Translator's Introduction to Günter Figal's Objectivity: The Hermeneutical and Philosophy.

What is the significance of hermeneutics at the intersections of ethics, politics and the arts and humanities? In this book, George -/- - Discusses how hermeneutics offers ways to develop an ethics - Makes the case for the relevance of contemporary hermeneutics for current scholarly discussions of responsibility within continental European philosophy - Contributes a new, ethically inflected approach to current debate within post-Gadamerian hermeneutics - Extends his analysis to the practice of living and covers animals, art, literature and (...) translation -/- Few topics have received broader attention within contemporary philosophy than that of responsibility. Theodore George makes a novel case for a distinctive sense of responsibility at stake in the hermeneutical experiences of understanding and interpretation. -/- George argues for the significance of this hermeneutical responsibility in the context of our relations with things, animals and others, as well as political solidarity and the formation of solidarities through the arts, literature and translation. (shrink)

Hermeneutics is widely celebrated as a call for “conversation”—that is, a manner of inquiry characterized by humility and openness to the other that eschews the pretenses of calculative rationality and resists all finality of conclusions. In this, conversation takes shape in efforts to understand and interpret that always unfold in the transmission of meaning historically in language. Yet, the celebration of hermeneutics for humility and openness appears, at least, to risk embarrassment in light of claims found in Heidegger and Gadamer (...) that conversation is always contingent on “prior accord.” Critics of hermeneutics have, for some decades, interpreted this claim of prior accord to refer to a common tradition, so that the understanding achieved in conversation is restricted to those who belong to the same heritage. In this essay, the author argues that although Heidegger and Gadamer often suggest this prior accord is a matter of common tradition, crucial threads of Gadamer’s thought, in particular, recommend a different view. Gadamer, in these threads, offers that “prior accord” concerns not a common tradition, but, on the contrary, the call to participate in hermeneutic transmission as such, even—and no doubt especially—when those in conversation are not familiar with the tradition or language of the other. With this, we are called to converse not first by _what_ the other says, but by the fact _that_ we do not yet understand, that we have already misunderstood, and that we perhaps cannot understand. (shrink)

"Hans-Georg Gadamer is one of the most important philosophers of the post-1945 era. His name has become all but synonymous with the philosophical study of hermeneutics, the field concerned with theories of understanding and interpretation and laid out in his landmark book, Truth and Method. Influential not only within continental philosophy, Gadamer's thought has also made significant contributors to related fields such as religion, literary theory and education. The Gadamerian Mind is a major survey of the fundamental aspects of Gadamer's (...) thought, with contributions from leading scholars of Gadamer and hermeneutics from around the world. Thirty-eight chapters are divided into six clear parts: Overviews Key Concepts Historical Influences Contemporary Encounters Beyond Philosophy Legacies and Questions. Although Gadamer's work addresses a remarkable range of topics, careful consideration is given throughout the volume to consistent concerns that orient his thought. Important in this respect is his relation to philosophers in the Western tradition, from Plato to Heidegger. An indispensable resource for anyone studying and researching Gadamer, hermeneutics and the history of twentieth-century philosophy, The Gadamerian Mind will also be of interest to those in related disciplines such as religion, literature, political theory and education"--. (shrink)

We show that there is a strong minimal pair in the computably enumerable Turing degrees, i.e. a pair of nonzero c.e. degrees a and b such that a∩b = 0 and for any nonzero c.e. degree x ≤ a, b ∪ x ≥ a.

In this article the aurhtor explores the intimate connection between the concepts of ‘health’ and ‘normality’ in the fields of medicine and mental health by discerning Foucauldian themes in Peter Shaffer’s critically acclaimed drama Equus. Shaffer’s scrutiny of the mental health field pinpoints the same issue as Foucault does in his many works on medicine and psychiatry, namely, that operating behind any concept of ‘health’ in these fields is nothing other than the notion of ‘normality.’ By looking not only to (...) the acumen of Foucault’s research and critique, but also to the depiction of Foucauldian themes in Shaffer’s compelling dramatic work, this article is able to explore the implications of the relation between ‘health’ and ‘normality’ in concrete, human terms. In Equus, the effects of psychiatric discourse are written all over the face of a disturbed, young teenager, a fact which reminds us that the human beings subjected to the mental health care profession are all too real, precariously delicate, suffering individuals. (shrink)

In this paper, the author turns to Hans-Georg Gadamer’s philosophical hermeneutics to examine the experience of grieving. Specifically, the author argues that grieving may be grasped as a limit situation of memory. This approach suggests that grieving cannot be adequately captured by a stage model theory but, instead, poses an infinite task that is fraught with difficulty and ethical demands. The author develops this approach in reference not only to Hans-Georg Gadamer but recent research by Nancy Moules and Kate Beamer.

