Resumen En la crítica del Cantar de los Cantares no hay acuerdo acerca del problema estructural del libro. Las teorías se dividen en aquellas que abogan por un carácter fragmentario contra otras que ven un carácter unitario de los poemas. El estudio intenta revisar esta problemática y proponer que el Cantar de los Cantares es una colección de poemas sueltos que un redactor/recopilador juntó e intentó poner en cierto orden, incorporando el conjuro de 2,7; 3,5; 5,8; 8,4 como estribillo con (...) función articuladora, de tal manera que el conjuro quedó puesto como hito divisorio entre grandes bloques poéticos que se relacionan entre sí por un tema común u otro recurso de mano redaccional, configurando así un ordenamiento estructural de todo el libro.In the criticism of the Song of Songs there is no agreement on the structural problem of the book. Theories are divided into those advocating a fragmentary against others who see a unitary character of poems. The study attempts to revise this problems and propose that the Song of Songs is a loose collection of poems that a compiler gathered and tried to give some order, incorporating the adjuration of 2, 7; 3,5; 5,8; 8,4 as refrain with articulate function, such that the adjuration was set as milestone dividing between large blocks poetic that interrelate by a common theme or other resource or literary technique thus configuring a structural arrangement of the whole book. (shrink)

In der vorliegenden Arbeit wird die Behandlung ontologischer Fragen auf Grund analytischer Methoden untersucht und die zeitgenössische NominalismusDiskussion durchleuchtet. In einem ersten Teil erläutert der Verfasser Quines Kriterium für das, was er "ontic commitment" nennt, sowie dessen Ablehnung der sog. substitutionellen Quantifikationstheorie. Im zweiten Teil werden Hintikkas Interpretation des Kriteriums und sein Umdeutungsversuch dargelegt, der auf der Verwendung einer Quantifikationstheorie ohne existentielle Voraussetzungen beruht. Im letzten Teil wird die berühmte Kontroverse zwischen Carnap und Quine hinsichtlich ontologischer Aussagen und des Nominalismusstreites (...) erörtert. Es wird zu zeigen versucht, daß die Carnapsche Auffassung, wonach Fragen der Ontologie nur die praktische Wahl von Sprachsystemen betreffen und deshalb nicht sinnvollerweise in theoretischem Gewand auftreten können, den Vorzug verdient. Quines Betrachtungsweise scheitert letztlich an seinem Holismus und vor allem auch an den unerfüllbaren Forderungen, die er an die Definition von "analytisch" stellt. Wir bauen nicht, wie Neuraths Bild nahelegt, auf offener See an einem einzigen Schiff, dessen Planken wir einzeln ersetzen, sondern an einer bunten Flotte von Schiffen, die zu verschiedenen Zwecken gebraucht werden. Betrachtet man aber den faktischen wissenschaftlichen Betrieb aus dieser Perspektive, so scheint Hintikkas Kriterium, das den Handlungskontext der sog. Sprachspiele des Suchens und Findens mitberücksichtigt, bessere Dienste zu leisten als das Quinesche. (shrink)

Previous chapter The Recent Transformation of Rhythmanalysis into an Observation Technique As we can see, a significant number of elements of rhythmanalysis had already been outlined in the 1970s. This should be emphasized because it provides a better understanding of its strengths but also of its weaknesses. But before looking into Lefebvre's last book published posthumously in 1992, we need to consider its transformation into a sheer empirical method that has accompanied its recent - Sociologie – Nouvel article.

Previous chapter The Recent Transformation of Rhythmanalysis into an Observation Technique As we can see, a significant number of elements of rhythmanalysis had already been outlined in the 1970s. This should be emphasized because it provides a better understanding of its strengths but also of its weaknesses. But before looking into Lefebvre's last book published posthumously in 1992, we need to consider its transformation into a sheer empirical method that has accompanied its recent - Sociologie – Nouvel article.

A λ-theory T is a consistent set of equations between λ-terms closed under derivability. The degree of T is the degree of the set of Godel numbers of its elements. H is the $\lamda$ -theory axiomatized by the set {M = N ∣ M, N unsolvable. A $\lamda$ -theory is sensible $\operatorname{iff} T \supset \mathscr{H}$ , for a motivation see [6] and [4]. In § it is proved that the theory H is ∑ 0 2 -complete. We present Wadsworth's proof (...) that its unique maximal consistent extention $\mathscr{H}^\ast (= \mathrm{T}(D_\infty))$ is Π 0 2 -complete. In $\S2$ it is proved that $\mathscr{H}_\eta(= \lambda_\eta-\text{Calculus} + \mathscr{H})$ is not closed under the ω-rule (see [1]). In $\S3$ arguments are given to conjecture that $\mathscr{H}\omega (= \lambda + \mathscr{H} + omega-rule)$ is Π 1 1 -complete. This is done by representing recursive sets of sequence numbers as λ-terms and by connecting wellfoundedness of trees with provability in Hω. In $\S4$ an infinite set of equations independent over H η will be constructed. From this it follows that there are 2^{ℵ_0 sensible theories T such that $\mathscr{H} \subset T \subset \mathscr{H}^\ast$ and 2 ℵ 0 sensible hard models of arbitrarily high degrees. In $\S5$ some nonprovability results needed in $\S\S1$ and 2 are established. For this purpose one uses the theory H η extended with a reduction relation for which the Church-Rosser theorem holds. The concept of Gross reduction is used in order to show that certain terms have no common reduct. (shrink)

