Despite differences, Georges Bataille, theorist of non-knowledge and atheology, and Ludwig Wittgenstein, the Austrian logician, share specific parallels regarding their understandings of language and mystical experience. For both, mystical experience pushes beyond conventional discourse. Using analogous elements of critical and mystical discourse, each express rather antiphilosophical, spiritual visions. Still, Wittgenstein’s deeply private and agnostic Christianity sharply contrasts Bataille’s own atheological experience of the death of God. Where Bataille’s mysticism challenges rationality, Wittgenstein’s instead expresses the numinous world as such, shedding light (...) on the dark night of Bataille and the specific character of ‘inner experience’. Where Wittgenstein advocates either clarity of expression or silence, however, the transgressive and poetic syntax of Bataille, alongside his evocative and erotic usage of imagery and metaphor, instead presses precisely against the impossibility for words that Wittgenstein’s thinking forecloses. Silence, like evil and poetry for Bataille, is active and imperative to communication, opening itself against the closure of reason. Relative to Wittgenstein and Christianity’s ascent to knowledge and awareness then, Bataille instead dives down deep into the body and night of nonknowledge. In this way, paradoxically, Bataille’s atheological writings approach a new summit of communication only attainable in the absence of God. (shrink)

Experience does not have boundaries; it is a boundary. Transgression, as envisaged by Bataille, consists in the realisation of this circumstance. Boundary experiences are experiences of the limit. The experience itself communicates the boundary; communication takes place at the boundary of two experiences. Following Bataille, Jean-Luc Nancy further developed this thought, arguing that in this impossible inner experience, a community of beings is communicated, or indicated, but cannot be translated into any specific (organisational) form of community, or concrete politics. Such (...) an ‘inoperative’ or ‘unrepresentable’ community is to be found in birth, love, and death. This paper will try to apply Derrida’s famous judgement of ascribing Bataille a Hegelianism without reserve, by reading Nancy’s thought mutatis mutandis as a Batailleanism with reserve. This coincides with a transition from a restricted natology – which presupposes an equivalence, or exchangeability, of birth and death – to a general natology. This represents a shift in Western philosophy’s thanatological tradition, which over the course of the twentieth century has gradually come to refuse such an easy equation in the wake of its discovery of birth as a philosophical phenomenon in its own right – independent of death. (shrink)

Bataille’s book On Nietzsche is a critique of all goal-oriented activity, since for Bataille, useful activities transform the human being into a ‘soldier’ or ‘savant’, a part rather than a whole. In his rejection of goal-oriented morality, Bataille thus espouses what he calls ‘evil’ as a strategy to escape from the public good and its reduction of the human being to use-function. Such an escape involves the sacrifice of the will, and in particular of Nietzsche’s Will to Power. Indeed, Bataille (...) goes so far as to claim that Nietzsche’s Will to Power is a tragic failure. After elucidating Bataille’s reading of Nietzsche, this paper will consider the concept of goalless otium as perhaps the only immanent response to the crises of our contemporary world. Only by deserting the will and becoming ‘evil’ can we avoid both moralising reaction and the reduction of our potential to a fragmentary use-function. (shrink)

Towards the end of his life, Bataille became increasingly fascinated by prehistoric culture. His analysis of the Lascaux cave frames it as the symbolic site of our birth, envisioning in its art the final step to anthropogenesis: we, as a species, became human once we began smearing pigment on cave walls. Bataille’s account of this dual birth of art and humanity is neither an ode to our rational mind nor to our capacity for aesthetic contemplation. Rather, the murals adorning the (...) cave would be the result of primordial ecstatic experiences. For Bataille, art ties in with excess: an activity devoid of use-value rising above necessity or instinct. Lascaux becomes the scene of a primordial crime against utility. Bataille’s cave stands as a counterargument to the enlightenment’s fixation on progress and productivity. The decades since, have seen our obsession with productivity grow even more pervasive. This paper explores the constellation of excessive behaviours which Bataille presents as key to the birth of art and, through an autoethnographic study, asks whether, and how, this ‘spectrum of excess’ is still relevant to artists today. (shrink)