One of the most pressing issues for contemporary continental philosophy turns on the determination of a concept of community that twists free from the dangerous tendency in the canon of Western thought to associate the perfection of political affiliation with complete unity, even totality and immanence. In this article the author suggests that in the Phenomenology of Spirit Hegel provides important resources for this project—not, of course, in his conception of that community indicated by the absolute spirit, itself a preeminent (...) example of political totality, but instead in his discussion of a very different form of togetherness, one achieved in the tragic work of art. As the author argues, this is a sense of community that takes as its very basis the impossibility of political totality, for Hegel an impossibility evoked by a crisis concerning the political significance of the dead. (shrink)

In this essay, the author argues that Gadamer's approach to world literature contributes to the call for us mutually to discover our solidarities with those from different traditions, and, thus also, different linguistic traditions. He holds that the discovery of global solidarities is urgent because current prospects to address the world's political, social and economic challenges have been put in jeopardy by the increasingly ubiquitous use of calculative rationality to manage human relations. Gadamer's concern for us to discover solidarities, however, (...) concerns not first that we ally ourselves with some political identity, ideal, or cause, but, rather, that we allow ourselves to become visible to one another in our respective exteriority as finite, free beings. In this context, the author seeks to show that world literature may contribute to the discovery of solidarities by bringing us into such visibility on a global scale. (shrink)

Some more recent scholarship that challenges received wisdom about Gadamer not withstanding, it remains common to associate his hermeneutical approach to art and literature, along with his hermeneutics generally, with political and cultural conservatism. In this essay, however, the author argues that some of Gadamer’s significant, but underappreciated, later essays on Hegel’s aesthetics further support and nuance the rising recognition of Gadamer’s sensitivity to the discontinuities, dislocations, and fractures that pervade any experience of the past. Specifically, Gadamer’s critical response in (...) these essays to Hegel’s familiar thesis that art is a “thing of the past” sheds light on the special hermeneutical difficulties faced in the present historical juncture—a time, which Gadamer suggests is increasingly alienated from its own heritage. As I wish to show, Gadamer believes this schism to signal not an end of Western art, but, rather, a liberation of art that releases novel possibilities for artistic practice and for the interpretation of art. Far from being a conservative who might deny or lament the rupture of tradition, then, Gadamer’s take on the Hegelian thesis reveals Gadamer to acknowledge and even embrace this withdrawal of tradition as a source of new meaning and experience. (shrink)

(2009). What is the Future of the Past? Gadamer and Hegel on Truth, Art and the Ruptures of Tradition. Journal of the British Society for Phenomenology: Vol. 40, Tradition, Art & Sexuality, pp. 4-20.

The purpose of this essay is to consider the significance that Hegel grants to religious love and, with it, forgiveness in his early The Spirit of Christianity and Its Fate. Although Hegel characterizes religious love in this writing as a unity that transcends reason, his association of such love with forgiveness nevertheless sheds light on an important aspect of human finitude. In this, Hegel may be seen to identify forgiveness as a form of freedom elicited by limits that we encounter (...) in practical life. The author suggests that Hegel’s approach to forgiveness, which makes use not only of themes expressed by Jesus in the Gospel but also Greek tragedy, comprises an attractive alternative to some current views. (shrink)

