Science is increasingly becoming automated. Tasks yet to be fully automated include the conjecturing, modifying, extending and testing of hypotheses. At present scientists have an array of methods to help them carry out those tasks. These range from the well-articulated, formal and unexceptional rules to the semi-articulated and variously understood rules-of-thumb and intuitive hunches. If we are to hand over at least some of the aforementioned tasks to machines, we need to clarify, refine and make formal, not to mention computable, (...) even the more obscure of the methods scientists successfully employ in their inquiries. The focus of this essay is one such less-than-transparent methodological rule. I am here referring to the rule that ad hoc hypotheses ought to be spurned. This essay begins with a brief examination of some notable conceptions of ad hoc-ness in the philosophical literature. It is pointed out that there is a general problem afflicting most such conceptions, namely the intuitive judgments that are supposed to motivate them are not universally shared. Instead of getting bogged down in what ad hoc-ness exactly means, I shift the focus of the analysis to one undesirable feature often present in alleged cases of ad hoc-ness. I call this feature the ‘monstrousness’ of a hypothesis. A fully articulated formal account of this feature is presented by specifying what it is about the internal constitution of a hypothesis that makes it monstrous. Using this account, a monstrousness measure is then proposed and somewhat sketchily compared with the minimum description length approach. (shrink)

This paper examines what exactly amounts to the view commonly known as ‘perspectivism’, sometimes also known as ‘perspectivalism’. Of the various possible conceptions of perspectivism, four are singled out for closer inspection. Each makes clearly separable claims of varying strength. Their strength is judged against how much doubt they throw on key claims made by the view’s presumed arch-nemesis, namely realism. It is argued that the first two offer no serious challenge to realism. To be precise, it is argued that (...) the first one is blatantly false, while the second is true but utterly harmless. Things are less clear cut with the other two conceptions of perspectivism. If true, they appear to present a more serious challenge to realism. It is argued that considerable doubts hang over their truth as to date arguments raised in their support are far from compelling. Even so, these conceptions cannot be summarily dismissed. Indeed, under more reasonable construals, they need not be for realism to survive and thrive. This is because claims these conceptions make in the name of perspectivism turn out to be easily coupled with realism. (shrink)

Early in the Logic of Essence, the second main part of Hegelian Logic, Hegel identifies a logical structure, seeming (Schein), with “the phenomenon of scepticism.” The present paper has two aims: first, to flesh this identification out by describing the argument that leads up to it; and, second, to argue that it is mistaken. I will proceed as follows. Section 1 deciphers the opening statement of the Logic of Essence, “the truth of being is essence,” by specifying the meaning of (...) each of its composing terms. The discussion opens the way for deliberation on the meaning of the notion of seeming, since seeming proves to be what remains of being in the structure of essence. This is done in section 2. It is also shown therein that seeming takes two logical forms, dualistic seeming and monistic seeming. Section 3 argues that Hegel identifies scepticism only with dualistic seeming, and that the scepticism he has in mind is what one may call “subjective scepticism,” namely a scepticism grounded in the subject of cognition. The section concludes that Hegel, judged by his own standards, is mistaken in this identification. Finally, section 4 considers Robert Pippin’s objection to the above conclusion and offers a rejoinder. (shrink)

This little book aims to clarify and give a synoptic description of both the notions of 'Metacognition' and 'Theory of Mind', as well as a short comparison of these two 'hot' scientific topics. After giving the theoretical framework of the concept of 'Metacognition', it describes a number of practical suggestions of how educators of all levels can enhance their students' metacognitive abilities in practice. Then it analyzes all the basic aspects of the concept of 'Theory of Mind' and its relation (...) to Language. Finally, it tries to combine the two theoretical concepts, i.e. 'Metacognition' and 'Theory of Mind', by making some helpful clarifications and identifying their major similarities, differences and convergences. In this way, the author hopes strongly to contribute to the resume of the Literature Review in a concise and handy volume, and wishes to help all the interesting parts, scholars and teachers, to do their own insights and improvements (theoretical and practical) in these crucial areas. (shrink)

Arguments against epistemic akrasia have been met with counterexamples from the higher-order evidence literature. Here, I present two counterarguments to address these challenges. Firstly, the attitude reclassification argument disentangles reason-responsiveness from the constraints of evidentialism and allows for the adoption of conflicting propositions by coherent doxastic attitudes. Secondly, the failure reclassification argument demystifies the loss of doxastic control in purported cases of epistemic akrasia by appealing to the more comprehensive and distinct phenomenon of self-deception.

