The essay addresses the issue of the relationships between everyday aesthetics and ethics from the point of view of tact. Tact is understood as an attitude towards behavior that guides action and thinking, and combines aesthetics with ethics. Tact and tactlessness may manifest themselves in action and speech but also in objects produced and used. I will argue that although tact is often pursued, tactful behavior will necessarily result in conflicting situations in which one is only in step with certain (...) things and in conflict with many others. However, the principle of tact tries to hide its conflictual aspects, unlike, for example, confrontation-based political thinking. Still, within the framework of tact, the contrast between pursuing harmonious behavior and yet necessarily creating conflicts cannot be avoided, which emphasizes the special tragic nature of tact. This kind of tragedy also often characterizes everyday aesthetics. I will approach the theme both through theoretical concepts and concrete examples. (shrink)

What is the role of aesthetics, everyday aesthetics in particular, in processes of solving social problems? Many if not most social problems arise from and affect our daily lives. As far as these problems contain aesthetic aspects, these typically are also of an everyday kind. In this paper, I address the relations between social problems and everyday aesthetics in five sections. I will start by briefly describing what I mean by social problems. Second, I will outline what solving such problems (...) means. Then, I will move on to defining aesthetics for the purposes of this article. Fourth, I will focus on the main question, the potential role of everyday aesthetics in solving social problems. Lastly, I will drill down a bit deeper into my own experiences in this matter in order to concretize the general points and give examples stemming from my working life. (shrink)

What is the role of aesthetics, everyday aesthetics in particular, in processes of solving social problems? Many if not most social problems arise from and affect our daily lives. As far as these problems contain aesthetic aspects, these typically are also of an everyday kind. In this paper, I address the relations between social problems and everyday aesthetics in five sections. I will start by briefly describing what I mean by social problems. Second, I will outline what solving such problems (...) means. Then, I will move on to defining aesthetics for the purposes of this article. Fourth, I will focus on the main question, the potential role of everyday aesthetics in solving social problems. Lastly, I will drill down a bit deeper into my own experiences in this matter in order to concretize the general points and give examples stemming from my working life. (shrink)

The academic databases such as Scopus or Web of Science are commonly used to measure performance of universities, departments, and even single researchers. However, to what extent such databases can represent real outcomes of aforementioned units especially in the field of art and humanities where local languages and cultural phenomena play an important role is not clear. This article focuses on understanding how research in this field, as seen through the case of aesthetics in non-English speaking countries, Finland in particular, (...) is represented through major academic databases. This question is tackled by applying a data mining approach. First, we identify major academic databases, and afterwards test what is the proportion of Finnish aesthetics presented in those databases. Our approach allows us to critically look into representation of local art or humanities related research in general academic databases, and understand to what extent we can trust those sources in representing real pictures of the field. Results strengthen the well-known fact that most common academic databases draw a rather poor picture. In more particular this article shows that there are certain factors that influence analysis of the field: spread data, multilingual content, non-standard categorization, variability of venues, different publishing patterns, and unsuitable impact metrics. However, our results propose that alternative databases can be formed from university or meta-data databases. We also provide further directions for designing of such databases. (shrink)

Nationalistic interpretations of history were prevalent in Finland until the Second World War. A unifying past for Finns was sought in antiquity, often influenced by interpretations of the Kalevala, regarded as the Finnish national epic. The Kalevala also inspired writers in the Theosophical Society, who promoted various alternative views of humanity’s past. In this article, I analyse the late 1930s writings of Wilho “Willie” Angervo (1875–1938), a medical colonel and author who had a central role in the Finnish Order of (...) the Star in the East and the Theosophical Society in his time. Inspired by the Kalevala, Angervo traced the origins of the Finns to the lost continent of Atlantis and aimed to revitalize the pre-Christian “faith of the forefathers”. Dialogical narrative analysis is employed to explore how Angervo portrayed the Finns’ past, combining Theosophical and nationalistic ideas to construct an ideal Finnishness. I argue that Angervo utilized the Theosophical timeline and concepts to construct a spiritually oriented national narrative for the Finns that would surpass any polit-ical quarrels and challenge both the Church and more military-oriented nationalism. (shrink)

The crisis resilience of vital social systems is currently the target of constant development efforts in Finland, as their drifting into crisis would weaken societies’ functional abilities, safety, and security. This is also the case regarding the Finnish health care system. In an attempt to move beyond existing frameworks of crisis imagination, this article takes an unconventional stance by elucidating endogenous crisis dynamics present in the Finnish health care system. Delphi process was conducted for top experts in Finnish health care (...) and crisis management. With a dissensus-seeking orientation, our aim was to fertilize disagreements among panelists to reveal key vulnerabilities in the health system. Despite our efforts to evoke dissensus, the panelists ended up generating a consensus that aims to protect the underlying assumptions of the health system’s knowledge structure. Through inductive analysis of expert discourses, the data was analyzed through our research question “what constitutes a crisis-proof health system and a crisis-prone health system”. What is framed as a strength of the system by our panelists, namely the ability to maintain legitimacy, improve efficiency, and guarantee continuity, can still have questionable implications that are left ungrasped. A system’s theory approach illustrates how such effects can develop and escalate beyond the reach of social interventions, and thus be predisposed to cause objectionable yet concealed social crises. The discussion illustrates how these endogenous crisis dynamics could be seen to materialize in real-life cases. (shrink)

