The chapter is divided into three separate parts. In the first part I critically discuss Adorno's interpretation of Heidegger's concern with the question of Being. Central to this interpretation is Adorno's view that Being, for Heidegger, resonates with onto‐theological or metaphysical accounts of the highest and most general being – that of Plato's ideas, or Aristotle's substance. In various steps, looking at several key claims of Heidegger, I argue that this approach is misguided. Heidegger draws a clear and philosophically justified (...) distinction between his conception of Being and the Platonic vision of essence. The second part identifies a strand of Adorno's critique that does not depend on the onto‐theological reading. This is the critique of fetishization and reification – Adorno's view that Heidegger falsely seeks to imbue his thinking and diagnosis of modernity with a veneer of the timeless and transcendental. Adorno, I suggest, justifiably introduces his dialectical procedure as a means to correct this tendency: Concepts, he claims, should be viewed and analyzed in terms of the non‐identity between themselves and the states of affairs to which they purport to refer. In clear contrast to the Heideggerian call for some kind of essential or necessary reference – words that magically yet “necessarily” pick out their object, and that thereby aspire to overcome the fateful split between word and object (or subject and object) – Adorno insists on difference, differentiation, and absence, a historically indexed self‐reflection. In the final part I propose a reading of Heidegger that takes heed of Adorno's warnings against fetishization and reification. While far from trying to efface the decisive differences between the two thinkers, I highlight moments in Heidegger that lend themselves to a dialectical interpretation. I argue that these are moments of remembrance – moments in which human practice anticipate a more reconciled relation between subject and object. (shrink)

Theodor Adorno was one of the foremost radical thinkers of the Twentieth century. Critic of the Enlightenment, liberalism and modernity, he was the architect behind the famous Frankfurt School of Critical Theory and his work ranged over philosophy, social and cultural theory, art and music. In this lucid book, Espen Hammer critically considers and defends Adorno's most important contribution: his political thought and it contemporary relevance. Espen Hammer examines the background to Adorno's thought in the work (...) of Kierkegaard, Marx, Weber and Walter Benjamin and assesses Adorno's critique of Enlightenment and modernity in his famous work, Dialectic of Enlightenment. He then considers Adorno's critique of Kant and Hegel and considers Adorno's celebrated theory of negative dialectics. He defends Adorno's against Jurgen Habermas's criticism that Adorno's thought is irrational and subject-centred before considering how Adorno's theory of alterity is evident in the work of Derrida and Levinas. Adorno and the Political is an invigorating exploration of a key political thinker and is also a useful introduction to his thought as a whole. It will be of interest to those in philosophy, sociology and politics. (shrink)

Stanley Cavell is a leading figure in American philosophy and one of the most exhilarating and wide-ranging intellectuals of our time. In this book Espen Hammer offers a lucid and thorough account of the development of Cavell's work, from his early writings on ordinary language philosophy and skepticism to his most recent contributions to film studies, literary theory, romanticism, ethics, and politics. The book traces the many lines of skepticism occurring in Cavell's work and shows how they amount (...) to a rich and subtle picture of human subjectivity. Hammer explores Cavell's passionate engagement with Austin and Wittgenstein's visions of language, and his uncovering of conceptions of the ordinary in Emerson and Thoreau. Central sections of the book are devoted to the tragic and the comic as these modes of existence come into play in Shakespeare and Hollywood cinematic drama. In elaborating Cavell's responses to thinkers such as Heidegger, Levinas, and Derrida, the author situates Cavell's writing within the wider context of contemporary continental philosophy. Hammer clearly reveals the existential dimensions of Cavell's thought. He argues that his variant of ordinary language philosophy is a vital stimulus to self-transformation in cognitive, aesthetic, ethical, and political domains, contributing significantly to a rethinking of issues such as responsibility and autonomy, and the relationship between philosophy and literature. A critical introduction to the thought of an inordinately complex writer, this book will be of great interest to students and scholars in philosophy, literary theory, cultural theory, comparative literature, and media and cultural studies. (shrink)