Le présent article montre que s’il est totalement réducteur de considérer Descartes comme un mécaniste radical (le corps humain n’est pas un corps comme un autre puisqu’il est uni à une âme) et Kant comme un finaliste radical (l’explication scientifique en biologie sera, en dernier ressort, mécaniste) dans leur tentative respective d’explication du vivant, il est tout aussi réducteur de voir en Bergson unsimple critique du mécanisme. En effet, Bergson fait le «rêve», dans L’évolution créatrice , d’un «mécanisme de la (...) transformation» qui représente une réforme du mécanisme dont la condition de possibilité repose non seulement sur le progrès de la chimie, mais également et surtout sur celui des mathématiques modernes, plus précisément du calcul infinitésimal, seule méthode capable de saisir bjectivement le mouvement.When it comes to explaining life and living organisms, it is as insufficient to see in Descartes a proponent of radical mechanicism (the human body is not any sort of body since it is united with a soul) and in Kant a proponent of radical finalism (in biology, scientific explanations are in the last resort mechanicist), as it is to see in Bergson nothing other than an opponent of mechanicism. In fact in Creative Evolution Bergson “dreams” of a “mechanism of transformation” that should consist of a reform of mechanicism, the conditions of possibility of which are based not only on the progress of chemistry, but first of all on the progress of mathematics, and more precisely of infinitesimal calculus, the only method able to objectively grasp movement. (shrink)

Henri Poincaré’s views on the foundations of mechanics and the nature of mechanical explanation were influenced by the work of two of the most renowned nineteenth century scientists, James Clerk Maxwell and Heinrich Hertz. In order then to unravel Poincaré’s views and own contribution to the subject it is important to see the connection between Maxwell ’s and Hertz’s researches on the one hand and Poincaré’s on the other. Consequently, I start this paper with a brief account of Poincaré’s (...) encounter with Maxwell ’s work in electromagnetism. Then, in section 2, I move on to show how Hertz’s work on the foundations of mechanics shaped Poincaré own views. In sections 3 and 4, I formulate Poincaré’s own conventionalist philosophy of mechanics and show how several methodological considerations, especially the search for unity, mitigated his conventionalism. Having thus examined Poincaré’s views on the foundations of mechanics, in section 5 I turn my attention to his notion of mechanical explanation and his proof that a mechanical explanation of a set of phenomena is possible if the principle of conservation of energy is satisfied. I then go on to show how Poincaré secured the possibility of a mechanical explanation of electromagnetic phenomena, and also how, having done so, he ended up with an unlimited number of configurations of matter in motion that could underpin electromagnetic phenomena. The upshot of this paper will be that Poincaré departed from the traditional conceptions on mechanical explanation and defended a purely structural conception, the strong point of which was that it promoted — as the motto of this paper says — the true and only aim of science, namely unity. (shrink)

Henri Bergson and William James were great admirers of each other, and James seemed to think he got valuable ideas from Bergson. But early critics were right to see in Bergson the antithesis of pragmatism. Unfolding this antithesis is a convenient way to study important concepts and innovations in Bergson's philosophy. I concentrate on his ideas of duration and intuition, and show how they prove the necessity of going beyond pragmatism. The reason is because knowledge itself goes beyond the (...) utilitarian limitations in which pragmatism confines it. Knowledge is more than utility, more than adaptation, more than pragmatism, because our cognitive powers prove capable of more than any naturally selected service to survival. (shrink)

Most see having their individuality stifled as equivalent to the terrible forced conformity found within speculative fiction like George Orwell's 1984. However, the oppression of others by those in power has often been justified through ideologies of individualism. If we look to animistic traditions, could we bridge the gap between these extremes? What effect would such a reevaluation of identity have on the modern understanding of selfhood? The term ' in-dividual' suggests an irreducible unit of identity carried underneath all of (...) our titles and experiences—the real self. By linking Marilyn Strathern's elaboration of dividualism and Nurit Bird-David's relational epistemology , a clear contrast forms between the animistic sense of self and that of the West. This system of selfhood more readily encourages a life lived in Henri Bergson's sense of duration and sets up a state of dialogical discourse , as seen in Mikhail Bakhtin's work. These concepts challenge the traditional praise for individuality and exposes how individualism can be used as a tool of marginalization as seen in Michel Foucault's critique of authorship. I argue that pursuing a sense of self rooted in these concepts instead of individualism mitigates this marginalization via a more socially aware cultural environment that the traditional Western sense of self fails to create. (shrink)

