Cutting through simultaneously the conventions of sinology and a capitalist universalism modeled on the West, Jullien unfolds a difference between Chinese thought and philosophy that allows it to be thought out without taking sides. His unusual move insists on the irreducibility of the difference yet at the same time renders the irreducibility intelligible; Jullien gives us a world structured by distinct lines of thought.

Taking its point of departure from Jullien’s primary claim in The Silent Transformations that ancient Greek ontology propels European thought into ‘the vertigo of the event,’ the article turns toward a European thinker whom Jullien does not mention in this context, namely Walter Benjamin, and asks whether his work, too, succumbs to this vertigo. The choice of Benjamin as a ‘test case’ is governed by two factors: while his work is widely associated with notions of the event, there is little (...) recognition of the degree to which he was engaged with the Daodejing (in translation) from the early 1910s to the late 1930s. Divided into four chronologically ordered sections, each of which is prefaced by a claim advanced in The Silent Transformations, the article shows how Benjamin’s concepts of transition, effective non-action (under the term ‘proletarian general strike’), mimesis, ‘the second technology,’ and Jetztzeit (‘now-time’) are all traversed by a mediated conception of the Dao. The primary question around this re-evaluation of his work, guided by the idea of ‘the silent transformations’ that Jullien adopts from Wang Fuzhi, is whether the theory of revolution Benjamin developed in the 1930s can be characterized as Daoist or, better yet, Marxist-Daoist. (shrink)

François Jullien’s idea of landscape in Chinese philosophy and art is taken from the refinement of highly literate writers and artists, unrelated to the techniques of location that find good sites and make places in landscape. This article is based on a study of fengshui (Chinese geomancy). It argues that fengshui is a practice of identifying not things or beings but moments and circumstances of a client. It works with an epistemology of pattern recognition, which is based on observation and (...) experience but does not test the truth of the signs that are the means of recognizing patterns. This epistemology of pattern recognition is not peculiarly Chinese but can also be found in building, urban planning, and the art of medical diagnosis. (shrink)

This essay takes up the line of critique of François Jullien in The Great Image Has No Form, that Chinese landscape painting ( shanshui) provides a counter-example to Western painting. The opposition, namely that the former undermines form and the latter focuses on form, provides two kinds of access to ‘truth’ and demonstrates two different philosophical temperaments between China and Europe. The article attempts to reflect on Jullien’s comparison and the varieties of experience of art that Jullien has opened up (...) for us. It also hopes to go a step further by exposing the different logic and sensibility that are present in shanshui painting through a reading of Wang Bi and Mou Zongsan. (shrink)

This essay argues that the West could glimpse its own unthought-of by ‘de-ontologicalizing’ its thought, and that a fruitful way to do this is to draw on Chinese thought. In particular, the author develops herein the notion of between ( l’entre), which is less a locus than a dynamic passage between states or extrema. This contrasts with the (static) Western notion of Being, where a thing either is or is not. Unlike a thing, between has no being, no nature, no (...) properties. For the Greeks life was, similarly, an alternation of emptiness (desire or want) and fullness (satiety). Instead, life is in flux between those extrema. Accordingly, between is not an (ontological) intermediary but processual, like the through of the Tao. The author explores between in the Chinese conception of landscape as mountain(s)-water(s) and applies between to urban renewal, underscoring its value as a tool for the de-ontologizing of Western thought. (shrink)

The author argues that being-thought, in keeping with the ‘intellectualist choice’ of the Greeks, has narrowed the thinkable to the question of whether something is or is not. The discourse-reason (logos) of the Greeks necessarily lends itself to construction and to its result, which is knowledge. Knowledge in turn trades the singular for generality, e.g. beautiful things for beauty. Because what it seeks is nowhere to be found in the world, such philosophy has located pure in-itself-ness in the beyond of (...) metaphysics, reducing life to metabolism, a shuttling between the extrema of lack and satiety. The Chinese language, because it lacks morphological markers, an imperative mood, and a verb ‘to be’, sidesteps ontology (being-thought) and thus hints at a more fruitful perspective on living, elucidating the notion of ex-istence as a way to provide an exteriority from which to examine living, in all its immediacy, without recourse to any metaphysical beyond. (shrink)

