In Being and Time as well as in his later writings, Heidegger comes to distinguish between fundamental moods and everyday or inauthentic moods. He also claims that phenomenology, rather than psychology, is the appropriate method for examining moods. This article employs a schematic approach to investigate a phenomenology of fundamental moods in terms of its possibilities and limits. Since, in Being and Time, the distinction between fundamental moods and ordinary moods is tied to the division between authenticity and inauthenticity, the (...) latter concepts need to be addressed first. Guided by Klaus Held's article 'Fundamental Moods and Heidegger's Critique of Contemporary Culture', the second part of the article argues that Heidegger's phenomenology of moods is indeed one-sided, favouring anxiety at the expense of awe. Finally, I argue that, contrary to Held's claims, this one-sidedness cannot be amended by the means one finds in Heidegger's analyses. Instead, it is necessary to undertake closer examination of those moods which necessarily involve the other person. (shrink)

Levinas maintains that there is a lasting significance to hedonism if we consider the important role of pleasures for our embodied existence. In this essay, we go back to Plato to explore the nature of pleasure, different kinds of pleasures, and their contribution to the good life. The good life is a considerate mixture of pleasures which requires knowing, understanding and remembering. Pleasures take us to the most basic level of existence which the Presocratics can help us understand through their (...) idea of elements. With the help of Levinas, we can expand the concept of elements to include elemental states. As a result, we see how our embodied existence opens us up to various levels of otherness. (shrink)

This book offers the first study that relates the works of Hegel and Husserl. It also offers a timely philosophical description of the Western world in crisis. The author explores how Husserl radicalises Hegel's philosophy by providing an account of historical movement as open.

Interpreters generally agree that the Fifth Cartesian Meditation fails to achieve its task, but they do not agree on what that task is. In my essay, I attempt to formulate the question to which the Fifth Cartesian Meditation gives the answer. While it is usually assumed that the text poses a rather ambitious question, I suggest that the text asks, How is the Other given to me on the most basic level? The answer would be that the Other is given (...) as accessible in the mode of inaccessibility. Husserl’s failure to convey this question clearly seems rooted in ambiguities concerning the concepts of solipsism and the sphere of ownness. (shrink)

This paper examines how to best be with women during birth, based on a phenomenological description of the birth experience. The first part of the paper establishes birth as an uncanny experience, that is, an experience that is not only entirely unfamiliar, but even unimaginable. The way in which birth happens under unknowable circumstances creates a set of anxieties on top of the fundamental anxiety that emerges from the existential paradox by which it does not seem possible for a body (...) to give birth to another body. Would homebirth provide a remedy to the uncanniness? The result yielded by medical studies is confirmed by the phenomenological perspective taken here: homebirth might be reassuring for some, but not for everybody; choice of birth place is important. Once the birth process starts happening, another layer of strangeness is added: it turns out to be an experience of radical passivity and waiting, normally. The question thus becomes how to best care for somebody who is exposed to uncanniness, passivity, and waiting. Martin Heidegger’s concepts of care and discourse prove useful in examining how to facilitate rather than interrupt this process. It becomes necessary to think beyond verbal communication towards a wider concept of communication that involves silence and intercorporeality. Birth requires a special kind of being-with as being-there. (shrink)

Worlds are always in motion; what kind of movement is at stake? In this essay, I will argue that Heidegger moves beyond Hegel by making the concept of world central to phenomenology. But how do wor...

In his essay “The Crisis in the Teaching of Philosophy” Derrida writes “Philosophy would repeat itself and would reproduce its own tradition as the teaching of its own crisis and as the paideia of self-critique in general. This paideia goes hand in hand, and there is nothing fortuitous about this, with what I will call without taking it lightly, an imperialist self-confidence of philosophy.” In a properly Derridean fashion these lines are haunting for me. What is “imperialist” about philosophy; the (...) self-confidence? Is the confidence imperialist or is it the entire content of the philosophical tradition? Is there something colonial about not only dominating other disciplines and assigning them their regional ontologies, but also about the very discourse of philosophy itself? Of course, this very question presupposes there is such a thing as a “philosophical discourse” that has an identity which is itself a philosophical question. Is there such a thing as identity? If philosophy does not have this discursive identity, is it the crisis that is imperialist, crisis in the sense of constantly being separated from itself, always not having an identity or “never having an identity”? Perhaps in a different yet admittedly still problematic way, does philosophy dominate, colonize, thinking itself, both culturally and conceptually. Derrida continues his essay by forging an alliance between decolonization and deconstruction. It is a curious alliance because it both endorses and rejects philosophy (in a properly philosophical fashion): “If, like philosophy and the deconstruction of the philosophical, decolonization is interminable, it is because it cannot be effective either as simple mode of reappropriation or as a simple mode of opposition or overturning.” (Derrida 2002, 103). (shrink)

