The article is devoted to the symbolics of doves on epigraphic embroidered towels (mainly known as rushnyks with inscriptions), which were massively produced by Ukrainian girls and women from the end of the nineteenth till the middle of the twentieth century. Embroidering lines from folk songs or proverbs on textile was a very popular kind of so-called written (or fixed) folklore. By combining these verbal texts with different images of pigeons, fundamentally new works were created. For some time, this phenomenon (...) was almost forgotten. However, in the course of recent years Ukrainian collectors and artists have been actively using old embroidered samples for souvenir products or stage decorations. Being popularized and updated in our time, the meaning of these embroidered birds has undergone significant changes. On specific examples, the author shows how one and the same image of pigeons acquires different, often even opposite senses depending on the context. (shrink)

Preview: /Adam Chmielewski interviewed by Eli Kramer / AC: In the nineteenth century, some people thought that the sciences should free themselves from the philosophical speculations from which they originated, and that philosophy itself, as obsolete, should be replaced by strict science. Gradually, however, the strict and uncontestable sciences resorted back again to the allegedly obsolete philosophy to understand what they are, what they are actually doing, and why. In other words, not only did science not replace philosophy but returned (...) to it. That is why there emerged the philosophy of science and philosophies of individual sciences, e.g. mathematics, biology, etc. This applies also to urban studies pursued by a great number of specialized disciplines, but a need for a general, philosophical view of the nature of the city is increasingly felt by many people, urban specialists included. The role of philosophy in today’s urban studies cannot mirror the ancient one, which was much more foundational, as in Protagoras, Plato, Aristotle, or Zeno. But it does resemble it. A philosopher cannot pretend to be an architect, urbanist, or city planner. But he or she is particularly qualified to address the problems of how contemporary cities allow their inhabitants to satisfy their needs and ambitions; in other words, to what extent the city is an environment in which human life may flourish. Such questions may profitably be addressed by moral and political philosophy, as well as philosophical anthropology. (shrink)

The main question of the essay is: do ruins need a new definition? Ruins are not only destroyed architecture, but also everything that has been associated with it in the process of life. From the perspective of the question, the concept of ruins should be understood much broader than just architecturally, and they should be assigned not to the past but to the present, or rather between past and present. If we consider ruins from the standpoint which situates them between (...) culture and nature, there opens up another opportunity: here ruins are found on the juncture of nature and culture, becoming a natureculture hybrid. Here, degradation encompasses the cultural sense in the first place and the expectations it involves, but not from the perspective of nature. The order of nature translates into a new “life” of the ruin, which is attributed a new functionality, subordinated to other – non-anthropocentric – goals and values. Concluding, ruins require a new approach and a new definition that does not condemn them to degradation, but sees hope in the revitalizing forces of nature that ensure for them a new status and a different ontological significance. (shrink)

Western aesthetics has privileged contemplation as a necessary condition for authentic aesthetic experience. In contrast, I argue that the adequacy of aesthetic comportment must be measured by the self-presentation of the object in question, shaped by the place from which such presentations issue. Thus, the specific character of many forms of art, particularly in urban contexts, solicits a kind of “distracted” engagement rather than contemplative attention. Distraction is a positive mode of aesthetic engagement. I begin with a critical account of (...) the formalist theories of Kant and Bell as examples of this privileging of contemplative hermeneutics. I then consider Walter Benjamin’s theory of mimesis as a basis for a more fruitful account of aesthetic form, of which certain “distractive” artworks serve as examples. Distraction is an appropriate response to certain presentations, in the face of which absorption would be a kind of aesthetic failure. (shrink)

The article proposes a new, interspecies interpretation of Joanna Rajkowska’s Oxygenator. Read as what Anna Tsing calls latent commons and problematized through Chantal Mouffe’s concept of agonistic spaces, the canonical piece of public art is shown to have been an experimental site of more-than-human resurgence.

In his text, the author develops the notion of trust as a condition for the possibility of any relational anthropology. Referring to the root associated with trust as the foundation of the relationship, he takes a position in the dispute about the primal nature of trust or perfidy; believes that in the abusive practices of credit and debt there is a reversal of the meaning of what is a necessary element of human life, relationships based on trust. Perfidy is possible (...) precisely because there is trust. On the basis of such concepts, he develops an analysis of events in the global economy at the turn of the 20th and 21th century, especially the financialization, based on the ideas of such authors as Arrighi, Bourdieu, Eichegreen, Pobłocki and Stiegler but also Lacan. (shrink)

The paper is a modest attempt at a careful assessment of Werner Hamacher’s version of deconstruction as a reading strategy which centers upon the idea of the afformative caesura. In order to probe the potential and the possible limits of Hamacher’s strategy, the author presents a Hamacherian reading of one of Paul Celan’s poems, titled “Mauerspruch,” a poem brimming with references to Walter Benjamin’s work. In the first part of the paper the author shows the effectiveness of Hamacherian perspective. In (...) the second part, however, following suggestions of the poem itself, the author shows that the perspective should be extended in order to include two crucial categories: the category of the image and the category of memory. Thus, ultimately, the assessment of Werner Hamacher’s strategy results in a praise and a modest proposal of its amendment. (shrink)