François Jullien intervenes into the ontology debates to understand Chinese thought as an anti-ontology, but instead in terms of ‘life’, that is as a sort of vitalism. Chinese anti-ontology features the juxtaposition of the wu (there-is-not) with the you (there-is). This, I argue, maps onto theology’s counterposition of otherworldly and this-worldly. Here Daoism features an ascetic and unstratified wu in contraposition to Confucianism’s you of moderation and stratification. We contrast ontology’s causation with ‘efficacy’ in Jullien’s Chinese thought. We read Zhuangzi’s (...) ‘Equalization of Things’, where the inequalities of the you are equalized in the wu, as a sort of vitalist object energetics. We turn to Chinese ethics, and its driving virtue of yi. We understand the yi not as ‘righteousness’, which is a theological attribute of Christ, but instead as closer to political ‘right’, in China embedded in immanentist forms of life. Western Cartesian ontology is often contrasted with Chinese thought that works through a certain ‘analogism’. We read this, with Walter Benjamin’s Chinese ‘mimetic’ faculty, in terms of a vitalist energetics, a forcefield of the Ten Thousand Things. (shrink)

Grounded in the use of the visual, Chinese thought and language operate within a wide spectrum that includes calligraphy, poetry, literature, painting, and garden-landscapes. In languages of phonetic signifiers, the spectrum is deliberately controlled to be narrower, excluding the visual from language and delegating it to iconology. These linguistic-cultural strategies have an ancient past and produce far-reaching consequences in thought and artefacts, with garden-landscapes being one of the most substantial outcomes. Garden-landscapes are China’s equivalent to Greek architecture, leading us to (...) both a repositioning of Chinese thought and a new framework of architecture. In this sense, the city, serving the function of thought in the expanded medium of conceptual and material units of meanings (figures), incorporates things into intellectual orders. This is perhaps the most important feature of Chinese thought and one that is the first to be obscured when it is rendered in scholarship in Indo-European languages. (shrink)

François Jullien wants us to see what thought and life could look like without ontology, promising intellectual riches unavailable in the heavy ontological apparatus we are deeply invested in. The strength of Jullien’s argument comes from a deep and unique alliance between philosophy and Chinese thought, a risky one – incurring predictable disgruntlement from both philosophy and sinology – but nevertheless enduring and productive. This is far from advocating one in place of another, as we are accustomed to do in (...) critical theory in relation to divinity, grand narratives, scientism, modernity, and even stable truths. It is an endeavour to think the ‘unthought of’ of ontology through what Jullien calls a vis-à-vis suspended in productive tension, a dialogue. In philosophy, the other is subsumed in a singular dialectical relationship through oppositions. What Jullien insists on is a doubleness of co-existence in Chinese thought rather than a singularity of dialectics in ontology. If ontology grounds a philosophy that makes a world in its image, and if that image is increasingly untenable as an ecology of the planet, Jullien’s call for a deeper reflexivity in ontology is of enormous significance. This special issue brings both Jullien’s argument and Chinese thought to a forum to explicate what this could mean in multiple fields from art and architecture to anthropology and critical theory. (shrink)

This article challenges François Jullien’s reading of Chinese thought based on his disjunction between ontology and shi, or propensity. According to Jullien, the Chinese history of ideas has been a never-changing entity in a homogeneous society for thousands of years. Jullien’s juxtaposing and contrasting ‘European thought’ and ‘Chinese thought’ falls into the trap of cultural essentialism he wanted to avoid. Jullien’s interpretation of shi also led him to believe that Chinese people never challenge reality, never confront or resist, tend to (...) stay in conformity, and lack interest in critical thinking. This paper argues that, despite the combination of Confucianism, Daoism and Legalism that constituted a powerful paradigm of normative governmentality of the hierarchical system in different dynasties in Chinese history, the spirit of political resistance has never ceased. Zhang Taiyan, at the end of the Qing Dynasty and the beginning of Republican China, demonstrated the tradition of such critical political thinkers. The re-reading of Zhang Taiyan’s Buddhist-inspired reading of Zhuangzi could offer us an additional possibility for the emancipatory and political thinking that can be inspirational even today. (shrink)

Invoking Laozi and Mencius, Jullien offers an oblique take on efficacy, one of China’s most intriguing yet most influential notions formulated in Daoism, the practice of art, and military strategies. It circumvents the heavy philosophical apparatus of means versus ends and theory versus practice that jam the Western conception of efficacy.

