Prologue : narratocracy and the contours of political life -- From nomos to nomad : Kant, Deleuze, and Rancière on sensation -- The piazza, the edicola, and the noise of the utterance -- Machiavelli's theory of sensation and Florence's vita festiva -- The viewing subject : Caravaggio, Bacon, and the ring -- "You're eating too fast!" slow food's ethos of convivium -- Epilogue : "the photographs tell it all" : on an ethics of appearance.

This essay asks how we might articulate a political theory of algorithms. To do so, I propose a political ontology of the algorithm dispositif that elaborates how algorithms arrange the movement of energies in space and time, and how they do so automatically. This force of arrangement is what I refer to as the dispositional power of algorithms that I identify as a political physics of vital processes. The essay is divided into three sections. The first provides readers of Political (...) Theory with a discussion of three notable works in the field of critical algorithm studies relevant to a political theory of algorithms. The subsequent sections of the essay elaborate an understanding of the political ontology of the algorithm dispositif by focusing on the difference that a virtual ontology introduces to our political reflections and on the cybernetic operation of negative feedback that I identify as foundational to understanding an algorithm’s political physics of vital processes. I conclude that any political theory engagement with technical media can’t simply rest on an epistemic analysis of the normative effects of media but must also pursue an investigation into a medium’s modes of existence in the world. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:diacritics 30.2 (2000) 113-126 [Access article in PDF] Dissenting Words:A Conversation with Jacques Rancière 1 Davide Panagia:In your writings you highlight the political efficacy of words. In The Names of History, for instance, this emphasis is discussed most vividly in terms of what you refer to as an "excess of words" that marks the rise of democratic movements in the seventeenth century. Similarly, in On The Shores (...) of Politics, you begin your discussion with an excursus on the end of politics as the end of the promise. Finally, in Dis-agreement you speak of "the part of those who have no-part" as voicing a "wrong" for the sake of equality.In each of these instances, however, your treatment of words (and language more generally) is very different from those thinkers of the "linguistic turn" in political philosophy who expound on an ethics of deliberation as the first virtue of modern democracies. For that matter, your approach is quite different from those thinkers who focus on the aporias of language as such.Could you discuss this thematic of the proliferation of words in your thinking about democratic politics?Would it be fair to characterize your research on and exposition of democratic thinking as a "poetics of politics"?Rancière's Reply:In order to address your question adequately, it would be wise to enlarge the sense of "linguistic turn" you invoke. In its most generally accepted sense, the linguistic turn in philosophy consists in ascribing to linguistic processes certain phenomena and specifiable modes of relating objects attributed, in a previous instance, either to factual processes or lines of thought. This approach is not limited to the two figures you invoke in your question. The linguistic turn also has two stages of development that, from my experience, have been more noticeable in France than in the United States. The first phase, then, emerged with Lévi-Strauss and his structural approach to social relations founded on a linguistic model of relationality, subsequently reprised in Lacan's psychoanalytic notion that "the unconscious is structured like a language" that, in its turn, conjoins the energetic mental processes Freud discusses to linguistic practices. The primacy of "the linguistic" thus granted language all the properties of the Freudian unconscious [End Page 113] along with those of a Marxist notion of infrastructure. The Saussurian opposition between langue and parole provided a privileged status to a linguistic model whose role was that of a general law that unconsciously structures the behavior of individuals and societies. It is on the basis of these parameters that the structuralist moment of the linguistic turn was constituted. At one and the same time, the analysis of speech acts became first and foremost a "symptomatic" analysis of those procedures of misrecognition that linguistically structured both the behavior of individuals and social relations. When we "read" Le Capital with Althusser, the interpretive and methodological schema for linguistic phenomena operated like a kind of "policing of the enunciated": that is, a search for those unsuccessful (i.e., inadequate) modes of expression that exemplify such symptomatic procedures of misrecognition.The second phase of the linguistic turn constituted itself more ambiguously. For those who shared intellectual experiences similar to my own, this version involved a critique of the langue/infrastructure model; that is, a further and more favorable consideration of the value of the political and the linguistic games therein that, according to the Althusserian/Marxist model (and, indeed, with structuralism more generally), were to be treated as ideological artifacts. In a very real sense, it all began with the May '68 assertion that "we are all German Jews"--an entirely ideological statement, the validity of which, if analyzed at the level of its content, one finds to rest entirely on the capacity to overturn the political relationship between the order of designations and that of events by emphasizing the gap that separates subject and predicate. From there, an entire field of understanding speech acts as political gestures opened up: a field that reconfigured the division between words and things while rearranging the distinction between legitimate... (shrink)

