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  1.  2
    Eugenio Cajés's Meeting at the Golden Gate. Purity and Procreation in Seventeenth-Century Madrid.Cloe Cavero de Carondelet - 2020 - Journal of the Warburg and Courtauld Institutes 83 (1):257-298.
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  2.  6
    Matteo Geronimo Mazza: A Recovered Sylloge by a Renaissance Antiquarian and Collector.Bianca De Divitiis - 2020 - Journal of the Warburg and Courtauld Institutes 83 (1):161-256.
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  3.  2
    Correggio, the Humanists and the Homeric Nepenthes.Claudio Franzoni - 2020 - Journal of the Warburg and Courtauld Institutes 83 (1):337-347.
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  4.  3
    Aesthetic Experience, Investigation, and Classic Ground: Responses to Etna From the First Century CE to 1773.Dawn Hollis - 2020 - Journal of the Warburg and Courtauld Institutes 83 (1):299-325.
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  5.  4
    Guidebooks, Museum Catalogues and the Growth of Public Interest in Painting in Italy, Germany and France.Charles Hope - 2020 - Journal of the Warburg and Courtauld Institutes 83 (1):131-159.
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  6.  4
    Ghirlandaio Brothers Reconsidered: The Master of the Saint Louis Madonna as Young Benedetto Ghirlandaio.Takuma Ito - 2020 - Journal of the Warburg and Courtauld Institutes 83 (1):81-130.
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  7.  5
    Rubens, Snijders and the Emperor's Mullet.Elizabeth McGrath - 2020 - Journal of the Warburg and Courtauld Institutes 83 (1):349-358.
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  8.  2
    Fifteenth-Century Sienese Copybooks and the Origins of Francesco di Giorgio's Codicetto.Elizabeth Merrill - 2020 - Journal of the Warburg and Courtauld Institutes 83 (1):37-80.
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  9.  4
    A Greek Alchemical Epigram in Its Middle Byzantine Context.Alexandre M. Roberts - 2020 - Journal of the Warburg and Courtauld Institutes 83 (1):1-36.
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  10.  4
    The Editions of Gabriele Zerbi's De Cautelis Medicorum and Their Influence.Richard Tait - 2020 - Journal of the Warburg and Courtauld Institutes 83 (1):327-336.
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  11.  2
    The Liber Pontificalis in the Renaissance.Stefan Bauer - 2020 - Journal of the Warburg and Courtauld Institutes 82 (1):143-158.
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  12.  4
    Claude-Etienne Savary: Orientalism and Fraudulence in Late Eighteenth-Century France.Alastair Hamilton - 2020 - Journal of the Warburg and Courtauld Institutes 82 (1):283-314.
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  13.  3
    Drawing on the Past: Palladio, His Precursors and Knowledge of Ancient Architecture C. 1550.David Hemsoll - 2020 - Journal of the Warburg and Courtauld Institutes 82 (1):195-249.
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  14.  2
    Aenigma Omnibus? The Transatlantic Late Humanism of Zinzendorf and the Early Moravians.Thomas J. Keeline & Stuart M. McManus - 2020 - Journal of the Warburg and Courtauld Institutes 82 (1):315-356.
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  15.  3
    The Two Tombs of Philip the Bold.Susie Nash - 2020 - Journal of the Warburg and Courtauld Institutes 82 (1):1-111.
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  16.  4
    The Return of the Giants: Reflections on Technical Mastery and Moral Jeopardy in Leon Battista Alberti's Letter to Filippo Brunelleschi.Caspar Pearson - 2020 - Journal of the Warburg and Courtauld Institutes 82 (1):113-141.
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  17.  3
    Vasari in Renaissance Straßburg.Elizabeth J. Petcu - 2020 - Journal of the Warburg and Courtauld Institutes 82 (1):251-282.
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  18.  3
    Conrad Peutinger's Treatise on Greek Art.William Theiss - 2020 - Journal of the Warburg and Courtauld Institutes 82 (1):159-194.
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