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  1.  1
    La bellezza nella sparizione.Paulo Barone - 2022 - Lebenswelt. Aesthetics and Philosophy of Experience 18.
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  2. Teoria dell'errore in Kant, tra Sogni di un visionario e Critica della ragion pura.David Del Bianco - 2022 - Lebenswelt. Aesthetics and Philosophy of Experience 18.
    I Sogni di un visionario chiariti con sogni della metafisica del 1766 sono sempre stati visti come un'opera unica all'interno dell'intera produzione filosofica di Kant. Se tradizionalmente si è visto in questo scritto il momento di massima vicinanza a Hume e quindi di massimo scetticismo antimetafisico da parte di Kant, negli ultimi tre decenni non sono mancate letture che hanno visto in esso non soltanto una continuità con la metafisica kantiana precedente ma anche un interesse vero e genuino da parte (...)
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  3. Barbara Wolf-Christian Julmi, Die Macht der Atmosphären.Sara Borriello - 2022 - Lebenswelt. Aesthetics and Philosophy of Experience 18.
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  4. Desublimare il sublime kantiano? Alcune considerazioni a partire da Lyotard e Deleuze lettori dell'Analitica del sublime.Alessandra Campo - 2022 - Lebenswelt. Aesthetics and Philosophy of Experience 18.
    This paper aims to desublimate the Kantian sublime starting with the mitigation of the enthusiasm with which some French philosophers have woven its praise. Contrary to what Lyotard and Deleuze argue in their works, in the _Analytics of the Sublime_ Kant does not go beyond himself, nor it is hard to set up a philosophy of the subject after reading these pages. Sublime, for these two clever readers of Kant, is any excessive use of the faculties. But Kant is less (...)
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  5. Il rischio e la tana. Individuo e individualismo nell'epoca del realismo capitalista.Giovanni Ferrario - 2022 - Lebenswelt. Aesthetics and Philosophy of Experience 18.
    In una società in cui dilaga un’economia realista capitalista di tipo cultuale, indebitante e neoliberista, il principio di mercato è la principale fonte regolatrice dell’attività economica e relazionale umana. In questo orizzonte si produce una cultura dell’omologazione dove ogni attore tende a confermare la propria identità, che deve essere inserita in un sistema codificato per poter essere riconosciuta per ottenere in cambio un’utilità. Se il sistema realista capitalista si basa sul ʻcultoʼ individualista, per abbattere tale culto è necessario ricostruire una (...)
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  6.  3
    Le forme della solitudine: isolamento, co-isolamento, noia e sonno.Elia Gonnella - 2022 - Lebenswelt. Aesthetics and Philosophy of Experience 18.
    Man avoids solitude through divertissement because he is afraid of what staying alone entails: thinking about himself. Furthermore, man seeks isolation in order to gain ambition and reputation. However, solitude is really different from isolation and it is a fundamental emotional condition. Heidegger’s analysis of the forms of boredom adapts to and relates to the specific dynamic of solitude, showing that it is a part of human being’s structure despite his experience appearing controversial. Even if man lives in modern apartments (...)
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  7. Jane Newland, Deleuze in children’s literature.Camilla Grimaldi - 2022 - Lebenswelt. Aesthetics and Philosophy of Experience 18.
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  8.  1
    Mostri e mirabilia naturae da Francis Bacon a Athanasius Kircher.Silvia Parigi - 2022 - Lebenswelt. Aesthetics and Philosophy of Experience 18.
    This essay explores the history of the concept of _monstrum_ from Francis Bacon’s _Novum Organum_ to Athanasius Kircher’s _Mundus Subterraneaus_, as well as its relationship with the origins of science; as in the early modern age, the term _monstra_ is considered as a synonym for _mirabilia naturae_. The introductory part focuses on the difficult definition of “monster”, starting from Aristotle’s famous sentence in _De generatione animalium_: whoever does not looks like his parents, or whatever happens in a different way from (...)
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  9. Andrea Staiti, Fenomenologia del discorso morale.Veniero Venier - 2022 - Lebenswelt. Aesthetics and Philosophy of Experience 18.