This paper examines the meaning of space and its relationship to value. In this paper, I draw on Henri Lefebvre to suggest that our ethics produce and are produced by spaces. Space is not simply a passive material container or neutral geographic location. Space includes the ideas on which buildings are modeled, the ordering of objects and movement patterns within the space, and the symbolic meaning of the space and its objects. Although often unrecognized, space itself is value-laden, and (...) its values are suggested as people interact within that space. By reflecting on the spaces of health care, we will see that we not only must attend to the quandaries caused by the delivery of health care in non-acute places, but also to the values that produce and are produced by spaces. These values influence our moral imagination and shape us as people. (shrink)

From Bishop Wilberforce in the 1860s to the advocates of "creation science" today, defenders of traditional mores have condemned Darwin's theory of evolution as a threat to society's values. Darwin's defenders, like Stephen Jay Gould, have usually replied that there is no conflict between science and religion--that values and biological facts occupy separate realms. But as James Rachels points out in this thought-provoking study, Darwin himself would disagree with Gould. Darwin, who had once planned on being a clergyman, was convinced (...) that natural selection overthrew our age-old religious beliefs. Created from Animals offers a provocative look at how Darwinian evolution undermines many tenets of traditional philosophy and religion. James Rachels begins by examining Darwin's own life and work, presenting an astonishingly vivid and compressed biography. We see Darwin's studies of the psychological links in evolution (such as emotions in dogs, and the "mental powers" of worms), and how he addressed the moral implications of his work, especially in his concern for the welfare of animals. Rachels goes on to present a lively and accessible survey of the controversies that followed in Darwin's wake, ranging from Herbert Spencer's Social Darwinism to Edward O. Wilson's sociobiology, and discusses how the work of such influential intellects as Descartes, Hume, Kant, T.H. Huxley, Henri Bergson, B.F. Skinner, and Stephen Jay Gould has contributed to--or been overthrown by--evolutionary science. Western philosophy and religion, Rachels argues, have been shaken by the implications of Darwin's work, most notably the controversial idea that humans are simply a more complex kind of animal. Rachels assesses a number of studies that suggest how closely humans are linked to other primates in behavior, and then goes on to show how this idea undercuts the work of many prominent philosophers. Kant's famous argument that suicide reduces one to the level of an animal, for instance, is meaningless if humans are, in fact, animals. Indeed, humanity's membership in the animal kingdom calls into question the classic notions of human dignity and the sacredness of human life. What we need now, Rachels contends, is a philosophy that does not discriminate between different species, one that addresses each being on an individual basis. With this sweeping survey of the arguments, the philosophers, and the deep implications surrounding Darwinism, Rachels lays the foundations for a new view of morality. Vibrantly written and provocatively argued, Created from Animals offers a new perspective on issues ranging from suicide to euthanasia to animal rights. (shrink)

Henri Lefebvre speaks of space as a social product. Spatially, law operates as a social product when considering sites of imprisonment. Call them prisons, jails, or correctional facilities, people who violate the law go to these places for purposes of confinement, punishment, rehabilitation. However, with decades of increasing rates of incarceration, we can see that these places fail both the jailed and the external society to which they will return. Through overcrowding, exploitative private companies, and defunded social services, these (...) places continue to cause injustice as spaces in which the social product of rehabilitation is often lacking. However, on the Island of Hawai‘i, there is an alternative. In Hilo, the community-based organization ‘Ohana Ho‘opakele’ seeks to provide a Hawaiian holistic approach that will serve as an alternative to incarceration. Through wellness centers and the practice of traditional ho’oponopono, this group advocates for a spatially-oriented rehabilitative approach to restorative justice. A central feature is the land upon which the program will be situated and its organization as a self-supported ahupua‘a. This indigenous land division contains diverse and sustainable resources where the participants will be connected to Hawaiian culture and practices central to the concept of wellness for the person and the community. The group’s vision for this program is far-reaching as it will serve as a model for justice in the Restored Hawaiian Kingdom. In this paper, we will explore the vision of ‘Ohana Ho‘opakele against the backdrop of a politically westernized legislative-based response to the diasporic urgency of Hawaii’s incarcerated. (shrink)

Technologies not only change “external reality” but also change our internal consciousness, shaping the way we experience the world. As the reality of intelligent environments is upon us—ushered along with the age of ubiquitous computing—we must be careful that the ideology these technologies embody is not blindly incorporated into the environment. As disciplines, engineering and computer science make implicit assumptions about the world that conflict with traditional modes of cultural production. For example, space is commonly understood to be the void (...) left behind when no objects are present. Unfortunately, once we see space in this way, we are unable to understand the role it plays in our everyday experience. In order to make computationally enhanced spaces that are meaningful at the level of the everyday, we must exorcise the notion of intelligence from their design and replace it with life. Henri Lefebvre’s discussions of the space of everyday life provide a framework to help conceive this transition. (shrink)