In the second half of the twentieth century, ethics has gained considerable prominence within philosophy. In contrast to other scholars, Levinas proposed that it be not one philosophical discipline among many, but the most fundamental and essential one. Before philosophy became divided into disciplines, Plato also treated the question of the Good as the most important philosophical question. Levinas's approach to ethics begins in the encounter with the other as the most basic experience of responsibility. He acknowledges the necessity to (...) move beyond this initial, dyadic encounter, but has problems extending his approach to a larger dimension, such as community. To shed light on this dilemma, Tanja Staehler examines broader dimensions which are linked to the political realm, and the problems they pose for ethics. Staehler demonstrates that both Plato and Levinas come to identify three realms as ambiguous: the erotic, the artistic, and the political. In each case, there is a precarious position in relation to ethics. However, neither Plato nor Levinas explores ambiguity in itself. Staehler argues that these ambiguous dimensions can contribute to revealing the Other’s vulnerability without diminishing the fundamental role of unambiguous ethical responsibility. (shrink)

In the second half of the twentieth century, ethics has gained considerable prominence within philosophy. In contrast to other scholars, Levinas proposed that it be not one philosophical discipline among many, but the most fundamental and essential one. Before philosophy became divided into disciplines, Plato also treated the question of the Good as the most important philosophical question. Levinas's approach to ethics begins in the encounter with the other as the most basic experience of responsibility. He acknowledges the necessity to (...) move beyond this initial, dyadic encounter, but has problems extending his approach to a larger dimension, such as community. To shed light on this dilemma, Tanja Staehler examines broader dimensions which are linked to the political realm, and the problems they pose for ethics. Staehler demonstrates that both Plato and Levinas come to identify three realms as ambiguous: the erotic, the artistic, and the political. In each case, there is a precarious position in relation to ethics. However, neither Plato nor Levinas explores ambiguity in itself. Staehler argues that these ambiguous dimensions can contribute to revealing the Other’s vulnerability without diminishing the fundamental role of unambiguous ethical responsibility. (shrink)

In "Unambiguous Calling? Authenticity and Ethics in Heidegger's Being and Time", Tanja Staeler revisits the concept of authenticity in order to investigate several assumptions often taken for granted in secondary literature. She argues that the distinction between authenticity and inauthenticity should be read as a methodological and, more precisely, phenomenological distinction. Showing that authenticity cannot really be understood as a state one can be in, she argues that talk of a 'transition' to authenticity is, at best, unhelpful. Her argument, (...) consequently, moves to the notion of the 'call of conscience' in order to investigate the ethical implications of the notion of authenticity. She justifies the unambiguous character of the 'call of conscience' with the help of Lévinas' thought. (shrink)

