According to an editor of The Economist, the world produced, in the years since World War II, seven times more goods than throughout all history. This is well appreciated by lay people, but has hardly affected social scientists. They do not have the conceptual apparatus for understanding accelerated material-technical change and its meaning for people's personal lives, for their ways of relating to them-selves and to the outside world. Of course, a great deal of speculation about emerging life forms in (...) industrialised societies exists and social scientists with a futuristic bend have projected their diverse visions upon public debates, ranging from thc Efficient Hedonism of "post-industrialist' society a la Daniel Bell to the “Responsible Convivialism” of 'post-materialist" critics such as Fritz Schumacher. Competing images of the coming "services society" or "self-service society" share a central concern: the ongoing relation between tile spheres of large organisations and personal lifestyles, between salaried work arid private consumption. They also share a eel-tau' implausibility: few people recognize themselves in either projection. And they sham ubiquitous reference to "technology", without accounting for it in real terms. A good diagnostic of what is actually happening seems to me to be Jonathan Gershuny, who sees a drift toward a particular type of self-service economy: a quite radical shift in the mode of provision of social services, as he calls it, based on new kinds of consumer technologies. Industrialization used to be partial, but is becoming total fast. This process obviously has many facets, the one I am interested in here is the intrusion of modern technology into spheres of life which in the past have been relatively little dependent on it. (shrink)

Die im Reader versammelten Beiträge verstehen sich als Versuche zu einer Soziologie des Visuellen. Sie untersuchen am Beispiel des Mediums Stadtfilm, welche Rolle die dorterzeugten Bilder großer Städte bei der Produktion urbanistischer Repräsentanten spielen. Aus diesem Grund werden insbesondere Übergänge analysiert, die Spielfilme einerseits und urbanistische Diskurse andererseits miteinander verknüpfen. Gemeinsamer Ausgangspunkt ist die These, daß es vor allem Bilder sind, die solche Verknüpfungen gewährleisten. Es wird unterstellt, daß es das Medium Film erlaubt, gerade über den Einsatz von Bildern "näher" (...) an soziale Wirklichkeiten heranzukommen, als dies textzentrierter Praxis empirischer Sozialforschung möglich ist. Stadtfilme erzeugen wirkmächtige Bilder, auf die dann unter bestimmten Bedingungen in urbanistischen Kontexten zurückgegriffen wird. Die Autoren präsentieren konzeptionelle Überlegungen und Filminterpretationen zu Moebius (1991, Regie: Matti Geschonneck), Der Himmel über Berlin (1987, Regie: Wim Wenders), In weiter Ferne, so nah! (1993, Regie: Wim Wenders), Der Bauch des Architekten (1987, Regie: Peter Greenaway) und Hass (1995, Regie: Mathieu Kassovitz). Sie bedienen sich dabei sehr unterschiedlicher Verfahren. Gemeinsam sind ihnen allerdings die Anliegen, die größere Nähe der Filme zu sozialen Welten hervorzuheben und die Übergänge zwischen Stadtfilmen und Urbanistik herauszuarbeiten. -/- City and Film. Attempts at a 'Visual Sociology' Summary The contributions collected in this reader present attempts at a Visual sociology'. Based on a study on the medium 'city film' the author s determine which role the images of big cities evoked in such films can play for urbanistic representations. Therefore the analysis is, in particular, focussed on points of transition marking a connection of movies, on the one hand, and urbanistic discourse, on the othe r. The common point of departure is the hypothesis that images, more than anything else, do guarantee such connections. The authors assume that the medium film may lead 'closer' to social realities than the text- centered practices of empirical social research. City films produce powerful images which, under certain cond itions, can be utilized in urbanistic contexts. The authors present conceptual considerations and interpretations of the following films: Moebius (1991, director: Matti Geschonneck); Der Himmel über Berlin (1987, director: Wim Wenders); In weiter Ferne, so nah! (1993, director: Wim Wenders); The Belly of the Architect (1987, director: Peter Greenaway); and quite different methods they aim at the same goals: emphasizing the greater closeness of films to social worlds and bringing out the points of transition between city films and urbanistics. (shrink)

"Der Wind spielt drinnen mit den Herzen wie auf dem Dach, nur nicht so laut", lautet eine Zeile aus Franz Schuberts Winterreise. In ihr wird prosopopoietisch1 der außersozialen Natur "ein Gesicht" (das Gesicht eines Spielers) verliehen; im weiteren wird sie mir dazu dienen, einige Probleme (sozial)konstruktivistischer Technikforschung zu diskutieren und zu zeigen, inwiefern man technische Systeme auch prosopopoietischenSysteme nennen kann.