This essay attempts to describe the neo-Lamarckian atmosphere that was dominant in French biology for more than a century. Firstly, we demonstrate that there were not one but at least two French neo-Lamarckian traditions. This implies, therefore, that it is possible to propose a clear definition of a (neo) Lamarckian conception, and by using it, to distinguish these two traditions. We will see that these two conceptions were not dominant at the same time. The first French neo-Lamarckism (1879-1931) was structured (...) by a very mechanic view of natural processes. The main representatives of this first period were scientists such as Alfred Giard (1846-1908), Gaston Bonnier (1853-1922) and Félix Le Dantec (1869-1917). The second Lamarckism - much more vitalist in its inspiration - started to develop under the supervision of people such as Albert Vandel (1894-1980) and Pierre-Paul Grassé (1895-1985). Secondly, this essay suggests that the philosophical inclinations of these neo-Lamarckisms reactivated a very ancient and strong dichotomy of French thought. One part of this dichotomy is a material, physicalist tradition, which started with René Descartes but developed extensively during the 18th and 19th centuries. The other is a spiritual and vitalist reaction to the first one, which also had a very long history, though it is most closely associated with the work of Henri Bergson. Through Claude Bernard, the first neo-Lamarckians tried to construct a mechanical and determinist form of evolutionary theory which was, in effect, a Cartesian theory. The second wave of neo-Lamarckians wanted to reconsider the autonomy and reactivity of life forms, in contrast to purely physical systems. (shrink)

Article published in Progress in Human Geography, Aug 2017. This is a pre-publication version of the article ; please see early online version at publisher website for final version.: This article examines rhythmanalysis within the context of Henri Lefebvre's critique of everyday life and identifies gaps in his framework from the vantage point of intersectional feminist scholarship. Intersectional rhythmanalysis, I argue, provides a framework - Géographie – Nouvel article.

This essay attempts to describe the neo-Lamarckian atmosphere that was dominant in French biology for more than a century. Firstly, we demonstrate that there were not one but at least two French neo-Lamarckian traditions. This implies, therefore, that it is possible to propose a clear definition of a (neo)Lamarckian conception, and by using it, to distinguish these two traditions. We will see that these two conceptions were not dominant at the same time. The first French neo-Lamarckism (1879–1931) was structured by (...) a very mechanic view of natural processes. The main representatives of this first period were scientists such as Alfred Giard (1846–1908), Gaston Bonnier (1853–1922) and Félix Le Dantec (1869–1917). The second Lamarckism – much more vitalist in its inspiration – started to develop under the supervision of people such as Albert Vandel (1894–1980) and Pierre-Paul Grassé (1895–1985). Secondly, this essay suggests that the philosophical inclinations of these neo-Lamarckisms reactivated a very ancient and strong dichotomy of French thought. One part of this dichotomy is a material, physicalist tradition, which started with René Descartes but developed extensively during the 18th and 19th centuries. The other is a spiritual and vitalist reaction to the first one, which also had a very long history, though it is most closely associated with the work of Henri Bergson. Through Claude Bernard, the first neo-Lamarckians tried to construct a mechanical and determinist form of evolutionary theory which was, in effect, a Cartesian theory. The second wave of neo-Lamarckians wanted to reconsider the autonomy and reactivity of life forms, in contrast to purely physical systems. (shrink)

This is a book about evolution from a post-Darwinian perspective. It recounts the core ideas of French philosopher Henri Bergson and his rediscovery and legacy in the poststructuralist critical philosophies of the 1960s, and explores the confluences of these ideas with those of complexity theory in environmental biology. The failings in the development of systems theory, many of which complex systems theory overcomes, are retold; with Bergson, this book proposes, some of the rest may be overcome too. It asserts (...) that Bergson’s ideas can further our understanding of evolution, and of complex systems, and aid the work of scientists working in the field of ecological complexity. See http://www.creativeemergence.info/ for more detail and sample chapter. "The claim is that Bergson's notions of duration and élan vital resonate with and provide interesting metaphysical speculations complementing a process structuralist biology of the Goodwin and Kauffman stripe. This is certainly provocative and worth further thought. The key claim is that the openness and unpredictability of systems "at the edge of chaos" (where a system can be said to "choose" at bifurcation points in its state space) meets the Bergsonian desideratum of an open universe that takes irreversible time and evolutionary difference seriously. In particular, Kreps stresses the way Bergson's insistence on the differentiating force of élan vital (which Kreps successfully defends from the charge of a substantialist vitalism along the lines of Hans Dreisch) puts him in line with those who see natural selection as a secondary pruning of a primary differentiation." -John Protevi, Notre Dame Philosophical Reviews 2016.01.20 'This is no ordinary introduction to Henri Bergson. What David Kreps' excellent study gives us is Bergson, complexe: first, because there is no simple way to take (or leave) Bergson's ideas - his thought of durée, élan, and 'multiplicity' demands the most subtle and nuanced reading to give them their full justice; and second, because only by intertwining his ideas with the most up-to-date research in systems thinking, complexity theory, and poststructuralism can we begin to understand their absolute contemporaneity. Kreps' work does all this and more: it gives us the Bergson we need for today.' -John Mullarkey, author of Bergson and Philosophy 'Kreps' book is a thoroughly researched and well-written work that shows how Bergson's philosophy of evolution and time can also reinvigorate our ideas about complexity and organization in the natural and physical sciences.' -Stephen Crocker, author of Bergson and the Metaphysics of Media. (shrink)