This article presents a cognitive anthropological critique of François Jullien’s approach to language and culture. Jullien approaches ‘culture’ as a coherent set of concepts across time and space, relying primarily on identifying Chinese (and Greek) thought with particular concepts expressed in language. This mischaracterizes human culture, which exists on the level of individual mental representations, and relies on a form of linguistic determinism which fails to stand in the face of psychological and anthropological evidence. This leads Jullien to claim an (...) incredible degree of cultural (and ontological) divergence between the Chinese and Europeans. By accounting for the distribution and dynamism of mental representations, the degree to which thought is underdetermined by language, and above all the divergence of intuitive and reflective cognition on the individual level, we can arrive at an alternative, ontologically realistic account of cultural divergence. (shrink)

This article uses a Chinese narrative of ‘nature-human harmony’ as the main thread to connect the contributions of ontological anthropology. I argue that the best of the critiques of nature-human or nature-culture dualism in social anthropology propose rebuilding a world that ‘pursues harmony while preserving difference’ in the double sense of nature and culture. Given that most social scientific problems are indeed related to utilitarian individualism, I argue that research on ‘ontology’ should re-engage the ancient notion of ‘ ji’, construed (...) as ‘others-comprised self’, which forms the foundation of a perspective of ‘broad human relationship’ between humans and their others (other humans, things, and divinities). Perspectivism inherits many categories of Western cosmology that it critiques and represents a kind of inert ontology. Grounded in the cosmology of life ( sheng), we hope to contribute to a new anthropology of the compatibility between self/others and subject/objects. (shrink)

This essay explores whether ontology is internal to traditional Chinese culture from the perspective of the view from above. Ancient Chinese philosophy, poetry, and art abound with all kinds of descriptions of viewing from above. Such views from on high, as illustrated by famous works discussed in this essay, usually admit of no fixed focus; that is, there is no ontic being, concealed or disclosed, controlling the perceiving eyes. The gaze from above, which is either fluid or decentered, in some (...) cases does not even focus on any real object. It merely reveals an abstract historical review or an attitudinal stance. As such, the fushi gaze, devoid of any concrete object of perception or any central point of reference, always points to the absence of ontology. (shrink)

Beginning with a discussion of adaptations of François Jullien’s understanding of ‘potential born of disposition’ and ‘silent transformation’ in two recent analyses of capitalist contemporaneity (by Bennett and Dufourmantelle), this essay argues that as a philosophical tool, ‘China’ bears within it a rich and underanalysed genealogy that reframes critical theory’s approach to nature and its objects in a new geopolitical context. The remainder of the essay then unpacks the intellectual history and textual philology of one earlier and pivotal moment of (...) critical theory’s entanglement with ‘China’: Walter Benjamin’s transformation of ‘non-action’, or wu wei, into a complex for thinking through possibilities of what he might, with Jullien, call not-being in debt to Being. (shrink)

As the absolute other of Greek thought and speech, Chinese renders Greek strange; in seeking equivalency, Jullien’s discussion on time demonstrates a creative betrayal of the original and an equally creative appropriation by the target language in the process of translation.

The author probes Jullien on the problem of time, which is at the heart of European philosophy, while allowing himself to embrace an intelligibility of the ‘infra-philosophical’ leading to a ‘living in philosophy’. The question is both intriguing and rewarding: ‘what the Chinese have thought because they have not thought time’. Yet the author wonders: does Jullien pay more attention to the Greeks than to the Hebrews vis-à-vis China with regard to the concept of time? Jullien’s text on time of (...) course is a piece in a much larger set of texts that bring to the fore questions of life; the author offers, with generosity, much broader thoughts on the possibility of Jullien speaking French while thinking Chinese, and the enigma of living (say in Augustine and Montaigne) within a philosophy of transcendence in the West as opposed to the immanence of philosophy of living in China. (shrink)