We have become estranged from the cosmic movements, according to Bataille. We are confined by the error linked to the representation of ‘the stationary earth’. We have negated the immersive immanence of the whole and made nature into a fixed world of tools and things. How then do we recognise ourselves as part of the ‘rapture of the heavens’? Bataille urges us to consider life as a solar phenomenon, the free play of solar energy on the earth. This paper argues (...) how Bataille’s cosmic vision anticipates both planetary and ecological thinking. This entails a base materialism of difference based on a radical Nietzschean and Heraclitean theory of becoming and flux. This thought is developed along Bataillean concepts such as the movement of the whole, the labyrinthine, and compound beings, ipseity, as well as the concept of a communifying movement. This materialism paired with Vladimir Vernadsky’s biosphere lays the foundation for the laws of the general economy, which also constitutes an economy inclusive of a general ecology: a tragic vision of Gaia and Dionysos. Finally, poetry is considered, as a way we might reconnect with the universe and stimulate ecological imagination. (shrink)

This article reconstructs the forgotten friendship between Georges Bataille and the Russian émigré poet and philosopher Boris Poplavsky. Comparing their solar metaphysics, I focus on conceptions of friendship, sacrifice and depersonalisation. First, I retrace Bataille’s relationship to early Surrealis and Russian circles in interwar Paris, with a focus on his friendship with Irina Odoevtseva. I then offer a novel reading of Poplavsky’s poetry through the lens of Bataille’s philosophy, analysing a recurring motif that I call ‘dark solarity’. Uncovering a hidden (...) intertextual dialogue between Poplavsky and Bataille, I argue for Poplavsky’s lasting impact on Bataille’s anti-Icarian sun cult. Finally, my paper demonstrates how Poplavsky’s writings on solar sacrifice, excess and friendship left marks on Bataille’s vision of a solar community, embodied in the secret society Acéphale. The dialogue between Poplavsky and Bataille, I finally suggest, is a missing piece in the entangled history of Russian and French philosophy, as well as an original contribution to discourses on friendship in twentieth-century continental thought. (shrink)

Georges Bataille made no secret of the importance Friedrich Nietzsche’s life and work held for him. But Bataille’s encounter with Nietzsche remained paradoxical: he rejected or ignored most of Nietzsche’s major concepts while nevertheless insisting on the value of Nietzsche’s thought and experience as a necessary counterpoint to the political, religious, and social currents of modernity. This paper demonstrates the extent to which Bataille owes the content and to some degree also the form of his idiosyncratic reading of Nietzsche to (...) the influence and example of the Russian emigré philosopher Lev Shestov (1866–1938). In 1925, Georges Bataille published a translation of Shestov’s The Idea of the Good in Tolstoy and Nietzsche: Philosophy and Preaching, co-signed with Shestov’s daughter Tatiana Beresovski-Chestov. The translation was the product of a period during which Bataille also spent time with the older man and benefited from his tutelage. It was Shestov’s interpretation of the meaning of the death of God in Nietzsche’s life and thought that would have the most decisive influence on Bataille’s own life and work and make him, in his turn, a philosopher of tragedy. (shrink)

To be human is to be autonomous, yet this is a trait that most of us lack. We are subject to forces external to our being. We are workers; we are citizens; we are needful creatures. Humanity-proper in these times of neoliberal omnipotence is defined differently. The key terms are familiar: personal betterment, personal responsibility, productivity, pleasantness. A forked tongue slithers in our conscience, tells us that these are the traits of the human condition. Through Bataille, this paper argues the (...) substrate of these oft repeated familiar mantras are other. Neoliberal subjects, propelled by need, understand themselves along the axis of the useful choice. The paper turns to myth to understand the interdependence of need and choice, and how this interdependence posits being as always in desire but never in pleasure. Revisiting Don Giovanni, a character central to Acéphalic thought, and the commentary of Søren Kierkegaard, we think in terms of non-abstraction, of pleasurably floating in change, rather than toiling in desire. For it is by grace in the form of chance, that at the very time of transgression, that we – in and for an instant – become human, become as the sacred in the flesh. (shrink)

Georges Bataille is remarkably absent from Gilles Deleuze’s oeuvre, even though early commentators like Michel Foucault, in his ‘Theatrum Philosophicum’, recognised an obvious affinity between the two thinkers. Direct references to Bataille in Deleuze’s published works are few and far between, and most of them are barely more than offhand remarks. In these few comments, Deleuze’s treatment of Bataille seems to oscillate between contempt and admiration. In an astonishing footnote within the Anti-Oedipus, Bataille’s concept of ‘sumptuary, non-productive expenditure’ is equated (...) with Deleuze’s and Guattari’s concept of the ‘production of consumption’. Taking this passing remark seriously would mean finding Bataille at the very heart of Deleuze’s thought. This paper, therefore, seeks to investigate the traces of Bataille in Deleuze’s work, in order to evaluate the footnote in question. I will show that the equivocation of ‘sumptuary, non-productive expenditure’ and ‘production of consumption’ is indeed warranted and that Deleuze’s thought is far closer to Bataille’s than Deleuze ever cared to admit. Bataille emerges as a great precursor to the thought of immanence, difference, and the event. (shrink)

