One is occasionally reminded of Foucault's proclamation in a 1970 interview that "perhaps, one day this century will be known as Deleuzian." Less often is one compelled to update and restart with a supplementary counter-proclamation of the mathematician, David Lindley: "the twenty-first century would be a Bayesian era..." The verb tenses of both are conspicuous. // To critically attend to what is today often feared and demonized, but also revered, deployed, and commonly referred to as algorithm(s), one cannot avoid the (...) mathematical and philosophical legacies of probability. // But attending to these probabilistic or Bayesian legacies must include an undeniable theological legacy in which they remain entangled. // We are not, today, discovering quirky theological metaphors in contemporary technics. It's the other way around. The technologies are mere metaphors of past theologies. (shrink)

Perhaps nowhere better than, "On the Names of God," can readers discern Laclau's appreciation of theology, specifically, negative theology, and the radical potencies of political theology. // It is Laclau's close attention to Eckhart and Dionysius in this essay that reveals a core theological strategy to be learned by populist reasons or social logics and applied in politics or democracies to come. // This mode of algorithmically informed negative political theology is not mathematically inert. It aspires to relate a fraction (...) or ratio to a series ... It strains to reduce the decided determinateness of such seriality ever condemned to the naive metaphysics of bad infinity. // It is worth considering that it is the specific 'number' of Dionysius in differential identification with an ineffable god (and, as such, a singular becoming between theology and numbers) that is floating in at least two dimensions [of signification] (be it political Demand on the horizontal dimension or theological Desire on [a] floating dimension) that cannot but *perform the link that relinks* names of god with any political life, populist reason, social justice, or radical democracy straining toward peace. (shrink)

How can the medium be addressed when it is always already saturated in religious over-determinations and ever marked by theological concerns (such as revelation and incarnation) while, at the same time, religion would not be practiced and theology not be done without using some such medium? We encourage methodological and conceptual shifts, first, from medium to mediality; second, from religion to its partial negation (or, perhaps, partial permeation); third, from theology to doing the theological differently. With these shifts we desire (...) to initiate, continue, and intensify debates, specifically between theologians and scholars of religious studies and media theory. (shrink)

The primary focus of this project is the silent and subvocal speech-recognition interface unveiled in 2018 as an ambulatory device wearable on the neck that detects a myoelectrical signature by electrodes worn on the surface of the face, throat, and neck. These emerge from an alleged “intending to speak” by the wearer silently-saying-something-to-oneself. This inner voice is believed to occur while one reads in silence or mentally talks to oneself. The artifice does not require spoken sounds, opening the mouth, or (...) any explicit or external movement of the lips. The essay then considers such subvocal “speech” as a mode of writing or saying and the interior of the mouth or oral cavity as its writing surface. It briefly revisits discussions of telepathy to recontextualize Heidegger’s warning against enframing language exclusively within calculative technics and physiology, which he suggests is detrimental to Mundarten (mouth-modes of regional dialects). It closes in reconsideration of Husserl’s phenomenology of language and meaning in Ideas as it might apply to subvocal speech-recognition interfaces. It suggests ways by which the electrophysiology that the device detects and deciphers (as an alleged intention of a presumed natural language unspoken vocally or aloud) might supplement Husserl’s insinuation of the Leiblichkeit of language through a self-stamping extraction of an extension of meaning. (shrink)

The emerging field of synthetic biology, the designing and construction of biological parts, devices and systems for useful purposes, may simultaneously resolve some issues and raise others. In order to develop applications robustly and in the public interest, it is important to organize reflexive strategies of assessment and engagement in early stages of development. Against this backdrop, initiatives related to the concept of Responsible Research and Innovation have also appeared. This paper describes such an initiative: the construction of future scenarios (...) to explore the plausibility and desirability of potential synthetic biology innovations. We guided teams of synthetic biology students who participated in the large international Genetically Engineered Machines competition, in constructing scenarios aimed at exploring the plausibility and desirability of potential synthetic biology innovations. In this paper we aim to examine to what extent, and how, constructing such future scenarios contributes to RRI. In order to do so, we conducted observations and interviews to understand what kind of learning and reflection was promoted by constructing the scenarios in terms of four dimensions, which are discussed prominently in the literature on RRI: anticipation, inclusion, reflexivity and responsiveness. While we focus on how constructing future scenarios can contribute to strengthening RRI at a project level, we also consider how far our experiment may foster RRI in the iGEM competition in general, and perhaps even inspire constructive collaboration between ‘social scientists’ and ‘natural scientists’ in the context of larger scientific research programmes. (shrink)

An exploratory survey was conducted to determine if there are differences in ethical decisions by business students based upon cultural backgrounds. Students' responses to a vignette concerning advertising of cigar products in a variety of different media provided evidence of significant cultural differences between three groups of students from different geographical locations within the United States. This article suggests that the presumption that an individuals ethical beliefs and behaviors do not change after childhood may be in error.