Channeling affinities with certain motifs of Daoism, Walter Benjamin renews a form of dialectical thought that diffuses ideological notions of progress and grants minimal weight to the ontological distinction of the Subject. In fleeting yet pivotal moments of contact with Chinese aesthetics, Benjamin moves attention toward the practice of ‘thinking by way of resemblance’ – a phenomenon he variously enacts. Calling forth resonances within late-capitalist modernity, he retrieves from Daoist literature a notion of dialectical reversal freed from progressive synthesis, as (...) well as image-repertoires of self-forgetting, which he understands to be irreducible to reification. The Daoist imaginary offers Benjamin resources for breaking open the anthropocentric closure of Hellenic accounts of mimesis. He theorizes similitude more capaciously as something that can flash up across temporally discontinuous phenomena – without deferring to predetermined categories of Being. Benjamin thus recasts resemblance – regarded by Enlightenment rationality as an impoverished mode of cognition – as a medium of historical apprehension that resists the occlusion of transience by the ontology of the victors. (shrink)

This article addresses a little-known event in the history of neoliberalism: a conference at Stanford University held in 1982 to reconsider Adolf Berle and Gardiner Means’ The Modern Corporation and Private Property 50 years after its initial publication. This event is important as it is where key members of the neoliberal thought collective sought to define and defend the powers and freedoms of the corporation. First, this article outlines the political commitments of Berle and Means by considering the core arguments (...) of The Modern Corporation and Private Property; second, it addresses key papers from the event published subsequently in the Journal of Law and Economics; and third, it analyses the neoliberal defence of the corporation that emerged from these papers, and reflects on the limitations of the work of Berle and Means for developing a response to their neoliberal critics. (shrink)

This article argues that cruelty, as a willingness to see or orchestrate the suffering of others, is not an unfortunate side-effect of neoliberal theories put into practice but is constitutive of the neoliberal project from its theoretical inception. Drawing on Lisa Duggan’s concept of ‘optimistic cruelty’ and treating the canonical texts of neoliberal economic theory as literary artefacts, the article develops this argument through a close reading of one of the central architects of the neoliberal project, the philosopher and economist (...) Friedrich Hayek. The first part of the article examines how Hayek attempts to justify the brutality of the market order he imagines – the catallaxy – by arguing that this brutality is the natural consequence of the spontaneous evolutionary processes that move civilisation forward. The second part brings to the fore the eugenicist undertones that suffuse this vision, despite Hayek’s apparent rejection of Social Darwinism. I analyse how Hayek’s market order operates through a series of disciplinary and biopolitical technologies that use pain, frustration, punishment and stigmatisation to eliminate bad habits, practices and subjectivities. These cruel mechanisms enable the catallaxy to sort between productive and unproductive lives to ensure that available resources are directed towards the former – even if it means that the others might be left to die. As such, cruelty is an affective atmosphere that permeates the catallaxy. (shrink)

Recent debates within broadly considered posthumanities have been populated by various conceptual personae. One such figure is the diplomat. First proposed in this context by Isabelle Stengers in her Cosmopolitics series, the diplomat has been subsequently taken up and further developed by Bruno Latour, particularly in his AIME project, and most recently by Baptiste Morizot in Les Diplomates. This article traces the metamorphosis of this conceptual character in the work of Stengers, Latour and Morizot. As all three versions are relatively (...) close to each other, this article proposes three companion figures: the heretic (for Stengers), the designer (for Latour) and the amateur (for Morizot) that allow us to carefully examine the differences between, and the specific stakes of, each iteration of the diplomat. Furthermore, the article critically evaluates the theoretical pertinence of the diplomat figure for each philosopher’s project and considers its potential for thinking about the future of our more-than-human worlds. (shrink)

While philosophy has been defined as a critical endeavour since Plato, the critical potential of rhetoric has been mostly overlooked. In recent years, critique itself – as a means of enlightenment and emancipation – has come under attack. While there have been various attempts to renew and strengthen critical theory and practice, rhetoric has not yet played a part in these attempts. Addressing this lacuna, the article argues that rhetoric can function as a critical force within philosophy. The rhetorical perspective (...) confronts the claim to rational discourse and universal knowledge with the contingency of philosophical languages, means of representation, and social practices. Moreover, it allows us to think of critique as an activity of a subject that is at the same time constituted and transformed by it. This opens up the possibility of a rhetorical philosophizing that meets its critical standards by taking into account both the conditions of its own speaking and what it must exclude as its ‘other’ in order to function. (shrink)