This paper finds its origin in a debate between Georges Bataille (1897-1962) and Octavio Paz (1914-1998) on what is central to the idea of eroticism. Bataille posits that violence and transgression are fundamental to eroticism, and without prohibition, eroticism would cease to exist. Paz, however, views violence and transgression as merely intersecting with, rather than being intrinsic to, eroticism. Paz places focus on imagination, and transforms eroticism from a transgressive, to a ritualistic act. Eroticism thus functions as an intermediary, turning (...) animal sexuality into ceremony and rite. In this paper, I argue that Paz and Bataille are not fundamentally at odds in their conceptualisation of eroticism. Instead, Paz redefines the locus of eroticism by subverting its unsettling aspects. His conception of eroticism gives precedence to the imagination, which in itself is an act of violation. Imagination transgresses normal life, but this transgression – the violation of the habitual world – also introduces a glimpse of the numinous that Paz associates with belongingness. The paper further explores eroticism, as this is perceived today, and argues that it ultimately eliminates the threshold marked by transgression. The rise of the contemporary pornographic society is marked by a loss of imagination and transcendence, which ultimately reduces the subject into a mere automaton that demands instant gratification. (shrink)

The crucial stake of the present paper lies in the dereification of the human being, in the abrogation of the psychological, ethical homogeneity, and the objectified sociocultural representations of the imaginary. The imaginary can be conceived not only as a term able to confirm the mental structures of the subject that constitute the identity and bounds of human thought, but also as the way in which ethical norms become manifest. Norms, which through their internalisation dictate the perception of both the (...) self and the social. Countering the neoliberal representation of the world presupposes an erogenous discourse. The originality of Bataille is to invert the meaning of desire as lack. Far from being conceived as a sign of our finitude, it is indicative of our excess of being. The ‘secret of desire’ thus appears in the intrinsic relationship that weaves the archaic sacred between eroticism and death. Excess and anguish in front of the emptiness, allow us to escape the subject, to liberate the self from the commercialisation of our imagination. Bataille shows us how erotic desire could be fundamentally creative of social relations, as it eliminates the self-other dualism. (shrink)

This paper examines the theme of transgression as it is developed in Bataille’s text L’érotisme of 1957. It is critical of Foucault’s 1963 essay on Bataille Préface á la transgression and it then considers the linked yet distinct processes of transgression, profanation and degradation in contemporary culture. Far from inaugurating a new era of transgression, the last sixty years have seen the dissolution of ‘sexuality’ from supposed limit experience to one of limitless confinement within commodified identity positions. What might a (...) future of transgression, in Bataille’s rather that Foucault’s sense, have looked like and why did it not take place? (shrink)

This essay discusses the positing of the eye in Georges Bataille’s work in an attempt to connect Bataille’s thought with Horst Bredekamp’s notion of the image act. The image act attributes an active nature to images and places them in the sphere of entities capable of acting upon the configuration of our reality. This paper begins by first describing the conceptual framework of critical iconology and then traces its overlap with the work of Georges Bataille. This tracing is achieved through (...) the understanding of Bataille’s subversive use of images, as read by Benjamin Noys. The work proceeds by arguing for a movement away from reading Bataille exclusively under the concept of transgression, and suggests introducing the concept of oscillation. Reading Bataille as such, critical iconology and Bataille’s critical dictionary meet. The paper concludes by engaging with Bataille’s Story of the Eye, as this is read under critical iconology. (shrink)

Georges Bataille was a regular attendee in Alexandre Kojève’s seminars on Hegel between 1933 and 1939. Bataille developed a lifelong friendship with the Russian philosopher, with whom he corresponded, and whose numerous unpublished drafts came to his possession after Kojève’s death. Initially, Bataille accepts the Kojèvian starting point of humanity and history, as desire and discourse, action and negativity, a vision which culminates in the apocalyptic end of history. However, progressively, Bataille comes to question the identification of negativity with human (...) history or historical action. Bataille speaks of a ‘negativity without use’; an excess of negativity and death which does not disappear after history has ended. Grappling with Kojève’s suffocating vision of the end of history, Bataille emerges as a profound thinker who attempts to make sense of the post-historical and post-human horizon, and the return to animality, where there is neither desire, nor action and there is ‘nothing else to do’. In this eclipse of sense and historical action, the only endeavours available to humanity seem to be art, death, eroticism and play. Thus, for Bataille, the end of history is an exclusively human condition, in which humanity is brought resolutely to confront its own negative excess. (shrink)

This paper will discuss the neologism of its title in which is conjoined eroticism and the French culinary concept of terroir in an attempt to theorise and conjure a ‘Bataillean’ relation to the earth. In so doing it will engage with Bruno Latour’s Down to Earth: Politics in the New Climatic Regime, 2018.