In _The Poetics of Political Thinking_ Davide Panagia focuses on the role that aesthetic sensibilities play in theorists’ evaluations of political arguments. Examining works by thinkers from Thomas Hobbes to Jacques Rancière, Panagia shows how each one invokes aesthetic concepts and devices, such as metaphor, mimesis, imagination, beauty, and the sublime. He argues that it is important to recognize and acknowledge these poetic forms of representation because they provide evaluative standards that theorists use in appraising the value (...) of ideas—ideas about justice, politics, and democratic life. An investigation into the intertwined histories of aesthetic and political accounts of representation—such as Panagia presents here—sheds light on how modes of poetic thinking delimit the questions of unity and diversity that continue to animate contemporary political theory. Panagia not only illuminates the structure of much contemporary political theory but also shows why understanding the poetics of political thinking is vital to contemporary society. Drawing on Gilles Deleuze’s critique of negation and his privileging of paradox as the source of political thought, Panagia suggests that a non-teleological concept of difference might generate insight into pressing questions about foreignness and citizenship. Turning to the liberal/poststructural debate that dominates contemporary political theory, he compares John Rawls’s concept of justice to Rancière’s ideas about political disagreement in order to demonstrate how, despite their differences, both thinkers comprehend aesthetic and moral reasoning as part and parcel of political writing. Considering the writings of William Hazlitt and Jürgen Habermas, he describes how the essay has become the exemplary genre of what is considered rational political argument. _The Poetics of Political Thinking_ is a compelling reappraisal of the role of representation within political thought. (shrink)

In this article, I claim that film matters to political theory not because of the stories films recount, but because the medium of film offers political theorists an image of political thinking that emphasizes the stochastic serialization of actions. I thus argue that the stochastic serialization of moving images that films project makes available for democratic theory an experience of resistance and change as a felt discontinuity of succession, rather than as an inversion of hierarchical power. In my treatment of (...) these issues, I rely on Hume's ontology of ‘broken appearances’ and ‘interrupted perceptions’, as well as Stanley Cavell's ontology of film as treated in The World Viewed. I elaborate the following four aspects of the relation between film and political theory: the action-image; discontinuity and the fact of series; actors, artificial persons and human somethings; and political resistance and an aesthetics of politics. The manner in which I proceed is to show the aspectual overlay between film and political thinking. Such a method of exposition suggests a further, methodological site where film matters to political theory: the stochastic serialization of moving images in film provides political theory with a genre for elaborating ideas that is not reducible to the analytics of causal argument. (shrink)

Davide Panagia’s Impressions of Hume: Cinematic Thinking and the Politics of Discontinuity is volume fifteen of Modernity and Political Thought, the Rowman & Littlefield series in contemporary political theory.

In _Rancière’s Sentiments _Davide Panagia explores Jacques Rancière’s aesthetics of politics as it informs his radical democratic theory of participation. Attending to diverse practices of everyday living and doing—of form, style, and scenography—in Rancière’s writings, Panagia characterizes Rancière as a sentimental thinker for whom the aesthetic is indistinguishable from the political. Rather than providing prescriptions for political judgment and action, Rancière focuses on how sensibilities and perceptions constitute dynamic relations between persons and the worlds they create. Panagia (...) traces this approach by examining Rancière’s modernist sensibilities, his theory of radical mediation, the influence of Gustave Flaubert on Rancière’s literary voice, and how Rancière juxtaposes seemingly incompatible objects and phenomena to create moments of sensorial disorientation. The power of Rancière’s work, Panagia demonstrates, lies in its ability to leave readers with a disjunctive sensibility of the world and what political thinking is and can be. (shrink)

This paper is a study of the place of luminosity in the films of Michael Mann and the way in which luminosity is not a tool of illumination but a radiance that signals the bodying forth of appearances. The event of luminosity in Mann's films is an attempt to re-imagine the conventional value structures that create a link between film and indexicality, as if his admiration for the photoreal effects of film belies an insistence that the advenience of an appearance (...) is what eventuates when objects ingress between reference and expression, between realism and dream. By using the most advanced high definition digital cameras to film his nightscapes - and his movies more generally - Mann defeats the illuminatory and transcriptual demands of a filmic iconography that rely on the power of light to tether a representation to a thing in the world. In doing so, however, he neither refuses nor rejects the power of representation as such. His picturing of luminous nightscapes in cities, for instance, transubstantiates the objecthood of urban spaces so that the iridescence of the lights makes the city feel at once vivid and unlike any object that might exist in the world. I conclude that Mann's commitment to filming luminosity presents a problem to the dominant methodologies for the analysis of aesthetics and politics that offer a moral theory of the image. Michael Mann's films, finally, offer an alternative to the moral theory of the image: a politics of appearances rooted in the experience of advenience. (shrink)