Apocalyptic thinking has a long religious and political tradition, but what place does it occupy within the temporal universe of contemporary capitalism? In this essay, we use the figure of the eschaton to draw out the loaded and ambiguous character of the future as it emerges through the condition of indebtedness. This entails a departure from political economy accounts of capitalist futurity, which stress the structural logic of financial speculation, in favour of an existential account that begins instead with the (...) cosmology of money and debt. We argue that finance capital’s fixation on the future has produced a very specific form of apocalyptic imagination, characteristic of financial society and built on a libidinal economy of leverage. Rather than offering an ecstatic end to the global process of financialization, financial eschatologies bind the contemporary subject to debt and indebtedness to the very end: an endless apocalypse, premised on the ends of finance itself. (shrink)

Isabelle Stengers’ cosmopolitical proposal is an influential attempt by a European philosopher to transform the burdensome legacy of Western thought. Reconsidering her comprehensive engagement with the cosmology of the British mathematician and philosopher Alfred North Whitehead, this article reveals two concepts as foundational to Stengers’ cosmopolitics: civilization and commerce. While not usually associated with a critical political theory, in her development of what we call a commercial political ontology, Stengers explores the modes of inheriting these ostracized notions. By tracing the (...) genealogy of this political ontology back to Pericles’ first explicit defense of persuasion as a requisite for civilization, we argue that Pericles’ famous funeral oration provides the structure for Whitehead’s cosmology, and, ultimately, Stengers’ cosmopolitics. As such, we understand her cosmopolitical proposal as a dress rehearsal of a funeral eulogy for bourgeois society. (shrink)

The phrase ‘To perish from absolute knowledge’ from Nietzsche’s Beyond Good and Evil runs like a red thread throughout Foucault’s reading of Nietzsche, spanning a period of 20 years in which Foucault continuously turned to Nietzsche as his main philosophical and methodological role model. Beginning with his first lectures on Nietzsche in the early 1950s, Foucault repeatedly alluded to this phrase as the key to Nietzsche’s philosophical critique which anticipated the philosophical shift to ontology in the 20th century. Drawing on (...) a host of unpublished essays from Foucault’s archive, it will be shown that this phrase holds the key to Foucault’s Nietzsche interpretation and explains his reliance on historicity as the transcendental basis for his critical project. The article will rely on Foucault’s dynamic analysis of this phrase to narrate the development of his historical methodology between the 1950s and the mid-1970s, and will argue for the continuity and coherence of Foucault’s critical project. (shrink)

This paper is based on the archives of Michel Foucault collected (since 2013) at the manuscripts department of the Bibliothèque nationale de France, Paris. Our investigation focuses in particular on the documents of the 1950s, in order to study the role of the reflection on anthropology and phenomenology at the beginning of Foucault’s philosophical path. This archival material allows us to discover the tremendous work that is at the basis of the relatively few works that Foucault published in the 1950s. (...) The access to the 1950s documents enables us at last to investigate the reasons for the seemingly sharp break that divides these works from the works published by Foucault in the 1960s and the 1970s, in which emerges the archaeological refusal of phenomenology and anthropology, as well as the strong criticism against any form of psychopathological discourse. (shrink)

Madness, Language, Literature (2019) brings together a series of unpublished works on literature that belong to Michel Foucault’s first stage of production. This article focuses on those works that express a concept of madness as social partition or outside, and also on those that elucidate the concept of the ‘extralinguistic’ of literature. The combined reading of these texts sheds light on a concept of the extralinguistic outside of literature that enables Foucault to overcome a concept of ontological outside and, therefore, (...) using literature, think on this discourse’s historical possibilities of resistance. As a result of this new reading, I analyse some fundamental aspects of this early Foucault. First, his development of a politics of literary form in the 1960s. Second, I propose that Foucault’s studies on literature in the 1960s were a kind of laboratory in which he was already raising some questions concerning his political history of truth. And, lastly, I examine the capacity of literature to make visible a part of reality that remains hidden (the excluded), the processes by which literature creates (language’s mechanism of self-representation), the possible forms of subjectivation that the fiction of every episteme allows (what Foucault calls verisimilitude), and the formulation of novel forms of being (that he later developed as aesthetics of existence). (shrink)