Preview: It is not a gross exaggeration to state that philosophy is an inherently urban phenomenon. Born and largely practiced in the Greek polis, it was developed throughout the ages in various places that more often than not were situated within city walls. Even if, udoubtedly, philosophy has never been limited solely to urban spaces, it has become more and more embedded in cities over the centuries. Consequently, from the 19th century on it has been part and parcel of the (...) intellectual life whose main centers have been towns since it has been almost exclusively researched on and taught within academic institutions. (shrink)

Preview: /Scott Shapiro interviewed by Eli Kramer / EK: Thanks for talking with me today. Your book, The Internationalists: How a Radical Plan to Outlaw War Remade the World is not only kind of groundbreaking in the way it changes how we think about the role of international law in the history and philosophy of culture, and some of our progressive success of not having disastrous violence shape us each generation, but it has only become more relevant since the war (...) in Ukraine was launched. As a starting point for our conversation, can you summarize the main premise of the work? SS: It’s a story about the modern international order. Despite its imperfections, it needs to be defended now more than ever. The central argument of the book is that the origins of the modern international order can be traced to a specific date in history. Namely August 27th, 1928, when the great leaders of the world gathered in Paris to outlaw war. The treaty that was signed on that day is sometimes called the Kellogg-Briand Pact, the Peace Pact, or the Paris Peace Pact. Its actual formal designation was “The General Treaty for the Renunciation of War,” basically saying it all was an attempt to outlaw war. Now, of course most people have never heard of it. It’s amazing that basically all the countries in the world decide to outlaw war, which in itself is initially a strange thing to do, but then nobody knows about it. (shrink)

Contemporary artworks are primary sources for a better understanding of the most important issues in our current reality. The complexities of cultural interactions are often thematized in pieces of art using the artistic means of code-switching, and where the investigation of these questions is pursued in and with regards to the issues of the broader context, including the built and the urban setting. In this paper I examine some aspects of these questions, with the help of some inspiring examples, through (...) artworks by creators coming from five different parts of the world: hence in the works by Manit Sriwanichpoom, Nandipha Mntambo, Michael Rakowitz, Yinka Shonibare, and Marja Helander. In this way I aim to emphasize the global relevance of these issues, as well as what we can thus learn from and about our own origins, current standpoints, and further possibilities. (shrink)

Preview: /Review: Paul Giladi, ed., Responses to Naturalism: Critical Perspectives from Idealism and Pragmatism (New York, NY, Routledge, 2020), 330 pages./ Although Bergson does not have a prominent place in this outstanding new volume of essays edited by Paul Giladi, Responses to Naturalism: Critical Perspectives from Idealism and Pragmatism, the book helped me follow through from my ongoing study of Bergson’s work. The book shows the development and continued dominance of the naturalistic position in philosophy. The book also shows the (...) increasing efforts by contemporary philosophers to make a creative use of the history of philosophy in order to engage with contemporary naturalism and to appropriate what is of value in it and in other philosophical traditions in moving forward. The book suggests how various strands of idealism and pragmatism may have much to contribute in formulating alternatives to or enriching philosophical naturalism. (shrink)

This paper asserts that honor-based peoples have and maintain a distinct cultural identity that is valid for at least eighty-five percent of the world population. It is necessarily considered relative to dignity-based societies which make up the other fifteen percent. Practically all dignity-based cultures originated during the Enlightenment; modern honor-based groups will oftentimes through diffusion manifest some dignity-based traits or observe fewer of the traditional honor-based features. This paper will survey both traditional and modern forms of the honor-based culture.

Chinese Communist monocultural policies, notably the re-education camps for the Uyghurs in Xinjiang, have recently been condemned for violating human rights. In response to critics, the Chinese Communist Party frequently replied that one should not impose Western concepts of democracy, liberty, and human rights on the Chinese people. Nevertheless, instead of introducing Western philosophies criticizing the current Chinese Communist monoculturalism; with the help of a modern reinterpretation of the Classic of Rites, this paper aims to construct a Confucian Multiculturalism and (...) argues that: (1) the Classic of Rites explicitly warned against cultural assimilations of “barbarians” into the “civilized” Empire, (2) the Classic of Rites acknowledges cultural diversities, and (3) although the Classic of Rites does not explain clearly why the imperial court should tolerate cultural diversities, a Kantian reinterpretation of the Chinese concept of 敬 Jing implies the respects for minority rights. In doing so, this paper formulates Confucian Multiculturalism as a new model of the Chinese philosophy of culture which asserts cultural diversity. (shrink)