The mob, when they are gazing at a dancer on the slack rope, naturally writhe and twist and balance their own bodies, as they see him do, and as they feel that they themselves must do if in his situation. I begin with an epigraph from Adam Smith in order to make apparent the structuring conceit of this essay, which is the following: the matter of assemblages are here considered within the context of modern tradition of moral sentimentalism and its (...) considerations of the affective, associational dynamics that dispose of collectivities. At root in these reflections is my inclination to return to the original French term in the work of Gilles Deleuze and Félix Guattari that sources our English... (shrink)

Davide Panagia, The Poetics of Political Thinking (Durham and London: Duke University Press, 2006). ISBN 0-8223-3718-5, (hbk) US$ 74.95, (pbk) US$ 21.95,166pp. and Davide Panagia, The Political Life of Sensation (Durham, NC and London: Duke University Press, 2009). ISBN 978-0-8223-4479-7, (hbk) US$ 79.95, (pbk) US$ 22.95, 213pp.

A leading political theorist’s groundbreaking defense of ideal conceptions of justice in political philosophy Throughout the history of political philosophy and politics, there has been continual debate about the roles of idealism versus realism. For contemporary political philosophy, this debate manifests in notions of ideal theory versus nonideal theory. Nonideal thinkers shift their focus from theorizing about full social justice, asking instead which feasible institutional and political changes would make a society more just. Ideal thinkers, on the other hand, question (...) whether full justice is a standard that any society is likely ever to satisfy. And, if social justice is unrealistic, are attempts to understand it without value or importance, and merely utopian? Utopophobia argues against thinking that justice must be realistic, or that understanding justice is only valuable if it can be realized. David Estlund does not offer a particular theory of justice, nor does he assert that justice is indeed unrealizable—only that it could be, and this possibility upsets common ways of proceeding in political thought. Estlund engages critically with important strands in traditional and contemporary political philosophy that assume a sound theory of justice has the overriding, defining task of contributing practical guidance toward greater social justice. Along the way, he counters several tempting perspectives, including the view that inquiry in political philosophy could have significant value only as a guide to practical political action, and that understanding true justice would necessarily have practical value, at least as an ideal arrangement to be approximated. Demonstrating that unrealistic standards of justice can be both sound and valuable to understand, Utopophobia stands as a trenchant defense of ideal theory in political philosophy. (shrink)

David Hume's Enquiry concerning Human Understanding is the definitive statement of the greatest philosopher in the English language. His arguments in support of reasoning from experience, and against the "sophistry and illusion"of religiously inspired philosophical fantasies, caused controversy in the eighteenth century and are strikingly relevant today, when faith and science continue to clash. The Enquiry considers the origin and processes of human thought, reaching the stark conclusion that we can have no ultimate understanding of the physical world, or indeed (...) our own minds. In either sphere we must depend on instinctive learning from experience, recognizing our animal nature and the limits of reason. Hume's calm and open-minded skepticism thus aims to provide a new basis for science, liberating us from the "superstition" of false metaphysics and religion. His Enquiry remains one of the best introductions to the study of philosophy, and his edition places it in its historical and philosophical context. (shrink)

The zetetic turn in epistemology raises three questions about epistemic and zetetic norms. First, there is the relationship question: what is the relationship between epistemic and zetetic norms? Are some epistemic norms zetetic norms, or are epistemic and zetetic norms distinct? Second, there is the tension question: are traditional epistemic norms in tension with plausible zetetic norms? Third, there is the reaction question: how should theorists react to a tension between epistemic and zetetic norms? Drawing on an analogy to practical (...) philosophy, I develop a focal point view to resolve these motivating questions. On the focal point view, traditional epistemic norms and zetetic norms answer different types of normative questions. There is nevertheless a familiar type of evaluative tension between traditional epistemic norms and zetetic norms, but this tension is an unavoidable feature of the normative landscape and not a sign that traditional epistemic norms need revision. But if traditional epistemic norms are not zetetic norms, then in what sense is zetetic epistemology a project for epistemologists? I conclude by articulating a sense in which some nontraditional epistemic norms are zetetic norms, and in which zetetic epistemology is an important part of the study of theoretical rationality. (shrink)

By means of an example, shows the possibility of beliefs that are separately rational whilst together inconsistent.