Foucault’s Introduction to a translation of Ludwig Binswanger’s essay ‘Dream and Existence’ was published in late 1954. The translation was credited to Jacqueline Verdeaux, with Foucault acknowledged for the notes. Yet Verdeaux herself indicates the intensely collaborative nature of their working process and the translation. In 1958, Victor von Weizsäcker’s Der Gestaltkreis was published in French as Le Cycle de la structure, translated by Foucault and Daniel Rocher. Foucault went on to translate and introduce Immanuel Kant’s Anthropology as his secondary (...) doctoral thesis. His engagement with Kant and Binswanger’s ideas has been discussed in the literature, but his role as translator has generally been neglected. His engagement with von Weizsäcker is almost never mentioned. This article critically discusses Foucault’s role in the Binswanger and von Weizsäcker translations, comparing the German originals with the French texts, and showing how this is a useful additional element to the story of the early Foucault. (shrink)

This introduction to the special issue ‘Foucault Before the Collège de France’ surveys Foucault’s work in the first part of his career. While there is a familiar chronology to the books he published in the 1960s – from History of Madness to The Archaeology of Knowledge – the story can be developed in relation to his articles, his translations, his early publications and manuscripts, and his teaching. Looking at the programme of posthumous publication of many of his courses and unfinished (...) manuscripts, this introduction discusses key themes, and introduces the papers of the special issue which analyse these texts in detail. It concludes with some general thoughts about what these hitherto neglected or hidden sources tell us about the work of Foucault. Although it adds some cautions about their use, we believe the texts and lectures analysed in this issue and others from the period before the Collège de France add valuable insights into our understanding of Foucault’s intellectual development, his interests and plans, and his enduring influence on a variety of fields in the humanities and social sciences. (shrink)

Written with the suppression of the Tunisian students by their own government in view, Michel Foucault’s March 1968 ‘Linguistics and Social Sciences’ opens up a new horizon of historical inquiry and epitomises Foucault’s abiding interest in formulating new methods for studying the interaction of language and power. Translated into English for the first time by Jonathan D.S. Schroeder and Chantal Wright, this remarkable lecture constitutes Foucault’s most explicit and sustained statement of his project to revolutionise history by transposing the analysis (...) of logical relations into the history of knowledge. (shrink)

This article has been translated into English by Nancy Luxon and published with permission. Michel Foucault, La littérature et la folie [La folie dans le théâtre baroque et le théâtre d'Artaud], in Folie, langage, littéature, eds. H.-P. Fruchaud, D. Lorenzini, & J. Revel, pp. 89–109 © Librairie philosophique J. Vrin, Paris, 2019. www.vrin.fr Requests for re-use of La littéature et la folie [La folie dans le théâtre baroque et le théâtre d'Artaud] should be directed to Librairie philosophique J. Vrin, Paris. (...) Literature and madness dominate Michel Foucault’s early writings in the 1960s, and indeed much of his career. In this text, Foucault considers the relation between madness, language, and silence; the difficult frontier between language and literary convention; and the experience of madness within language. He moves from a meditation on madness, to a rare commentary on theatre, stagecraft, and Artaud, and finishes by considering literature’s capacity for rupture. ‘Literature and Madness’ is a translation of a text written by Foucault in the 1960s, and recently published in Folie, langage, littérature, ed. Henri-Paul Fruchaud, Daniele Lorenzini and Judith Revel (Paris: Vrin, 2019, 89–109). This version includes a translator’s introduction by Nancy Luxon and was given a distinct subtitle to distinguish it from a similar lecture with the same title in that volume. (shrink)

In a series of essays, conferences, and lectures over the period 1959–73, Michel Foucault directly engaged the writings of Nietzsche. This article demonstrates the five different modalities of Foucault's use of Nietzsche’s writings: namely, critical, epistemological, linguistic, alethurgic, and political. Each of these modalities is tied to a particular intellectual turning point in Foucault’s philosophical investigations and can be located chronologically in five important texts from that period.

