In his celebrated masterpiece, Symposium, Plato imagines a high-society dinner-party in Athens in 416 BC at which the guests - including the comic poet Aristophanes and, of course, Plato's mentor Socrates - each deliver a short speech in praise of love. The sequence of dazzling speeches culminates in Socrates' famous account of the views of Diotima, a prophetess who taught him that love is our means of trying to attain goodness. And then into the party bursts the drunken Alcibiades, the (...) most popular and notorious Athenian of the time, who insists on praising Socrates himself rather than love, and gives us a brilliant sketch of this enigmatic character. The power, humour, and pathos of Plato's creation engages the reader on every page. This new translation is complemented by full explanatory notes and an illuminating introduction. (shrink)

This edition of Martin Ostwald's revised version of J. B. Skemp's 1952 translation of _Statesman_ includes a new selected bibliography, as well as Ostwald's interpretive introduction, which traces the evolution in Plato's political philosophy from _Republic_ to _Statesman to Laws_--from philosopher-king to royal statesman.

The Statesman is Plato's neglected political work, but it is crucial for an understanding of the development of his political thinking. In some respects it continues themes from the Republic, particularly the importance of knowledge as entitlement to rule. But there are also changes: Plato has dropped the ambitious metaphysical synthesis of the Republic, changed his view of the moral psychology of the citizen, and revised his position on the role of law and institutions. In its presentation of the statesman's (...) expertise, the Statesman modifies, as well as defending in original ways, this central theme of the Republic. (shrink)

This paper originated in an attempt to come to terms with the problems which arise from the structure of the Politics. It is no news to anyone who has the slightest familiarity with the Politics that the work reads, to borrow a phrase of Barker's, not as a composition, but as composite. Broadly speaking, it falls into three parts: Books I–III, Books IV-VI, and Books VII-VIII.

Recently, scholars have looked more closely at the philosophical importance of the imaginative and literary aspects of Plato's writing, and have begun to appreciate the methods of ancient philosophers and commentators who studied Plato. This study brings together leading philosophical and literary scholars to investigate these new-old approaches.

At Theaetetus 163d-164b Socrates objects to the thesis that knowledge is perception by pointing out that a man who has seen something can still remember it, and so has knowledge of it; but this is impossible, if knowledge is perception, since he is no longer perceiving it.To this Protagoras is made to reply with two sentences at 166b 1–4: .Cornford translates ‘ For instance, do you think you will find anyone to admit that one's present memory of a past impression (...) is an impression of the same character as one had during the original experience, which is now over? It is nothing of the sort’.Cornford understands this as the suggestion that the memory and the original perception are of different things: ‘ All that the objection in fact established was that “ perception” must be stretched to include awareness of memory images’. So too Lee: ‘Protagoras’ “way out”… appears to be to say that what we now know is not properly X but rather our memory trace of X - some present πά θ ο ς quite distinct from X and very different from that ’. McDowel. (shrink)

At Theaetetus 163d-164b Socrates objects to the thesis that knowledge is perception by pointing out that a man who has seen something can still remember it, and so has knowledge of it; but this is impossible, if knowledge is perception, since he is no longer perceiving it.To this Protagoras is made to reply with two sentences at 166b 1–4:.Cornford translates ‘ For instance, do you think you will find anyone to admit that one's present memory of a past impression is (...) an impression of the same character as one had during the original experience, which is now over? It is nothing of the sort’.Cornford understands this as the suggestion that the memory and the original perception are of different things: ‘ All that the objection in fact established was that “ perception” must be stretched to include awareness of memory images’. So too Lee: ‘Protagoras’ “way out”… appears to be to say that what we now know is not properly X but rather our memory trace of X - some present πά θ ο ς quite distinct from X and very different from that ’. McDowel. (shrink)

This paper originated in an attempt to come to terms with the problems which arise from the structure of the Politics. It is no news to anyone who has the slightest familiarity with the Politics that the work reads, to borrow a phrase of Barker's, not as a composition, but as composite. Broadly speaking, it falls into three parts: Books I–III, Books IV-VI, and Books VII-VIII.

From the title of this volume—which resists the temptation to call Parmenides, Heraclitus, and Anaximander "pre-Socratics"—to the high quality of the translations, this book is an extended exercise in faithfulness to the text of Martin Heidegger. This is in my judgment the most successful attempt yet in the Sisyphian task of translating Heidegger’s works into English which Harper & Row has been undertaking in the past fifteen years. The volume consists in three essays on Parmenides and Heraclitus which appear together (...) and in the same order in Heidegger’s Vorträge und Aufsätze ; these are preceded by the important essay on Anaximander which is taken from Holzwege. These essays in the original German are written in the full bloom of Heidegger’s attempt to liberate language from logic and to find, not only the vocabulary, but also the grammar which is required in order to bring the matter to be thought into language. They are therefore in any strict sense untranslatable. They exist only in German, in the language in which they have come to birth. But the Krell-Capuzzi translation is as faithful an attempt as one could hope for to bring this matter into English, and so to introduce those who are coming to grips with Heidegger for the first time to a very important dimension of his thought, and to help those of us who have been at this for some time to hear these German words anew. What more can one say about a translation than that it helps one to understand the original? And that is what this volume does. (shrink)