Scientific creativity, i.e. the production of new and socially effective empirical knowledge, can itself be subjected to empirical analysis. Research on the determinants of creative work in science suggests that the internal and external world of creative scientists is characterised by a series of tensions or "oppositions of forces" which "normally" cannot be integrated. Conversely, creative work in science can be understood as the provision of new answers to scientific problems where conventional answers are no longer sufficient to reduce incongruities (...) between cognitive, affective and social standards of satisfactory problem solution. (shrink)

This paper introduces pictures more generally into the discussion of cognition and mind. I will argue that pictures play a decisive role in shaping our mental lives because they have changed (and constantly keep changing) the ways we access the world. Focusing on pictures will therefore also shed new light on various claims within the field of embodied cognition. In the first half of this paper I address the question of whether, and in what possible ways, pictures might be considered (...) to be part of our extended mind. We will see however, that the explanatory means contingent upon the extended mind thesis – i.e. the claim that the vehicles of cognition are not confined to the boundaries of the individual organism – can only take us so far. Beyond such claims it will be pivotal to understand in what specific ways pictures might be regarded as being at the basis of certain perceptions of and interactions with the world. I will therefore address, in the second half of this paper, in what ways enactive and affective elements should inform our theory of the pictorial mind. In the course of this discussion it will become apparent that pictures are strange objects because they differ profoundly from other objects surrounding us. And it will also turn out that pictures – beyond the fact that they can be considered to be tools for our mind (in the sense that they facilitate our access to the world) – are rather strange or stubborn tools in that something in them resists full integration into our cognitive routines. (shrink)

Using the lens of positive organizational ethics, we theorized that empathy affects decisions in ethical dilemmas that concern the well-being of not only the organization but also other stakeholders. We hypothesized and found that empathetic managers were less likely to comply with requests by an authority figure to cut the wages of their employees than were non-empathetic managers. However, when an authority figure requested to hold wages constant, empathy did not affect wage cut decisions. These findings imply that empathy can (...) serve as a safeguard for ethical decision making in organizations during trying times without generally undermining organizational effectiveness. We conclude by discussing the implications of our research. (shrink)

Indian Epistemology and Metaphysics introduces the reader to new perspectives on Indian philosophy based on philological research within the last twenty years. Concentrating on topics such as perception, inference, skepticism, consciousness, self, mind, and universals, some of the most notable scholars working in classical Indian philosophy today examine core epistemological and metaphysical issues. Philosophical theories and arguments from a comprehensive range of Indian philosophical traditions (including the Nyaya, Mimamsa, Saiva, Vedanta, Samkhya, Jain, Buddhist, materialist and skeptical traditions, as well as (...) some 20th century thought) are covered. The contributors to this volume approach the topics from both a philosophical and a philological perspective. They demonstrate the importance of the subject matter for an understanding of Indian thought in general and they highlight its wider philosophical significance. By developing an appreciation of classical Indian philosophy in its own terms, set against the background of its unique assumptions and historical and cultural development, Indian Epistemology and Metaphysics is an invaluable guide to the current state of scholarship on Indian philosophy. It is a timely and much-needed reference resource, the first of its kind. (shrink)