This paper deals with the memoirs of two Bengali revolutionary women, Bina Das’ Srinkhal Jhankar published in 1948, translated as Bina Das: A Memoir, and Kamala Dasgupta’s Rakter Akshare (Written in Blood) in 1954 to argue how their subjective desire and experience dismantle the gendered rhetoric of nationalism in colonial Bengal. The accounts of Bina and Kamala present their involvement in militant activism and subsequent imprisonment. Notably, there is an inherent urge in their writings to sacrifice life for the nation (...) and a determination not to retreat from the torturous conditions of the colonial prison. The paper contends that the rhetoric of nationalism in colonial Bengal is embedded in hegemonic masculinity that initially confined women to the spiritual and domestic realm and later allowed them to be educated and modern without acknowledging their subjectivity. Activities of these political women thus destabilise the gender discourse prevalent in the private and public sphere of colonial society, which calls for a revision of the nationalist historiography. So, this essay will examine how tropes of the body, self-sacrifice, and penal experience, as produced in these memoirs, negotiate the nationalist ideology, subvert the binary of masculine and feminine, and establish their political subjectivity. (shrink)

In ancient China, art has never been a substitute for the category of ‘truth’ in the sense of Western aestheticism, but a mimic for goodness and beauty. The image in traditional Chinese aesthetics never transcended the idea to the level of Western abstraction, and that is because the artistic expression bore a social synthesis, rather than metaphysical, between human beings, reality, and the world. However, the Ming Dynasty introduces a Dionysian discourse that challenges the Apollonian tradition.

In ancient China, art has never been a substitute for the category of ‘truth’ in the sense of Western aestheticism, but a mimic for goodness and beauty. The image in traditional Chinese aesthetics never transcended the idea to the level of Western abstraction, and that is because the artistic expression bore a social synthesis, rather than metaphysical, between human beings, reality, and the world. However, the Ming Dynasty introduces a Dionysian discourse that challenges the Apollonian tradition.

In this article, I will discuss how neoliberalism affects subjects and what friendship looks like in the neoliberal world we live in. I will show that one of the most important consequences of neoliberal intervention on the subject is the severe damage to the bonds of friendship. In the neoliberal world, we live constantly in a competitive environment dominated by temporary relationships. Friendships seem to be valuable only to gain advantages and to be ahead of others. Those who have more (...) influential ‘friends’ are more likely to get what they want. The concept of friendship, then, has to do with a meaning that involves calculating what one must contribute to obtain. In this article, I will try to explore how neoliberalism invests in the subject and how friendship is treated in the neoliberal world. I will ask how ‘true friendship’ can help us improve our lives by turning to the ways in which friendship shows up in the social relations in which we live. (shrink)

Donna Haraway views being a cyborg rather than a ‘goddess’ desirable. This feminist slogan can be seen in terms of the democratising power of a hybrid identity facilitated by technology as a substantial alternative to traditional notions of gendered identity. This paper aims to study S. B. Divya’s 2021 novel Machinehood to analyse how technology and identity are tied up in the context of the novel. The paper benefits from the insights from critical posthumanism by analysing how the transformation into (...) a cyborg is problematised by the moral and ethical overtones facilitated by dakinis (mythological figures in Buddhism). While providing tactical advantage, cyborg may become the negation of one’s gender and flesh. The cyborg has been viewed as a capitalist desire. Thus, a cyborg society benefits from the transformative acts that resist such erasure and preserve one’s sense of identity rooted in their body. (shrink)

Donna Haraway views being a cyborg rather than a ‘goddess’ desirable. This feminist slogan can be seen in terms of the democratising power of a hybrid identity facilitated by technology as a substantial alternative to traditional notions of gendered identity. This paper aims to study S. B. Divya’s 2021 novel Machinehood to analyse how technology and identity are tied up in the context of the novel. The paper benefits from the insights from critical posthumanism by analysing how the transformation into (...) a cyborg is problematised by the moral and ethical overtones facilitated by dakinis (mythological figures in Buddhism). While providing tactical advantage, cyborg may become the negation of one’s gender and flesh. The cyborg has been viewed as a capitalist desire. Thus, a cyborg society benefits from the transformative acts that resist such erasure and preserve one’s sense of identity rooted in their body. (shrink)