“Partout et nulle part”. L’ambiguïté explorée à partir de la phénoménologie et de la danseOn ménage ici, à l’aide du concept d’ambiguïté, une rencontre entre le théâtre dansé de Pina Bausch et la phénoménologie de Merleau-Ponty. Le concept d’ambiguïté est au centre de la philosophie de Merleau-Ponty, qu’on a d’ailleurs pu considérer comme une « philosophie de l’ambiguïté ». Néanmoins, le concept phénoménologique d’ambiguïté n’a pas encore été discuté dans la littérature secondaire. Cette étude distingue plusieurs sens de l’ambiguïté dans (...) la Phénoménologie de la perception, avant de se tourner vers la différence entre bonne et mauvaise ambiguïté, telle que Merleau-Ponty a pu la proposer.Il apparaîtra que la chorégraphie de Pina Bausch et la philosophie de Merleau-Ponty sont deux voies d’approche complémentaires des différentes dimensions de l’ambiguïté :les dimensions corporelle, spatiale et culturelle. L’étude montre que l’approche merleau-pontienne de l’ambiguïté et l’approche par Pina Bausch du théâtre dansé parviennent toutes deux à instaurer un type de communication humaine ne s’évanouissant ni dans un relativisme vide ni dans un universalisme formel : « Ce qu’il faut comprendre, c’est que je suis présent ici et maintenant et, pour la même raison, présent ailleurs et toujours, et aussi que je m’absente d’ici et de maintenant, ainsi que de tout lieu et de tout temps. L’ambiguïté n’est pas une imperfection de la conscience ou de l’existence, c’est leur définition même » (PhP).“Ovunque e in nessun luogo”. Esplorare l’ambiguità con la fenomenologia e la danzaProponiamo qui, sul filo del concetto di ambiguità, un incontro tra il teatro danza di Pina Bausch e la fenomenologia di Merleau-Ponty. Il concetto fenomenologico di ambiguità, pur non essendo stato veramente discusso nella letteratura critica, risulta centrale nella filosofia di Merleau-Ponty, che è stata appunto definita filosofia dell’ambiguità.Questo saggio individua i diversi significati di ambiguità contenuti in Fenomenologia della percezione, prima di rivolgersi alla differenza tra buona e cattiva ambiguità, così come viene proposta da Merleau-Ponty.Si scoprirà come il lavoro coreografi co di Pina Bausch e la filosofia merleaupontiana siano due modi complementari di approcciare le diverse dimensioni dell’ambiguità: ambiguità corporea, ambiguità spaziale, ambiguità culturale. Il saggio sostiene infatti la tesi che l’approccio merleaupontiano all’ambiguità e l’approccio di Pina Bausch al teatro-danza trovino entrambi delle modalità per stabilire un tipo di comunicazione umana che riesca a non collassare né in un vuoto relativismo né in un universalismo formalistico: “Dobbiamo comprendere che la medesima ragione mi rende presente qui ed ora e presente altrove e sempre, assente da qui e da ora e assente da ogni luogo e da ogni tempo. Questa ambiguità non è un’imperfezione della coscienza o dell’esistenza, ma ne è una definizione” (Fenomenologia della percezione). (shrink)

“Partout et nulle part”. L’ambiguïté explorée à partir de la phénoménologie et de la danseOn ménage ici, à l’aide du concept d’ambiguïté, une rencontre entre le théâtre dansé de Pina Bausch et la phénoménologie de Merleau-Ponty. Le concept d’ambiguïté est au centre de la philosophie de Merleau-Ponty, qu’on a d’ailleurs pu considérer comme une « philosophie de l’ambiguïté ». Néanmoins, le concept phénoménologique d’ambiguïté n’a pas encore été discuté dans la littérature secondaire. Cette étude distingue plusieurs sens de l’ambiguïté dans (...) la Phénoménologie de la perception, avant de se tourner vers la différence entre bonne et mauvaise ambiguïté, telle que Merleau-Ponty a pu la proposer.Il apparaîtra que la chorégraphie de Pina Bausch et la philosophie de Merleau-Ponty sont deux voies d’approche complémentaires des différentes dimensions de l’ambiguïté :les dimensions corporelle, spatiale et culturelle. L’étude montre que l’approche merleau-pontienne de l’ambiguïté et l’approche par Pina Bausch du théâtre dansé parviennent toutes deux à instaurer un type de communication humaine ne s’évanouissant ni dans un relativisme vide ni dans un universalisme formel : « Ce qu’il faut comprendre, c’est que je suis présent ici et maintenant et, pour la même raison, présent ailleurs et toujours, et aussi que je m’absente d’ici et de maintenant, ainsi que de tout lieu et de tout temps. L’ambiguïté n’est pas une imperfection de la conscience ou de l’existence, c’est leur définition même » (PhP).“Ovunque e in nessun luogo”. Esplorare l’ambiguità con la fenomenologia e la danzaProponiamo qui, sul filo del concetto di ambiguità, un incontro tra il teatro danza di Pina Bausch e la fenomenologia di Merleau-Ponty. Il concetto fenomenologico di ambiguità, pur non essendo stato veramente discusso nella letteratura critica, risulta centrale nella filosofia di Merleau-Ponty, che è stata appunto definita filosofia dell’ambiguità.Questo saggio individua i diversi significati di ambiguità contenuti in Fenomenologia della percezione, prima di rivolgersi alla differenza tra buona e cattiva ambiguità, così come viene proposta da Merleau-Ponty.Si scoprirà come il lavoro coreografi co di Pina Bausch e la filosofia merleaupontiana siano due modi complementari di approcciare le diverse dimensioni dell’ambiguità: ambiguità corporea, ambiguità spaziale, ambiguità culturale. Il saggio sostiene infatti la tesi che l’approccio merleaupontiano all’ambiguità e l’approccio di Pina Bausch al teatro-danza trovino entrambi delle modalità per stabilire un tipo di comunicazione umana che riesca a non collassare né in un vuoto relativismo né in un universalismo formalistico: “Dobbiamo comprendere che la medesima ragione mi rende presente qui ed ora e presente altrove e sempre, assente da qui e da ora e assente da ogni luogo e da ogni tempo. Questa ambiguità non è un’imperfezione della coscienza o dell’esistenza, ma ne è una definizione” (Fenomenologia della percezione). (shrink)