Sollen Menschen ihre "normalen" Eigenschaften verbessern und so die menschliche Natur neu gestalten? Die Forschung sucht etwa nach Präparaten, die das Gedächtnis verbessern, das Leben verlängern und Gefühle verändern können. Tierversuche sind bereits erfolgreich. Führt die Befreiung von allen Grenzen von Körper und Geist in eine Katastrophe oder erwarten uns neue Chancen? Das Buch soll die Perfektionierung des Menschen leicht verständlich und philosophisch anspruchsvoll hinterfragen. Dabei werden soziale Folgen von "Enhancement" ebenso thematisiert wie die Gefahren für das Individuum. Droht uns (...) eine Zwei-Klassen-Gesellschaft ungeahnten Ausmaßes oder kann Enhancement gerade dazu dienen, Ungleichheiten der natürlichen Lotterie auszugleichen? Können autonome Individuen durch die Wahl von Verbesserungen ihre Interessen realisieren oder muss man sie paternalistisch schützen? Neben diesen Fragen widmet sich das Buch der Untersuchung der menschlichen Natur: Worin besteht sie und kann sie Grenzen für die Technik diktieren? Abschließend werden die im Buch behandelten Aspekte in der Frage fokussiert, ob es wünschenswert ist, die maximale Lebensspanne des Menschen zu vergrößern. (shrink)

Immigrants now compose approximately 12 of the population of the United States and a sizable proportion of the workforce. Yet in contrast to research on other traditionally under-represented groups (e.g., women, African Americans), there are relatively few studies on issues related to being an immigrant in the U.S. workforce. This study examined English-only workplace policies, focusing on reactions to business justifications – explanations that justify managerial decisions as business necessities – for these policies. We contrasted the reactions of individuals coming (...) from immigrant families, where at least one parent was an immigrant to the U.S., with those of persons from non-immigrant families. Results of an experiment indicated that business justifications were successful in influencing the attitudes of non-immigrants toward the English-only policies, but did not influence the attitudes of individuals from immigrant families. Probing the reasons for this effect, a thought-listing protocol suggested that non-immigrants mentioned more of the business benefits of the English-only policy than did individuals from immigrant families. Further, business justifications for the English-only policy led individuals from immigrant families, but not those from non-immigrant families, to view the organization as being less ethical and less concerned with the welfare of its workers. The implications of messages from management being understood differently by different demographic groups are discussed. (shrink)

The Colombian-born photographer and artist Guadalupe Ruiz has undertaken a project to document the social and economic inequity in her native city of Bogotá. She explores six houses from the city's six different taxation classes whose residents range from extremely affluent to impoverished. By taking photographs of apartments and streetscapes, whole interiors and single pieces of furniture, Ruiz creates a cohesive and multilayered portrait of the city as a whole. She also examines personal and decorative objects, such as family portraits (...) and Catholic icons found in both slums and luxurious villas, and highlights the differences and some surprising cultural parallels between socioeconomic classes. Guadalupe Ruiz— Bogotá D. C. is a subtle, thought-provoking examination of urban life and includes over a hundred stunning images arranged by neighborhood. A map of the neighborhoods and a complementary essay are included to provide context for Ruiz's impressive photographs. Text in English, French, Spanish, and German. (shrink)

En este trabajo sobre los pensadores novohispanos Alonso de la Veracruz y Tomás de Mercado se seguirá la argumentación de un tema escasamente explorado: el papel fundacional de la ley natural y su interpretabilidad a través de la ley humana. Se mostrará que ambos autores, basados en las tradiciones salamantinas del siglo XVI, introducen un método que afirmaría la validez de la ley natural y, al mismo tiempo, permitir aplicaciones diversas de los parámetros normativos de la ley humana. Esto es (...) posible, como lo sostiene Veracruz en su crítica al diezmo para los pueblos indígenas, cuando la ley natural tenga que reinterpretarse a partir de hechos sociales concretos o cuando, como en el caso de Mercado, la ley humana sea congruente con la ley natural y, no obstante, tenga que desacatarse para evitar perjuicios personales o públicos en el plano comercial. (shrink)

