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  1.  2
    THIERRY DE DUVE. Aesthetics at Large: Volume One: Art, Ethics, Politics. University of Chicago Press, 2019, 248 Pp., 17 B&W Illus., $35.00 Paper. [REVIEW]Erin Bradfield - 2020 - Journal of Aesthetics and Art Criticism 78 (2):251-253.
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  2.  3
    Arguments From Aesthetic Merit to Fictional Content.Adrian Bruhns, Tobias Klauk & Tilmann Köppe - 2020 - Journal of Aesthetics and Art Criticism 78 (2):209-218.
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  3. Richard Shusterman, Ed. Bodies in the Streets: The Somaesthetics of City Life. Leiden, The Netherlands: Brill, 2019, Xii + 321 Pp., 27 Illus., $144.00 Cloth. [REVIEW]Curtis L. Carter - 2020 - Journal of Aesthetics and Art Criticism 78 (2):264-267.
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  4.  2
    The Diversity of Intrinsic Ethical Flaws in Fiction.Adriana Clavel‐vázquez - 2020 - Journal of Aesthetics and Art Criticism 78 (2):143-156.
    This article examines what constitutes an ethical flaw in artworks and asks which ethical flaws are relevant in determining works. ethical and aesthetic values. I argue that while most of the discussion has simply taken for granted that it is intrinsic ethical flaws that should be taken into account, there are further important differences in the type of intrinsic ethical flaws that artworks display. I identify two different types of ethical defects in artworks, fictional and actual, and argue that this (...)
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  5. Rachel Zuckert. Herder's Naturalist Aesthetics. Cambridge University Press, 2019, XII + 266 Pp., $99.99 Cloth. [REVIEW]Timothy M. Costelloe - 2020 - Journal of Aesthetics and Art Criticism 78 (2):243-246.
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  6.  5
    Dominic Mciver Lopes. Aesthetics on the Edge: Where Philosophy Meets the Human Sciences. Oxford: Oxford University Press, 2018, 256 Pp., 1 B&W Illus., $60.00 Cloth. [REVIEW]James M. Dow - 2020 - Journal of Aesthetics and Art Criticism 78 (2):254-257.
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  7.  17
    How to Understand the Completion of Art.Patrick Grafton‐Cardwell - 2020 - Journal of Aesthetics and Art Criticism 78 (2):197-208.
    There are a number of recent discussions on the question of when an artwork is complete. While it has been observed that a work might be complete in one way and not in another, the impact of this observation has been minimal. Discussion has been continued as if there is only one real sense of completion that matters. I argue that this is a mistake. Even if there were only one (or one most important) kind of completion, extant theories of (...)
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  8.  1
    Plato in Therapy: A Cognitivist Reassessment of the Republic 's Idea of Mimesis.Jonas Grethlein - 2020 - Journal of Aesthetics and Art Criticism 78 (2):157-170.
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  9.  2
    Architecture and Embodied Free Play.Emily Hodges - 2020 - Journal of Aesthetics and Art Criticism 78 (2):219-234.
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  10. Wes Hill. How Folklore Shaped Modern Art: A Post‐Critical History of Aesthetics. New York: Routledge, 2016, 182 Pp., $160.00 Cloth. [REVIEW]mu li - 2020 - Journal of Aesthetics and Art Criticism 78 (2):261-264.
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  11.  1
    GEORG W BERTRAM. Art as Human Practice: An Aesthetics. London: Bloomsbury Academic, 2019, 256 Pp., £19.99 Paper. [REVIEW]Jason Miller - 2020 - Journal of Aesthetics and Art Criticism 78 (2):248-251.
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  12. Review of Jennifer Lena's "Entitled: Discriminating Tastes and the Expansion of the Arts". [REVIEW]C. Thi Nguyen - 2020 - Journal of Aesthetics and Art Criticism 78 (2):257-261.