Theodor W. Adorno's aesthetics has dominated discussions about art and aesthetic modernism since World War II, and continues to inform contemporary theorizing. Situating Adorno's aesthetic theory in the context of post-Kantian European philosophy, Espen Hammer explores Adorno's critical view of art as engaged in reconsidering fundamental features of our relation to nature and reality. His book is structured around what Adorno regarded as the contemporary aesthetician's overarching task: to achieve a vision of the fate of art in the (...) modern world, while demonstrating its unique cognitive potential. Hammer offers a lively examination of Adorno's work through the central problem of what full human self-actualization would require, and also discusses the wider philosophical significance of aesthetic modernism. This book will be a valuable resource for scholars and students of social philosophy, art, and aesthetics. (shrink)

Jürgen Habermas' view that Adorno's thinking is characterized by a commitment to a philosophy of consciousness, and that therefore the only alternative to identitarian reason is to appeal to an intuitive competence operating beyond the range of conceptual thought, it is arged (1) that Adorno conceptualizes the modern epistemic subject (the subject of a philosophy of consciousness) as based on a reification, and (2) that he denies the possibility of a concept-transcendent (foundationalist) constraint on judgments. In seeking to demonstrate against (...) versions of subjective idealism and foundationalism how thought can be responsive to a non-identical (mind-independent) reality, Adorno defends an intersubjectivist and historicist view of knowledge according to which the operative and yet anamnetic aspiration of knowledge is to know reflectively the object as it is in itself. The conclusion is that although Adorno questions the modern (Kantian) stress on epistemic autonomy, he does not take leave of modernity in the sense ascribed to him by Habermas. (shrink)

By comparing Adorno's conception of evil with those of Kant and Levinas, it is argued that the commitment to a notion of materialist transcendence, which Adorno introduces as a philosophical response to Auschwitz, is compatible with an equally strong commitment to philosophical modernity and autonomy. Whereas Kant's moral theology, on the one hand, proceeds in a too immanent fashion, and Levinas's heterology, on the other, in seeking to explode ontology, denies the conditions of thought's rational responsiveness, Adorno succeeds in combining (...) the quest for radical otherness with an idealist interpretation of modernity. Key Words: Adorno • Auschwitz • evil • Kant • Levinas • metaphysics • modernity • moral theology • transcendence. (shrink)

Hegel's philosophy of religion is characterized by what seems to be a deep tension. On the one hand, Hegel claims to be a Christian thinker, viewing religion, and in particular Christianity, as a manifestation of the absolute. On the other hand, however, he seems to view modernity as largely secular, devoid of authoritative claims to transcendence. Modernity is secular in the political sense of requiring the state to be neutral when it comes to matters of religion. However, it is also (...) secular in the sense of there being no recourse to authoritative representations of a transcendent God. Drawing on Charles Taylor's view of secularization, the article focuses on the second strand of his religious thinking, exploring how Hegel can be thought of as a theorist of secularization. It is claimed that his dialectic of religious development describes a process of secularization. Ultimately, Hegel's system offers a view of the absolute as immanent, suggesting that an adequate account of religion will necessarily have to accept secularization as the end-point of spirit's development. This is how the tension between religion and secularization can be resolved. (shrink)

Espen Hammer’s response to Peter Gordon’s Adorno and Existence.

The portentous terms and phrases associated with the first decades of the Frankfurt School--exile, the dominance of capitalism, fascism - seem as salient today as they were in early 20th-century. The Routledge Companion to the Frankfurt School addresses the many early concerns of critical theory and brings those concerns into direct engagement with our shared world today. In this volume, a distinguished group of international scholars from a variety of disciplines revisit the philosophical and political contributions of Theodor W. Adorno, (...) Walter Benjamin, Max Horkheimer, Herbert Marcuse, Jürgen Habermas, Axel Honneth, and others. Throughout, the Companion's focus is on the major ideas that have made the Frankfurt School such a consequential and enduring movement. It offers a crucial resource for those who are trying to make sense of the global and cultural crisis that has now seized our contemporary world. (shrink)