May I call the attention of English scholars to a remark by Professor Heinze in his review of Professor Frank's Virgil, a Biography, viz. that the Culex was a favourite present for schoolboys in Martial's time ? How all the difficulties vanish if we regard it as Virgil's first publication, a mere tale for a schoolboy, written to help young Octavian in the Greek Mythology class-work! A peg on which to hang this memoria technica had been, we may (...) suppose, supplied to Virgil by a recent incident in Octavian's neighbourhood, the wonderful escape of a goatherd from a serpent. (shrink)

Following the example of the late Professor R. S. Conway, who in the Transactions of the Cambridge Philological Society, vol. v, part i , discussed ‘The Use of the Singular Nos in Cicero's Letters’, I examined Catullus’ employment of the idiom in an article published in Mnemosyne, series iii, vol. vii, fasc. 2 , pp. 148–56. While the usage of Catullus exemplified various of Conway's indisputable types of the singular nos, such as the Plural of Authorship and the Plural of (...) Proprietorship, my observations did not confirm his main thesis of a ‘projective’ use, which L. C. Purser reviewing his rnonograph called ‘a Pluralis Dignitatis or Fiduciae, not to say Adrogantiae’, in direct contrast to the orthodox pluralis modestiae. I found that, where the use of nos related to a state of mind of the writer or speaker, not merely to circumstances of his environment, the usage in Catullus was either a pluralis modestiae or one of several derivative types. My examination of Virgil seems wholly to confirm the conclusions reached concerning Catullus, whose types of singular nos I classified as follows: the Plural of Proprietorship ; the Traveller's Plural ; the Local Plural ; the Plural of Authorship ; the Social and Domestic Plural ; the pluralis modestiae , pp. 87–9); the Plural of Pleading or Requesting; the Plural of Pathos or Self-pity. Of these , , , and are a product of circumstances of environment and relate to a group of which the speaker or writer is a member; , , , and express an attitude or state of mind. Virgil's examples of the usage fall into six of these categories, and being absent. For the purposes of the present study I shall, in order to indicate more clearly the connexion between and , and the subjective character of , number the six Virgilian categories as follows: the Plural of Proprietorship; the Social and Domestic Plural; the Plural of Authorship; the pluralis modestiae; the Plural of Pleading or Requesting; the Plural of Pathos, Self-pity, or Complaint. (shrink)

IN the heroic Latin hexameter, after the essential alternation of long and short syllables, by far the most important feature is unquestionably the caesura. Nevertheless, ancient writers on metre dismiss it with the most cursory notice; all we get from them is that the chief caesura is the penthemimeral, the trochaic and hephthemimeral coming next; the fourth trochaic and the bucolic are usually rejected, and the trihemimeral is mentioned only by Ausonius, Modern writers, among whom are Müller and Winbolt, deal (...) with the question at greater length, but do not agree even on fundamental points, and often base their statements on an insufficient analysis of the extant remains of Latin hexameter verse. The purpose of the following paper is to attempt a more complete analysis, at least in the case of Virgil, the acknowledged master of the Latin hexameter. But before we proceed further there are two preliminaries which must be settled—what are the main types of caesura, and how many caesurae are admissible in one verse? (shrink)