This book examines the place of physical bodies, a major topic of natural philosophy that has occupied philosophers since antiquity. Aristotle's conceptions of place (topos) and the void (kenon), as expounded in the 'Physics', were systematically repudiated by John Philoponus (ca. 485-570) in his philosophical commentary on that work. The primary philosophical concern of the present study is the in-depth investigation of the concept of place established by Philoponus, putting forward the claim that the latter offers satisfactory solutions to problems (...) raised by Aristotle and the Aristotelian tradition regarding the nature of place. Philoponus' account proposes a specific physical model of how physical bodies exist and move in place, and regards place as an intrinsic reality of the physical cosmos. Due to exactly this model, his account may be considered as strictly pertaining to the study of physics, thereby constituting a remarkable episode in the history of philosophy and science. (shrink)

We investigate the impact of perceived greenwashing on customer satisfaction. Unlike prior research that largely examines customer perceptions associated with irresponsible behavior, we focus on cases where firms overcommit and/or do not deliver on promised socially responsible actions. We theorize that this type of greenwashing is associated with lower customer satisfaction because customers perceive greenwashing through the lens of corporate hypocrisy. Using data from the American Customer Satisfaction Index (ACSI) for U.S. companies during the period 2008–2016, we document a negative (...) link between perceived greenwashing related to green product innovation (GPI) and the ACSI index. We demonstrate that this effect is primarily triggered by corporate policies exceeding the corresponding implementation actions and not by lower levels of implementation. We also show that a firm’s capability reputation mitigates the negative effect of greenwashing on customer satisfaction. Moreover, we conduct an experiment and provide evidence confirming that GPI greenwashing is in fact perceived by customers as corporate hypocrisy. (shrink)

Aesthetic perception is one of the most interesting topics for philosophers and scientists who investigate how it influences our interactions with objects and states of affairs. Over the last few years, several studies have attempted to determine “how aesthetics is represented in an object,” and how a specific feature of an object could evoke the respective feelings during perception. Despite the vast number of approaches and models, we believe that these explanations do not resolve the problem concerning the conditions under (...) which aesthetic perception occurs, and what constitutes the content of these perceptions. Adopting a naturalistic perspective, we here view aesthetic perception as a normative process that enables agents to enhance their interactions with physical and socio-cultural environments. Considering perception as an anticipatory and preparatory process of detection and evaluation of indications of potential interactions, we argue that the minimal content of aesthetic perception is an emotionally valued indication of interaction potentiality. Aesthetic perception allows an agent to normatively anticipate interaction potentialities, thus increasing sense making and reducing the uncertainty of interaction. This conception of aesthetic perception is compatible with contemporary evidence from neuroscience, experimental aesthetics, and interaction design. The proposed model overcomes several problems of transcendental, art-centered, and objective aesthetics as it offers an alternative to the idea of aesthetic objects that carry inherent values by explaining “the aesthetic” as emergent in perception within a context of uncertain interaction. (shrink)

Even though aesthetics and affordances are two important factors based on which designers provide effective ways of interaction through their artifacts, there is no study or theoretical model that relates these two aspects of design. We suggest a theoretical explanation that relates the underlying functionality of aesthetics, in particular, of interaction aesthetics and of affordances in the design process. Our claim is that interaction aesthetics are one among other factors that allow users to enhance the detection of action possibilities and (...) consequently, the detection of affordances. Our aim is first to discuss the role of interaction aesthetics in the design process, and second to suggest an explanation for their role in the detection of affordances when users interact with artifacts. (shrink)

The linguistic foundations of science and technology include many terms that have been borrowed from ancient languages. In the case of terms with origins in the Greek language, the modern meaning can often differ significantly from the original one. Here we use the PubMed database to demonstrate the prevalence of words of Greek origin in the language of modern science, and call for scientists to exercise care when coining new terms.

The paper examines the main points of Yankov’s hypothesis on the rise of Greek mathematics. The novelty of Yankov’s interpretation is that the rise of mathematics is examined within the context of the rise of ontological theories of the early Greek philosophers, which mark the beginning of rational thinking, as understood in the Western tradition.

The paper examines Yankov’s contribution to the history of mathematical logic and the foundations of mathematics. It concerns the public communication of Markov’s critical attitude towards Brouwer’s intuitionistic mathematics from the point of view of his constructive mathematics and the commentary on A.S. Esenin-Vol’pin program of ultra-intuitionistic foundations of mathematics.