In this paper, I aim to reconstruct and discuss Stanley Cavell’s interpretation and critique of analytic philosophy. Cavell objects to the tradition of analytic philosophy that, in its eagerness to provide abstract, theoretical reconstructions, it has failed to understand the importance of “the human voice” for philosophy. First, I outline Cavell’s retelling of the history of analytic philosophy from Frege and Russell to ordinary language philosophy. Second, I turn to Cavell’s reading of Kierkegaard and Wittgenstein in order to show what (...) the suppression of the human voice is supposed to mean and entail. Central to Cavell’s account is a particular view of language according to which no structure can explain our capacity for sense-making. Third, I exemplify Cavell’s approach by analyzing his debate with Kripke. Kripke sees the absence of “rails” determining meaning as a skeptical problem and calls for a communal solution. Cavell, by contrast, accepts the absence of rails while highlighting the need for individual responsiveness. In the conclusion I contrast the analytic interest in theory, structure, and abstraction with what I see as Cavell’s humanism. While respectful of key aspects of the analytic tradition such as its commitment to rigor and transparency, Cavell wished to bring the human subject back into philosophy. (shrink)

Analyzing Eros and Civilization, in this article I argue that Marcuse is incapable of offering an account of the empirical dynamics that may lead to the social change he envisions, and that his appeal to the benefits of automatism is blind to its negative effects. I then claim that Marcuse's vision of the good life as centered on libidinal self-realization, if actualized, would threaten the freedom of individuals and potentially undermine their sense of self-integrity. Comparing Marcuse's position with that of (...) Adorno, I argue that the former fails to take temporality and transience properly into account. Unlike Adorno, Marcuse has no genuine appreciation of the need for mourning. Instead, Marcuse's concept of primary narcissism, which is meant to represent the gist of his utopian vision, leads him to recommend an essentially melancholic position. I finally argue that political action requires a stronger ego-formation than what Marcuse's conception allows for. (shrink)

This outstanding collection of specially commissioned chapters examines German idealism from several angles and assesses the renewed interest in the subject from a wide range of fields. Including discussions of the key representatives of German idealism such as Kant, Fichte and Hegel, it is structured in clear sections dealing with: metaphysics the legacy of Hegel’s philosophy Brandom and Hegel recognition and agency autonomy and nature the philosophy of German romanticism. Amongst other important topics, _German Idealism: Historical and Philosophical Perspectives_ addresses (...) the debates surrounding the metaphysical and epistemological legacy of German idealism; its importance for understanding recent debates in moral and political thought; its appropriation in recent theories of language and the relationship between mind and world; and how German idealism affected subsequent movements such as romanticism, pragmatism, and critical theory. _Contributors:_ Espen Hammer, Stephen Houlgate, Sebastian Gardner, Paul Redding, Andrew Bowie, Richard Eldridge, Jay Bernstein, Frederick Beiser, Paul Franks, Robert Pippin, Fred Rush, Manfred Frank, Terry Pinkard, Robert Stern. (shrink)

This book is a critical analysis of how key philosophers in the European tradition have responded to the emergence of a modern conception of temporality. Espen Hammer suggests that it is a feature of Western modernity that time has been forcibly separated from the natural cycles and processes with which it used to be associated. In a discussion that ranges over Kant, Hegel, Schopenhauer, Nietzsche, Heidegger and Adorno, he examines the forms of dissatisfaction which result from this, together (...) with narrative modes of configuring time, the relationship between agency and temporality, and possible challenges to the modern world's linear and homogenous experience of time. His study is a rich exploration of an enduring philosophical theme: the role of temporality in shaping and reshaping modern human affairs. (shrink)

This chapter discusses the contributions of key members and affiliates of the Frankfurt School of Critical Social Theory to the theory of film. Central to all of these contributions, which tend to be based on some account of Marxism, is that they socially and historically locate film production within capitalism and the various ideological constraints of modernity and late modernity. Being highly skeptical of the so-called culture industry, which is said to produce ideology, the school debated avant-garde film practices, including (...) montage. Walter Benjamin’s positive view regarding the key political role of film was subjected to criticism by Theodor W. Adorno yet influenced the artistic movement referred to as New German Cinema. The legacy of the Frankfurt School’s interest in analyzing ideology and the conditions of non-reified experience remains important to contemporary trends in advanced filmmaking. (shrink)