In the last 2500 years, since the beginnings in ancient Greece of the literary genre we call “history,” the relationship between history and law has been very close. True, the Greek word historia is derived from medical language, but the argumentative ability it implied was related to the judicial sphere. History, as Arnaldo Momigliano emphasized some years ago, emerged as an independent intellectual activity at the intersection of medicine and rhetoric. Following the example of the former, the historian analyzed specific (...) cases and situations looking for their natural causes; following the prescriptions of the latter—a technique, or an art, born in tribunals—he communicated the results of his inquiry.2Within the classical tradition, historical writing had to display a feature the Greeks called enargeia, and the Romans, evidential in narrtatione: the ability to convey a vivid representation of characters and situations. The historian, like the lawyer, was expected to make a convincing argument by communicating the illusion of reality, not by exhibiting proofs collected either by himself or by others.3 Collecting proofs was, until the mid-eighteenth century, an activity practiced by antiquarians and erudite, not by historians.4 When, in his Traité des differentes sortes de preuves qui servent à établir la vérité he l’histoire , the erudite Jesuit Henri Griffet compared the historian to a judge who carefully evaluates proofs and witnesses, he was expressing a still-unaddressed intellectual need. Only a few years later Edward Gibbon published his Decline and Fall of the Roman Empire, the first work that effectively combined historical narrative with an antiquarian approach.5 2. See Arnaldo Momigliano, ”History between Medicine and Rhetoric,” Ottavo contributo alla storia degli studi classici e del mondo antico, trans. Riccardo Di Donato , pp. 14-25.3. See Ginzburg, “Montrer et citer.”4. See Momigliano, “Ancient History and the Antiquarian,” Contributo alla storia degli studi classici , pp. 67-106.5. See Henri Griffet, Traité des differentes sortes de preuves qui servent à établir la vérité de l’histoire, 2d ed. . Allen Johnson, in his Historian and Historical Evidence , speaks of the Traité as “the most significant book on method after Mabillon’s De re diplomatic” . See also Momigliano, “Ancient History and the Antiquarian,” p. 81, and Ginzburg, “Just One Witness.” On Gibbon, see Momilgiano, Sesto contributo alla storia degli studi classici e del mondo antico , pp. 231-84. Carlo Ginzburg is Franklin D. Murphy Professor of Italian Renaissance Studies at the University of California, Los Angeles. His two most recent books are Ecstasies: Deciphering the Witches’ Sabbath and Il giudice e lo storico. (shrink)

Nearly all the extracts presented here are new translations and most have never appeared in English before.

Sewall Wright first encountered the complex systems characteristic of gene combinations while a graduate student at Harvard's Bussey Institute from 1912 to 1915. In Mendelian breeding experiments, Wright observed a hierarchical dependence of the organism's phenotype on dynamic networks of genetic interaction and organization. An animal's physical traits, and thus its autonomy from surrounding environmental constraints, depended greatly on how genes behaved in certain combinations. Wright recognized that while genes are the material determinants of the animal phenotype, operating with great (...) regularity, the special nature of genetic systems contributes to the animal phenotype a degree of spontaneity and novelty, creating unpredictable trait variations by virtue of gene interactions. As a result of his experimentation, as well as his keen interest in the philosophical literature of his day, Wright was inspired to see genetic systems as conscious, living organisms in their own right. Moreover, he decided that since genetic systems maintain ordered stability and cause unpredictable novelty in their organic wholes (the animal phenotype), it would be necessary for biologists to integrate techniques for studying causally ordered phenomena (experimental method) and chance phenomena (correlation method). From 1914 to 1921 Wright developed his "method of path coefficient" (or "path analysis"), a new procedure drawing from both laboratory experimentation and statistical correlation in order to analyze the relative influence of specific genetic interactions on phenotype variation. In this paper I aim to show how Wright's philosophy for understanding complex genetic systems (panpsychic organicism) logically motivated his 1914-1921 design of path analysis. (shrink)