In this paper, we explore certain exemplifications of transgression in the history and philosophy of mathematics. We recognize transgressive acts in the transition from a “real” to an “imaginary” world. Further, we suggest the concept of proof-events that transgress traditional concepts of mathematical proof. The theory of proof-events provides us with means to identify transgressive acts in the development of a discovery proof-event. These concern the creative understanding of a purported mathematical proof by reconstructing the meaning conveyed by it, eventually (...) supplementing it, surpassing stylistic hindrances in the narrative formulated by a prover, exceeding the boundaries of the (local) logic of a prover, etc. Finally, we identify transgressive acts with discontinuous points of change in the development of proof-events and suggest formal measures for their recognition. (shrink)

Exploring emotions, in terms of their evolutionary origin; their basic neurobiological substratum, and their functional significance in autonomous agents, we propose a model of minimal functionality of emotions. Our aim is to provide a naturalized explanation – mostly based on an interactivist model of emergent representation and appraisal theory of emotions – concerning basic aesthetic emotions in the formation of aesthetic judgment. We suggest two processes the Cognitive Variables Subsystem (CVS) which is fundamental for the accomplishment of the function of (...) heuristic learning; and Aesthetic Appraisal Subsystem (AAS) which primarily affects the elicitation of aesthetic emotional meanings. These two subsystems (CVS and AAS) are organizationally connected and affect the action readiness of the autonomous agent. More specifically, we consider the emotional outcome of these two subsystems as a functional indication that strengthens or weakens the anticipation for the resolution of the dynamic uncertainty that emerges in the particular interaction. (shrink)

In this paper, we examine a fundamental problem that appears in Greek philosophy: the paradoxes of self-reference of the type of “Third Man” that appears first in Plato’s 'Parmenides', and is further discussed in Aristotle and the Peripatetic commentators and Proclus. We show that the various versions are analysed using different language, reflecting different understandings by Plato and the Platonists, such as Proclus, on the one hand, and the Peripatetics (Aristotle, Alexander, Eudemus), on the other hand. We show that the (...) Peripatetic commentators do not focus on Plato’s solution but primarily on the formulation of the “Third Man” paradox. On the contrary, Proclus seems to be convinced that Plato suggests a sound solution to the paradox by defining the predicate of similarity (homogeneity) that demarcates two types of homogeneous entities – the eide and the participants in them in a way that their confusion would be inadmissible. We claim that Plato’s solution follows a sound line of reasoning that is formalisable in a language of Frege-Russell type; hence there exists a model in which Plato’s reasoning is valid. Furthermore, we notice that Plato’s definition of the second-order predicate of similarity is attained by resorting to first-order entities. In this sense, Plato’s definition is comparable to Eudoxus’ definition of ratio, which is also attained by resorting to first-order objects. Consequently, Plato seems to follow a logical practice established by the mathematicians of the 5th century, notably Eudoxus, in his solution to the paradox. (shrink)

This book explores the way in which the fear of enemies shapes political groups at their founding and helps to preserve them by consolidating them in times of crisis. It develops a theory of “negative association” that examines the dynamics captured by the maxim “The enemy of my enemy is my friend” and then traces its role in the history of political thought, demonstrating that the fear of external threats is an essential element of the formation and preservation of political (...) groups and that its absence renders political association unsustainable. (shrink)

Ovid's disclaimers in the Ars Amatoria need to be read in this context. My main argument is that, in his disclaimers, Ovid is rendering his female readership socially unrecognizable, rather than excluding respectable virgins and matronae from his audience. Ars 1.31–4, Ovid's programmatic statement about his work's target audience, is a case in point. A closer look at the passage shows that he does not necessarily warn off Roman wives and marriageable girls:este procul, uittae tenues, insigne pudoris,quaeque tegis medios instita (...) longa pedes:nos Venerem tutam concessaque furta canemusinque meo nullum carmine crimen erit. Ov. Ars Am. 1.31–4Stay away, slender fillets, symbol of modesty,and you, long hem, who cover half the feet:we shall sing of safe sex and permitted cheatingand there will be no wrong in my song. (shrink)

Nowadays, aesthetics are generally considered as a crucial aspect that affects the way we confront things, events, and states of affairs. However, the functional role of aesthetics in the interaction between agent and environment has not been addressed effectively. Our objective here is to provide an explanation concerning the role of aesthetics, and especially, of the aesthetic experience as a fundamental bodily and emotional activity in the respective interactions. An explanation of the functional role of the aesthetic experience could offer (...) new orientations to our understanding of embodied cognition and of aesthetics as a fundamental part of it. We argue that aesthetic experience, especially its emotional dimension, is an evaluative process that influences the anticipation for stable and successful interactions with the environment. In other words, aesthetics facilitates sense-making as they affect what might be anticipated by an action tendency with respect to an environment. (shrink)

Proceedings of the 11th Interdisciplinary Symmetry Congress-Festival of the International Society for the Interdisciplinary Study of Symmetry. Special Theme: “Tradition and Innovation in Symmetry - Katachi”.