Kafka's novel The Trial, written from 1914 to 1915 and published in 1925, is a multi-faceted, notoriously difficult manifestation of European literary modernism, and one of the most emblematic books of the 20th Century. It tells the story of Josef K., a man accused of a crime he has no recollection of committing and whose nature is never revealed to him. The novel is often interpreted theologically as an expression of radical nihilism and a world abandoned by God. It is (...) also read as a parable of the cold, inhumane rationality of modern bureaucratization. Like many other novels of this turbulent period, it offers a tragic quest-narrative in which the hero searches for truth and clarity, only to fall into greater and greater confusion. This collection of nine new essays and an editor's introduction brings together Kafka experts, intellectual historians, literary scholars, and philosophers in order to explore the novel's philosophical and theological significance. Authors pursue the novel's central concerns of justice, law, resistance, ethics, alienation, and subjectivity. Few novels display human uncertainty and skepticism in the face of rapid modernization, or the metaphysical as it intersects with the most mundane aspects of everyday life, more insistently than The Trial. Ultimately, the essays in this collection focus on how Kafka's text is in fact philosophical in the ways in which it achieves its literary aims. Rather than considering ideas as externally related to the text, the text is considered philosophical at the very level of literary form and technique. (shrink)

The article discusses Rorty’s approach to Kant and Hegel. Rorty sees Kant as a foundationalist and representationalist. Hegel, by contrast, is viewed as a historicist. It is argued that Kant’s view differs substantively from that of Rorty’s reading, which is very “Lockean.” There are deeper continuities between Kant and Hegel that Rorty ignores. Moreover, Hegel’s system prevents him from adopting a wholesale historicist view along the lines presented by Rorty. The final section presents a Hegelian critique of Rorty’s conception of (...) experiential intake. (shrink)

The goal of this dissertation is to provide a critique of Jurgen Habermas's communication-theoretic proposal for a discourse ethics. In doing so, I confront the theory of communicative rationality with the pronounced intention of letting discourse ethics take, as Habermas puts it, its orientation for an intersubjective interpretation of the categorical imperative from Hegel's theory of recognition. My objections to this attempt to provide a critical theory with normative grounds generally relate to what I see as a too excessive formalism, (...) and a tendential repression of the dimension of ethical ontology. ;Although Habermas insists that agents always bring their lifewordly conditions of existence--their particular identities and histories--with them when they engage argumentatively to redeem validity claims, the discourse model has throughout its effective history been notoriously helpless when engaging with the internally related issues of motivation and the cognitive problems of judgment and context-sensitive application. In analyzing the principle of universalizability , I show why it is necessary to construct a dialectical relationship between morality and issues of the good life, and to introduce a notion of reflective judgment. Moreover, I argue for a detachment of moral theory from the quasi-transcendental grounding in formal structures of rationality. ;In the course of my successive interpretative confrontations with discourse ethics, I formulate a hermeneutic approach. One important upshot of this is that discourse ethics will be situated closer to Habermas's early suggestions towards a critical hermeneutics. This is a conception which emphatically promotes an internal link between judgment, action and argumentation. Another consequence relates to the need for a realist realignment of discourse ethics. I suggest that reflection and moral discourse, starting from the particularity of concrete cases but ultimately aiming towards universality , should be involved, not in a process of further disintegration of ethical life , but in a process of healing, in which universality serves a memorial, imaginative and communicative function: it creates a conceptual reservoir for interpreting our complex moral experiences, and ultimately for gaining knowledge of the self and its intricate bonds and attachments to others. (shrink)

The sixties may have been the defining decade of Arthur Danto's intellectual development. While focusing on the sixties, this chapter aims to set Danto's post‐historical view up against the main competing camp of the time, namely aesthetic modernism. Danto's sweeping claim about the non‐aesthetic purpose of “most of the art made in the course of art history” may seem dubious. Danto highlights the 1960s as a time when artists and critics alike started to move decisively away from the idea that (...) “quality in art” should be identified with the presence of compelling aesthetic properties. Danto is in this regard particularly scathing in his critique of Greenberg, whom he thinks based his art criticism on his own “practiced eye,” which supposedly could pick out “greatness” on the basis only of some mysterious retinal moment of satisfaction, incommunicable to the uninitiated. (shrink)

