-Called) Puzzle of Imaginative Resistance.Kendall Lewis Walton - 2006 - In Shaun Nichols (ed.), The Architecture of the Imagination. Oxford University Press. pp. 137-148.
  3.  24
    “Far finta”, raffigurare, narrare: uno sguardo su Mimesi come far finta di Kendall Lewis Walton.Chiara Bisignano - 2015 - Aisthesis: Pratiche, Linguaggi E Saperi Dell’Estetico 8 (2):147-164.
    Il saggio descrive e analizza la teoria della rappresentazionalità presentata da Kendall Walton in Mimesi come far finta. Le rappresentazioni sono supporti atti a suscitare un far finta che si esplica come un immaginare proposizionale: ecco la tesi dell’autore. I caratteri di tale far finta, la dinamica della partecipazione, la distinzione tra figuralità e verbalità, e il problema delle entità fittizie, sono i punti cardine della proposta waltoniana. La questione dell’esperienza, e la sua possibile, originaria, tematizzazione estetica; il (...)
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  4. Conceptual Schemes: A Study of Linguistic Relativity and Related Philosophical Problems.Kendall Lewis Walton - 1967 - Dissertation, Cornell University
     
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  5. On Kendall Walton's Mimesis as Make-BelieveMemesis As Make-Believe. [REVIEW]Noel Carroll & Kendall Walton - 1991 - Philosophy and Phenomenological Research 51 (2):383.
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  6.  15
    Kendall L. Walton, Marvelous Images: On Values and the Arts Reviewed By.Kathryn Brown - 2010 - Philosophy in Review 30 (1):68-70.
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  7. Kendall L. Walton.Linguistic Relativity - 1973 - In Glenn Pearce & Patrick Maynard (eds.), Conceptual Change. Boston: D. Reidel. pp. 52--1.
     