The concern of the present inquiry is whether, and, if so, how, Hans-Georg Gadamer’s conception of hermeneutical understanding can help us grasp the character of our ethical responsibility, and, indeed, a sense of responsibility that remains answerable to the plurality of our always singular and contingent ethical experiences. The focus of this essay, however, is to shed novel light on the responsibility at stake in understanding—or, as this may be referred to more simply, the responsibility to understand—on the motif of (...) Gadamer’s call for us to “elevate” ourselves “to humanity” through “the aptitude [Fähigkeit] for conversation.” This identification of the responsibility to understand with our elevation of ourselves to our humanity appears, initially at least, to stand in opposition to Heidegger’s celebrated (some would say notorious) criticism of humanism in his “Letter on Humanism” and elsewhere. Yet, as we shall see, Gadamer’s call for us to elevate ourselves to our humanity in fact may be grasped as an ‘extreme’ form of humanism that answers to criticisms of the humanist tradition prevalent since they were first raised by Heidegger in his “Letter.”. (shrink)

In Tragedies of Spirit, Theodore D. George engages Hegel’s Phenomenology of Spirit to explore the philosophical significance of tragedy in post-Kantian continental thought. George follows lines of inquiry originally developed by Nietzsche, Heidegger, Gadamer, and Derrida, and takes as his point of departure the concern that Hegel’s speculative philosophy forms a summit of modernity that the present historical time is called to interrogate. Yet, George argues that Hegel’s larger speculative ambitions in the Phenomenology compel him to (...) turn to the resource of tragedy in order to give voice to issues of incommensurability, discontinuity, otherness, strife, and crisis. From this standpoint, Hegel’s interest in the tragic proves to be more pervasive and to run deeper than has previously been recognized. The author shows that Hegel’s reliance upon the tragic not only stretches and tests assumptions of speculative philosophy, but also illuminates original insights into human finitude. While situating Hegel’s approach to tragedy as part of a broader response to Kant, George also contextualizes Hegel’s interest in tragedy with reference to figures in German Idealism and Romanticism, such as Schelling, Hölderlin, and Schlegel. (shrink)

Significant proponents of both postmodern and realistic hermeneutics suggest that our efforts to understand are better when they involve a plurality of interpretative perspectives. The author of this essay argues, however, that a realist approach can provide a more persuasive reason for this orientation toward plurality. Postmodern approaches in hermeneutics suggest that we should pursue a plurality of interpretations to help us break free from the influence of reductive interpretations inherited from the past. Yet, this normative orientation runs the risk (...) of a proliferation of interpretations that leaves us in hermeneutical isolation from one another. A realistic hermeneutics, by contrast, suggests that we should pursue a plurality of interpretations because the matters of mutual concern to us are, in and of their own reality, plural. This realistic reason to pursue a plurality of interpretations does not silo us from one another but, on the contrary, reminds us of the need for conversation that allows us to address our shared world of matters of mutual concern. (shrink)

This article argues that the political significance Hans-Georg Gadamer's attributes to friendship not only resists the criticism of Gadamer (and Heidegger) leveled by Axel Honneth but, moreover, that Gadamer's approach to friendship sheds light on a certain intimacy we experience in our opening onto the political sphere.

This article examines the hermeneutics as a basis of critique in the work of Gianni Vattimo and Hans-Georg Gadamer.

The purpose of this piece is to examine the contribution made to the philosophical study of hermeneutics by James Risser’s recently published book, The Life of Understanding: A Contemporary Hermeneutics. The author argues that Risser’s emphasis on the relation of understanding to factical life places him among contemporaries, such as Donatella di Cesare and Günter Figal, who seek to advance hermeneutics beyond the context of Hans-Georg Gadamer’s approach. The author argues that Risser’s hermeneutics is distinguished by his concern for the (...) radical finitude at stake in the experience of tradition, language, and beauty. In view of this, the author broaches questions that bring into focus the proximity between Risser’s hermeneutics and Jacques Derrida’s project of deconstruction. (shrink)

Gadamer's philosophical hermeneutics cannot fully be understood without the contour his project receives from his relation to Kant's third Critique of Judgmentand Hegel's absolute idealism. Although Gadamer's deepest ties are to Heidegger, his thought also remains shaped greatly by the Greeks, especially Plato and Aristotle, as well as figures and themes in the classical age of German philosophy from Kant to Hegel. This chapter discusses two crucial points of Gadamer's approach to German idealism. The first is the debt he owes (...) to Kant's third Critique for his own elucidation of the hermeneutical experience of truth, and, second is the debt that he owes to aspects of Hegel's absolute idealism for his own notion of hermeneutical self‐knowledge. The chapter shows that Gadamer, in his approach to both Kant's third Critique and Hegel's absolute idealism, focuses on themes that allow him to emphasize the forms of finitude he believes guide hermeneutical experience. (shrink)