In vielen Darstellungen von Leben und Werk des Novalis ist zu lesen, daß sich der romantische Dichter nach dem frühen Tode seiner Braut im März 1797 von der Philosophie Fichtes verabschiedet habe. Der Durchbruch zur romantischen Poesie sei zugleich ein radikaler Bruch mit der Transzendentalphilosophie. Tatsächlich aber belegt die historisch-kritische Ausgabe vielfach die bleibende Bedeutung Fichtes für Novalis. Exemplarisch lässt sich dies an den »Vorarbeiten zu verschiedenen Fragmentsammlungen« von 1798 zeigen. Diese Fragmente, Fragmentskizzen und Abhandlungen zu Themen vor allem der (...) Philosophie und Poesie stammen aus der Zeit, als Novalis an der renommierten Bergakademie in Freiberg studiert. In den »Vorarbeiten« führt er seine in den »Fichte-Studien« von 1795/96 entwikkelte Theorie des Bewußtseins fort, in deren Zentrum die Auseinandersetzung mit dem Ordo inversus, der reflexiven Verkehrung des Bedingungsverhältnisses von Ich und Absolutem, steht. (shrink)

In vielen Darstellungen von Leben und Werk des Novalis ist zu lesen, daß sich der romantische Dichter nach dem frühen Tode seiner Braut im März 1797 von der Philosophie Fichtes verabschiedet habe. Der Durchbruch zur romantischen Poesie sei zugleich ein radikaler Bruch mit der Transzendentalphilosophie. Tatsächlich aber belegt die historisch-kritische Ausgabe vielfach die bleibende Bedeutung Fichtes für Novalis. Exemplarisch lässt sich dies an den »Vorarbeiten zu verschiedenen Fragmentsammlungen« von 1798 zeigen. Diese Fragmente, Fragmentskizzen und Abhandlungen zu Themen vor allem der (...) Philosophie und Poesie stammen aus der Zeit, als Novalis an der renommierten Bergakademie in Freiberg studiert. In den »Vorarbeiten« führt er seine in den »Fichte-Studien« von 1795/96 entwikkelte Theorie des Bewußtseins fort, in deren Zentrum die Auseinandersetzung mit dem Ordo inversus, der reflexiven Verkehrung des Bedingungsverhältnisses von Ich und Absolutem, steht. (shrink)

An important part of friendships are the so-called special obligations generated by them. Friends owe things to each other that they do not owe to strangers. While such special obligations are an important part of our everyday practice, they raise several philosophical questions. These questions include the status of special obligations (are such obligations sui generis or is it possible to reduce them to general moral principles?), the source of such special obligations (what grounds special obligations of friendship?), and the (...) content of special obligations (what is the content of special obligations of friendship?). This chapter gives an overview of some of the most important positions in the literature with regard to these questions. (shrink)

To what extent do aesthetic taste and our interest in the arts constitute who we are? In this paper, we present a series of empirical findings that suggest an Aesthetic Self Effect supporting the claim that our aesthetic engagements are a central component of our identity. Counterfactual changes in aesthetic preferences, for example, moving from liking classical music to liking pop, are perceived as altering us as a person. The Aesthetic Self Effect is as strong as the impact of moral (...) changes, such as altering political partisanship or religious orientation, and significantly stronger than for other categories of taste, such as food preferences. Using a multidimensional scaling technique to map perceived aesthetic similarities among musical genres, we determined that aesthetic distances between genres correlate highly with the perceived difference in identity. Further studies generalize the Aesthetic Self Effect beyond the musical domain: general changes in visual art preferences, for example from more traditional to abstract art, also elicited a strong Self Effect. Exploring the breadth of this effect we also found an Anaesthetic Self Effect. That is, hypothetical changes from aesthetic indifference to caring about music, art, or beauty are judged to have a significant impact on identity. This effect on identity is stronger for aesthetic fields compared to leisure activities, such as hiking or playing video games. Across our studies, the Anaesthetic Self Effect turns out to be stronger than the Aesthetic Self Effect. Taken together, we found evidence for a link between aesthetics and identity: we are aesthetic selves. When our tastes in music and the arts or our aesthetic interests change we take these to be transformative changes. (shrink)