Adrian Stokes , long admired by a small, highly distinguished, mostly English circle, was the natural successor to Pater and Ruskin. But though his place in cultural history is important, what is of particular interest now to art historians is his theory of the presentness of painting, a theory which offers a challenging critique of the practice of artwriting. From Vasari to the present, the most familiar rhetorical strategy of the art historian is the narrative of “the form, prophet-saviour-apostles,” in (...) which the first artist poses some problem that his successors develop and their successors solve.1 Such very different books as Art and Illusion and Art and Culture deploy that plan. The three periods of naturalism in E. H. Gombrich’s narrative—antiquity, Renaissance religious narrative, nineteenth-century landscape—function like Clement Greenberg’s sequence—old master art, early French modernism, American abstract expressionism. Gombrich and Greenberg disagree about how to narrate art’s history and about which works to include in that narrative—Gombrich asserts that cubism closes the canon while for Greenberg analytical cubism anticipates Jackson Pollock—but in each case, the art historian aims, as the novelist does, to tell a satisfying story and achieve narrative closure, and so how we think of the artworks the historian discusses depends in part upon the structure of the narrative. In a certain mood, we may find this fact intolerable. Why should a mere text tell us how to see the painting we may stand before?Stokes’ attempt to respond to this mood belongs to a tradition of early twentieth-century antihistorical thinking. For Rainer Maria Rilke, Rodin’s sculpture aimed to “refer to nothing that lay beyond it.” For Ezra Pound, an image “is real because we know it directly”; Henri Gaudier-Brzeska could read Chinese ideograms without knowing that language because those ideograms are transparently meaningful images. For Wyndham Lewis, a musical piece is inferior to a statue, “always there in its entirety before you.”2 Such an artwork need not be interpreted because it contains “within itself all that is relevant to itself.”3 All art is accessible to the gifted observer, and time is, in an interesting double sense, irrelevant. We see directly the meaning of works even from distant cultures; the visual artwork is experienced all at once, outside of time. If these claims are correct, what is the artwriter to do? Speaking of the Tempio Malatestiana, Hugh Kenner points to this issue:There is no description of the Tempio in accordance with good Vorticist logic: one art does not attempt what another can do better, and the meaning of the Tempio has been fully explicated on the spot by Agostino di Duccio with his chisel.4 1. Michael Baxandall, Giotto and the Orators: Humanist Observers of Painting in Italy and the Discovery of Pictorial Composition 1350-1450 , p. 75.2. Rainer Maria Rilke, Rodin, trans. Jessie Lemont and Hans Trausil , p. 19; Ezra Pound, Gaudier-Brzeska: A Memoir , p. 86; Wyndham Lewis, Time and Western Man , p. 174.3. Frank Kermode, Romantic Image , p. 107.4. Hugh Kenner, The Pound Era , p. 428. David Carrier, associate professor of philosophy at Carnegie-Mellon University, is coauthor, with Mark Roskill, of Truth and Falsehood in Visual Images and author of the forthcoming Artwriting, a study of recent American art criticism. He is working on a history of art history. (shrink)

When Augustine condemns the Jews to eternal carnality, he draws a direct connection between anthropology and hermeneutics. Because the Jews reject reading “in the spirit,” they are therefore condemned to remain “Israel in the flesh.” Allegory is thus, in his theory, a mode of relating to the body. In another part of the Christian world, Origen also described the failure of the Jews as owing to a literalist hermeneutic, one that is unwilling to go beyond or behind the material language (...) and discover its immaterial spirit.1 This way of thinking about language has been initially stimulated in the Fathers by Paul’s usage of “in the flesh” and “in the spirit” respectively to mean literal and figurative. Romans 7:5-6 is a powerful example of this hermeneutic structure: “For when we were still in the flesh, our sinful passions, stirred up by the law, were at work on our members to bear fruit for death. But now we are fully freed from the law, dead to that in which we lay captive. We can thus serve in the new being of the Spirit and not the old one of the letter.” In fact, the exact same metaphor is used independently of Paul by Philo, who writes that his interest is in “the hidden and inward meaning which appeals to the few who study soul characteristics rather than bodily forms.”2 For both, hermeneutics becomes anthropology. 1. See Henri Crouzel, Origen, trans. A. S. Worrall , pp. 107-12.2. Philo, On Abraham, sec. 147, in vol. 6 of Philo, trans. and ed. F. H. Colson , p. 75. It is very important to note that Philo himself is just the most visible representative of an entire school of people who understood the Bible, and indeed the philosophy of language, as he did. On this see David Winston, “Philo and the Contemplative Life,” in Jewish Spirituality: From the Bible through the Middle Ages, ed. Arthur Green , pp. 198-231, esp. p. 211. Daniel Boyarin is Taubman Professor of Talmudic Culture in the department of Near-Eastern studies at the University of California, Berkeley. He is the author of Intertextuality and the Reading of Midrash , as well as the forthcoming Carnal Israel: Reading Sex in Talmudic Culture, from which the present essay is drawn. He is currently engaged in a project entitled The Politics of the Spirit: Paul as a Jewish Cultural Critic. (shrink)

At the background of this article lies the question of how social sciences can internalize spatial and cultural phenomena and, in the most general sense, the ‘principle of difference’. Therefore, it has more than one problem and tries to see many seemingly contradictory phenomena as parts of a whole by employing a complex dialectical method. It looks at the relationships between the following phenomena: social and cultural; natural and cultural; universal and particular; similar and different. The article proceeds according to (...) this method: it relates the opposites to each other through space and thus tries to show the following dialectical transitions: the social is produced as culture through the social space and the production of the social space itself. The article suggests that the transition between universal and particular constitutes the problematic of space, that space realizes the social as culture, and that this is the only realization of the social. The articles argues that the social is universalizing, and the cultural is particularizing, and that the social/universal can fulfill itself as necessarily cultural/particular. It also defends the principle of universality by stating that differences occur in relation to a whole. The article critically exploits classical social theory, specifically Marxist social theory and spatial Marxists such as Henri Lefebvre and David Harvey, some recent historical sociology, some postcolonial ideas, planetary urbanization theory, and tries to support the development of the theory of historical-geographical materialism. (shrink)