A commitment to engage with the structural and historical processes that result in discrimination and injustice in the utilisation of natural resources and landscapes is an epistemic responsibility that must be achieved in order to imagine a just society in which environmental justice is a feasible possibility. Indian author Bhoopal’s Forests, Blood & Survival: Life and Times of Komuram Bheem (2023), translated from Telugu by P A Kumar, is one such literary narrative that vividly portrays the injustices endured by tribal (...) communities in India at the hands of colonial forest officers, money lenders, capitalist extractive authorities, and other oppressive authorities. In this context, the article explicates this narrative of tribal communities to demonstrate and encourage alternative viewpoints and positions of tribal cultures that may confront the dominance of colonial-capitalist logic as a monolithic framework in environmental discourse. In doing so, the first section discusses the natural environment of the tribes and their way of life, followed by an intervention on the colonial brutality and injustices that tribals have been subjected to, and finally, how their resistance is deemed to be subaltern environmentalism. (shrink)

Slogans on commercial vehicles are a common sight in Ghana. These material artefacts can provide insight into beliefs and values about the sociocultural, spiritual, and political experiences of life in the contemporary Ghanaian context. In this study, we collected and analysed a total of 438 commercial vehicles’ slogans from 5 main transportation terminals in the Accra metropolitan area. Our thematic analysis of these slogans shows a major emphasis on religious and spiritual values to the extent that most of the recorded (...) slogans serve as positive affirmations of religious values and sources of spiritual encouragement. The dominance of religious references in such slogans highlights the importance of religiosity as a cultural value in everyday life in Ghana. (shrink)

Our main objective here is to show the methodological usefulness of philosophical ideas. Concretely, drawing on theoretical analyses related to the concept of social structuring processes (Elder-Vass) and becoming differently (Gilles Deleuze), we argue that the social struggles of Afro-Latin American women can be interrogated in their role of transforming normative identities and fostering innovative communitarian dynamics that enable adaptation and transformation. The central thesis is that embracing a social construction perspective characterised by fluidity, adaptability, and solidarity can offer an (...) alternative philosophically grounded methodological framework capable of addressing the complexities of race, gender, and social justice in Latin America. In the context of the recent necessity to rethink mobilisation and social movements, our findings highlight the significance of structuring processes over identity differentiation and the importance of networked activities in facing systemic challenges. Ultimately, this study contributes to the possibility of moving towards more complex accounts of the plurality communitarian arrangements becoming active in the middle of reality changes and mutual efforts to deal with them. (shrink)

The contemporary ‘plant turn’, driven by modern scientific researches into plant potentialities and a renewed philosophical appreciation of botanical lives within Critical Plant Studies, has spurred discussions about the attribution of personhood to plants. However, anxieties subtend the notion of plant personhood, for it being predominantly anchored in an anthropocentric paradigm of autonomous and embodied ‘extrinsic’ and ‘intrinsic’ properties of plant ontology. Drawing from Indigenous Naga animist vegetal ethos and building upon the arguments of Matthew Hall and Michael Marder, the (...) article attempts to transcend this impasse by conceptualising a neological framework of co-constitutive and reciprocal syntropic capacities as the defining elements of a non-anthropocentric vegetal personhood. Subsequently, the study employs this syntropic model of plant personhood to analyse the ethno-literary representations of vegetal agency and communication as syntropic plant capacities within the context of Indigenous Naga animist culture in two short stories from Temsula Ao’s anthology The Tombstone in My Garden (2022). On the whole, the article explores how the syntropic capacities of plants can function as a connective complement between the Western discourses of Critical Plant Studies and the Indigenous Naga animist arboreal worldviews to facilitate re-membering of an ecocentric plant personhood. (shrink)

Nostalgia for the 1980s, or 80stalgia, is a global phenomenon. This article explores the phenomenon in Greece and approaches 80stalgia as a cultural trend that marks media and pop culture. It combines digital ethnography through invisible observation (especially using Facebook, a social medium that favours nostalgic communities) and historicised content analysis to analyse 80stalgia in its interrelation with politics, and approaches it as having been influenced by international nostalgic trends and local politics, especially the political legacy of 1980s governments. Finally, (...) the article discusses why the economic crisis of the 2010s, an experience that triggered self-reflection on the past, strengthened 80stalgia. (shrink)

