In the first full-length analysis of Wittgenstein's Remarks on Frazer's Golden Bough, Brian R. Clack presents a fresh and innovative interpretation of Wittgenstein's conception of religion. While previous commentators have tended to sideline the Remarks on Frazer, Clack shows how the key to Wittgenstein's thought on religion lies in these remarks on primitive magico-religious observances. This book shows that Wittgenstein neither embraces expressivism, as it is generally assumed, nor straightforwardly denies instrumentalism. Focusing instead on Wittgenstein's suggestion that (...) magic is somehow akin to metaphysics, a view of ritual as the spontaneous expression of human beings is presented. (shrink)

This abridgement of _Reflections on the Revolution in France_ preserves the dynamism of Edmund Burke’s polemic while excising a number of detail-laden passages that may be of less interest to modern readers. Brian R. Clack’s introduction offers a compelling overview of the text and explores the consistency and coherence of Burke’s views on revolution. Burke’s critique of revolutionary politics is illuminated further by the extensive supplementary materials collected in a number of themed appendices.

In this response to D. Z. Phillips's critique of my interpretation of Wittgenstein's view of magic and ritual, I counter Phillips's claim that I have misrepresented the Wittgensteinian view of ritual, consider the instrumentalist dimension of the Remarks on Frazer's Golden Bough, offer some objections to Phillips's expressivist view that a ritual ‘says itself’, and detect obscurantism in his approach to the study of religion.

Philosophy and the Human Condition brings together essential readings on the crucial philosophical problems related to the human condition and human nature. This collection includes traditional works of Western philosophers from Plato to the present day; relevant extracts from religious texts;and contributions by women, traditions outside of the Western philosophical canon, and other disciplines.

Wittgenstein's views concerning anthropology emerge predominantly from his notes on Sir James Frazer's The Golden Bough, and have as their focus the interpretation of ritual phenomena and the nature of anthropological explanation. In addition to criticizing Frazer's interpretation of ritual phenomena, Wittgenstein also appears to make a number of corrective suggestions regarding the methodology appropriate for anthropological investigations. The nominal purpose of The Golden Bough is to explain a peculiar ritual of classical antiquity, namely the rule regulating the succession to (...) the priesthood at Nemi, Italy. According to the intellectualist approach, therefore, the foundation of religion is theoretical and speculative, with ritual actions being practical applications of that underlying intellectual theory. An expressivist account of magic will deny that ceremonial actions are intended to effect some desired change in the natural world, and will instead envisage them as expressive of desires, feelings, and values. (shrink)

The first publication of Beverley Clack and Brian R. Clack’s exciting and innovative introduction to the philosophy of religion has been of enormous value to students, as well as providing a bold and refreshing alternative to the standard analytic approaches to the subject. This second edition retains the accessibility which made it popular for both teachers and students, while furthering its distinctive argument that emphasises the human dimension of religion. The text has been fully revised and updated. (...) The traditional emphasis on the arguments for the existence of God is reflected in a newly extended and reworked investigation into natural theology. Recent developments in the subject are also reflected in updated chapters, and, in a move that highlights the originality of the authors’ approach, they offer a critical engagement with current world events. An entirely new concluding chapter interrogates the connection between religion and terror, and demonstrates how philosophy of religion might be conducted under the terrible shadow of 9/11. This new edition of The Philosophy of Religion will continue to be essential reading for all students and practitioners of the subject. (shrink)

This exciting textbook combines a clear introduction to the themes traditionally covered in the philosophy of religion with contemporary developments in the discipline. The combination of traditional and alternative approaches makes it the most innovative introduction to the area currently available, while a range of exercises and student features provide a lively and accessible approach to the discipline. Most introductions to the philosophy of religion turn out, in practice, to be philosophic defences of religious belief, concentrating solely on the theistic (...) tradition. This book differs from such an approach by offering a range of alternative views and in particular by examining the human dimension of religion and religious belief. Thus alongside helpful clarifications of such traditional issues as arguments of the existence of God, the problem of evil, and immortality, this book also addresses more neglected areas like natural histories of religion, feminist approaches, and revisionary accounts of religious belief. The book ends with reflections on the future of religion. _The Philosophy of Religion_ will be essential reading for all students of the subject as well as the interested lay reader. (shrink)

The flood of interpretive work regarding Wittgenstein’s thinking on matters religious shows little sign of abating. At the same time, one may feel that little that is new or illuminating is being added to these discussions: what is known as ‘Wittgensteinian philosophy of religion’ may appear to be at a standstill. There is thus a great deal to be said for Thomas Carroll’s contention that it is ‘time for a reassessment of Wittgenstein and philosophy of religion’ , though a reader (...) may ultimately be left with the conclusion that Carroll’s book does not quite provide the reassessment that is required.The first three chapters of the book explore Wittgenstein’s work and its reception within the philosophy of religion. Firstly, Carroll outlines the range of sources drawn upon by those working on Wittgenstein and religion: Wittgenstein’s texts explicitly focused on religious phenomena (such as the ‘Lectures on Religious Belief’ and the ‘Remarks on Frazer’s .. (shrink)

The first publication of Beverley Clack and Brian R. Clack’s exciting and innovative introduction to the philosophy of religion has been of enormous value to students, as well as providing a bold and refreshing alternative to the standard analytic approaches to the subject. This second edition retains the accessibility which made it popular for both teachers and students, while furthering its distinctive argument that emphasises the human dimension of religion. The text has been fully revised and updated. (...) The traditional emphasis on the arguments for the existence of God is reflected in a newly extended and reworked investigation into natural theology. Recent developments in the subject are also reflected in updated chapters, and, in a move that highlights the originality of the authors’ approach, they offer a critical engagement with current world events. An entirely new concluding chapter interrogates the connection between religion and terror, and demonstrates how philosophy of religion might be conducted under the terrible shadow of 9/11. This new edition of _The Philosophy of Religion_ will continue to be essential reading for all students and practitioners of the subject. (shrink)

