Many virtue epistemologists conceive of epistemic competence on the model of skill —such as archery, playing baseball, or chess. In this paper, I argue that this is a mistake: epistemic competences and skills are crucially and relevantly different kinds of capacities. This, I suggest, undermines the popular attempt to understand epistemic normativity as a mere special case of the sort of normativity familiar from skilful action. In fact, as I argue further, epistemic competences resemble virtues rather than skills—a claim that (...) is based on an important, but often overlooked, difference between virtue and skill. The upshot is that virtue epistemology should indeed be based on virtue, not on skill. (shrink)

Epistemic constitutivism (EC) holds that the nature of believing is such that it gives rise to a standard of correctness and that other epistemic normative notions (e.g., reasons for belief) can be explained in terms of this standard. If defensible, this view promises an attractive and unifying account of epistemic normativity. However, EC faces a forceful objection: that constitutive standards of correctness are never enough for generating normative reasons. This paper aims to defend EC in the face of this objection. (...) I do so in two steps. First, I dispute a crucial assumption underlying the case against EC: that constitutive standards of correctness in general are ‘reason-giving’ only if and because there is also a prior reason to comply with them. Second, I outline a strategy of how EC can meet the challenge of explaining what’s special about the activity of believing such that, unlike other standard-governed activities, it is capable of generating normative reasons. (shrink)

Someone acts in a morally worthy way when they deserve credit for doing the morally right thing. But when and why do agents deserve credit for the success involved in doing the right thing? It is tempting to seek an answer to that question by drawing an analogy with creditworthy success in other domains of human agency, especially in sports, arts, and crafts. Accordingly, some authors have recently argued that, just like creditworthy success in, say, chess, playing the piano, or (...) archery, creditworthy moral success is a matter of getting things right by way of manifesting a relevant skill. My main aim in this paper is to bring out an important structural difference between moral creditworthiness and creditworthiness in sports, arts, and craft, undermining attempts to use examples of the latter as a model for understanding the former. As an alternative, I propose an account of morally creditworthy action, according to which such action is a matter of manifesting virtue, not skill—a claim that’s based on an important, but underappreciated, difference between the sorts of excellences constituting virtues and skills. The paper thus contributes to a more nuanced picture of normative achievements across different domains of human agency, highlighting largely overlooked structural dissimilarities among them. (shrink)

Many hold that theoretical reasoning aims at truth. In this paper, I ask what it is for reasoning to be thus aim-directed. Standard answers to this question explain reasoning’s aim-directedness in terms of intentions, dispositions, or rule-following. I argue that, while these views contain important insights, they are not satisfactory. As an alternative, I introduce and defend a novel account: reasoning aims at truth in virtue of being the exercise of a distinctive kind of cognitive power, one that, unlike ordinary (...) dispositions, is capable of fully explaining its own exercises. I argue that this account is able to avoid the difficulties plaguing standard accounts of the relevant sort of mental teleology. (shrink)

In acting intentionally, it is no accident that one is doing what one intends to do. In this paper, I ask how to account for this non-accidentality requirement on intentional action. I argue that, for systematic reasons, the currently prevailing view of intentional action – the Causal Theory of Action – is ill-equipped to account for it. I end by proposing an alternative account, according to which an intention is a special kind of cause, one to which it is essential (...) that it represents its effect. (shrink)

In this book, I offer an account of intentional action. The book has two main parts: in the first part, I discuss and criticize the currently prevailing account of intentional action—the Causal Theory of Action (CTA)—and, in the second part, I offer my alternative account. The CTA proposes essentially two conditions for something that you do to be an intentional action: (1) what you do is represented by your intention (or other mental attitudes), and (2) it is caused by your (...) intention. Against the CTA, I argue that, since it conceives of representation and causality as essentially separate conditions, it cannot explain why, when someone acts intentionally, it is not a mere accident that both conditions are jointly satisfied: i.e., that the intention causes the movement it represents. The CTA’s inability to rule out such accidentality is, as I argue further, the deeper source of the notorious problem of deviant causation. Given this diagnosis, I claim that the key for a satisfactory account of intentional action is to conceive of the essential unity of representation and causality in intentional action. Doing so, I suggest, requires understanding a distinctive sort of causality at work in intentional action. Following the work of G.E.M. Anscombe, I argue that what is distinctive of the sort of causal-explanatory connection captured in action explanations like “S is doing A because she intends to do B” is that it is essentially known by the acting subject. In the final sections of the book, I then develop and defend a conception of the sort of self-knowledge involved in intentional action. (shrink)