Money is the epitome of Marx’s fetishised commodity. And, in Marxist discussions of the connected topics of currency and commodity fetishism, it often is left under-appreciated that such fetishism reaches its apotheosis only with the development of ‘interest-bearing capital.’ Herein, I perform two complementary gestures, one as regards Marxism and another with respect to psychoanalysis. Apropos Marxism, I counter-balance the usual, long-standing (over)emphasis on commodity fetishism as per the first volume of Das Kapital with a foregrounding of this fetishism as (...) per the third volume. Apropos psychoanalysis, I shift away from its traditional fixation on reducing financial matters to libidinal contents. I explore instead the implications of the forms of capitalist fetishism for reconsidering the forms of intra-subjective defence mechanisms. This leads me to posit a complementary inversion of Lacan’s dictum according to which ‘repression is always the return of the repressed’: The return of the repressed sometimes is the most effective repression. To pose a rhetorical question paraphrasing Brecht: What is the laundering of money compared with the laundering that is money? (shrink)

Folklore reflects the concept of fear, with which genres such as incantations and prayers are directly associated. These texts establish adialogue with danger, either with commands or supplications, and they indicate what kind of dangers are imminent. By combining psychoanalytical and folklore theories, the paper offers the analysis of the conceptual image of fear and of the defensive function of prayers and incantations within the material of Slovenian incantation and prayer collections: what kind of threats one wants to chase away (...) by incantations or/and magical signs and objects; and what kind of form and use contain the preventive incantations themselves. (shrink)

In my essay, I offer an interpretation of Giorgio Agamben’s political thought as a case of philosophical perversion. According to Lacan, perverse practice is based on a structural non-personal enjoyment, in which a pervert assumes the role of an executioner, meticulously executing his task. My analysis will focus on Agamben’s perverse use of the messianic discourse, the aim of which is to explode it from within: while applying all elements of the messianic idiom, Agamben assumes a mission the goal of (...) which is to deactivate all mission and revoke all vocations. As he states in reference to Bartleby the Scrivener as the possible figure of the Messiah, to fulfill the Torah, i.e. the religious law, is to “destroy it from top to bottom.” I will thus claim that Agamben’s strategy of deactivation – a vocation to end all vocation – can be interpreted as a deliberate methodical use of perversion, that is, a position which simultaneously obeys and destroys the law. Although critical of Agamben’s method, I will not use the Lacanian frame of perversion in a value-charged manner. I want to present it as one of the late-modern philosophical modes of thinking, which became so widely seductive precisely of its powerful perverse component. (shrink)

This article is a discussion of Sigmund Freud’s note on ‘The Perversions in General’ from the 1905 edition of his Three Essays on the Theory of Sexuality. To summarise its argument, the article proposes that what Freud calls ‘perversion’ is itself to be properly understood as a form of sexual generalisation. It goes on to contend that Freudian perversion thus has larger implications for our understanding of the new sciences of sexual generalisation (sexology, psychoanalysis, structuralism, genealogy) that are beginning to (...) emerge from the end of the nineteenth century onwards. If perverse sexuality is arguably the defining libidinal object of Krafft-Ebing’s sexual taxonomy, for example, the article argues that perversion is already in itself a form of perverse sexual taxonomy. In conclusion, the article argues that Freud’s perversion is consequently a form of structural ‘dis-content’ that cannot be contained within the modern sciences of sex which extend from Krafft-Ebing’s sexology to Foucault’s history of sexuality. (shrink)

The article is foremost dedicated to Nietzsche’s account of cruelty, which represents one of the central focuses of Nietzsche’s genealogical polemic, if not its very foundation. This close reading is complemented by drawing parallels with two other outstanding intellectual figures of the nineteenth century, in whom cruelty plays no less a role. These two authors – one could say that together with Nietzsche they form a kind of cruel trio from the European East – are the writers Fyodor Mikhailovich Dostoyevsky (...) and Leopold von Sacher-Masoch, the latter of whom is also the inventor of a particular genre of erotic discourse characterised by ‘tyranny, cruelty and, above all, the infidelity of a beautiful woman,’ which inspired Krafft-Ebing to name a type of perversion after Masoch. The paper shows that the affinity between the authors lies not only in the fact that cruelty is one of the key themes in all three of them, but that the connection between them – and thus perhaps the beginning of an era characterised, as Alain Badiou said, by an intellectual fascination with cruelty – needs to be sought in the idea of the internalisation of cruelty, which Nietzsche in particular considered to be one of the fundamental driving forces of civilisation. (shrink)

