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  1. Early Cubism, Tactility, and Existential Spatiality.Dimitri Ginev - 2020 - Journal of Aesthetics and Phenomenology 7 (1):67-83.
    ABSTRACT The aim of this paper is to draw important parallels between the way in which configured pictorial practices of early Cubism interpreted the idea of tactile space and the phenomenological concept of existential spatiality. It is argued that in dispensing with the “illusion of perspectival space” and deconstructing geometrical perspective, several Cubist artists developed a position of multi-perspectival realism with respect to what remains ungraspable in the three-dimensional visual rendering of space. Tactile space is the main theme of early (...)
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  2. Automating Art: Gilbert Simondon and the Possibility of Independently Creative Machines.Michael Haworth - 2020 - Journal of Aesthetics and Phenomenology 7 (1):17-32.
    The modern concept of creativity as an attribute of human beings has, since its very beginnings in the 18th Century, routinely been defined in opposition to that of the programme. In Edward Young’s...
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  3. Aesthetics: Dietrich von Hildebrand. Vol. I, II Translated by Fr. Brian McNeil and John F. And John Henry Crosby (Eds.) Published by Hildebrand Project [Ohio: Steubenville 2018]. [REVIEW]Petr Osolsobě - 2020 - Journal of Aesthetics and Phenomenology 7 (1):85-87.
    “Is something beautiful because we like it, or is it likable because it is beautiful?” This was how (in De vera religione 59: ideo pulchra sint, quia delectant; an ideo delectent, quia pulchra sunt...
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  4. Out of the Experience of Poetry.Richard Rojcewicz - 2020 - Journal of Aesthetics and Phenomenology 7 (1):33-48.
    ABSTRACT This contribution to phenomenological aesthetics takes inspiration from Martin Heidegger’s idea that poetry arises out of the experience of thinking and thinking out of the experience of poetry. The mutual nourishment of philosophy and poetry is put into practice here through a presentation of three poems and the reflections they provoke. The poems are the work of a contemporary Lithuanian-American poet, Rita Malikonytė Mockus. The reflections derive their basic orientation from Heidegger’s phenomenological philosophy of art. This philosophy is phenomenological (...)
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    Aesthetic Justice.Magdalena Wisniowska - 2020 - Journal of Aesthetics and Phenomenology 7 (1):49-65.
    ABSTRACT In his late essay “To Have Done With Judgment” Gilles Deleuze puts forward an alternative aesthetics to those based within the doctrine of judgment. He argues that to do justice to the work of art, one must recognise the creation of the new modes of existence in the work to come. This essay aims to deepen the understanding of Deleuze’s concept of the “work to come” by going against the grain of contemporary scholarship’s focus on the essay’s ethical programme (...)
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    Diagnostic Concepts of the Unconscious as a Foundation of Romanticist Identity: Maine de Biran’s Psycho-Physiological and Psycho-Pathological Self-Investigations.Manfred Milz - 2020 - Journal of Aesthetics and Phenomenology 6 (2):103-119.
    The foundations of psychoanalysis in the German idealist concepts of the reflexive human self have been the subject of detailed investigations devoted to the intertwined processes of introspection,...
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