An enkratic agent is someone who intends to do A because she believes she should do A. Being enkratic is usually understood as something rationality requires of you. However, we must distinguish between different conceptions of enkratic rationality. According to a fairly common view, enkratic rationality is solely a normative requirement on agency: it tells us how agents should think and act. However, I shall argue that this normativist conception of enkratic rationality faces serious difficulties: it makes it a mystery (...) how an agent's thinking and acting can be guided by the enkratic requirement, which, as I shall further argue, is something that an adequate conception of enkratic rationality must be able to explain. This, I suggest, motivates exploring a different account of enkratic rationality. On this view, enkratic rationality is primarily a constitutive requirement on agency: it is a standard internal to agency, i.e., a standard that partly spells out what it is to exercise one's agential powers well. (shrink)

In this paper, I argue that in order to understand intentional action we have to understand a distinctive kind of practical knowledge - knowledge that is the cause of what it represents. To do so, I begin by identifying two requirements for an adequate understanding of intentional action: someone who acts intentionally has an intention that is the cause of her action; someone who acts intentionally knows what she is doing. My aim is to show that a theory of intentional (...) action that adequately accounts for both requirements will have to be a theory of practical knowledge. Moreover, I argue that a widespread view of practical thought stands in the way of a proper account of the relevant notion of practical knowledge. According to this view, a practical thought is composed of two independent elements: a causal force and a content. I end by sketching an alternative view of practical thought, which, I claim, provides a better framework for understanding practical knowledge. (shrink)

Since early modernity, it has often been assumed that miracles are incompatible with the existence of the natural laws utilized in the sciences. This paper argues that this assumption is largely an artifact of empiricist accounts of laws that should be rejected for reasons internal to philosophy of science, and that no such incompatibility arises on the most important alternative interpretations, which treat laws as expressions of forces, dispositions, or causal powers.

This paper sets forth some hypotheses on Horst Bredekamp’s research. Bredekamp’s Bildwissenschaft has a peculiar thought dynamic that was initially developed in his art historiographical efforts. These show a relevant entanglement of present interest and past issues, research method and research object. I will show this with a focus on his research on the Kunstkammer. This dynamic developed later in Bredekamp’s research on the image act in a theoretical way. It is transformed here in the attempt to develop a (...) thought which is not overcome by, and does not destroy, the energy which lies at the core of the image act. The peculiar connections between these dimensions are discussed as the effects of the problematic urges that the different developments of his method and theory try to address always anew. It will be shown that a hidden, vital core of his work is a striving towards critique. (shrink)

Explores how Deleuze's philosophy can help us to understand our digital and biotechnological futuresIn a world where our lives are increasingly mediated by technologies, we need to pay more attention to Deleuze's often explicit focus onour reliance on the machine and the technological. These essays are a collective and determined effort to explore the usefulness Deleuze in thinking about our present and future relianceon technology. At the same time, they take seriously a style of thinking that negotiates between philosophy, science (...) and art.ContributorsWilliam Bogard, Abigail Bray, Ian Buchanan, Verena Conley, Ian Cook, Tauel Harper, Timothy Murray, Saul Newman, Luciana Parisi, Patricia Pisters, Mark Poster, Horst Ruthrof, David Savat, Bent Meier Sorensen and Eugene Thacker.". (shrink)

This article, taking a social semiotic approach, analyses two pieces of music written, shared and exalted by two pre-1945 European fascist movements – the German NSDAP and the British Union of Fascists. These movements, both political and cultural, employed mythologies of unity, common identity and purpose in order to elide the realities of social distinction and political–economic inequalities between bourgeois and proletarian groups in capitalist societies. Visually and inter-personally, the fascist cultural project communicated a machine-like certainty about a vision for (...) a new society based on discipline, conformity and the might of the nation. In this article, we are interested in the ways that these very same discourses are also communicated through sound and music in two songs: The Horst Wessel Lied and the BUF marching song, two songs that used the same melody. We analyse the discourses communicated by the semiotic choices made in melody, arrangements, sound qualities, rhythms as well as in lyrics. The article first identifies some of the underlying semiotic resources for meaning making in sound and then shows how these are used in order to communicate specific ideas, values and attitudes. (shrink)