Toisin kuin usein kuvitellaan, Hegel suhtautui järjestelmänsä epistemologiseen perusteluun erittäin vakavasti. Phänomenologie des Geistes’issa hän pyrkii todistamaan absoluuttisen kannan olemassaolon immanentisti ja negatiivisesti: osoittamalla vastustavien kantojen kumoavan itsensä omilla kriteereillään. Nyt suomennetussa teoksensa johdannossa Hegel tekee selväksi immanentin kritiikin välttämättömyyden ja luonnostelee sen metodin.

The article seeks to explain what it means to say that an object has the status of being made art-like. I have reconstructed and analysed Ossi Naukkarinen and Yuriko Saito’s definition of artification and flagged up its methodological limitations. My conclusions serve as a starting point for describing the nature of artified objects, the way they are individuated, and how they persist. I consider the question of what can and what cannot be artified. Finally, I propose that artification (...) be redefined in such a way as to render it informative on the grounds of the largest number of existing aesthetic theories of art. (shrink)

As opposed to Melchionne and Naukkarinen, I defend an expansive definition of everyday aesthetics, one that includes festivals, tourism, and many daily activities of artists and other professionals, along with most ordinary and common experiences. I argue for continuities between aesthetics of everyday life and the aesthetics of art and nature. Looking through a window, for example, may involve aspects of all three. Although I agree with Melchionne that everyday aesthetics is closely related to questions of subjective well-being, I (...) take a more expansive approach to this, drawing from recent psychological studies of the experience of “awe” to stress the importance of such experiences in subjective well-being, thus tying the high points of everyday aesthetics more closely with the high points in the aesthetics of art and nature. (shrink)

Unlike Melchionne and Naukkarinen, I advocate an expansive definition of everyday aesthetics that, in addition to the most common and everyday experiences, includes festivals, tourism, and countless activities carried out daily by artists and professionals from various areas. Continuities between aesthetics of everyday life and the aesthetics of art and nature are established. For example, the act of looking through a window may involve aspects of all three aesthetics. Although I agree with Melchionne in that everyday aesthetics is closely (...) linked to questions about the search for subjective well-being, I assume a more expansive approach based on recent psychological studies of the experience of “awe” to emphasize the importance of such experiences in subjective search, linking this way, the most outstanding aspects of everyday aesthetics, the aesthetics of art and the aesthetics of nature. (shrink)

Drawing from the lives of Ossie Davis, Frantz Fanon, Malcolm X, and W. E. B. Du Bois, as well as his own experience, and fully updated to account for what has transpired since the rise of the Black Lives Matter movement, Yancy provides an invaluable resource for students and teachers of courses in African American Studies, African American History, Philosophy of Race, and anyone else who wishes to examine what it means to be Black in America.

Sounds play crucial roles in a poem’s meaning (re)construction. Grasping the content of a literary work such as poetry often requires a profound interpretation of the underlying linguistic cum phonetic codes of its discourse. Extant studies on Nigerian children’s poetry have paid little attention to this aspect of meaning conception, thereby concentrating mainly on the surface lexical constructs. Hence, this study aims to examine imagic iconicity in children’s poems in order to demonstrate how a poem’s thematic realization is inferred through (...) the interpretation of the phonic and acoustic nature of the sounds employed. The study involves five poems: three from Ossie Enekwe’s Gentle Birds Come to me and two from Ikeogu Oke’s Song of Success and Other Poems for Children. The analysis is anchored to insights from Charles Sanders Peirce’s concept of the iconic sign, and exploits the action of acoustic and phonetic articulation of sounds to determine their functions and effects in the poems. The study reveals how specialized lexemic choices and onomatopoeia (kinaesthemes, phonaestheme or sound symbolism) in children’s poems make each poem functional and purposeful. Thus, children’s poetry contains language structures and configurations that transmit sense and embody what the poem is asserting in a way that interestingly engages the reader. (shrink)

G.W.F. Hegel's Elements of the Philosophy of Right is his last major published statement not only on the philosophy of law but on ethical theory, natural law, social and political theory as well. The studies of Right, Morality, Ethical Life discuss Hegel's views both historically and systematically, contributing to the lively discussions concerning the significance of Hegel's view in the present philosophical contexts. Contributors are Eerik Lagerspetz, Ossi Martikainen, Markku Mäki, Tuija Pulkkinen, Michael Quante, Hannu Sivenius, Markus Wahlberg and (...) Jussi Kotkavirta. "Right, Morality, Ethical Life offers refreshing and relevant interpretations of Hegel's legal philosophy, particularly on the issues of personal autonomy, modern society, and constitutional theory. It's chief merit is its ability to perceive Hegel as a real contributor to contemporary debates on the notions of person, morality, and law." Professor David Rasmussen, Boston University Editor of Philosophy and Social Criticism. (shrink)