Abstract The broad concern of this article is to contribute to discussions within hermeneutical philosophy that address the question of life as a form of correlation. More specifically, its purpose is to shed light on the character of life as correlation with reference to a basic aspect of this correlation: our living relation to things. To this end, the author focuses, first, on the later Heidegger's suggestion that our proper relation to things takes shape as an enactment guided by the (...) releasement or letting-be ( Gelassenheit ) of things in their independence; and, second, on Günter Figal's recent claim that this enactment, in turn, depends on our referential relation to the exteriority or objectivity of things. The author concludes that our living relation with things may be understood best in terms of the movement or mutual interplay of these two conditions. (shrink)

Some critics charge that Gadamer’s approach to our experience of art remains mired in conservatism because he believes our experience of artworks depends on tradition. In this essay, I argue that this charge fails to address the full scope of Gadamer’s considerations of our experience of art. This becomes clear with an emendation that Gadamer appears to make to his Truth and Method account of artistic imitation, or, mimesis, in his later essay “Art and Imitation.” Whereas Gadamer’s approach to mimesis (...) in Truth and Method provides testimony to the significance of tradition for our experience of artworks, his account in “Art and Imitation” make the supplementary proposal that our experience of artworks testify to a more fundamental and encompassing experience of what he shall simply refer to as ‘order.’ Gadamer thereby suggests that our experience of artworks concerns not only foremost or exclusively our belonging to a tradition but, more originally, our possibilities for belonging as such. (shrink)

In this essay, the author contends that Schelling’s first publication, the Philosophical Letters on Dogmatism and Criticism, provides crucial insights into the wide spread philosophical interest in poetic art today. For Schelling, philosophical inquiry finds that its native resource, reason, requires the disclosive power of the poetic genera of tragic drama in order to remedy a crisis which inheres in its very nature and operations.

Although it might go without mention, editor Bret Davis nevertheless reminds us on the first page of his introduction to Key Concepts that “Martin Heidegger (1889–1976) is widely considered to be the most famous, influential, and controversial philosopher of the twentieth century.” This really fine new companion put together by Davis promises to elucidate the main lines of Heidegger’s thought at a moment when Heidegger is perhaps receiving more scholarly attention and, indeed, more diverse scholarly attention, than at any previous (...) time. Alongside the vast and ever-growing body of literature on Heidegger, not only has a new edition of Joan Stambaugh’s English translation of Being and Time, revised by Dennis Schmidt, now appeared (State University of New York Press, 2010) but also previously untranslated writings are being put into English at an impressive clip. The purpose of Key Concepts, as Davis indicates in the “Acknowledgements,” is to facilitate readers’ access to Heidegger’s thought with a companion that strikes a mean between more advanced scholarly treatments of Heidegger’s ideas and more introductory surveys. (shrink)

Jean-Luc Nancy’s conception of the ‘inoperative community’ is one of the most original attempts in recent memory to develop a theory of the political that addresses contemporary concerns for difference and singularity. In this paper, I will argue that despite the deep rapprochement between Nancy and Heidegger, Nancy’s insistence upon the connection between community and singularity allows him to twist free from the more duplicitous features of his Heideggerian heritage. In contrast with Heidegger, Nancy interprets the political significance of finitude (...) with reference not to the work of a people, but, instead, to the finitude of singular beings that we encounter in our exposure to the death of others. From Nancy’s interpretation emerges a view of community that resists, or, as he puts it, unworks all tendencies toward totalitarian politics. (shrink)

In this essay, the author maintains that Gadamer’s affirmation of the relation among art, truth, and beauty is less a sign of conservatism or nostalgia than it is a key to his innovative and insightful examination of our experience of art. Gadamer’s approach to both the truth claim and the beauty of art flows from his association of the being of art with enactment (Vollzug). Yet, increasingly over the course of his writings, Gadamer appears to relinquishes talk of art in (...) this sense as a ,work‘ in favor of an emphasis on the kinship between art and the phenomenon of play. In light of this shift, it is argued that Gadamer’s conception of the truth claim and beauty of art may best be understood not as properties of a product or artifact, of something already enacted and thus complete in itself, but, instead, as nothing other than the very enacting of that freedom which he finds at the heart of human play. (shrink)

The purpose of this essay is to examine Giorgio Agamben’s important but underappreciated debts to the early German Romantics and to Hegel. While maintaining critical distance from these figures, Agamben develops crucial aspects of his approach to radical passivity with reference to them. The focus of this essay is on Agamben’s consideration of the early German Romantics’ notions of criticism and irony, Hegel’s notion of language, and the implications of this view of language for his notion of community.

