Ludwig Wittgenstein is perhaps the greatest philosopher of the twentieth century, and certainly one of the most original in the entire Western tradition. Given the inaccessibility of his work, it is remarkable that he has inspired poems, paintings, films, musical compositions, titles of books -- and even novels. In his splendid biography, Ray Monk has made this very compelling human being come alive in a way that perfectly explains the fascination he has evoked. Wittgenstein's life was one of great (...) moral and spiritual depth. Although his work addresses problems of logic, language, mind, and knowledge, he often described it as having an ethical point, and once said that he "could not help seeing every problem from a religious point of view." In successfully bridging the gap assumed by many to exist between Wittgenstein's life and his work, Monk's biography helps to explain the interest in Wittgenstein's later philosophy on the part of Buddhist scholars. (shrink)

This monumental collection of new and recent essays from an international team of eminent scholars represents the best contemporary critical thinking relating to both literary and philosophical studies of literature. Helpfully groups essays into the field's main sub-categories, among them ‘Relations Between Philosophy and Literature’, ‘Emotional Engagement and the Experience of Reading’, ‘Literature and the Moral Life’, and ‘Literary Language’ Offers a combination of analytical precision and literary richness Represents an unparalleled work of reference for students and specialists alike, ideal (...) for course use. (shrink)

This chapter contains section titled: Some Personal Prefatory Remarks Introduction: Wittgenstein's Chief Contribution? The Reception of Wittgenstein's Philosophy of Mathematics in His Own Lifetime The Post 1956 Reaction.

Wittgenstein’s use of the word ‘phenomenology’ to describe his own work in Philosophical Remarks and The Big Typescript has occasioned much puzzlement and confusion. This paper seeks to shed light on what Wittgenstein meant by the word through a close analysis of key passages in those two works. I argue against both the view of Nicholas Gier that Wittgenstein held ‘grammatical’ phenomenological remarks to be synthetic a priori and that expressed by Moritz Schlick that Wittgenstein held grammar to be tautological. (...) I also take issue with the claim by Merrill and Jaakko Hintikka that Tractatus Logico-Philosophicus ought to be regarded as a work of phenomenology. Wittgenstein’s adoption of a variant of Husserlian phenomenology, I argue, lasted no more than a few months, from February to October 1929, during which he conceived of phenomenology as something that sought to establish what one might call ‘analytic a posteriori’ truths through something like the Husserlian method of ‘bracketing’. By the end of 1929, I claim, he had abandoned that in favour of the view expressed in the slogan ‘phenomenology is grammar’, where ‘grammar’ is not confined to the tautological, but is rather intimately linked to Wittgenstein’s notion of ‘the understanding that consists in seeing connections’. (shrink)

First published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.

Russell's avant-garde philosophy of free love combined with his principled pacificism would make him an icon of the international Left in the 1960s.".

'There is no Nietzsche, just a shifting set of contradictory views' suggests Hayman in this stimulating and provocative guide. Those envious contemporaries who smeared Nietzsche with the mark of madness came closer than they knew in characterising a philosopher in whose thought ambivalence approximated to disintegration of the self. Yet while the nineteenth century's coherent, consistent systems of certainty came crashing down ingloriously at the very first touch of the twentieth, Nietzsche's discourses survived. He was more modern, it seemed, than (...) the moderns. Today is work is more contemporary than ever, his various voices speaking compellingly to a sensibility for which paradox is the only truth. (shrink)

"The chief thesis I have to maintain", Bertrand Russell once wrote, "is the legitimacy of analysis". His reputation as the founder of the analytic tradition, secure for many decades, has come under some attack recently from the emphasis placed by Michael Dummett and others on the role played by Gottlob Frege. This collection of new essays from distinguished philosophers and Russell scholars explores Russell's own unique and enduringly important contribution to shaping the concerns and the methods of contemporary analytical philosophers. (...) It includes both general discussions of the nature of analytical philosophy and minutely detailed analyses of Russell's own arguments, and covers the whole range of Russell's famously varied output. (shrink)

Logic, science and business -- Clearing up philosophy in three words -- Picturing the world -- What is a proposition? -- What is philosophy? -- The disintegration of logical form -- The new philosophy : giving up the crystalline purity of logic -- Language games -- Can there be a private language? -- Reading Wittgenstein in the right spirit -- Understanding others, understanding ourselves : imponderable evidence.

