This paper attempts to establish an articulation of ethics, logic and philosophy of psychology in the Tractatus. After showing the ethical purpose of the Tractatus, his picture theory of meaning, and his philo-sophy of psychology -stressing the role of projection- Arregui sets him-self the task of analyzing the mystical. His insistence on projection allows him to underline the function of the transcendental subject and, therefore, to offer an interpretation of the texts about the mystical, dif-ferent to the usual ones.

The paper focuses on Wittgensteinian criticism of the epistemological approach of the study of emotions that was begun by Descartes. Witt-genstein distinguishes, as Aristotle did, between matter and form of emotions, and he maintains that emotions and physiological reactions are not two different events, but only one which can be described in two different ways.

After Wittgenstein's criticism of foundationalism, it is common use to defend the prevalence of action or of practical reason over the theoretical outlook at the world. The substitution of human praxis in the world for a set of self-evident propositions as foundations of theoretical knowledge seems to imply a radical form of pragmatism. Against this view, and recording some ideas of Vico, the paper claims that the rebuttal of Descartes' epistemological theory of the spectator does not imply any kind of (...) pragmatism. (shrink)

This paper discusses the relevance in Ethics of the notion of human being. It distinguishes between the sphere of real moral moral practices and the philosophical foundation of such practices. It discusses also the difference bet-ween the modern concept of person and that of human being and establishes their role in moral thought. Finally, it focuses on the classical concept of per-son.

El propósito de estas páginas es establecer un paralelismo entre el gusto y la verdad práctica, y lo que se ha venido llamando la dimensión reflexiva de la verdad y la verdad teórica. La tesis que se va a defender es que la dimensión reflexiva de la verdad práctica es el gusto porque éste es la constatación de la adecuación, congruencia o armonía entre la subjetividad y un objeto o entre el sujeto y sus acciones, es decir, la constatación de (...) que la verdad práctica se ha logrado porque hay una adecuación entre el sujeto y sus acciones. (shrink)

System analyses deal with interrelationships between different variables that keep the system in balance. In many analysis of complex thinking, a system is viewed as a complex unit in which the ‘whole’ is not reduced to the ‘sum’ of its parts; the system becomes an ambiguous item because it consists of several entities that interact with unforeseen results or, in other words, it is situated at a transdisciplinary level, it is impossible for an area to have a complete reading of (...) its complexity. It was also mentioned that the concept of the open system best describes complexity by stating that ‘the laws of the organization are not equilibrium, but an imbalance that is restored or compensated for by stabilized dynamics’. This idea originated from the field of thermodynamics and the second law, in which the imbalance that it maintains allows the system for an apparent balance. This fragile steady state has something of a paradox, since the structures remain the same, but their constituents are changeable. The concept of open system undoes the door to a theory of evolution that can only derive from the interactions between a system and its ecosystem. Within this systemic approach, the focus of the analysis takes into account the ambiguity, multidisciplinary and complexity associated with system adjustment, i.e. it is intended to qualify an employee job based on their experience and knowledge as a measure of their impact on the organization performance. (shrink)

El propósito de este trabajo es deslindar algunos elementos propios de la Kehre heideggeriana que se presentan en la filosofía de Merleau-Ponty, con el fin de desembocar en una noción de acontecimiento latente en la ontología del fenomenólogo francés. Para ello, analizaré las concepciones del filósofo francés acerca de 1) la cuestión del ser y la nada y su sentido; 2) la temporalidad, y 3) el Ereignis. De esta manera, se prueba que, partiendo de los escritos y cursos merleau-pontianos que (...) van desde 1958 a 1961, se puede esbozar un pensar más allá de la metafísica a partir de su ontología de la carne donde se pone de manifiesto un "Ereignis sensible". The purpose of this work is to define the proper elements of heideggerian Kehre which have influenced the philosophy of Merleau-Ponty, and to establish the conceptual coordinates to construct a notion of event, latent in the ontology of the French phenomenologist. In order to achieve this, we analyze the French philosopher's ideas concerning 1) the problem of being and nothingness and its sense; 2) temporality, and 3) Ereignis. We conclude that a way of thinking that goes beyond metaphysics can be outlined from Merleau-Ponty's ontology of flesh -where it is revealed as a "sensitive Ereignis"-, particularly by taking into account his writings and lectures from 1958 to 1961. (shrink)