Das Altern ist nicht nur eine biologische, sondern auch eine kulturelle Tatsache. Als Objekt der Verhandlungen zwischen Wissensdiskursen erscheint Alter als ein ebenso heterogenes wie problematisches Phanomen, das von Werturteilen und Weltanschauungen bestimmt wird. Des Weiteren sind Alter und Medizin in der offentlichen Meinung moderner Gesellschaften eng miteinander verbunden. Das interdisziplinare Forschungsprojekt "Kulturelle Variationen und Reprasentationen des Alters" geht von einem erweiterten, die geistes-, sozial- und medizinwissenschaftlichen Diskurse integrierenden Konzept von Alterskulturen und Potentialen des Alters aus. Dies bedeutet, Alter als (...) Gegenstand des Wissens und als Konzept zu begreifen. Alterskonzepte, das heisst Vorstellungen, Wertungen und, Bilder des Alters, sind Deutungsmuster fur elementare Bedurfnisse an der Schnittstelle von individuellem und kollektivem Leben. Mit Beitragen von David Blane und Gopalakrishnan Netuveli, Johannes Siegrist und Morten Wahrendorf, Peter Rusterholz, Anouk Janssen, Hiltrud Westermann-Angerhausen, Stefanie Knoll, Jean-Claude Schmitt, Gerd Gockenjan, Giovanna Pinna, Hans-Georg Pott, Monika Gomille, Miriam Seidler, Pat Thane, Simone Moses, Heiner Fangerau und Jorg Vogele, Anja Schonlau, Thomas Kupper". (shrink)

This is a critical review of six books: Peter Carruthers, _Language, Thought, and Consciousness; David Chalmers, _The Conscious Mind; Fred Dretske, _Naturalizing the Mind; Steven Horst, _Symbols, Computation and Intentionality; Jaegwon Kim, _Philosophy of Mind; and Michael Tye, _Ten Problems of Consciousness. The review focuses on what these authors have to say about consciousness.

In 1972, in Chile, the German designer Gui Bonsiepe was in charge of the Industrial Design Department of Technological Institute of the National Corporation for the Promotion of Production INTEC Corfo, during the government of socialist President Salvador Allende in Chile. In this article from the INTEC magazine n.2, published this time for the first time in English, Bonsiepe develops a theoretical formulation, applied to the field of design, through which he proposes a concept that will be fundamental in the (...) field of interactive development, both analog and digital: the Interface. Thus, it also includes concepts of cybernetics such as variability and predictive study of behavior in the field of projecting disciplines. Bonsiepe is an exceptional representative during the formation of the iconic Hochschule für Gestaltung in Ulm. And among other elements, one very outstanding was his time as a student of Professor Max Bense and Horst Rittel, who would have introduced the concepts of first-order Cybernetics in the teaching of communication, and the design of information, in a pioneering way. The challenge posed in 1972, in Chile, focused on the possibility of calculating elements of criticism of political economy, in the field of knowledge generated by sensitive experiences, "calculating the use value" of the field of esthetics. As a renowned disciple of Max Bense and Tomas Maldonado, Bonsiepe represents the meeting of two Cybernetic traditions, collaborating with the emblematic Cybersyn Corfo project, in which the formulation of interaction mechanisms was strategic in combination with Stafford Beer's approaches to a second-order Cybernetics, according to the Viable System Model, for a project of decentralized state production, and transmission of information in real time. (shrink)

This book introduces an account of cognitive architecture, Cognitive Pluralism, on which the basic units of understanding are models of particular content domains. Having many mental models is a good adaptive strategy for cognition, but models can be incompatible with one another, leading to paradoxes and inconsistencies of belief, and it may not be possible to integrate the understanding supplied by multiple models into a comprehensive and self-consistent "super model". The book applies the theory to explaining intuitive reasoning and cognitive (...) illusions and explores implications for epistemology, semantics, and disunity of science. (shrink)