Introduction 1. Perspectives on Wittgenstein: An Intermittently Opinionated Survey: Hans-Johann Glock. 2. Wittgenstein's Method: Ridding People of Philosophical Prejudices: Katherine Morris. 3. Gordon Baker's Late Interpretation of Wittgenstein: P. M. S. Hacker. 4. The Interpretation of the Philosophical Investigations: Style, Therapy, Nachlass: Alois Pichler. 5. Ways of Reading Wittgenstein: Observations on Certain Uses of the Word 'Metaphysics': Joachim Schulte. 6. Metaphysical/Everyday Use: A Note on a Late Paper by Gordon Baker: Hilary Putnam. 7. Wittgenstein and Transcendental Idealism: A. W. Moore. (...) 8. Simples and the Idea of Analysis in the Tractatus: Marie McGinn. 9. Words, Waxing and Waning: Ethics in/and/of the Tractatus Logico-Philosophicus: Stephen Mulhall. 10. The Uses of Wittgenstein's Beetle: Philosophical Investigations §293 and Its Interpreters: David G. Stern. 11. Bourgeois, Bolshevist or Anarchist?: The Reception of Wittgenstein's Philosophy of Mathematics: Ray Monk. 12. Wittgenstein and Ethical Naturalism: Alice Crary. (shrink)

"In the second half of his life, Bertrand Russell transformed himself from a major philosopher, whose work was intelligible to a small elite, into a political activist and popular writer, know to millions throughout the world. Yet his life is the tragic story of a man who believed in a modern, rational approach to life and who, though his ideas guided popular opinion throughout the twentieth century, lost everything." "Drawing on thousands of documents collected at the Russell archives in Canada, (...) Monk steers through the turbulence of Russell's public activities, scrutinizing his sometimes paradoxical and often outrageous pronouncements. Monk's focus, however, is on the tragedy of Russell's personal life, and in revealing this inner drama Monk has relied heavily on the cooperation of Russell's surviving relatives and access to previously unexamined legal and private correspondence."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved. (shrink)

The second volume of Ray Monk's biography of Bertrand Russell focuses on Russell's tragic and moving relationship with his first son John. It uses the relationship as a centerpoint to expound on Russell's public achievements, such as his political campaigning for peace.

This article discusses recent attempts to provide the genre of biography with a philosophical, theoretical foundation and attempts to show that such efforts are fundamentally misguided. Biography is, I argue, a profoundly nontheoretical activity, and this, precisely, makes it philosophically interesting. Instead of looking to philosophy to provide a theory of biography, we should, I maintain, look to biography to provide a crucially important example and model of what Ludwig Wittgenstein called "the kind of understanding that consists in seeing connections." (...) This kind of understanding stands in sharp contrast to the theoretical understanding provided by science and is, Wittgenstein maintained, what we as philosophers are, or should be, striving for. (shrink)

Ludwig Wittgenstein was born on 26 April 1889, the eighth and youngest child of one of the wealthiest and most remarkable families of Habsburg Vienna. Though Karl Wittgenstein was brought up in the Protestant faith, and though, by the time Ludwig was born, the family had long ceased to identify themselves as members of the Jewish community, the family was originally Jewish. The founder of the family fortunes was Moses Maier, Karl's grandfather and Ludwig's great‐grandfather, who was a land agent (...) for the aristocratic Wittgenstein family. After the Napoleonic decree of 1808, which demanded that Jews adopt a surname, Moses Maier took the name of his employer. Wittgenstein may well have been led to read Hertz by reading Boltzmann's Populare Schriften, a collection of his more popular lectures that was published in 1905. From 1926 to 1928 Wittgenstein lived in Vienna and worked, astonishingly, as an architect. (shrink)