This article compares the colonial and contemporary canvas of the hegemonic discourse of White Western writers and their portrayal of Malaysia and her people. The first half of the discussion will focus on the figurative elements of classical colonialist discourse through an exploration of The Soul of Malaya (1931) a text written by Henri Fauconnier, a French planter of Colonial Malaya. Here, cultural hegemony is revealed mostly through the employment of the Manichean allegory, of what we see as “ideological (...) allegory”. The second half of the discussion adopts a more linguistic oriented framework, as it reveals patterns in linguistic selection in the novel , Borneo Fire (1995)by contemporary white writer, William Riviere. This latter is what we term “ideological stylistics”. The main objective of the article is to compare the underlying ideological constructs of the discursive landscape of the two texts and to determine whether white western superiority manifested in the discourse of the contemporary text has evolved from that seen in its colonial predecessor. The paper concludes that time changes little in terms of the location of the other, for despite its being published in 1995, the discourse of Borneo Fire has not moved away from the approach and conventions of the colonial text, The Soul of Malaya. (shrink)

Cities around the globe are immersed in transnational projects of place reconfiguration and attraction. Urban places, intent on competing in the globalized experience-based economy, undertake identity projects—on-going, dynamic processes through which places are produced and reproduced by conscious strategies of place making and identity building (see, for example, Nyseth and Viken 2009). In this article, I employ Henri Lefebvre’s conceptions of a “right to the city” in order to explore the right to full participation in imagining and shaping urban (...) futures. Spatial practices, such as those I term civic tinkering, may offer one way to help enable such imagining.My discussion draws from scholarship on imaginaries and place identity, as well as on my own qualitative field studies conducted in Roanoke, Virginia, in the United States, and Belfast, Northern Ireland in the United Kingdom. While my precise research questions differed in these two sites, I explored, in each instance, the processes of place identification and development centered on arts and culture, and the extent to which marginal groups and their concerns were engaged or considered in such processes. I also explore “tinkering” as a set of activities that hold potential for residents to more fully participate in the urban project byconstructing, altering, and disrupting spatial meanings. Tinkering may be any impermanent, unsanctioned, and informal activity endeavoring to positively alter a city’s identity. Henri Lefebvre described the relevance of such practices in his vision of the city as oeuvre, or ongoing project. (shrink)

This paper develops an approach to analysing the importance of anticipations of the future on present actions in the lives of mental health service users, for whom sensing stability in the future is important as part of the recovery process. The work of Henri Bergson and Alfred North Whitehead is drawn upon to argue that temporality is understood spatially, and that past and future experience only exist in relation to their shaping of present activity. This process is produced spatially (...) rather than chronologically. Drawing on empirical work with community mental health service users the paper focuses on the home space as a key site for organising space in anticipation of future life. This involves analysing accounts of home making in which we see the role of anticipatory futures in the ordering of domestic space. The paper concludes by arguing that home spaces are a key site related to ongoing psychological well being, and that analysis of such spaces is important in terms of highlighting practices through which service users attempt to ‘make the future’. . (shrink)

In recent years, social workers have raised a new concern about the appearance of a new category among the working poor. Even employed, there are people so overburdened by the cost of living and so under compensated that they cannot afford a place to sleep. Contrary to popular opinion, according to the website for the Coalition for the Homeless, forty-four percent of the homeless in first world countries actually have jobs. In _No Fixed Abode_, Marc Augé’s pathbreaking ethnofiction—a fictional ethnography—a (...) man named Henri narrates his strange existence in the margins of Paris. By day he walks the streets, lingers in conversation with the local shopkeepers, and sits writing in cafés, but at night he takes shelter in an abandoned house. From here, we see a progressive erosion of Henri’s identity, a loss of bearings, and a slow degeneration of his ability to relate to others. But then he meets the artist Dominique, whose willingness to share her life with him raises questions about who he has become and about what a person needs in order to be a part of society. This is a book about how we live in geographical space and how work and patterns of domicile affect our status and our inner being. Despite the apparent simplicity of the fictional premise, Augé’s book asks serious questions about the nature of our culture. (shrink)

Poincaré and Prawitz have both developed an account of how one can acquire knowledge through reasoning by mathematical induction. Surprisingly, their two accounts are very close to each other: both consider that what underlies reasoning by mathematical induction is a certain chain of inferences by modus ponens ‘moving along’, so to speak, the well-ordered structure of the natural numbers. Yet, Poincaré’s central point is that such a chain of inferences is not sufficient to account for the knowledge acquisition of the (...) universal propositions that constitute the conclusions of inferences by mathematical induction, as this process would require to draw an infinite number of inferences. In this paper, we propose to examine Poincaré’s point—that we will call the closure issue—in the context of Prawitz’s framework where inferences are represented as operations on grounds. We shall see that the closure issue is a challenge that also faces Prawitz’s own account of mathematical induction and which points out to an epistemic gap that the chain of modus ponens cannot bridge. One way to address the challenge is to introduce suitable additional inferential operations that would allow to fill the gap. We will end the paper by sketching such a possible solution. (shrink)