Money is the epitome of Marx’s fetishised commodity. And, in Marxist discussions of the connected topics of currency and commodity fetishism, it often is left under-appreciated that such fetishism reaches its apotheosis only with the development of ‘interest-bearing capital.’ Herein, I perform two complementary gestures, one as regards Marxism and another with respect to psychoanalysis. Apropos Marxism, I counter-balance the usual, long-standing (over)emphasis on commodity fetishism as per the first volume of Das Kapital with a foregrounding of this fetishism as (...) per the third volume. Apropos psychoanalysis, I shift away from its traditional fixation on reducing financial matters to libidinal contents. I explore instead the implications of the forms of capitalist fetishism for reconsidering the forms of intra-subjective defence mechanisms. This leads me to posit a complementary inversion of Lacan’s dictum according to which ‘repression is always the return of the repressed’: The return of the repressed sometimes is the most effective repression. To pose a rhetorical question paraphrasing Brecht: What is the laundering of money compared with the laundering that is money? (shrink)

The article first resumes up-to-date conceptualisations of the superego in psychoanalytic theory, stretching from the superegoic sense of guilt (Freud) up to the superego as an “imperative od jouissance” (Lacan), and at the same time as an imperative of transgression insofar as enjoyment is by definition based upon transgression of the law. Against this background, the article develops another conceptualisation of the superego, which consist in the completion of the superegoic dialectics of “dirty and necessary” in perversion. This conception is (...) based upon perverse self-instrumentalisation of the subject, which transforms the “dirtiness” of subjective enjoyment and transgression into their necessity. The article then moves toward the analysis of how especially this new conceptualisation of the superego manifests itself in the popular crime series Chicago Police Department (CPD), and in some logically and structurally similar phenomena, which occurred during Donald Trump’s presidency. (shrink)

In my essay, I offer an interpretation of Giorgio Agamben’s political thought as a case of philosophical perversion. According to Lacan, perverse practice is based on a structural non-personal enjoyment, in which a pervert assumes the role of an executioner, meticulously executing his task. My analysis will focus on Agamben’s perverse use of the messianic discourse, the aim of which is to explode it from within: while applying all elements of the messianic idiom, Agamben assumes a mission the goal of (...) which is to deactivate all mission and revoke all vocations. As he states in reference to Bartleby the Scrivener as the possible figure of the Messiah, to fulfill the Torah, i.e. the religious law, is to “destroy it from top to bottom.” I will thus claim that Agamben’s strategy of deactivation – a vocation to end all vocation – can be interpreted as a deliberate methodical use of perversion, that is, a position which simultaneously obeys and destroys the law. Although critical of Agamben’s method, I will not use the Lacanian frame of perversion in a value-charged manner. I want to present it as one of the late-modern philosophical modes of thinking, which became so widely seductive precisely of its powerful perverse component. (shrink)

Roberto Esposito tries to overcome the crisis of contemporary politics by proposing the ‘affirmative biopolitics’ inspired by Niccolo Machiavelli’s way of thinking about politics. But does this proposal for politics allow Esposito to occupy a unique, powerful place in the constitution of contemporary politics, similar to the original position Machiavelli occupied in the constitution of modern politics? Does Esposito’s affirmative biopolitics really offer an opportunity for contemporary politics? This article, which aims to answer these questions, first argues that there is (...) a Machiavellian mindset behind ‘affirmative biopolitics.’ It claims to represent a break in contemporary politics and a new political possibility. However, the article argues that Esposito is unable to bring to the present the innovation and radicalism that Machiavelli advocated in the literature of political philosophy and fails to offer a clear way to overcome the crisis. The article argues that this inability is due to the ambivalence of his understanding of affirmative biopolitics. On the one hand, he considers politics together with the conflict, absolving it from any external determination. On the other hand, he abrogates this autonomy by determining the purpose and direction of political activities. (shrink)

Drawing on Levinasian concepts of sleep, insomnia, and the il y a, this paper examines the liminal states of insomnia and sleep within the Palestinian-Israeli conflict. Sleep and insomnia, being proximates of death as well as displacement and anonymous existence successively, are topics that have not, to the best of our knowledge, received any critical commentary within (post)colonial studies. This paper argues that the Israeli military occupation deprives Palestinians from sleep, casting them into the horror and anonymous existence of insomnia (...) which, like the Israeli occupation, signifies impervious dialogue and is a catalyst for both psychic and physical displacement. As the Israeli occupation deprives Palestinians of place and sleep, two terms in the words of Levinas recognised as intertwined, it is the ethical responsibility of Palestinians and Palestinian leaders to arm themselves with wakefulness so as to secure their homeland (place) and to fortify themselves against displacement and the horror of the night. Sleep reveals an ethical dimension when examined closely within the Israeli-Palestinian conflict due to its subtle proximity to death. Hence, we contend that falling asleep on the part of Palestinians is unethical due to its direct adverse effects, namely, displacement and death. (shrink)