The great object of Augustus in celebrating Ludi saeculares in 17 b.c. was to encourage the belief in himself and the consequent active loyalty to himself, as the restorer of the pax deorum,—the good relation between the divine and human inhabitants of Rome. So far he had tried to attain this end by the ancient usual and proper means, i.e. by carrying out the various regulations of the ius diuinum, so many of which had long been neglected. But in that (...) year he determined to undertake a special celebration, with the design of more effectually stamping the impression already made on the minds of the people; and it so happens that we have more detailed knowledge of this celebration than of any other Roman rite of any period. This is fortunate, for it stands on the margin between an old and a new régime, like the Aeneid of Virgil, who had died two years earlier: that great religious poem was just becoming known, and there is an allusion to it in the hymn of which I am going to speak. The Ludi were the outward or ritualistic expression of the idea immortalized by the poet, that a regeneration is at hand of Rome and Italy, in religion, morals, agriculture, government: old things are now to be put away, a new and glorious era is to open. Henceforward the Roman was to look ahead of him in hope and confidence, trusting in Augustus, the Aeneas of the actual State. (shrink)

Everyone knows the statement of Servius that Virgil was compelled by Augustus to alter the second half of the Fourth Georgic after the fall of Gallus, and that he substituted the story of Aristaeus for the laudes Galli. This statement, often doubted by older generations, has had such a remarkable success in recent years that anyone who ventures to impugn it must feel that he is pleading with a halter round his neck before a one-sided jury. It is notable, (...) however, that these jurors, though one-sided, are by no means united, save in their determination to uphold the credit of Servius. One group will assure us that the episode of Aristaeus shows obvious signs not only of haste but of immaturity, and they draw a pathetic picture of the grief-stricken Virgil, ordered to bring out a second edition minus the praises of his friend Gallus, and half-heartedly throwing together some bits of juvenile stuff which he happened to have handy. Others assure us that the tale of Aristaeus shows us a more mature Virgil, nearer to the Virgil of the Aeneid. But the Servians really cannot have it both ways. They must make up their minds in the one direction or in the other if they are to be taken seriously. They make it doubly difficult for us to take them seriously when they try to tell us what Servius meant—but of that more anon. The present paper is an attempt by a converted Servian to examine frankly the arguments which have been advanced in support of Servius. Most of these may be found in Skutsch, Aus Vergils Frühzeit, pp. 140–147. One is very reluctant to use disparaging words about an eminent scholar who has served the cause of learning in so many ways; but it can scarcely be denied that the work just mentioned, in spite of its ingenuity and enthusiasm, shows a lamentable lack of three great essentials—a judicial temper, accurate statement of facts, and cogent reasoning. There is also at times a regrettable vagueness of expression, suggesting that the author is concealing inward doubts or shrinking from thought. All these deficiencies are to some extent present in the section with which this paper is concerned. (shrink)

Of the various contests held by Aeneas to mark the anniversary of his father's death the ship-race is marked out by its length and initial position as especially important. However its precise significance is by no means obvious. That Virgil intends it to have some relevance to events of later Roman history seems fairly clear. First, we are told the names of the families descended from three of the four captains involved — Cluentii, Memmii and Sergii. It seems therefore (...) that we should look to the activities of members of these families to discover Virgil's intention. Two families — Cluentii and Memmii — are a mystery, since none of their members plays an obviously prominent role in the events of Virgil's own time. However, Sergestus and the Sergii point unmistakably towards Catiline. Sergestus' rash folly, which is nearly the ruin of his men and his ship, exactly matches Catifine's own furor, which would have destroyed Rome. Even the name of his ship, Centaurus, reinforces the point. (shrink)

The account of the death of Palinurus at the end of Aen. 5 raises to a higher level of importance a figure who has previously seemed very much a minor character in the Aeneid. This is achieved partly by the narrative brilliance of Virgil's account of his destruction by Somnus, and partly also by the atmosphere of solemn mystery which surrounds his fate. This solemn note is first struck in the passage which directly prepares the way for Palinurus' death. (...) At Aen. 5.779 Venus, anxious that Juno's wrath may still prevent the safe arrival of Aeneas in Italy, appeals for help to Neptune. He reassures her. Aeneas will arrive safely. There is, however, one condition: unus erit tantum amissum quem gurgite quaeres; unum pro multis dabitur caput. (shrink)

1. The use of the imperfect τικτε ‘was the mother of’, with τíκτουσα; νίκων, ο νικντες; διδος is well known, and no doubt correctly explained. Reference is frequently made to Virgil's quem dat Sidonia Dido, but δίδου seems not to be used, no doubt because it is so extensively used in the sense of ‘offered’. In T. 7. 56. 3 περιεγíγνοντο seems to be a substitute for νíκων, ‘were victorious’; cf. φερε in Find. O. 10 , 74 ‘was prizewinner’ (...) —the other winners all have an aorist. So too Pyth. 3. 44. (shrink)