v. 1. Key figures and definitions -- v. 2. Basic themes and concepts -- v. 3. Existentialist aesthetics and philosophy of religion -- v. 4. Horizons of existentialism.

Levinas’s comments on art appear contradictory. On the one hand, he criticizes art as being disengaged from ethical concerns and constituting a possibility of moral evasion; on the other hand, he engages quite closely and in a supportive fashion with some art, such as Paul Celan’s poetry. Interpreters commonly argue that only one of Levinas’s conceptions of art, either the affirmative or the negative, represents his true attitude towards art. In this article the author seeks to make both statements compatible (...) with each other and thus relevant to Levinas’s conception of art. She focuses on his essay ‘Reality and Its Shadow’, where art is diagnosed as an ambiguous phenomenon. She argues that full understanding of the ambiguity of art demands that Levinas’s different statements about art are considered together; only thus can the complete picture of the ambiguity emerge. Furthermore, it turns out that the very same feature which makes art open to misunderstanding – namely, its precarious materiality – also allows an artwork to sustain itself and to be revived. Art reveals a shadow, withdrawal, or resistance that belongs to reality itself. (shrink)

This essay interprets the work of the German choreographer Pina Bausch with the help of phenomenological examinations by Maurice Merleau-Ponty, Emmanuel Levinas, and Martin Heidegger. Pina Bauschs choreography not only shares basic themes like the everyday, the body, and moods with phenomenology, but they also yield similar results in overcoming traditional dualist frameworks. Rather than being an instrument for expressing ideas, the body is in constant exchange with the natural elements, exhibiting vulnerability and passivity. Moods, in turn, are neither subjective (...) nor objective; this also holds for longing, an essential constituent of Pina Bausch's work. Dance theater and phenomenology, each in their unique ways, are capable of acknowledging and accommodating the ambiguity of our human existence. (shrink)

This piece commemorates Jean-Luc Nancy by focussing our attention on seven citations from his works which are followed by brief, tentative interpretations and reflections.

In the Platonic dialogues, the enigmatic concept of the good tends to retreat at those very moments when it is supposed to show itself. This paper examines the relation between the beautiful and the good as the good takes refuge in the beautiful. Hans-Georg Gadamer holds a particular interest in these retreats since they show that there is actually an emphasis on appearances and the human good in Plato. In contrast, Emmanuel Levinas is critical of the primacy of vision and (...) the beautiful from an ethical perspective. The relevant passages in the dialogues will be interpreted with respect to this divergence. (shrink)

We used a multi-dimensional framework to assess current stereotypes of men and women. Specifically, we sought to determine (1) how men and women are characterized by male and female raters, (2) how men and women characterize themselves, and (3) the degree of convergence between self-characterizations and charcterizations of one’s gender group. In an experimental study, 628 U.S. male and female raters described men, women, or themselves on scales representing multiple dimensions of the two defining features of gender stereotypes, agency and (...) communality: assertiveness, independence, instrumental competence, leadership competence (agency dimensions), and concern for others, sociability and emotional sensitivity (communality dimensions). Results indicated that stereotypes about communality persist and were equally prevalent for male and female raters, but agency characterizations were more complex. Male raters generally descibed women as being less agentic than men and as less agentic than female raters described them. However, female raters differentiated among agency dimensions and described women as less assertive than men but as equally independent and leadership competent. Gender stereotypes also were evident in self-ratings, with female raters rating themselves as less agentic than male raters and male raters rating themselves as less communal than female raters, although there were exceptions (e.g., no differences in independence and sociability self-ratings for men and women). Comparisons of self-ratings and ratings of men and women in general indicated that women tended to characterize themselves in more stereotypic terms – as less assertive and less competent in leadership – than they characterized others in their gender group. Men, in contrast, characterized themselves in less stereotypic terms – as more communal. Overall, our results show that a focus on facets of agency and communality can provide deeper insights about stereotype content than a focus on overall agency and communality. (shrink)