Departing from the relationship between the texts of the Ghanaian poet and novelist Kojo Laing and a recent international art exhibition, this article traces the relationship between style and the multivalent activity of flight across Laing’s work. Drawing upon an intercontinental range of philosophers – from Deleuze and Guattari to contemporary Akan thinkers – it analyses the intersections between gender, geography, and language in Laing’s texts, and demonstrates their value within the context of discussion of contemporary literature’s investment in possible (...) futures. Laing’s transnational aesthetic foregrounds lines of flight across and between different linguistic and cultural communities, and traces relentlessly emerging or possible constellations of relation. Situating Laing in the context of his interdisciplinary reception, this article seeks to explore the aesthetic and ethical ramifications of the unusual networks of affiliation and response of one of West Africa’s most important, yet critically undervalued, contemporary writers. (shrink)

The rise of transrealism in the second half of the twentieth century embellished the literary landscape in America with a new mode of expression that offered new understanding of time, space, identity, and social values and norms. This study situates the American novelist Kurt Vonnegut’s Player Piano within this literary context to map out the qualities that distinguish it as a transrealistic fiction. We argue that through innovative coalescence of fantasy and realism, this postmodern novel provides a satirical commentary against (...) the incongruities of the contemporary American society. To analyse the novel, we employ Rudy Rucker’s theorisations of the movement that delineates the transrealist manifesto as a union of realism, fantasy, and science-fiction. The findings reveal that through a satirical representation of the current advancements in technology and their inevitably negative impact on human life and society, the novel provides a dystopian picture of modern life in America. This apocalyptic sentiment is reinforced through a creative convergence of the surreal features of science-fiction, the tropes of naturalistic realism, and the elements of satire that together help to accentuate the deficiencies and ironies of the modern American society as well as the rampant misuse of technology by both individuals and authorities. (shrink)

This article studies the narratives of voices identifying the harrowing aftermath of the 1947 partition of India and Pakistan, and the representations of the contemporary effects of partition in Bapsi Sidhwa’s novel Ice Candy Man. The narrative unfolds past experiences through the eyes of different characters and surroundings from different social, political and religious backgrounds. The novel vividly portrays the horror of violence during the partition, as communities that once coexisted peacefully become engulfed in a whirlwind of hatred and bloodshed. (...) Sidhwa’s polyphonic narrative experiences reflect the multifaceted nature of violence, from communal riots to personal tragedies creating a poignant portrayal of human suffering and resilience. The theme of partition, violence, and memory permeates throughout the novel, encapsulating the socio-political upheavals that marked the birth of two nations – India and Pakistan. This paper, therefore, attempts to analyse the novel in order to understand the ideas of the ‘polyphonic narrative’ of Mikhael Bakhtin’s theory and many other postcolonial critic’s ideas. For portraying the human experience amidst a backdrop of partition and historical turmoil in shaping narratives as presented in the text by applying the theoretical framework of Postcolonial theory. (shrink)

This paper sheds light on the significance of gastronomy as an emblem of cultural identity in Toni Morrison’s God Help the Child. It shows how Morrison imbues the narrative with instances of food and drinks which reflect certain racial stereotypes to which Lula Ann is prone during her struggle to reach self-definition. The colour, taste, diversity, quality and manners of food are all rigorously woven to portray Lula’s Journey. Onomastically, some characters and places are purposefully named after food such as (...) Sweetness, Whisky land, Raisin, and Mrs. Queen Olive; all of them represent an outstanding stage in Lula’s identity development. Finally, food takes a further dimension in the way it reflects the spiritual food that Lula receives throughout her journey. (shrink)

This study examines the evolving role of governments in cultural policy implementation in France, the United Kingdom, and the United States before, during, and after the COVID-19 crisis. The findings reveal distinct cultural policy frameworks before the pandemic, influenced by the unique path dependency of each country. However, in response to the crisis, these countries have converged, experiencing increased government intervention to address national challenges. Notably, the United States, contrary to past efforts, has augmented support for the arts, particularly through (...) the National Endowment for the Arts. The research aims to offer comparative insights into cultural policy during national crises, offering practical lessons for countries facing similar institutional and circumstantial conditions. (shrink)