1. The use of the imperfect τικτε ‘was the mother of’, with τíκτουσα; νίκων, ο νικντες; διδος is well known, and no doubt correctly explained. Reference is frequently made to Virgil's quem dat Sidonia Dido, but δίδου seems not to be used, no doubt because it is so extensively used in the sense of ‘offered’. In T. 7. 56. 3 περιεγíγνοντο seems to be a substitute for νíκων, ‘were victorious’; cf. φερε in Find. O. 10, 74 ‘was prizewinner’ —the (...) other winners all have an aorist. So too Pyth. 3. 44. (shrink)

Mrs. Dall, in her article A Seventh-Century English Edition of Virgil , shows that Virgil glosses taken from marginalia in the same MS. of the poems often preserve something of their original coherence in the two kindred glossaries, Affatim and the Second Amplonian, in spite of all the reshuffling of these two collections. Thus a small group of Virgil items appears in Affatim on p. 491 of Goetz's apograph : Carecta, Crateras, etc. The second last of this (...) ‘Virgil cluster’ is Cada: vasa vinaria. It appears also in Ampl. II. Ca[t]da: vas vinaria, and in Ampl. I. Cada: vasa vinaria, and is apparently taken , ultimately or immediately, from a marginal annotation on Aen. 1, 195 ‘uina bonus quae deinde cadis onerarat Acestes’ for in the Virgil Glossary printed by Goetz in C.G.L. IV. 427–470 we find Cadis: vasis vinariis. (shrink)

Caper in his section on the preposition ex cited Ennius, Ann. 309:nauibus explebant sese terrasque replebant,and declared that Virgil used the verb with this antique sense in Aen. 6, 545:discedam; explebo numerum reddarque tenebris,i.e. ‘minuam vestrum numerum.’This we are told in Servius' note, which begins: Ut diximus supra, explebo est minuam. Thilo gives no reference to any such previous words of Servius, and I have failed to find them. Can it be that Servius has carelessly transcribed a note of (...) Donatus, and that Donatus had discussed ex minuens at Geo. 2, 65, or 4, 145? Donatus' note on Terence, Hec. 755, is Explere exinanire Terentianum est; the passage of Terence is:eas ad mulieres huc intro atque istuc iusiurandum idempolliceare illis: exple animum îs teque hoc crimine expedi,i.e., relieve their mind of suspicion against Pamphilus and free yourself from this charge. The phrase recurs in the next Scene :illis modo explete animum.i atque exple animum îs, coge ut credant. (shrink)

Terence was studied, though not so much as Virgil, in monastery-schools. Their magistri bestirred themselves to get aid for pupils. Some famous magister— we know not who—had written, between the lines or in the margins, interpretations of difficult words in at least the three opening plays of the MS. which he used—Andr., Ad., Eun.—if not in all. These interpretations were collected from his MS. and found their way into many monastery-libraries. Goetz has published these glossae collectae of Terence from (...) a tenth century MS. in Vol. V. of his Corpus Glossariorum Latinorum, pp. 529–539; Mr. Austin has added more from a Leyden MS. , written apparently in Belgium or Holland, c. 800–815 A.D. . Probably Dr. Theander will add a further batch from a Paris MS. (shrink)

When we read the Latin Grammarians' Rules of Prosody, we are puzzled now and then. One thing that puzzles us is their silence about the features of difference between Latin Prosody and Greek. They often seem to take it for granted that Virgil's Prosody is identical with Homer's. This point of view is perhaps not surprising, since these Grammatici often speak of Latin as a mere dialect of Greek . But it has its disadvantages. Every scholboy knows that moeniă (...) Troiae is as natural in Virgil as TєίεΧεă Τροίηs would be unnatural in Homer; and every school-manual of Latin Prosody confines its examples of a Mute and Liquid lengthening, not lengthening a preceding syllable to examples of a Mute and Liquid in the middle of a word. If it mentions Catullus' impotenti̅ freta, it calls this a Greek, not a Latin type. Not so the Grammatici. Diomede's examples of a short syllable before FR, FL are :ore fremebant talia flammato. (shrink)