The volume starts with the paper of Lynn Maurice Ferguson Arnold, former Premier of South Australia and former Minister of Education of Australia, concerning the Exposition Internationale des Arts et Techniques dans la Vie Moderne (International Exposition of Art and Technology in Modern Life) that was held from 25 May to 25 November 1937 in Paris, France. The organization of the world exhibition had placed the Nazi German and the Soviet pavilions directly across from each other. Many papers are devoted (...) to the interpretation of this opposition. Arnold’s paper considers the differences in the two totalitarian states’ architectural and design discourse styles. Although each of them communicated a totalitarian language of purposes, permissions, and boundaries, they essentially differed in the styles of discourse represented by the architecture and design of their respective pavilions. They were opposites of each other and the liberal ideals they contested. The internationalist viewpoint reflecting the multi-ethnic mix of the USSR is contrasted to the ein Volk homogeneity represented in the German pavilion. The Soviet pavilion opted for a utopian future to be arrived at by “benign” leadership, whereas the German pavilion anchored itself in the myth of Teutonic history with the nostalgic pride protected by the swastika-bearing eagle. Jean-Yves Béziau is best known as a logician and founder of Universal Logic. However, in this paper, he poses a new philosophical question: why philosophical discourse does not use images? The paper begins with a general analysis of different types of philosophical discourses. Then, he focuses on why images have been and are still rejected in philosophical discourse. He explains various ways to use images in a fruitful way to develop philosophical thinking and discourse and illustrates his view by providing several examples. He concludes with a promising programmatic declaration about founding a new journal entitled World Journal of Pictorial Philosophy to stimulate the usage of images for developing philosophical thinking. Although complaints about the obscurity of many philosophers’ discourse are widespread, Tatiana Denisova, ex-professor of the Surgut University and a research associate of the University of the Aegean undertakes a positive attitude to this problem. She explains that the reasons for the obscurity of philosophical texts, the subsequent complexity in communicating philosophers’ meanings and their eventual incomplete understanding is not a sign of their inferiority. On the contrary, it is a sign of the fruitfulness of philosophical discourse, which can generate new meanings. Thus, the darkness of philosophical discourse is like the life-giving chaos, and the obscurity that it inevitably contains can be the keeper of implicit meanings and even their generator. Katarzyna Gan-Krzywoszyńska and Piotr Leśniewski, authors of a monograph on Polish philosopher Kazimierz Ajdukiewicz (1890 – 1963), make a comparative analysis of his educational style with that of Paulo Reglus Neves Freire (1921 – 1997). The authors highlight that these scholars have distinctly different backgrounds. The former was an educator, philosopher and a leading advocate of critical pedagogy connected with the dialogical Latin-American tradition. The latter was a philosopher and logician, a notable representative of the Lwów–Warsaw school of logic with significant contributions to semantics, model theory and the philosophy of science. Despite their apparent difference, the authors identify some striking similarities regarding their attitudes towards education; notably, their approaches are essentially dialogical. Gilah Yelin Hirsch is a multidisciplinary artist who works as a painter, writer, curator, educator, and filmmaker. In her experiential paper, he explains how and why she uses four channels of communication in her creative expression: writing, painting, filmmaking, and teaching, as dialogic inquiry. She considers that these channels compose a continuum of discourse styles, each reaching a different facet of kaleidoscopic consciousness. She claims that her choice of medium is prompted by a need to communicate her insights profoundly. Thus, for instance, she created painted allegories to express narratives based on dreams and visions emerging from her subconscious. Art and healing is another Tibetan-rooted type of discourse practised by the author. Creating and observing a healing image produces a positive psychophysiological change in both the artist and the viewer. The discourse here is tripartite between creator, image, and viewer. Filmmaking is another type of discourse she practices between the filmmaker/artist as shaman or healer and the viewer as respondent or participant. These films are meant to be experienced frame by frame, physically and emotionally in both the body and mind. Jocelyn Ireson-Paine is a cartoonist and programmer. His paper offers an original attempt to use category theory in cartooning. Category theory is a branch of mathematics that provides concepts and methods to describe general abstract structures in terms of a labelled directed graph called category, whose nodes are called objects, and whose labelled directed edges are called arrows (or morphisms or transformations or