This article offers a survey of some main ideas in Günter Figal's hermeneutics as he presents them in his recent Gegenständlichkeit: Das Hermeneutische und die Philosophie [ Objectivity: The Hermeneutical and Philosophy ]. Figal promises a new approach to the philosophical study of hermeneutics in this work that would advance beyond Gadamer, Heidegger, and others in significant respects. His project opens out from the belief that hermeneutical experience is guided by exteriority; such experience is directed toward and sustained by what (...) stands outside the subject and its sphere, or, as he develops this idea, by what is objective ( das Gegenständliche ). His orientation toward this sense of objectivity leads him to establish a notion of hermeneutical philosophy based on novel views of interpretation and understanding. This discussion reveals that hermeneutical philosophy belongs in the world, taken as hermeneutical space organized by the dimensions of freedom, language, and time. His hermeneutics culminates in an elucidation of human life as it is lived in this space. (shrink)

Gadamer’s philosophical hermeneutics is important to phenomenology for a number of reasons. One chief reason is that Gadamer describes his philosophical hermeneutics as an attempt to advance beyond the early Heidegger’s introduction of a “hermeneutics of facticity” that would break from the transcendental idealism of Husserl’s phenomenology. This chapter argues that Gadamer attempts to clarify his advance beyond Heidegger’s hermeneutical turn in phenomenology, at least in part, in reference to Hegel’s philosophy. While Gadamer remains critical of German Idealism generally and (...) Hegel’s notion of “absolute” spirit in particular, Gadamer nevertheless embraces Hegel’s approach to “objective” spirit in order to elucidate historical and linguistic conditions of facticity that the early Heidegger appears to discount. (shrink)

This chapter focuses on Gadamer's debts to figures and themes in German idealism, focusing in particular on Kant and Hegel.

This chapter focuses on Hegel's important but underappreciated conception of romantic art. The author argues that for Hegel, art is a work of language. Whereas Hegel believes classical art is a work of language that serves as a foundation of society, however, romantic art provides what the author refers to as a supplement.

The essays that follow concern one of these contributions, Günter Figal’s Objectivity: The Hermeneutical and Philosophy (SUNY Press, 2010; English translation of Gegenständlichkeit: das Hermeneutische und die Philosophie, Mohr Siebeck 2006). These pieces are drawn from an “Author Meets Critics” session sponsored by the North American Society for Philosophical Hermeneutics (NASPH) in conjunction with the 2012 meeting of SPEP. As conceived by the NASPH organizers, the principal purpose of the “Author Meets Critics” session was to further discussion of the significance (...) of Figal’s Objectivity for current research. (shrink)

In this essay, the author argues that Dennis Schmidt’s considerations of ethical life, when taken together, comprise a prescient and distinctive response to Heidegger’s call to pursue an ‘original ethics.’ In this, Schmidt disavows discourses within the discipline of ethics that seek to establish an ethical theory or position, arguing instead that the demands of ethical life require us to focus on the incalculable singularity of the factical situations in which we find ourselves. The author suggests that Schmidt’s contributions to (...) such an original ethical turns on Schmidt’s claims that the context of ethical life is fraught because bound up with radical finitude—though, for that very reason, also tender because marked by the need to care for one another in our vulnerability and fragileness. (shrink)

The author argues that Günter Figal sheds novel light on language in his recent Objectivity: The Hermeneutical and Philosophy through a debate he appears to stage with the position Jacques Derrida develops in some of his early essays on deconstruction. Figal describes language as a form of showing and emphasizes the openness and flexibility of expression involved in determining significance. Yet, he rejects the idea he finds in Derrida that such flexibility should lead us to wholesale suspicion of the capacity (...) of language to fix significance. Whereas Derrida concludes that all attempts to fix significance through supplementation of our expressions can only end in the need for further supplementation, Figal stresses the dialectical mien of language that allows supplementation to yield genuinely determinate significances. (shrink)