Preview: Philosophy has notably struggled in the twentieth and twenty-first centuries to come to terms with how it participated in the erasure and invisibility of persons across the globe. Western philosophy over hundreds of years found itself immersed in the colonial project, in all its economic, social, political, legal, disciplinary, and aesthetic dimensions. Its logic of Western racial superiority, grounded in eugenics, social Darwinism, and deterministic accounts of racial realism, grew and deepened, especially in Europe and the Americas. No domain (...) was free, even Hugo Grotius’ grand work on international law and diplomacy, Mare Liberum (The Free Sea) was founded in justifying Dutch colonial seizures of ships and resources. The haunting of those shorn of their dignity besets us. We have forgotten, in a sense to go “backwards”; not just to “bracket” our stories of the world, but to see the persons we have continued to ignore through certain horizons of dominating meaning. It has been up to these people to find themselves even when under the erasure of the dominant mode of history, and in turn they have much to teach those of us willing to turn back to listen. (shrink)

Review: Brandon Absher, The Rise of Neoliberal Philosophy: Human Capital, Profitable Knowledge, and the Love of Wisdom (Lanham, MD: Lexington Books, 2021), 196 pages./ This review explores Brandon Absher’s (2021) The Rise of Neoliberal Philosophy: Human Capital, Profitable Knowledge, and the Love of Wisdom. Rise offers an accessible breakdown of Neoliberalism, its cultivation of the Neoliberal University, an argument for the claim that academic philosophy has contracted neoliberal predilections, and some thoughts about what should be done as a result. The (...) book is, by all accounts, a strong critical deconstruction of institutionalized philosophy and the role academic philosophers often play in perpetuating many of its exclusionary practices. Absher’s work is rigorous and often echoes Herbert Marcuse’s 1937 claim that the imagination is the rational faculty of freedom. -/- . (shrink)

It is a widely accepted trope that museums work for future generations. They often define themselves in relation to heritage: something of the past, which is celebrated in the present and securely preserved for the future. In doing so, museums cloak themselves in a shroud of respectability for appropriately thinking in short and long terms and bravely facing future challenges. But what kind of future is at stake in this imperative to secure a heritage for future generations? Taking on a (...) deliberate speculative tone and a philosophical outlook, this essay attempts to address this question by suggesting that museums organize their work on the basis of three futures, entirely riveted to an economic understanding of temporality. Against these, the essay also proposes a fourth future that not only gives impetus to their existence, but also provides them with the only way out of the economic temporalities that govern their existence. (shrink)

In 1966, Leroi Jones, soon to be Amiri Baraka, outlined a program to reorient the philosophical underpinnings of Black study. Modes of inhabiting and thereby constructing the domains in which one participates were revealed as a function of one’s mode of expression. Jones/Baraka proposed that blackness was expressed by the operation of a collective improvisation. How can improvisation, traditionally conceived as an individual activity, be a collective process? Taking our cue from articulation theory and the request that it be formalized (...) by Stuart Hall, we explore what may superficially seem counter-intuitive but is able to be modeled by way of an explanation of its generative syntactic structure. In so doing, puzzles associated with identity theory, intersubjectivity, and modalities of expression are revealed as not as intractable as they are assumed to be, especially within the discipline of Black studies. (shrink)

Cross-cultural conflict is often rooted in variation between values from different cultures, for example, differences in time orientation. Usually, individuals are monochronic or polychronic regarding time orientation. In South Africa, the term African time represents a nuanced polychronic time orientation. As this term is often used pejoratively, it is cardinal to break down stigmatization and create cultural awareness regarding this unique time orientation. In this paper, we argue that people must be cognizant of particular time orientations to facilitate intercultural dialogue (...) better and lessen conflict. With this in mind, we employed empirically-engaged African philosophy and developed the African Time Inventory (ATI). We theoretically introduce African time as a unique time orientation during the scale development process. The psychometric properties of the ATI are presented and proved to be reliable and valid in South Africa. In praxis, utilizing the ATI can facilitate decolonization resulting from some needed cultural awareness for dialogue and conflict mitigation. (shrink)

Bestrewn with relics of subjugation, the frameworks that hinge on social progress have failed to appraise the plight of the marginalized in the democratic discourse. This is the case in the Philippines, as in other fringed spaces caught in hegemonic world-building. In this setup, emancipation is anchored in salvific attempts – salvaging the marginalized from a messianic standpoint. This tends to produce a pejorative image of the marginalized as incapable of self-determination. I argue in a three-part discussion: (1) reexamine the (...) locus of the margin in critical theorizing; (2) retrace the act of recognition vis-à-vis the emancipative struggle; (3) present that the lifeworld of the marginalized offers redemptive alternatives for emancipation. Further, I argue that this offers a foremost framework in critical theorizing at the margin since their situatedness affords a stance that has not formed a patina of the West but is primarily informed by their rich local periphery. (shrink)