Behemoth und Leviathan. Rebellion und Friedensordnung, Bürgerkrieg und souveräne Staatsperson. Die politische Theorie kommt nicht los von den beiden biblischen Ungeheuern, in deren Bildern Thomas Hobbes die politische Moderne bannte. Am Beginn der neueren Deutungen steht Horst Bredekamps Geschichte jenes 'Urbilds des modernen Staates' und seiner Mutationen (Thomas Hobbes. Der Leviathan. Das Urbild des modernen Staates und seine Gegenbilder, 1651?2001. Berlin 1999, 2006). Doch der Leviathan lässt sich nicht ohne seinen Doppelgänger verstehen, das Landtier Behemoth, das politische Symbol der (...) 'revolutionären anarchischen Kraft des Naturzustandes' (Carl Schmitt), dessen Bildgeschichte nicht weniger verwickelt ist. In seinem neuen Buch setzt Horst Bredekamp die politische Geschichte der beiden Untiere fort, indem er den historischen Wandel des hiobschen Monstrums in den Mittelpunkt stellt. Es ist zugleich der Start der neuen Reihe 'Carl-Schmitt-Vorlesungen', in denen die von der Carl-Schmitt-Gesellschaft jährlich in Berlin veranstalteten Vorlesungen veröffentlicht werden. (shrink)

Das Buch steht im Zusammenhang des Versuches, die zentrale Rolle der Bilder für die Ausbildung der modernen Philosophie am Beispiel bedeutender Gestalten des siebzehnten Jahrhunderts zu rekonstruieren. Das Projekt begann mit der Erschließung der Staatstheorie aus der Bildpolitik des "Leviathan" von Thomas Hobbes. Mit Gottfried Wilhelm Leibniz' Ideen, ein Theater der Natur und Kunst sowie einen Atlas der Einbildungskraft zu errichten, folgt nun die Rekonstruktion eines Projektes, das für das Verständnis seiner Philosophie von tiefgreifender Bedeutung sein könnte. Obwohl Leibniz diese (...) Idee so hartnäckig und ausdauernd wie kaum ein anderes Unternehmen betrieben hat, ist sie in der Forschung bislang so gut wie unbekannt geblieben. Für diesen Umstand war die zersplitterte und unvollständige Überlieferung von Leibniz' Schriften ebenso verantwortlich wie ein mächtiger Strang der Philosophiegeschichte, der die Welt des Haptischen und Visuellen immer dann favorisiert, wenn sie transzendiert wird. Die jüngsten Bände der Akademie-Ausgabe bieten jedoch erstmals die Möglichkeit, Leibniz' Wertschätzung der tastenden und zeichnenden Hand und des neugierigen und geschulten Auges im Zusammenhang zu verfolgen. Seine schier unbegreiflich vielfältigen Denkbewegungen und Aktivitäten erhalten mit dem Projekt des Theaters der Natur und Kunst daher nicht nur eine Ergänzung, sondern einen neuen Rahmen. Leibniz' Faible für das Theatrum Naturae et Artis könnte das Gesamtbild seiner Philosophie verwandeln, weil es die Kluft zwischen Kalkül und Anschauung wie auch zwischen der "Fensterlosigkeit" der Monade und der körperlichen Form ihrer Perzeptionsweisen zugleich vertieft und überbrückt. (shrink)

Horst Ruthrof revisits Husserl's phenomenology of language and highlights his late writings as essential to understanding the full range of his ideas. Focusing on the idea of language as imaginable as well as the role of a speech community in constituting it, Ruthrof provides a powerful re-assessment of his methodological phenomenology. From the Logical Investigations to untranslated portions of his Nachlass, Ruthrof charts all the developments and amendments in his theorizations. Instead of emphasising the definition and meaning of words, (...) Husserl's later writings point to the variation produced by a community of speakers in the act of communicating. Essential to this linguistic meaning is the intersubjective character that Ruthrof argues is so emblematic of Husserl's position. Using his concepts of intimation, introjection, reciprocity, and voice further outlines a theory that is intersubjective and communal. Bringing his study up to the present day, Ruthrof discusses metal time travel, the evolution of language, and protosyntax in the context of Husserl's late writings, progressing a comprehensive new phenomenological ontology of language with wide-ranging implications for philosophy, linguistics, and cultural studies. (shrink)

Cycle of lectures held at Heinrich-Heine-Universitèat Dèusseldorf.