In the growing body of academic literature on biography that has developed in the last few decades, Virginia Woolf's essay, "The New Biography,"1 has come to occupy a central place—mentioned, discussed and quoted from, I would estimate, more often than any other piece of writing on the subject. Virginia Woolf's distinctive view of the nature and limitations of biography has thus had, and continues to have, a deep and wide-ranging influence on the way the genre is discussed by critics and (...) theorists. My aim in this essay is to present a detailed analysis of Virginia Woolf's thinking about biography in order to make clear why I believe its influence on contemporary theorising about biography is, on the whole, a misfortune. As is often pointed out, Virginia Woolf's views on biography are closely connected with—indeed, to an extent that I hope to make clear, they are simply an application of—her views on fiction. In the light of this, I have tried to trace some of the most striking features of her thinking about biography back to her earlier thoughts on fiction, as presented in both her novels and her essays. The result, I hope, will be that, while the attractions of her way of looking at fiction and biography are recognised and revealed, the manifest flaws in her thinking on these subjects are clearly exposed. (shrink)

This paper attempts to summarise the philosophical career of Bertrand Russell, concentrating in particular on his contributions to logic and the philosophy of mathematics. It takes as its starting point Russell's conception of philosophy as the search for foundations upon which certain knowledge might be built, a search which Russell, at the end of his career, declared to be fruitless. In pursuing this search, however, Russell was led to develop lines of thought and techniques of analysis that have had a (...) profound and lasting influence on the philosophy of the twentieth century. (shrink)

Biography need not be reductive; it need not seek to explain the work of a writer through an appeal to a psychological or sociological theory, neither need it treat all the work of a writer as disguised autobiography. It can simply, like Boswell’s life of Johnson, seek to enable us to get to know someone.

First published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.

First published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.

To really appreciate the range of his achievements, we need an interdisciplinary effort; we need a carefully researched definitive edition of Russell's work, edited by a team consisting of, among others, philosophers and historians, a journal devoted to studying the various aspects of his activities and a whole army of researchers with access to a well-catalogued archive of his papers.

This article contains a detailed discussion of the friendship and the intellectual collaboration between D. H. Lawrence and Bertrand Russell during the spring and summer of 1915. The questions it seeks to answer are why Russell initially was inclined to treat Lawrence's philosophical thought with respect, even to the extent of becoming an evangelist on its behalf; why he subsequently rejected Lawrence's outlook and distanced himself from Lawrence's political program; and what similarities and dissimilarities exist in Russell's thought and Lawrence's (...) as represented by Russell's Principles of Social Reconstruction and Lawrence's essays "Study of Thomas Hardy" and "The Crown." Both writers, it is suggested, were centrally concerned with the possibility of transcending the "prison" of the self, but the ideas each developed as to how this should be done were radically divergent, so much so that each could, in the end, regard the other as the very personification of the kind of egoism they sought to transcend. (shrink)

A short book combining extracts from the work of one of the world's greatest thinkers with commentary from one of Britain's most distinguished writers on philosophy.

Brief, accessible, and affordable, these pocket-sized volumes offer the essential introductions to the great philosophers of the Western tradition-from Plato to Wittgenstein.

This paper analyzes what may have been a mistake by pianist Thelonious Monk playing a jazz solo in 1958. Even in a Monk composition designed for patterned mayhem, a note can sound out of pattern. We reframe the question of whether the note was a mistake and ask instead about how Monk handles the problem. Amazingly, he replays the note into a new pattern that resituates its jarring effect in retrospect. The mistake, or better, the mis-take , (...) was “saved” by subsequent notes. Our analysis, supported by reflections from jazz musicians and the philosopher John Dewey, encourages a reformulation of plans, takes, and mis-takes as categories for the interpretation of contingency, surprise, and repair in all human activities. A final section suggests that mistakes are essential to the practical plying and playing of knowledge into performances, particularly those that highlight learning. (shrink)

Review of Ray Monk, Bertrand Russell: The Spirit of Solitude.

Review of BERTRAND RUSSELL: THE SPIRIT OF SOLITUDE, the first volume of Ray Monk's biography of Russell.