Like Einstein's general theory of relativity is concerned with explaining the basics of an observable experience – i.e., gravity – most people take for granted that Chomsky's theory of generative grammar (GG) is concerned with the basic nature of language. This chapter highlights a mere subset of central constructs in GG, showing how they have featured prominently and thus shaped formal linguistic studies in multilingualism. Because multilingualism includes a wide range of nonmonolingual populations, the constructs are divided across child bilingualism (...) and adult third language for greater coverage. In the case of the former, the chapter examines how poverty of the stimulus has been investigated. Using the nascent field of L3/Ln acquisition as the backdrop, it discusses how the GG constructs of I‐language versus E‐language sit at the core of debates regarding the very notion of what linguistic transfer and mental representations should be taken to be. (shrink)

This open access book provides the first explicit case study for an application of the method of reflective equilibrium (RE), using it to develop and defend a precautionary principle. It thereby makes an important and original contribution to questions of philosophical method and methodology. The book shows step-by-step how RE is applied, and develops a methodological framework which will be useful for everyone who wishes to use reflective equilibrium. With respect to precautionary principles, the book demonstrates how a rights-based precautionary (...) principle can be constructed and defended. The case study succeeds in demonstrating that RE can be successfully applied and puts real constraints on the justification process. This is all the more remarkable as the case study was designed as an open-ended process, without presupposing any specific results. This book will be highly relevant both to people interested in philosophical methodology and epistemology, as well as to researchers who are interested in using philosophical methods and tools and applying them to practical problems. (shrink)

This paper describes ongoing work towards a rich analysis of the social contexts of neologism use in historical corpora, in particular the Corpora of Early English Correspondence, with research questions concerning the innovators, meanings and diffusion of neologisms. To enable this kind of study, we are developing new processes, tools and ways of combining data from different sources, including the Oxford English Dictionary, the Historical Thesaurus, and contemporary published texts. Comparing neologism candidates across these sources is complicated by the large (...) amount of spelling variation. To make the issues tractable, we start from case studies of individual suffixes and people. By developing tools aiding these studies, we build toward more general analyses. Our aim is to develop an open-source environment where information on neologism candidates is gathered from a variety of algorithms and sources, pooled, and presented to a human evaluator for verification and exploration. (shrink)

In recent years, there has been a growing public discourse regarding the influence AI will have on the future of work. Simultaneously, considerable critical attention has been given to the implications of AI on gender equality. Far from making precise predictions about the future, this discourse demonstrates that new technologies are instances for renegotiating the relation of gender and work. This paper examines how gender is addressed in news media discourse on AI and the future of work, focusing on Germany. (...) We approach this question from a perspective of feminist technology studies and discourse analysis, exploring a corpus of 178 articles from 2015 to 2021 from German newspapers and newsmagazines. The findings indicate that critical AI and gender knowledge circulates in public discourse in the form of specific discursive frames, thematizing algorithmic bias, automatization and enhancement, and gender stereotypes. As a result, we show that, first, the discourse takes up feminist and scholarly discourse on gender and discusses AI in a way that is informed by social constructivism and standpoint theories. Second, gender appears as a—to some extent intersectional—diversity category which is critical to AI, while at the same time omitting important perspectives. Third, it can be shown that there is a renegotiating of the ideal worker norm taking place, and finally, we argue that the gendered frame of the powerful men developer responsible for AI’s risk is a concept to be challenged. (shrink)

Reflective equilibrium —the idea that we have to justify our judgments and principles through a process of mutual adjustment—is taken to be a central method in philosophy. Nonetheless, conceptions of RE often stay sketchy, and there is a striking lack of explicit and traceable applications of it. This paper presents an explicit case study for the application of an elaborate RE conception. RE is used to reconstruct the arguments from Thomson’s paper “Turning the Trolley” for why a bystander must not (...) divert a runaway trolley from five workmen onto one. Analyzing Thomson’s resulting position with the RE-criteria has two main results: Firstly, the adjustment of one of her commitments can be defended. Secondly, no justified position in RE was reached. With respect to RE as a method, the main results from this application are: There is at least one conception of RE that is sufficiently specified to be applicable; the RE criteria put real constraints on the process of justification; and an explicit application of RE has benefits in terms of clarity while at the same time providing guidance for how the justificatory process could be continued. (shrink)