Wilhelm Windelband (1848-1915) war Ordinarius der Philosophie im Deutschen Kaiserreich, Haupt der südwestdeutschen Schule des Neukantianismus und einflussreicher Kathederfürst. Dem Neukantianismus wird Gegnerschaft zur Psychologie nachgesagt, und Windelband gilt in der Wissenschaftsgeschichte als jemand, der eine ausgeprägte Abneigung gegen die Psychologie hegte und diese polemisch von sich gab. Die hier erstmalig untersuchte Wirklichkeit sah anders aus. Er setzte sich frühzeitig für die Selbständigkeit der Psychologie ein, arbeitete an einem Buch zur Psychologie und hielt mehr als zwanzig Hauptvorlesungen zur Psychologie. Institutionelle (...) Hintergründe des problematischen Verhältnisses zwischen Philosophie und Psychologie werden untersucht und gezeigt, weshalb Windelband kein Einzelfall in der Geschichte des Faches Philosophie war. (shrink)

The theme of the philosopher as therapist dominates Nietzsche's entire opus, from his earliest writings to the Zarathustra period and beyond. Nietzsche wishes to hasten the coming and future sanctification of a new type of synthetic human being, and his entire teaching is shaped by his own struggles against illness.Yet few Nietzsche scholars have paid this crucial therapeutic element of his thought sufficient attention. This collection of essays by leading scholars in the field is composed around the Nietzschean insight, which (...) has its roots in the Hippocratic tradition of ancient medicine, that beliefs, behaviours, ideals and patterns of striving are not things for which individuals or even cultures are responsible. Rather, they are symptoms of what an individual or culture is, which symptoms require diagnostic interpretation and evaluation. The book identifies three principal approaches in Nietzsche's philosophy: diagnostic, prognostic and therapeutic. Each essay takes up this essential insight into Nietzsche's therapeutic philosophy from a different perspective and collectively they reveal an array of insightful approaches to self-induced enhancement, for both individuals and cultures. (shrink)

David Hume's Enquiry concerning Human Understanding is the definitive statement of the greatest philosopher in the English language. His arguments in support of reasoning from experience, and against the "sophistry and illusion"of religiously inspired philosophical fantasies, caused controversy in the eighteenth century and are strikingly relevant today, when faith and science continue to clash. The Enquiry considers the origin and processes of human thought, reaching the stark conclusion that we can have no ultimate understanding of the physical world, or (...) indeed our own minds. In either sphere we must depend on instinctive learning from experience, recognizing our animal nature and the limits of reason. Hume's calm and open-minded skepticism thus aims to provide a new basis for science, liberating us from the "superstition" of false metaphysics and religion. His Enquiry remains one of the best introductions to the study of philosophy, and his edition places it in its historical and philosophical context. (shrink)

Fifty years ago Hartman studied the barrier transmission time of wave packets (J Appl Phys 33:3427–3433, 1962). He was inspired by the tunneling experiments across thin insulating layers at that time. For opaque barriers he calculated faster than light propagation and a transmission time independent of barrier length, which is called the Hartman effect. A faster than light (FTL or superluminal) wave packet velocity was deduced in analog tunneling experiments with microwaves and with infrared light thirty years later. Recently, the (...) conjectured zero time of electron tunneling was claimed to have been observed in ionizing helium inside the barrier. The calculated and measured short tunneling time arises at the barrier front. This tunneling time was found to be universal for elastic fields as well as for electromagnetic fields. Remarkable is that the delay time is the same for the reflected and the transmitted waves in the case of symmetric barriers. Several theoretical physicists predicted this strange nature of the tunneling process. However, even with this background many members of the physics community do not accept a FTL signal velocity interpretation of the experimental tunneling results. Instead a luminal front velocity was calculated to explain the FTL experimental results frequently. However, Brillouin stated in his book on wave propagation and group velocity that the front velocity is given by the group velocity of wave packets in the case of physical signals, which have only finite frequency bandwidths. Some studies assumed barriers to be cavities and the observed tunneling time does represent the cavity lifetime. We are going to discus these continuing misleading interpretations, which are found in journals and in textbooks till today. (shrink)