  13.  7
    Contextualizing Platonism and Decontextualizing Aristotelianism in the Ontology of Music.Nemesio García‐Carril Puy - 2020 - Journal of Aesthetics and Art Criticism 78 (2):183-196.
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  14.  1
    Helen Mort and Aaron Meskin. Opposite: Poems, Philosophy & Coffee. Scarborough, UK: Valley Press, 2019, 60 Pp., £9.99 Paper. [REVIEW]Anna Christina Ribeiro - 2020 - Journal of Aesthetics and Art Criticism 78 (2):246-248.
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  15.  1
    Fiction Is Always (Or Never) Unlimited: A Reply to Wildman and Folde.Martin Ricksand - 2020 - Journal of Aesthetics and Art Criticism 78 (2):235-242.
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  16.  4
    Defending Explosive Universal Fictions.Nathan Wildman & Christian Folde - 2020 - Journal of Aesthetics and Art Criticism 78 (2):239-244.
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  17.  4
    Kant's Musical Antiformalism.James O. Young - 2020 - Journal of Aesthetics and Art Criticism 78 (2):171-182.
  18.  10
    Evaluating Stand‐Up Specials.Frank Boardman - 2020 - Journal of Aesthetics and Art Criticism 78 (1):57-64.
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  19.  6
    Korsmeyer, Carolyn. Things: In Touch with the Past. Oxford University Press, 2019, 232 Pp., $49.95 Cloth. [REVIEW]Kathryn Brown - 2020 - Journal of Aesthetics and Art Criticism 78 (1):109-111.
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  20.  12
    Are Some Perfumes Works of Art?Chiara Brozzo - 2020 - Journal of Aesthetics and Art Criticism 78 (1):21-32.
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  21.  10
    “Categories of Art” at 50: An Introduction.Dan Cavedon‐Taylor - 2020 - Journal of Aesthetics and Art Criticism 78 (1):65-66.
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  22.  31
    “Categories of Art” at 50: An Introduction.Dan Cavedon‐Taylor - 2020 - Journal of Aesthetics and Art Criticism 78 (1):65-66.
    Introduction to a symposium in The Journal of Aesthetics and Art Criticism on the 50th anniversary of Kendall Walton's "Categories of Art." Featuring papers by Madeleine Ransom, Stacie Friend, David Davies and Kendall Walton.
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  23.  5
    Cox, Christoph. Sonic Flux: Sound, Art, and Metaphysics. University of Chicago Press, 2018, Viii + 272 Pp., 41 B&W Illus., $100.00 Cloth. [REVIEW]Wesley D. Cray - 2020 - Journal of Aesthetics and Art Criticism 78 (1):126-129.
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  24.  9
    “Categories of Art” for Contextualists.David Davies - 2020 - Journal of Aesthetics and Art Criticism 78 (1):75-79.
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  25.  4
    Slugan, Mario. Noël Carroll and Film: A Philosophy of Art and Popular Culture. London: Bloomsbury Academic, 2019, Xii + 218 Pp., 10 B&W Illus., £85.00 Cloth. [REVIEW]Laura T. Di Summa - 2020 - Journal of Aesthetics and Art Criticism 78 (1):129-131.
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  26.  13
    Blurred Lines: Ravasio on “Historically Informed Performance”.Julian Dodd - 2020 - Journal of Aesthetics and Art Criticism 78 (1):85-90.
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  27.  8
    Why Trompe l'Oeils Deceive Our Visual Experience.Gabriele Ferretti - 2020 - Journal of Aesthetics and Art Criticism 78 (1):33-42.
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  28.  13
    Categories of Literature.Stacie Friend - 2020 - Journal of Aesthetics and Art Criticism 78 (1):70-74.
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  29.  4
    SportsCenter: The Documentary? A Response to Pratt.Jonathan Frome - 2020 - Journal of Aesthetics and Art Criticism 78 (1):94-97.