The basic idea underlying a precautionary principle is often summarized as “better safe than sorry.” Even if it is uncertain whether an activity will lead to harm, for example, to the environment or to human health, measures should be taken to prevent harm. This demand is partly motivated by the consequences of regulatory practices of the past. Often, chances of harm were disregarded because there was no scientific proof of a causal connection between an activity or substance and chances of (...) harm, for example, between asbestos and lung diseases. When this connection was finally established, it was often too late to prevent severe damage. However, it is highly controversial how the vague intuition behind “better safe than sorry” should be understood as a principle. As a consequence, we find a multitude of interpretations ranging from decision rules over epistemic principles to procedural frameworks. To acknowledge this diversity, it makes sense to speak of precautionary principles (PPs) in the plural. PPs are not without critices. For example, it has been argued that they are paralyzing, unscientific, or promote a culture of irrational fear. This article systematizes the different interpretations of PPs according to their functions, gives an overview about the main lines of argument in favor of PPs, and outlines the most frequent and important objections made to them. (shrink)

This paper explores how consumers’ ethical food consumption practices, mediated by mobile phone applications (apps), are transformed into digital data. Based on a review of studies on the digitalization of ethical consumption practices and food apps, we find that previous research, while valuable, fails to acknowledge and critically examine the digital labor required to perform digitalized ethical food consumption. In this paper, we call for research on how digital labor underlies the digitalization of ethical food consumption and develop a conceptual (...) framework that supports this research agenda. Our proposed conceptual framework builds on three interconnected analytical concepts—datafication, affordances and digital labor—that enable the study of digital labor as an infrastructural element of digitalized food consumption. We illustrate our conceptual framework through our previous research concerning Buycott, a US-based mobile app whose stated aim is to facilitate consumers’ ethical purchasing decisions. Using the walkthrough method, we consider how the Buycott app engages user-generated data and what implications this holds for consumers. The app’s infrastructure, we suggest, connects ethical consumption and digital labor. A richer understanding of the digital food economy, we propose, enables social scientists not only to elucidate how consumers engage in digital labor, but also to contribute to the development of new data governance structures in the digital food economy. We therefore call for social scientists interested in food, consumption and the digital economy to contribute to a new research agenda for studying everyday food digitalization by empirically examining how ethical consumption apps implicate ethical consumers’ work. (shrink)

Transitioning to sustainable agricultural systems is imperative to meet the global Sustainable Development Goals. Achieving more sustainable agricultural production systems will require significant additional capital, however this cannot be covered by the current financial market setup, which dissociates public and private funders. Blended finance, where concessionary development-oriented funding is used to mobilize additional private capital, is essential. To ensure that the limited pool of concessionary funding is used efficiently and effectively, a shared understanding of the roles and limitations of public (...) and private funders is necessary. In this paper, we describe the high-level funding gap for sustainable agriculture, the general landscape of agricultural finance, and the concept and potential roles of blended finance in this context. This paper introduces the conditions under which different financing mechanisms can contribute to addressing barriers related to sustainable agriculture investments. It highlights that multiple funding modalities must be utilized in order to achieve agricultural investment at a meaningful level and encourages greater exploration of the range of blended financing structures to increase SDG-related agriculture investments. (shrink)

Every second-countable regular topological space X is metrizable. For a given “computable” topological space satisfying an axiom of computable regularity M. Schröder [10] has constructed a computable metric. In this article we study whether this metric space can be considered computationally as a subspace of some computable metric space [15]. While Schröder's construction is “pointless”, i. e., only sets of a countable base but no concrete points are known, for a computable metric space a concrete dense set of computable points (...) is needed. But there may be no computable points in X. By converging sequences of basis sets instead of Cauchy sequences of points we construct a metric completion of a space together with a canonical representation equation image, equation image. We show that there is a computable embedding of in with computable inverse. Finally, we construct a notation of a dense set of points in with computable mutual distances and prove that the Cauchy representation of the resulting computable metric space is equivalent to equation image. Therefore, every computably regular space has a computable homeomorphic embedding in a computable metric space, which topologically is its completion. By the way we prove a computable Urysohn lemma. (shrink)