This paper addresses the multiple readings that Foucault offers of Descartes’ Meditations during the whole span of his intellectual career. It thus rejects the (almost) exclusive focus of the literature on the few pages of the History of Madness dedicated to the Meditations and on the so-called Foucault/Derrida debate. First, it reconstructs Foucault’s interpretation of Descartes’ philosophy in a series of unpublished manuscripts written between 1966 and 1968, when Foucault was teaching at the University of Tunis. It then addresses the (...) important shifts that took place in Foucault’s thought at the beginning of the 1970s, which led him to elaborate a new approach to the Meditations in terms of ‘discursive events’. Finally, it argues that those shifts opened up to Foucault the possibility of developing an original reading of Descartes’ philosophy, surprisingly close to his own interest in ancient askē sis and the techniques of the self. (shrink)

A ‘way out’ expresses a movement which looks completely different depending on whether one views it prospectively or retrospectively: in the first instance, it signifies ‘to emerge from’, which suggests a relationship of continuity; in the second it signifies ‘to breach a threshold’, a distancing, that is to say, a rupture. Which of these two meanings should we ascribe to the expression ‘Foucault’s way out of Hegel’ – that of a connection, which emerges when we look behind us, or that (...) of a disjunction, which appears when we look ahead? That of a line of descent, which obliges us to contend with a legacy, or that of rejection, thus a refusal to accept it? This is the very question that we want to confront. (shrink)

In this extended review essay we discuss the lectures on sexuality which Foucault delivered in the 1960s, published in a single volume in 2018. The first part of the volume comprises five lectures given at the University of Clermont-Ferrand in 1964 to psychology students. The second part is Foucault’s course ‘The Discourse of Sexuality’, given at the experimental University of Vincennes in 1969 in the philosophy department. We explore both the themes of the lectures, and the important editorial materials provided (...) by Claude-Olivier Doron which situate these themes in relation to recent developments in the history and philosophy of biology, gender and sexuality. These lectures provide some important and surprising additions to Foucault’s more familiar interest in sexuality, with discussion of plant and animal biology, sex differentiation, the question of sexual behaviour, perversion and infantile sexuality. (shrink)

This article provides a detailed account of the year that Michel Foucault spent as Director of the Institut Français in Hamburg and as a guest lecturer at the Romance Studies Department at the University of Hamburg. It discusses the beginning of Foucault’s time in Hamburg, the courses he taught at these two institutions, his interactions with German students in his classes, and events with invited guests from the French intellectual sphere. But it also sheds light on the friendships he made (...) in Hamburg, in particular with Rolf Italiaander; the completion of his own projects including Histoire de la folie and the translation of Kant’s Anthropology from a Pragmatic Point of View; and finally his nocturnal wanderings through Hamburg’s red light district, Sankt-Pauli. (shrink)

This paper is based on the archives of Michel Foucault collected (since 2013) at the Manuscripts Department of the Bibliothèque nationale de France in Paris. Our investigation focuses in particular on a complete manuscript, until now totally unknown and entitled ‘ Phénoménologie et psychologie’ (‘Phenomenology and Psychology’). This manuscript could be the first project for a thesis devoted to ‘The Notion of the “World” in Phenomenology’, written around 1953–4, at the same time as a manuscript on Binswanger and existential psychiatry (...) and as a manuscript on philosophical anthropology. We aim to show the importance that phenomenology seems to have held for Foucault at the beginning of the 1950s and in particular the role that it could have played in Foucault’s distancing himself from a naturalist psychology and a philosophy of consciousness to which he opposes a philosophy of the world, of being and of language. Foucault thus discovers a truth of the phenomenology which rests on the radicality of the transcendental gesture and on the access to an ontology gathering the being, the meaning and the language. (shrink)

Manuscripts and notes by Michel Foucault on the visual arts recently deposited at the Bibliothèque Nationale reveal a reliance on canonical oil paintings by the ‘old masters’; a respect for the primary sources in the history of European art; an understanding of the necessity of research in both literary and visual sources, particularly self-portraits; and a sense of the value that a certain philosophical milieu – beginning with Sade and Nietzsche and expanding to his near contemporaries, Bataille, Blanchot, and Klossowski (...) – could offer to an understanding of paintings. The essay argues that Pierre Klossowski’s monumental drawing La Nef des fous (1990) provides an essential key for understanding the place of Hieronymus Bosch’s painting of the same title in History of Madness and the centrality of theories of similitude to Foucault’s thinking about visuality ca. 1960–74. The later significance of the figure of the artist for Foucault can be traced to these earlier writings on painting and madness. (shrink)