A new title in Routledge’s Critical Assessments of Leading Philosophers series, this is a two-volume collection of the very best recent scholarship on Theodor W. Adorno . It is an essential successor to an earlier four-volume collection, Theodor Adorno , edited by Simon Jarvis and published by Routledge in 2006. Recent decades have seen a remarkable growth of scholarly studies devoted to Theodor W. Adorno’s philosophy and social theory. Every year, conferences and publications all over the world testify to a (...) lively interest. Indeed, since his death in 1969, Adorno has been read and discussed not only by philosophers but by researchers in all areas of the theoretical humanities, and his impact has been considerable both inside and outside the academy. This new Routledge collection brings together the very best of recent research on Adorno. The editor has particularly focused on works that take account of contemporary developments in philosophy and social theory, demonstrating how Adorno’s view may engage with contemporary theoretical concerns. With a full index, together with a comprehensive introduction, newly written by the editor, which places the collected material in its historical and intellectual context, Theodor W. Adorno II is an indispensable work of reference. It is destined to be valued by scholars, students, and researchers as a vital research resource. (shrink)

A new title in Routledge’s Critical Assessments of Leading Philosophers series, this is a two-volume collection of the very best recent scholarship on Theodor W. Adorno. It is an essential successor to an earlier four-volume collection, _Theodor Adorno_, edited by Simon Jarvis and published by Routledge in 2006. Recent decades have seen a remarkable growth of scholarly studies devoted to Theodor W. Adorno’s philosophy and social theory. Every year, conferences and publications all over the world testify to a lively interest. (...) Indeed, since his death in 1969, Adorno has been read and discussed not only by philosophers but by researchers in all areas of the theoretical humanities, and his impact has been considerable both inside and outside the academy. This new Routledge collection brings together the very best of recent research on Adorno. The editor has particularly focused on works that take account of contemporary developments in philosophy and social theory, demonstrating how Adorno’s view may engage with contemporary theoretical concerns. With a full index, together with a comprehensive introduction, newly written by the editor, which places the collected material in its historical and intellectual context, _Theodor W. Adorno II_ is an indispensable work of reference. It is destined to be valued by scholars, students, and researchers as a vital research resource. (shrink)

Espen Hammer’s exceptionally fine book explores modern temporality, its problems and prospects. Hammer claims that how people experience time is a cultural/historical phenomenon, and that there is a peculiarly modern way of experiencing time as a series of present moments each indefinitely leading to the next in an ordered way. Time as measured by the clock is the paradigmatic instance of this sense of time. In this perspective time is quantifiable and forward-looking, and the present is dominated (...) by the future. Hammer argues that this manner of experiencing time provides a way of living that brings with it not only the basis for great successes in technology, but also great costs—specifically, what he calls the problems of transience and of meaning. Hammer goes about his task by considering the ways some of the great modern philosophers have characterized present-day temporality and have responded to the problems he has identified. Specifically, he considers what Kant, Hegel, Schopenhauer, Nietzsche, Heidegger, Habermas, Bloch, and Adorno provide in response to our peculiarly modern predicaments. The book is remarkable for its clarity and perceptiveness, but in the process in crucial places it simplifies the matters at hand or fails to push its insights as far as it ought, and in the end promises more than it can deliver. In this it betrays a rationalist confidence in the power of reason that founders on what in many ways remains a mystery. (shrink)

According to Krzysztof Michalski, Nietzsche’s intellectual project, from start to finish, has an overarching and unifying theme, namely a reflection on time, including the passing of human life, the emergence of new things, and the general finitude of existence. For him, then, it is possible to organize Nietzsche’s thought into a coherent whole around the concept of “eternity,” where eternity signifies a dimension of time, indeed, the core of it, its essence and engine. Typically, we think of eternity as a (...) refutation of time and of becoming, signaling an infinite prolongation. The author, however, wishes to show that eternity is what can explain the transformation of the present into the past and that it comes to .. (shrink)