The present-day epistemology of social science resembles a picture puzzle whose pieces are scattered to and fro across the vast domain of philosophical inquiry. This study attempts to assemble them in what appears to be a common thread of thinking for a necessary epistemic reconstruction, the historical specificity of social sciences. This understanding reveals itself as a method of validating truth in acknowledgement of three logical principles: (1) causality indeterminately becomes embedded in spatial—temporal distortions; (2) linear time is replaced by (...) multiple, overlapping timescales, ‘multiple’ being a cultural rather than numerical concept; and (3) prediction remains associated with the least historical events, the particulars; that is, event-regularities normally specific for short periods of time. (shrink)

The author proposes a dimensional model of our emotion concepts that is intended to be largely independent of one’s theory of emotions and applicable to the different ways in which emotions are measured. He outlines some conditions for selecting the dimensions based on these motivations and general conceptual grounds. Given these conditions he then advances an 8-dimensional model that is shown to effectively differentiate emotion labels both within and across cultures, as well as more obscure expressive language. The 8 dimensions (...) are: (1) attracted—repulsed, (2) powerful—weak, (3) free—constrained, (4) certain—uncertain, (5) generalized—focused, (6) future directed—past directed, (7) enduring—sudden, (8) socially connected—disconnected. (shrink)

In this article, the authors examine and debate the categories of emotions, moods, temperaments, character traits and sentiments. They define them and offer an account of the relations that exist among the phenomena they cover. They argue that, whereas ascribing character traits and sentiments (dispositions) is to ascribe a specific coherence and stability to the emotions (episodes) the subject is likely to feel, ascribing temperaments (dispositions) is to ascribe a certain stability to the subject's moods (episodes). The rationale for this (...) distinction, the authors claim, lies in the fact that, whereas appeal to character traits or sentiments in explanation is tantamount to making sense of a given behaviour in terms of an individual's specific evaluative perspective - as embodied in this individual's emotional profile - appeal to temperaments makes sense of it independently of any such evaluative perspective. (shrink)