This exciting textbook combines a clear introduction to the themes traditionally covered in the philosophy of religion with contemporary developments in the discipline. The combination of traditional and alternative approaches makes it the most innovative introduction to the area currently available, while a range of exercises and student features provide a lively and accessible approach to the discipline. Most introductions to the philosophy of religion turn out, in practice, to be philosophic defences of religious belief, concentrating solely on the theistic (...) tradition. This book differs from such an approach by offering a range of alternative views and in particular by examining the human dimension of religion and religious belief. Thus alongside helpful clarifications of such traditional issues as arguments of the existence of God, the problem of evil, and immortality, this book also addresses more neglected areas like natural histories of religion, feminist approaches, and revisionary accounts of religious belief. The book ends with reflections on the future of religion. The Philosophy of Religion will be essential reading for all students of the subject as well as the interested lay reader. (shrink)

In this short piece, I respond to Brian R. Clack's review of my book, Wittgenstein within the Philosophy of Religion.

The primary intention of this book is to elucidate the relations between sensory perception and art as a form of knowledge. This enables us to understand how different kinds of art are given their meaning not only from observation, resemblance and reason but also from an artist’s sensitivity to the inner form of sensory experience as it is realized in perception, reflection, memory and imagination. By assuming a number of different points of view, Part 1 shows how the physical object (...) and the act of sensory perception are logically interdependent, and I give my elaboration of this argument two kinds of emphasis. In the first place, it opposes all arguments that support a merging of the mental and physical, as in idealism, materialism, neutral monism and panpsychism. A conceptual distinction is observed because sensory perception gives the physical object its identity. This idea also implies that the physical object is only realized by sentient life - self-aware inner life and a world become possible simultaneously. The second emphasis concerns the mind-body problem, and towards the end of Part 1 I offer an argument which places this problem in a certain light by representing the brain not as a physical counterpart to inner experience but as essentially instrumental to perception and self-awareness, and related experience. The argument in Part 2 is distinguished by a sense of continuity between the nature of sensory perception and the formal resources of artists in both physical and literary media. Hence, in a discussion of Titian’s Assumption of the Virgin, I indicate ways in which the painter conveys the inner experience and character of the figures in the painting by means of compositional design, light and colour, and thereby uses these and other sensuous resources to portray human life and experience. This is followed by a discussion of two sonnets by Shakespeare, in which the same general aim is pursued by using the literary resources of figurative language. Finally, a discussion of Hamlet shows how, in this work, the augmentation of figurative language by dramatic form strengthens the view that art can provide a form of knowledge that is based as completely upon intuition about our sensory experience as it is upon reason and observation. Just as my (true) perception of a cup as a vessel for drinking tea or coffee arises immediately from past experience, so the dramatist can see immediately from his or her past experience how a character might perceive things and behave. -/- . (shrink)

Negotiations are central to the operation of the international system, found at the heart of every conflict and every act of cooperation. Negotiation is the primary vehicle that states use to manage conflict and build prosperity in a complicated and dangerous international system. International Relations as Negotiation provides an overview of world politics that is both approachable and detailed. It explores the factors that help or undermine efforts to negotiate solutions to international problems. Key topics including international conflict and security, (...) the global economy, international law and governance, and environmental sustainability are explored in turn. The history of the international system is traced through major treaty agreements and peace conferences, and the future of the international system is projected. The result is a survey of world politics that provides a seamless narrative about conflict and cooperation in the international system. (shrink)

Molyneux’s question, whether the newly sighted might immediately recognize tactilely familiar shapes by sight alone, has produced an array of answers over three centuries of debate and discussion. I propose the first pluralist response: many different answers, both yes and no, are individually sufficient as an answer to the question as a whole. I argue that this is possible if we take the question to be cluster concept of sub-problems. This response opposes traditional answers that isolate specific perceptual features as (...) uniquely applicable to Molyneux’s question and grant viability to only one reply. Answering Molyneux’s question as a cluster concept may also serve as a methodology for resolving other philosophical problems. (shrink)

Trial by jury is a fundamental feature of democratic governance. But what form should jury decision-making take? I argue against the status quo system in which juries are encouraged and even required to engage in group deliberation as a means to reaching a decision. Jury deliberation is problematic for both theoretical and empirical reasons. On the theoretical front, deliberation destroys the independence of jurors’ judgments that is needed for certain attractive theoretical results. On the empirical front, we have evidence from (...) both legal and non-legal contexts that group deliberation often leads to group judgments that are worse in a number of respects than judgments generated by non-interactional methods of judgment aggregation. Finally, I examine some possible alternatives to free-wheeling jury deliberation, including the constrained and structured deliberation embodied in the DELPHI method, voting, and averaging of probabilistic judgments. (shrink)

Mimesis and the portrayal of reflective life in action : Aristotle's Poetics and Sophocles' Oedipus the King -- The portrayal of reflective life in action in poetry : Shakespeare's dramatization of the poet in Sonnets 1-126 -- The portrayal of reflective life in action in music : Bach's Prelude and Fugue in B flat minor (The Well-Tempered Clavier, Book 1) and Beethoven's String Quartet in A minor, opus 132 -- The portrayal of reflective life in action in painting : discovery (...) of the inner life of sensory perception in watercolours by Turner and oil paintings by Cézanne. (shrink)