mappings). The author explores different ways to define “style” in art using category theory and a relational view of art. Moreover, he examines how “translation” (transformation) between styles could be defined and reveals the difficulties of how it could be implemented in a computer using special software. Jens Lemanski is a philosopher who has revived research in Arthur Schopenhauer’s legacy by exploring his work on mathematical evidence, logic diagrams, and problems of semantics. In this paper, he advances a new approach to eristic as an art of protecting oneself from the one who deliberately violates norms of discourse ethics to win an argument. The author attributes the origins of this view to Schopenhauer, suggesting a new reading of his work. According to the author, eristic is a prohibitive technique that takes effect when the norms of discourse ethics are transgressed and violated. Thus, eristic is viewed as a discipline of Enlightenment philosophy and a correlate of discourse ethics. Roshdi Rashed is an authority on the history of Arabic mathematical sciences. Proceeding from Gilles-Gaston Granger’s definition of mathematical style, he studies the question of whether a mathematical work can be characterized by a single style or by a multitude of styles. This question is explored within the style of a single work, namely Menelaus’s Sphaerica, and through the study of the development of a single problem over time, namely the isoperimetric problem. He indicates Menelaus’s divergence from the Euclidean style of (plane and stereometric) geometry caused by the drop of the Parallel Postulate, which associated it with hyperbolic geometry. Hence, the author concludes that Menelaus’s Sphaerica incorporates the well-known Euclidean style with a variation of the non-Euclidean one. On the other hand, examining the isoperimetric problem reveals another interesting historical picture. A succession of different styles (cosmological, geometric, infinitesimalistic, style of the calculus of variations, of synthetic geometry) can be observed due to the transformation of the research object over time. Boris Shalyutin, a Russian social philosopher, and Ombudsman for Human Rights in the Kurgan Region, explores the origins of discourse in combination with the birth of society and law. He claims that legal discourse marks the historical emergence of discourse in general. Homo Juridicus generated Homo Sapiens, which have created new spheres of discourse, notably moral discourse and further philosophical, political, and scientific discourse. Petros Stefaneas, a logician, computer scientist and novelist, suggests an alternative to the traditional narratology approach for studying (interactive) social media discourse. He claims that style describes how the parts of a narrative are blended into a whole. The author relies upon Goguen’s and Harrel’s concept of style as a choice of blending principles and transfers to the study of the social media narratives elements from the methodology of studying Web-based collaborative search for mathematical proofs like those implemented within the Polymath project. The last paper belongs to Ghil‘ad Zuckermann, a linguist, language revivalist, and proponent of a model of the emergence of Israeli Hebrew, according to which Hebrew and Yiddish were the primary sources of Modern Hebrew. This paper explores the fascinating and multifaceted Yiddish language and its survival in Israeli. Yiddish is characterized by a unique style that embeds psycho-ostensive expressions throughout its discourse. The author highlights the cross-fertilization between Hebrew and Yiddish as it manifests itself in any aspect of the Israeli language. He claims that Yiddish survives beneath Israeli phonetics, phonology, discourse, syntax, semantics, lexis, and even morphology, although traditional and institutional linguists have been most reluctant to admit it. (shrink)

The present article reports several applied experiments in the generation of aesthetic forms from algorithms and data. In these experiments algorithms and data are the driving morphogenetic force to such an extent that the role of the human creator must be reexamined case-by-case. Artists that program the graphics or sound generating algorithms may in turn be said to be programmed perceptually by the resulting artworks, in the sense that they must adapt their perception in a conscious or involuntary effort to (...) detect or project meaning in their form. While forms generated by algorithms or data are to a large extent unpredictable, an intimate relationship between programmer, performer/listener/viewer and the piece is created through instinctive, empirical familiarity with the tools and the creative process, which is afforded by the immediate and highly interactive nature of the frameworks employed. A simple iterative algorithm that produces a novel kind of chaotic geometric shapes is presented. Examples of an application of Paul Klee’s principles of visual form in programming interactive audio-visual dance performance are given. These principles are directly derived from the language-based metaphor of active, medial and passive voice. Finally, ongoing experiments in letting language structures emerge from data derived from a sound database are presented. (shrink)