One of the enduring concerns of moral philosophy is deciding who or what is deserving of ethical consideration. Much recent attention has been devoted to the "animal question" -- consideration of the moral status of nonhuman animals. In this book, David Gunkel takes up the "machine question": whether and to what extent intelligent and autonomous machines of our own making can be considered to have legitimate moral responsibilities and any legitimate claim to moral consideration. The machine question poses a fundamental (...) challenge to moral thinking, questioning the traditional philosophical conceptualization of technology as a tool or instrument to be used by human agents. Gunkel begins by addressing the question of machine moral agency: whether a machine might be considered a legitimate moral agent that could be held responsible for decisions and actions. He then approaches the machine question from the other side, considering whether a machine might be a moral patient due legitimate moral consideration. Finally, Gunkel considers some recent innovations in moral philosophy and critical theory that complicate the machine question, deconstructing the binary agent--patient opposition itself. Technological advances may prompt us to wonder if the science fiction of computers and robots whose actions affect their human companions could become science fact. Gunkel's argument promises to influence future considerations of ethics, ourselves, and the other entities who inhabit this world. (shrink)

How should one react when one has a belief, but knows that other people—who have roughly the same evidence as one has, and seem roughly as likely to react to it correctly—disagree? This paper argues that the disagreement of other competent inquirers often requires one to be much less confident in one’s opinions than one would otherwise be.

I attempt to get as clear as possible on the chain of reasoning by which irreversible macrodynamics is derivable from time-reversible microphysics, and in particular to clarify just what kinds of assumptions about the initial state of the universe, and about the nature of the microdynamics, are needed in these derivations. I conclude that while a “Past Hypothesis” about the early Universe does seem necessary to carry out such derivations, that Hypothesis is not correctly understood as a constraint on the (...) early Universe’s entropy. (shrink)

We start by presenting three different views that jointly imply that every person has many conscious beings in their immediate vicinity, and that the number greatly varies from person to person. We then present and assess an argument to the conclusion that how confident someone should be in these views should sensitively depend on how massive they happen to be. According to the argument, sometimes irreducibly de se observations can be powerful evidence for or against believing in metaphysical theories.

Worries about mental causation are prominent in contemporary discussions of the mind and human agency. Originally, the problem of mental causation was that of understanding how a mental substance (thought to be immaterial) could interact with a material substance, a body. Most philosophers nowadays repudiate immaterial minds, but the problem of mental causation has not gone away. Instead, focus has shifted to mental properties. How could mental properties be causally relevant to bodily behavior? How could something mental qua mental cause (...) what it does? After looking at the traditional Problem of Interaction, we survey various versions of the property-based problem and look at proposed solutions to them. (shrink)

It is advisable to treat some sorts of discourse about fiction with the aid of an intensional operator "in such-And-Such fiction...." the operator may appear either explicitly or tacitly. It may be analyzed in terms of similarity of worlds, As follows: "in the fiction f, A" means that a is true in those of the worlds where f is told as known fact rather than fiction that differ least from our world, Or from the belief worlds of the community in (...) which the fiction originated. (shrink)

1.1 Manifolds . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 1.2 Tangent Vectors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (...) . . . . . . . . . . . 7 1.3 Vector Fields, Integral Curves, and Flows . . . . . . . . . . . . . . . . . . . . . . . . . . . 15 1.4 Tensors and Tensor Fields on Manifolds . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21 1.5 The Action of Smooth Maps on Tensor Fields . . . . . . . . . . . . . . . . . . . . . . . . . 31 1.6 Lie Derivatives . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37 1.7 Derivative Operators and Geodesics . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43 1.8 Curvature . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 59 1.9 Metrics . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 64 1.10 Hypersurfaces . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 81 1.11 Volume Elements . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 96.. (shrink)

Unprecedented advances in medicine, genetic engineering, and demographic forecasting raise new questions that strain the categories and assumptions of traditional ethical theories. Heyd's approach resolves many paradoxes in intergenerational justice, while offering a major test case for the profound problems of the limits of ethics and the nature of value. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and (...) impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1992. (shrink)