Examines the role that poets and the poetic word play in the formation of philosophical thinking in the modern German tradition. -/- Several of the most celebrated philosophers in the German tradition since Kant afford to poetry an all-but-unprecedented status in Western thought. Fichte, Hegel, Nietzsche, Heidegger, and Gadamer argue that the scope, limits, and possibilities of philosophy are intimately intertwined with those of poetry. For them, poetic thinking itself is understood as intrinsic to the kind of thinking that defines (...) philosophical inquiry and the philosophical life, and they developed their views through extensive and sustained considerations of specific poets, as well as specific poetic figures and images. This book offers essays by leading scholars that address each of the major figures of this tradition and the respective poets they engage, including Schiller, Archilochus, Pindar, Hölderlin, Eliot, and Celan, while also discussing the poets’ contemporary relevance to philosophy in the continental tradition. -/- Above all, the book explores an approach to language that rethinks its role as a mere tool for communication or for the dissemination of knowledge. Here language will be understood as an essential event that opens up the world in a primordial sense whereby poetry comes to have a deeply ethical significance for human beings. In this way, the volume positions ethics at the center of continental discourse, even as it engages philosophy itself as a discourse about language attuned to the rigor of what poetry ultimately expresses. (shrink)

The purpose of this essay is to examine Giorgio Agamben’s important but underappreciated debts to the early German Romantics and to Hegel. While maintaining critical distance from these figures, Agamben develops crucial aspects of his approach to radical passivity with reference to them. The focus of this essay is on Agamben’s consideration of the early German Romantics’ notions of criticism and irony, Hegel’s notion of language, and the implications of this view of language for his notion of community.

In the “Postscript” to his Origin of the Work of Art, Heidegger suggests that one important aim of his investigation into the relation between truth and art is to subject to scrutiny Hegel’s famous thesis on the end of art. The purpose of my essay is to contribute to this project by reexamining aspects of Hegel’s discussion of art in the Phenomenology of Spirit that appear to subvert his own thesis. Hegel’s treatment of ancient Greek drama and, specifically, some of (...) his remarks on comedy, not only bring Hegel’s claim about the end of art into question, but also lend new insights into the possibilities for the relationship between truth and art in our age. (shrink)

In the “Postscript” to his Origin of the Work of Art, Heidegger suggests that one important aim of his investigation into the relation between truth and art is to subject to scrutiny Hegel’s famous thesis on the end of art. The purpose of my essay is to contribute to this project by reexamining aspects of Hegel’s discussion of art in the Phenomenology of Spirit that appear to subvert his own thesis. Hegel’s treatment of ancient Greek drama and, specifically, some of (...) his remarks on comedy, not only bring Hegel’s claim about the end of art into question, but also lend new insights into the possibilities for the relationship between truth and art in our age. (shrink)

The author submits that while Nancy's tendency to make Occidentalist remarks cannot be denied, it is antithetical to his own conception of community that may be forged through literature. Nancy's conception actually provides a basis to critique not only Occidentalism, but any view that blinds us to the significance of cultural differences. For Nancy genuine community can only be achieved in the exposure of the other as a singular individual marked by unique cultural, historical, and existential experiences. His approach reminds (...) us that it is impossible to achieve genuine community unless we recognize and respect not only cultural differences, but differences of all kinds. It is possible, in fact, that despite some of Nancy's untenable remarks suggesting a precedence of the Occident, his concept of literary communism must be understood as a non-, or perhaps better, post-Western form of community. (shrink)

Although there is much scholarship on Maurice Blanchot’s relationship to his contemporaries on the French intellectual scene, substantially less has been made of his debts to the German philosophical heritage in general, and to G. W. F. Hegel in particular. In this article, the author maintains that Blanchot’s association of literature with worklessness comprises a direct, if somewhat tacit, refusal of Hegel’s determination of art as a work of spirit. The author argues that Blanchot’s critical relation to Hegel sheds new (...) light not only on Blanchot’s conception of literature and related themes of language, but also on his view of the significance of literature as a powerful and elusive force of resistance to hegemonic and ideological programs of many kinds. (shrink)