El artículo propone analizar los breves estudios que Merleau-Ponty ha hecho en torno al séptimo arte y evaluar la afinidad entre los mismos y su propuesta fenomenológica. Tematizando las nociones de temporalidad y movimiento junto con sus consideraciones sobre el cine, sostendremos que el filósofo encuentra en la experiencia fílmica no sólo una expresión mayor del hombre como ser en el mundo, sino también un modelo para redefinir el tiempo y el movimiento más allá de las condiciones dadas por el (...) pensamiento objetivo. Asimismo, sostendremos, gracias al análisis del movimiento fenomenal, una primacía ontológica del movimiento de la que también da cuenta el cine.The article proposes to analyze the briefs studies Merleau-Ponty have done around the seventh art and to evaluate the affinity between them and his phenomenological proposal. Focusing attention on the notions of temporality and movement in conjunction with his cinema conception, we hold that the philosopher finds in film experience not only a main expression of the mankind as being in the world, but also a model for redefining time and movement beyond objective thought’s conditions. Furthermore, we hold, thanks to the phenomenal movement’s analysis, an ontological primacy of movement that is reported by cinema, too. (shrink)

Resumen La historia ocupa un papel marginal en las teorías actuales de la globalización. Esto no deja de sorprender, pues “globalización” es, en esencia, un concepto que describe un proceso de la historia. Menos aún se habla de la filosofía de la historia, sobre todo porque ha caído en descrédito. Sin embargo, casi todas las argumentaciones emplean modelos de interpretación propios de la filosofía de la historia. Se conjetura qué tendencias generales le son inherentes a la globalización y si apuntan (...) a un “progreso” o a una “decadencia” de la civilización humana. Por último, el problema ético de la justicia global debe tomar en consideración el desarrollo de la historia acontecida. Estos temas dejan claro que el recurso a la historia con implicaciones filosóficas es imprescindible para resolver los problemas de la globalización.Contemporary theories of globalisation seldom mention history. This is surprising, because “globalisation” is essentially a term describing an historical process. There is still less mention of the philosophy of history, especially due to the discredit cast upon it. And yet nearly all of the relevant arguments operate with patterns of interpretation borrowed from the philosophy of history. The authors speculate on which general tendencies are inherent to globalisation and whether they are more indicative of the “progress” or of the “downfall” of human civilisation. Finally, the ethical problem of global justice requires us to take into account the course of history thus far. These topics underline that resorting to history with all of its philosophical implications is essential if we are to resolve the problems caused by globalisation. (shrink)

RESUMENSuele mantenerse que la tesis de la inconmensurabilidad enunciada por Kuhn en La estructua de las revoluciones científicas constituye el núcleo de las doctrinas relativistas. Frente a esta tesis, el artículo argumenta que admitir la incomensurabilidad entre tradiciones culturales diferentes o, incluso, negar que existan criterios absolutos y eternos de racionalidad no implica de suyo relativismo. Se recogen y critican los argumentos de Popper y Gombrich en contra del llamado "mito del marco conceptual" y se examina la postura de Putnam, (...) para concluir que éste se encuentra mucho más cerca de la inconmensurabilidad que lo que él mismo admite. En conra de la interpretación de la inconmensurabilidad que convierte a las culturas en totalidades cerradas y aisladas, se argumenta que la doctrina de la inconmensurabilidad no niega la existencia de comunicación intercultural: la caracteriza. En la misma línea se subraya que la inconmensurabilidad no impide el reconocimiento de lo humanoPALABRAS CLAVECULTURA-PARADIGMA-INCONMENSURABILIDAD-RELATIVISMOABSTRACTIt is usually maintained that Kuhn's claims on inconmensurability made up the core of the relativist doctrines. Against this view, the paper argues that the inconmensurability between the different cultural traditions or, even, the denial of the existence of eternal and absolute standars of rationaliti do not commit to relativist thesis. Popper and Hombrich's arguments are challenged and Putnam's view is examined in order to prove that he is closer to Kuhn than what he himself seems to think. In face of the reading of the idea of incommensurability that looks cultures as isolated and closed wholes, it is maintained that theinconmensurability thesis does not deny the existence of cultural communication: rather it characterizes how they communicate. Following the same line of thought, it is emphazised that the existence of inconmensurability between different cultures does not make impossible the recognition of the specific human phenomena.KEYWORDSCULTURE-PARADIGM-INCOMMENSURABILITY-RELATIVISM. (shrink)

A partir de las perspectivas del poeta Rainer Maria Rilque, el autor desarrolla las nociones de la condición existencial del hombre y la naturaleza del hombre así como otras ideas que conforman la poesía antropológica y existencial de Rilque. Se abordan aquí la fragilidad de la existencia, la soledad, la subjetividad, la angustia, la apertura a las posibilidades, la muerte como fruto maduro de la existencia e inmanente a la vida, entre otras temáticas y se dejan atrás las visiones metafísicas (...) del yo como substancia para ofrecer una descripción fáctica del existir del hombre. (shrink)