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  8.  13
    Art, Representation, and Make-Believe: Essays on the Philosophy of Kendall L. Walton.Sonia Sedivy (ed.) - 2021 - Routledge.
    This is the first collection of essays focused on the many-faceted work of Kendall L. Walton. Walton has shaped debate about the arts for the last 50 years. He provides a comprehensive framework for understanding the arts in terms of the human capacity of make-believe that shows how different arts--visual, photographic, musical, literary, or poetic--can be explained in terms of complex structures of pretense, perception, imagining, empathy, and emotion. His ground-breaking work has been taken beyond aesthetics to (...)
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  9.  7
    In Other Shoes: Music, Metaphor, Empathy, Existence.Kendall L. Walton - 2015 - Oxford University Press.
    In fifteen essays-one new, two newly revised and expanded, three with new postscripts-Kendall L. Walton wrestles with philosophical issues concerning music, metaphor, empathy, existence, fiction, and expressiveness in the arts. These subjects are intertwined in striking and surprising ways. By exploring connections among them, appealing sometimes to notions of imagining oneself in shoes different from one's own, Walton creates a wide-ranging mosaic of innovative insights.
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  10.  24
    Memesis As Make-Believe.Kendall Walton - 1990 - Harvard University Press.
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  11. Categories of Art.Kendall L. Walton - 1970 - Philosophical Review 79 (3):334-367.
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  12.  42
    Kendall Walton's ‘Categories of Art’: A Critical Commentary: Articles.Brian Laetz - 2010 - British Journal of Aesthetics 50 (3):287-306.
    Kendall Walton's ‘Categories of Art’ is one of the most famous and, arguably, most important papers in modern aesthetics. Despite this, and the various references to it and discussions of it within the literature, there are no general commentaries on this essay. In addition to outlining a general framework for approaching the article, I identify and explicate the two main exegetical issues regarding it. The first concerns how to understand Walton's main thesis that the aesthetic character of (...)
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  13.  47
    Reviews Marvelous Images: On Values and the Arts by Kendall L. Walton Oxford University Press, 2008, 254 Pp. (Pbk) £13.99 Isbn 9780195177954. [REVIEW]Ian Ground - 2009 - Philosophy 84 (3):458-463.
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  14.  20
    Review of Kendall L. Walton, Marvelous Images: On Values and the Arts[REVIEW]Scott Walden - 2008 - Notre Dame Philosophical Reviews 2008 (9).
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  15. Kendall Walton's 'Categories of Art': A Critical Commentary.Brian Laetz - 2010 - British Journal of Aesthetics 50 (3):287-306.
    most famous and, arguably, most important papers in modern aesthetics. Despite this, and the various references to it and discussions of it within the literature, there are no general commentaries on this essay. In addition to outlining a general framework for approaching the article, I identify and explicate the two main exegetical issues regarding it. The first concerns how to understand Walton's main thesis that the aesthetic character of artworks is determined, in part, by their ‘correct category’. I suggest (...)
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  16. Mimesis as Make-Believe: On the Foundations of the Representational Arts.Kendall L. Walton - 1990 - Harvard University Press.
    Mimesis as Make-Believe is important reading for everyone interested in the workings of representational art.
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  17. Transparent Pictures: On the Nature of Photographic Realism.Kendall L. Walton - 1984 - Critical Inquiry 11 (2):246-277.
    That photography is a supremely realistic medium may be the commonsense view, but—as Edward Steichen reminds us—it is by no means universal. Dissenters note how unlike reality a photograph is and how unlikely we are to confuse the one with the other. They point to “distortions” engendered by the photographic process and to the control which the photographer exercises over the finished product, the opportunities he enjoys for interpretation and falsification. Many emphasize the expressive nature of the medium, observing that (...)
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  18. Transparent Pictures: On the Nature of Photographic Realism.Kendall L. Walton - 1984 - Noûs 18 (1):67-72.
    That photography is a supremely realistic medium may be the commonsense view, but—as Edward Steichen reminds us—it is by no means universal. Dissenters note how unlike reality a photograph is and how unlikely we are to confuse the one with the other. They point to “distortions” engendered by the photographic process and to the control which the photographer exercises over the finished product, the opportunities he enjoys for interpretation and falsification. Many emphasize the expressive nature of the medium, observing that (...)
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  19.  52
    The Possibility of Criticism.Kendall L. Walton - 1973 - Journal of Philosophy 70 (22):832-836.
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  20. Mimesis as Make-Believe.Kendall L. Walton - 1996 - Synthese 109 (3):413-434.
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  21. Fearing Fictions.Kendall L. Walton - 1978 - Journal of Philosophy 75 (1):5-27.
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  22. Aesthetics—What? Why? And Wherefore?Kendall L. Walton - 2007 - Journal of Aesthetics and Art Criticism 65 (2):147–161.
    It is a very great honor to address my friends and colleagues as president of the American Society for Aesthetics, an organization that plays a unique role in a field that is, at once, a major traditional branch of philosophy and also central to disciplines often regarded as remote from philosophy, as well as depending crucially on their contributions.
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  23.  35
    Mimesis as Make-Believe: On the Foundations of the Representational Arts.Kendall L. Walton - 1990 - Journal of Aesthetics and Art Criticism 49 (2):161-166.
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  24. Mimesis as Make-Believe: On the Foundations of the Representational Arts.Kendall L. WALTON - 1990 - Philosophy 66 (258):527-529.
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  25.  35
    Art and the Aesthetic: A N Institutional Analysis.Kendall L. Walton - 1977 - Philosophical Review 86 (1):97.
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  26.  77
    Marvelous Images: On Values and the Arts.Kendall L. Walton - 2008 - Oxford University Press.
    The twelve essays by Kendall Walton in this volume address a broad range of issues concerning the arts. Walton introduces an innovative account of aesthetic value, and explores relations between aesthetic value and values of other kinds. His classic 'Categories of Art' is included, as is 'Transparent Pictures', his controversial account of what is special about photographs. A new essay investigates the fact that still pictures are still, although some of them depict motion. New postscripts have been (...)
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  27. Metaphor and Prop Oriented Make‐Believe.Kendall L. Walton - 1993 - European Journal of Philosophy 1 (1):39-57.
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  28. Morals in Fiction and Fictional Morality.Kendall L. Walton & Michael Tanner - 1994 - Aristotelian Society Supplementary Volume 68 (1):27-66.
  29. Categories and Intentions: A Reply.Kendall L. Walton - 1973 - Journal of Aesthetics and Art Criticism 32 (2):267-268.
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  30.  4
    Metaphor and Prop Oriented Make-Believe.Kendall L. Walton - 2005 - In Mark Eli Kalderon (ed.), Fictionalism in Metaphysics. Clarendon Press.
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  31. Pictures and Make-Believe.Kendall L. Walton - 1973 - Philosophical Review 82 (3):283-319.
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  32. Empathy, Imagination, and Phenomenal Concepts.Kendall Walton - 2015 - In In Other Shoes: Music, Metaphor, Empathy, Existence. Oxford: Oxford University Press. pp. 1-16.
    I propose a way of understanding empathy on which it does not necessarily involve any-thing like thinking oneself into another’s shoes, or any imagining at all. Briefly, the empa-thizer uses an aspect of her own mental state as a sample, expressed by means of a phenomenal concept, to understand the other person. This account does a better job of explaining the connection between empathetic experiences and the objects of empathy than most traditional ones do. And it helps to clarify the (...)
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  33.  42
    Looking Again Through Photographs: A Response to Edwin Martin.Kendall L. Walton - 1986 - Critical Inquiry 12 (4):801-808.
    My great-grandfather died before I was born. He never saw me. But I see him occasionally—when I look at photographs of him. They are not great photographs, by any means, but like most photographs they are transparent. We see things through them.Edwin Martin objects. His response consists largely of citing examples of things which, he thinks, are obviously not transparent, and declaring that he finds no relevant difference between them and photographs: once we slide down the slippery slope as far (...)
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  34. How Marvelous! Toward a Theory of Aesthetic Value.Kendall L. Walton - 1993 - Journal of Aesthetics and Art Criticism 51 (3):499-510.
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  35. Are Representations Symbols?Kendall L. Walton - 1974 - The Monist 58 (2):236-254.
    The representational arts seem friendly territory for “symbol” theories of aesthetics. Much of the initial resistance one may feel to the idea that a Mondrian composition or a Scarlatti sonata is a symbol evaporates when we switch to a portrait of Mozart, Michelangelo’s Pietá, or Dickens’s A Tale of Two Cities. These representational works have reference to things outside themselves. The portrait is a picture of Mozart; the Pietá is a sculpture of Christ and his Mother; A Tale of Two (...)
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  36. Morals in Fiction and Fictional Morality.Kendall L. Walton & Michael Tanner - 1994 - Proceedings of the Aristotelian Society, Supplementary Volumes 68:27-66.
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  37. WALTON, KENDALL Mimesis as Make-Believe: On the Foundations of the Representational Arts. [REVIEW]Colin Lyas - 1991 - Philosophy 66:527.
     