A leading political theorist’s groundbreaking defense of ideal conceptions of justice in political philosophy Throughout the history of political philosophy and politics, there has been continual debate about the roles of idealism versus realism. For contemporary political philosophy, this debate manifests in notions of ideal theory versus nonideal theory. Nonideal thinkers shift their focus from theorizing about full social justice, asking instead which feasible institutional and political changes would make a society more just. Ideal thinkers, on the other hand, question (...) whether full justice is a standard that any society is likely ever to satisfy. And, if social justice is unrealistic, are attempts to understand it without value or importance, and merely utopian? Utopophobia argues against thinking that justice must be realistic, or that understanding justice is only valuable if it can be realized. David Estlund does not offer a particular theory of justice, nor does he assert that justice is indeed unrealizable—only that it could be, and this possibility upsets common ways of proceeding in political thought. Estlund engages critically with important strands in traditional and contemporary political philosophy that assume a sound theory of justice has the overriding, defining task of contributing practical guidance toward greater social justice. Along the way, he counters several tempting perspectives, including the view that inquiry in political philosophy could have significant value only as a guide to practical political action, and that understanding true justice would necessarily have practical value, at least as an ideal arrangement to be approximated. Demonstrating that unrealistic standards of justice can be both sound and valuable to understand, Utopophobia stands as a trenchant defense of ideal theory in political philosophy. (shrink)

English summary: The relationship of art to physical violence in European cultural history has always been intricate. Aestheticised violence in the fine arts, on the stage or in literature has often been discredited, but at the same time - not least because of the contiguity of violence and sexuality - it is received with pleasure. In a survey of literary examples from antiquity, the Renaissance and modernity, the author begins by elucidating the development in Europe of the troubled relationship between (...) aesthetics and violence. This relationship is then examined from a psychoanaltical angle in two exemplary studies of music. The dual perspective continues with the analyses of contemporary cultural producers (a theatre director, a photographic artist and a film director) together with those of cultural scientists (from theatre studies, art history, and film and media studies). In this way, the actual process of aesthetisizing violence, on the one hand, and theoretical reflections on it, on the other, become clear.German description: Das Verhaltnis der Kunste zur physischen Gewalt ist in der europaischen Kulturgeschichte immer schon ein intrikates gewesen. Asthetisierte Gewalt in der Kunst, auf der Buhne oder in der Literatur wurde zwar oft diskreditiert, zugleich aber - auch wegen der Nahe von Gewalt und Sexualitat - mit Genuss rezipiert. An den Beispielen der Literatur der Antike, der Renaissance und der Moderne zeigt der Band die europaische Entwicklung des ambivalenten Verhaltnisses von Asthetik und Gewalt auf. Aus psychoanalytischer, kulturwissenschaftlicher und medienwissenschaftlicher Perspektive verdeutlichen die Beitrager sowohl konkrete Verfahren des Asthetisierens von Gewalt als auch ihre theoretische Reflexion. Erganzt durch Analysen aus dem Kulturbetrieb - u.a. von Daniel Rademacher, Wilfred H.G. Neuse und Thomas Sieben - bietet der Band so einen umfassenden Einblick in die Beziehung zwischen Kunst und Gewalt. (shrink)

Herbert Marcuses bestechend nuchterne Gesellschaftskritik (-Eindimensionalitat-) und sein Entwurf einer qualitativ anderen Gesellschaft zielen auf eine menschlich gestaltete Zukunft ab. Diese neomarxistische Utopie muss eine Sozialethik herausfordern, die sich aufgrund der eschatologischen Perspektive des Glaubens zur Kritik am Bestehenden und zum Einsatz fur eine menschlichere Zukunft verpflichtet fuhlt. - Wie lasst sich diese Herausforderung annehmen?".