This article makes a contribution to debates in recognition theory by expanding the taxonomy of (mis-)recognition in the economic sphere. It argues that doing justice to the variety of ways in which recognition is engaged in economic relationships requires: (1) taking into consideration not just the recognition principle of esteem, but also (various aspects of) need and respect; (2) distinguishing a productive from a consumptive dimension with regards to each principle of recognition (need, esteem and respect); and (3) identifying the (...) specific economic relationship at stake (e.g. between consumers and producers, or between employers and employees). In this way, we can account for the diversity of demands for recognition made in the economic sphere, explain what underpins them, and bring structure into these diverse phenomena. What is more, this expanded taxonomy is a useful tool for social pathology theorists, who should appreciate the full range of variants of misrecognition when diagnosing pathologies of misrecognition in the economic sphere. (shrink)

Climate change poses a serious problem for established ethical theories. There is no dearth of literature on the subject of climate ethics that break down the complexity of the issue, thereby enabling one to arrive at partial conclusions such as: 'historical justice demands us to do this...' or 'intergenerational justice demands us to do that...'. In contrast, this article attempts to face up to this complexity, that is: to end with a synthesis of the arguments into what can be considered (...) to be the most reasonable and fairest approach to the politics of climate change on a global scale. A significant part of the paper is devoted to the questions whether or not a) historical emissions and b) population changes are relevant to how emissions rights should be distributed. I discuss the merits and drawbacks of each perspective and briefly outline the normative justifications. (shrink)

There has been a long tradition of characterizing man as the animal that is capable of propositional language. However, the remarkable ability of using pictures also only belongs to human beings. Both faculties however depend conceptually on the ability to refer to absent situations by means of sign acts called 'context building'. The paper investigates the combined roles of quasi-pictorial sign acts and proto-assertive sign acts in the situation of initial context building, which, in the context of “concept-genetic” considerations, aims (...) for a philosophical explanation of the anthropological functon of pictures and their relation to imagination. (shrink)

Two kinds of membrane contacts in the vertebrate lens are described. Fiber gap junctions are domains where small molecules can pass between lens cells. Membrane structures of ball‐and‐socket type interlock adjacent lens fibers and thus contribute to the structural integrity of the lens. Both of these membrane contacts appear crucial for the maintenance of lens transparency.

The intercellular junctions connecting the cytoplasms of fibre cells in the mammalian lens have until recently been regarded as a class of junction which is fundamentally different from that of the gap junctions in other organs. Recent observations, however, suggest that the lens junctions fit protein topology predictions common for all gap junctions. While the homologous peptide portions are predicted to form the channels, the divergent peptide portions of the gap junction polypeptides may adapt channel activity to the special tissue (...) requirements. (shrink)

We define aesthetic emotions as emotions that underlie the evaluative assessment of artworks. They are separated from the wider class of art-elicited emotions. Aesthetic emotions historically have been characterized as calm, as lacking specific patterns of embodiment, and as being a sui generis kind of pleasure. We reject those views and argue that there is a plurality of aesthetic emotions contributing to praise. After presenting a general account of the nature of emotions, we analyze twelve positive aesthetic emotions in four (...) different categories: emotions of pleasure, contemplation, amazement, and respect. The emotions that we identify in each category, including feelings of fluency, intrigue, wonder, and adoration, have been widely neglected both within aesthetics and in emotion research more broadly. (shrink)

The non‐self theory is one of the cornerstones of Buddhist philosophy. This chapter examines this theory and discusses some of the issues it raises for Western philosophy of mind, in particular for the problem of free will. In the first part, it traces the non‐self theory through several formulations, focusing on different Buddhist texts. In the second part, it analyzes some of the similarities and dissimilarities of the non‐self theory with discussions of the mind‐body problem and the free will problem (...) in Western philosophy. (shrink)

In this paper I suggest that the division between manas and atman in Nyaya philosophy can be interpreted in the light of Western discussions about irrationality. In Western philosophy irrationality has been explained by postulating a divided mind. This helps to account for a generally rational mind that is nevertheless sometimes prone to irrationality. I argue that the division of the mind bears similarities to the division between manas and tman. Looking at the arguments of the Naiy yikas Gautama and (...) V tsy yana for the existence of a permanent self, I do not find any of them convincing in the light of Buddhist criticism. However, by arguing for the division between manas and tman, the Naiy yikas have inadvertently provided their strongest argument for the existence of a self because they have managed to account for irrationality. (shrink)