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  38.  10
    Kendall Walton's "Mimesis as Make-Believe".David Novitz - 1991 - Philosophy and Literature 15 (1):118.
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  39. "It's Only a Game!" Sports As Fiction.Kendall L. Walton - 2015 - In In Other Shoes: Music, Metaphor, Empathy, Existence. Oxford University Press. pp. 75-83.
    Sports and competitive games of many kinds—from tag to chess to baseball—are often occasions for make-believe. To participate either as a competitor or as a spectator is frequently to engage in pretense. The activities of playing and watching games have this in common with appreciating works of fiction and participating in children’s make-believe activities, although the make-believe in sports, masked by real interests and concerns, is less obvious than it is in the other cases. What is most interesting about tag (...)
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  40. How Remote Are Fictional Worlds From the Real World?Kendall L. Walton - 1978 - Journal of Aesthetics and Art Criticism 37 (1):11-23.
  41. Style and the Products and Processes of Art.Kendall Walton - 1979 - In Leonard B. Meyer & Berel Lang (eds.), The Concept of Style. University of Pennsylvania Press. pp. 45--66.
     
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  42. Kendall Walton, "Mimesis as Make-Believe: On the Foundations of the Representational Arts". [REVIEW]B. Gaut - 1992 - Journal of Value Inquiry 26 (2):297.
     
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  43. Listening with Imagination: Is Music Representational?Kendall Walton - 1994 - Journal of Aesthetics and Art Criticism 52 (1):47-61.
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  44.  9
    Walton, Kendall. In Other Shoes: Music, Metaphor, Empathy, Existence. Oxford University Press, 2015, 295 Pp., $29.95 Paper. [REVIEW]Alan H. Goldman - 2016 - Journal of Aesthetics and Art Criticism 74 (2):203-205.
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  45. Précis of Mimesis as Make-Believe: On the Foundations of the Representational Arts.Kendall L. Walton - 1991 - Philosophy and Phenomenological Research 51 (2):379-382.
  46. Depiction, Perception, and Imagination: Responses to Richard Wollheim.Kendall Walton - 2002 - Journal of Aesthetics and Art Criticism 60 (1):27–35.
  47.  70
    Meiosis, Hyperbole, Irony.Kendall Walton - 2015 - Philosophical Studies (1):00-00.
    It is tempting to assume that understatement and overstatement, meiosis and hyperbole, are analogous figures of speech, differing only in whether the speaker represents a quantity as larger, or as smaller, than she means to claim that it is. But these tropes have hugely different roles in conversation. Understatement is akin to irony, perhaps a species of it. Overstatement is an entirely different kettle of fish. Things get interestingly messy when we notice that to overstate how large or expensive or (...)
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  48. On Pictures and Photographs: Objections Answered.Kendall L. Walton - 1997 - In Richard Allen & Murray Smith (eds.), Film Theory and Philosophy. Oxford University Press. pp. 60--75.
     
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  49.  61
    Aesthetic Properties: Context Dependent and Perceptual.Kendall L. Walton - 2020 - Wiley: The Journal of Aesthetics and Art Criticism 78 (1).
    The Journal of Aesthetics and Art Criticism, Volume 78, Issue 1, Page 79-84, Winter 2020.
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  50. What is Abstract About the Art of Music?Kendall L. Walton - 1988 - Journal of Aesthetics and Art Criticism 46 (3):351-364.
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