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  10.  4
    Is moral disgust good or bad?Elisabetta Sirgiovanni - 2022 - Lebenswelt. Aesthetics and Philosophy of Experience 17.
    Based on the empirical findings correlating disgust with conservatism, most disgust scholars have fed arguments for its moral unreliability and concluded with moral condemnation of this emotion. In this paper, I will examine common arguments about whether relying on disgust in the moral domain is to be considered good or bad. I will problematize the suggestion that we are justified in firmly believing that disgust is an ethically «dumb» – or an ethically «smart» – emotion. It rather seems that moral (...)
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  11.  2
    From a politics of disgust to a politics of the body.Debra Bergoffen - 2022 - Lebenswelt. Aesthetics and Philosophy of Experience 17.
    The politics of disgust weaponizes the bodily recoil of revulsion to legitimate sexist, anti-Semitic, colonial and genocidal violence. Citing the work of neurologists, psychologists, existentialists and phenomenologists, I argue that disgust can be severed from this politics to serve a politics of the body where the repugnance of disgust is reserved for those who repudiate the humanity of our intersubjective vulnerability.
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  12.  3
    Is it possible to overcome disgust? An ambivalent emotion.Serena Feloj - 2022 - Lebenswelt. Aesthetics and Philosophy of Experience 17.
    A growing interest for the emotion of disgust has recently arisen in international contexts across several fields of research. A general definition of disgust will be primarily assumed: by disgust I understand a total rejection that generates a motion of repulsion and removal of an object that is in the proximity of the subject, without constituting a real danger. In reference to the notion of taboo, I will first of all assume its ambivalence. The emotion of disgust, essentially natural and (...)
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  13.  3
    Art and taboo: Disgust and the limits of representation.Serena Feloj - 2022 - Lebenswelt. Aesthetics and Philosophy of Experience 17.
    A growing interest for the emotion of disgust has recently arisen in international contexts acrossseveral fields of research. A general definition of disgust will be primarily assumed: by disgust I understand a total rejection that generates a motion of repulsion and removal of an object that is in the proximity of the subject, without constituting a real danger. In reference to the notion of taboo, I will first of all assume its ambivalence. The emotion of disgust, essentially natural and cultural (...)
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  14. Introduction.Serena Feloj & Marco Tedeschini - 2022 - Lebenswelt. Aesthetics and Philosophy of Experience 17.
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  15.  3
    The smell of prejudice. Disgust, sense of smell and social attitudes. An evolutionary perspective.Marco Tullio Liuzza - 2022 - Lebenswelt. Aesthetics and Philosophy of Experience 17.
    In the present article, I review some evidence that shows how body odor disgust sensitivity plays a central role in the so-called behavioral immune system, a set of processes aimed at detecting, emotionally reacting, and behaviorally avoiding pathogen threats. I also report empirical evidence on how the BODS relates to social attitudes such as authoritarianism, xenophobia, and condemnation of “impure” moral violations. This research is interpreted from an Evolutionary psychology framework.
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  16.  1
    Il ripugnante: oltraggio e contraddizione.Marco Tedeschini - 2022 - Lebenswelt. Aesthetics and Philosophy of Experience 17.
    For the past twenty years, the relationship between politics, morality and disgust has been resolved into a denunciation of the injustices perpetrated in the name of this emotion. However, no compelling reasons have been brought forward to release the suspicion that the condemnation is merely a corollary of the dominant liberal ideology. I will exemplify this weakness by analysing the theory of disgust proposed by Debra Lieberman and Carlton Patrick in 2018. I will offer a different empirical basis for articulating (...)
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  17.  2
    Le dégoût de l’absurde : Phénoménologie de l’existence dans La nausée de Jean-Paul Sartre.Giorgia Vasari - 2022 - Lebenswelt. Aesthetics and Philosophy of Experience 17.
    The aim of this paper is to analyse the disgust of which Sartre's “nausea” is an expression, by identifying its ontological significance and its role within Sartre's thought. Particular attention is devoted to the phenomenological themes of vision and conversion of the gaze, in the strict correlation they have with disgust. My claim is that Sartre, in his early philosophical work, elaborated a response to the Heideggerian problematic of the correlation between Befindlichkeit and Faktizität. To verify such claim, my paper (...)
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