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  30.  3
    Guay, Robert, Ed. Dostoevsky's Crime and Punishment: Philosophical Perspectives. Oxford University Press, 2019, Xi + 230 Pp., $24.95 Paper. [REVIEW]John Gibson - 2020 - Journal of Aesthetics and Art Criticism 78 (1):120-123.
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  31.  5
    Rothfarb, Lee and Christoph Landerer. Eduard Hanslick's on the Musically Beautiful: A New Translation. Oxford University Press, 2018, 224 Pp., $24.95 Cloth. [REVIEW]Lydia Goehr - 2020 - Journal of Aesthetics and Art Criticism 78 (1):111-114.
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  32.  4
    Aesthetics and the Containment of Grief.Kathleen Marie Higgins - 2020 - Journal of Aesthetics and Art Criticism 78 (1):9-20.
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  33.  5
    Baer, Nicholas, Maggie Hennefeld, Laura Horak, and Gunnar Iversen, Eds. Unwatchable. Rutgers University Press, 2019, 412 Pp., 51 B&W Illus., $29.95 Paper. [REVIEW]Kristin Hrehor - 2020 - Journal of Aesthetics and Art Criticism 78 (1):123-126.
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  34.  4
    Trivedi, Saam. Imagination, Music, and the Emotions: A Philosophical Study. State University of New York Press, 2017, 205 Pp., $80.00 Cloth. [REVIEW]Brandon Polite - 2020 - Journal of Aesthetics and Art Criticism 78 (1):117-120.
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  35.  5
    Coordinating the Defense: A Reply to Frome.Henry John Pratt - 2020 - Journal of Aesthetics and Art Criticism 78 (1):97-100.
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  36.  26
    Waltonian Perceptualism.Madeleine Ransom - 2020 - Journal of Aesthetics and Art Criticism 78 (1):66-70.
    Kendall Walton’s project in ‘Categories of Art’ (1970) is to answer two questions. First, does the history of an artwork’s production determine its aesthetic properties? Second, how – if at all – should knowledge of the history of a work’s production influence our aesthetic judgments of its properties? While his answer to the first has been clearly understood, his answer to the second less so. Contrary to how many have interpreted Walton, such knowledge is not necessary for making aesthetic judgments; (...)
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  37.  7
    Historically Informed Performance: A Reply to Dodd.Matteo Ravasio - 2020 - Journal of Aesthetics and Art Criticism 78 (1):90-94.
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  38.  5
    Walton, Truth in Fiction, and Video Games: A Rejoinder to Willis.Martin Ricksand - 2020 - Journal of Aesthetics and Art Criticism 78 (1):101-105.
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  39.  6
    Stecker, Robert. Intersections of Value: Art, Nature, and the Everyday. Oxford University Press, 2019, 192 Pp., $55.00 Cloth. [REVIEW]Levi Tenen - 2020 - Journal of Aesthetics and Art Criticism 78 (1):114-117.
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  40.  20
    Documentaries, Docudramas, and Perceptual Beliefs.Enrico Terrone - 2020 - Journal of Aesthetics and Art Criticism 78 (1):43-56.
    The main accounts of the documentary in contemporary analytic aesthetics have difficulties in dealing with the distinction between documentaries and docudramas. On the one hand, the assertion-based accounts proposed by Carroll, Ponech and Plantinga cannot properly differentiate documentaries from docudramas. On the other hand, Currie’s account can do so by relying on the notion of trace but this involves an undesirable side-effect, namely, the exclusion, from the documentary, of those documentaries that do not include traces of their subjects, as for (...)
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  41.  22
    Aesthetic Properties: Context Dependent and Perceptual.Kendall L. Walton - 2020 - Journal of Aesthetics and Art Criticism 78 (1):79-84.
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  42.  7
    The Importance of the Playthrough: A Response to Ricksand.Marissa Willis - 2020 - Journal of Aesthetics and Art Criticism 78 (1):105-108.
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