Several years ago, in a brilliant contribution to the Collection Archives Series, Michel de Certeau wove together a large number of seventeenth-century documents pertaining to the famous episode of demonic possession among the Ursuline nuns of Loudun.1 One of the principal ways in which de Certeau organized his disparate complex materials into a compelling narrative was by viewing the extraordinary events as a kind of theater. There are good grounds for doing so. After all, as clerical authorities came to acknowledge (...) the incidents of possession and treat them accordingly, they ceased to be isolated, private events occurring inside the convent walls and were transformed instead into public spectacles performed for a populace deeply divided between Catholics and Huguenots. Once or twice a day the nuns were taken from their needlework or tranquil meditations and led in small groups through the streets of the town to a church or chapel, where spectators had already gathered. At first these spectators were local townspeople, many of whom must have been acquainted with or even related to the nuns, but, as word of the possession spread, crowds of the curious arrived not only from the region but from all over France and from as far away as England and Scotland. The inns of the town were filled with these visitors who traveled to Loudun expecting to witness events there that were at once beyond nature and yet performed on schedule: repeatable, predictable, and—in their bizarre way—decorous.At the appointed times, beneath the expectant gaze of the crowd, the possessed women would ascend a scaffold, be loosely tied to low chairs, and begin to manifest their symptoms. From within each of the tormented bodies, a particular devil would arise and be constrained by the exorcist to identify himself. If a nun were possessed by more than one demon, the exorcist could dismiss one supernatural voice and demand that another come forth and occupy the tongue of the writhing woman. If the demon refused to cooperate in the interrogation, the presiding priest would solemnly remove the Holy Sacrament from the pyx and hold it up to the mouth of the possessed while the priests and spectators would assist by chanting the Salve Regina. This would provoke screams and violent contortions. Submitting to irresistible spiritual pressure, the devil would then be compelled to speak, confirming the Christian mysteries and the power of the Catholic church. “On stage,” writes de Certeau, “there are no longer human beings; in this sense, there is no longer anyone—only roles” . And these “roles” in turn are revealed to be the hidden truths that underlie the masks of ordinary life; more accurately, the ceremony has the power to convert ordinary life into mere masks, precisely so that these masks may be stripped away to reveal the inward drama of spiritual warfare. The demons appear at first to dominate that drama, forcing their wretched and unwilling hosts to manifest the power of darkness, but a spectacular ecclesiastical counterforce transforms the tragedy into a comedy in which the devil confesses that he has been vanquished by Jesus Christ. 1. See Michel de Certeau, La Possession de Loudun, Collection Archives Series, no. 37 ; all further references to this work, abbreviated PL, will be included in the text . On the relationship between exorcism and theater in this period, see also Henri Weber, “L’Exorcisme à la fin du seizième siècle, instrument de la Contre Réforme et spectacle baroque, » Nouvelle revue du seizième siècle 1 : 79-101. Stephen Greenblatt, the Class of 1932 Professor of English at the University of California, Berkeley, is a founder and editor of Representations. His most recent book, Renaissance Self-Fashioning: From More to Shakespeare, received the British Council Prize in the Humanities. He is presently completing a study of Shakespeare and the poetics of culture. “Marlow, Marx, and Anti-Semitism,” his previous contribution to Critical Inquiry, appeared in the Winter 1978 issue. (shrink)

Henri Lefebvre has considerable claims to be the greatest living philosopher. His work spans some sixty years and includes original work on a diverse range of subjects, from dialectical materialism to architecture, urbanism and the experience of everyday life. The Production of Space is his major philosophical work and its translation has been long awaited by scholars in many different fields. The book is a search for a reconciliation between mental space and real space. In the course of his (...) exploration, Henri Lefebvre moves from metaphysical and ideological considerations of the meaning of space to its experience in the everyday life of home and city. He seeks, in other words, to bridge the gap between the realms of theory and practice, between the mental and the social, and between philosophy and reality. In doing so, he ranges through art, literature, architecture and economics, and further provides a powerful antidote to the sterile and obfuscatory methods and theories characteristic of much recent continental philosophy. This is a work of great vision and incisiveness. It is also characterized by its author's wit and by anecdote, as well as by a deftness of style which Donald Nicholson-Smith's sensitive translation precisely captures. (shrink)

Henri Bergson (1859-1941) is one of the truly great philosophers of the modernist period, and there is currently a major renaissance of interest in his unduly neglected texts and ideas amongst philosophers, literary theorists, and social theorists. Creative Evolution (1907) is the text that made Bergson world-famous in his own lifetime; in it Bergson responds to the challenge presented to our habits of thought by modern evolutionary theory, and attempts to show that the theory of knowledge must have its (...) basis in a theory of life. (shrink)

Henri Bergson (1859-1941) is one of the truly great philosophers of the modernist period, and there is currently a major renaissance of interest in his unduly neglected texts and ideas amongst philosophers, literary theorists, and social theorists. Creative Evolution (1907) is the text that made Bergson world-famous in his own lifetime; in it Bergson responds to the challenge presented to our habits of thought by modern evolutionary theory, and attempts to show that the theory of knowledge must have its (...) basis in a theory of life. (shrink)