Results for 'berleant'

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  1.  25
    Saving ‘Disinterestedness’ in Environmental Aesthetics: A Defence Against Berleant.Damla Dönmez - 2016 - Estetika 53 (2):149-164.
    The old, historical concept of ‘disinterestedness’ has dominated the tradition of aesthetics for almost two centuries. In environmental aesthetics, a rather recent branch of aesthetics, some scholars such as Arnold Berleant have criticized disinterestedness, claiming that it is not a satisfactory criterion since it views the environment as an artwork. As an alternative, Berleant proposes a theory of the ‘aesthetics of engagement’. I claim that although his main intention is to introduce a comprehensive perception of nature, ‘appreciating nature (...)
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  2.  6
    A Dialectical Approach to Berleant’s Concept of Engagement.Thomas Leddy - 2017 - ESPES 6 (2):72-78.
    Arnold Berleant shares much in common with John Dewey. His notion of aesthetic engagement, which is central to his philosophy of art, is, like Dewey’s concept of “an experience,” an attack on dualistic notions of aesthetic experience. To the extent that Berleant and I are both Deweyans, we agree that we need to turn from the art object to art experience. Art is what it does in experience. Yet appreciative experience of art cannot happen without, at some point, (...)
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  3. Review of Environment and the Arts: Perspectives on Environmental Aesthetics By Arnold Berleant (Ed.). [REVIEW]Ian Ground - 2004 - British Journal of Aesthetics 44 (3):311--313.
    Environment and the Arts: Perspectives on Environ- mental Aesthetics. Edited by ARNOLD BERLEANT . Ashgate. 2002. pp. 192. C ONSISTING of twelve chapters, and an extended introduction, this volume provides a leading-edge anthology of reflections on environmental aesthetics.
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  4.  9
    Introduction to Arnold Berleant’s Perspective.Aleksandra Lukaszewicz Alcaraz - 2017 - ESPES 6 (2):1-8.
    The selection of papers in the 6th Volume of the ESPES journal focusus on the development, analyses and critique of Arnold Berleant’s ideas on aesthetic engagement, social aesthetics, negative aesthetics, and environmental aesthetics. These issues are aproached by researchers from various continents showing the inspirational potential of Berleant’s perspective, inviting metaphors, opening paths for individual developmet in the field of art philosophy and aesthetics.
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  5.  86
    Berleant, Arnold. Aesthetics Beyond the Arts: New and Recent Essays. Burlington, VT: Ashgate, 2012, Xi + 222 Pp., $99.95 Cloth. [REVIEW]Charles Klayman - 2013 - Journal of Aesthetics and Art Criticism 71 (3):299-301.
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  6. Negative Aesthetics in Art, Environment, and Everyday Life: Arnold Berleant's Theory and the Novels of Kirino Natsuo.Mara Miller - 2010 - Sztuka I Filozofia (10):90--117.
     
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  7.  25
    Arnold Berleant , Aesthetics Beyond the Arts. New and Recent Essays . Reviewed By.Kalle Puolakka - 2013 - Philosophy in Review 33 (5):354-356.
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  8.  34
    Engaging Berleant: A Critical Look at Aesthetics and Environment: Variations on a Theme.Renee Conroy - 2007 - Ethics, Place and Environment 10 (2):217 – 244.
  9.  17
    Sensibility and Sense: The Aesthetic Transformation of the Human World, Arnold Berleant Sensibility and Sense: The Aesthetic Transformation of the Human World Berleant Arnold Imprint Academic, Exeter, Eng.Robert E. Innis - 2011 - The Pluralist 6 (2):65-70.
  10.  24
    The Aesthetic Field: A Phenomenology of Aesthetic Experience. Arnold Berleant. Springfield: Charles C. Thomas. 1970. Pp. Xiii, 199. $8.75. [REVIEW]D. J. Crossley - 1971 - Dialogue 10 (3):607-610.
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  11. Arnold Berleant, Art and Engagement Reviewed By.Allen Carlson - 1992 - Philosophy in Review 12 (5):308-310.
     
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  12. Arnold Berleant, Re-Thinking Aesthetics: Rogue Essays on Aesthetics and the Arts Reviewed By.Thomas Leddy - 2006 - Philosophy in Review 26 (3):155-157.
     
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  13.  6
    Berleant, Arnold, "The Aesthetic Field: A Phenomenology of Aesthetic Experience". [REVIEW]Thomas Munro - 1971 - Philosophy and Phenomenological Research 32 (2):278.
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  14. Allen Carlson and Arnold Berleant, Eds., The Aesthetics of Natural Environments Reviewed By.Ira Newman - 2005 - Philosophy in Review 25 (1):14-16.
     
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  15. Arnold Berleant, The Aesthetics of Environment Reviewed By.Yuriko Saito - 1993 - Philosophy in Review 13 (5):215-217.
     
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  16. Arnold Berleant, Aesthetics and Environment.I. Brook - 2006 - Environmental Values 15 (4):534.
     
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  17. Arnold Berleant, Art and Engagement. [REVIEW]Allen Carlson - 1992 - Philosophy in Review 12:308-310.
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  18. Arnold Berleant (Ed.), Environment and the Arts.R. Fudge - 2004 - Environmental Values 13 (1):121-122.
     
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  19. Arnold Berleant, The Aesthetic Field: A Phenomenology of Aesthetic Experience. [REVIEW]Hilde Hein - 1974 - Journal of Value Inquiry 8 (1):69.
     
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  20. "The Aesthetic Field": Arnold Berleant[REVIEW]Colin Lyas - 1971 - British Journal of Aesthetics 11 (3):289.
     
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  21. Review of Arnold Berleant's Sensibility and Sense: The Aesthetic Transformation of the Human World. [REVIEW]Mara Miller - forthcoming - Notre Dame Philosophical Reviews.
     
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  22. Arnold Berleant, The Aesthetics of Environment. [REVIEW]Yuriko Saito - 1993 - Philosophy in Review 13:215-217.
     
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  23. Arnold Berleant, "Art and Engagement". [REVIEW]Crispin Sartwell - 1993 - Journal of Speculative Philosophy 7 (1):73.
     
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  24. Muzyka jako proces i rozwój wewnętrzny w fenomenologicznych koncepcjach muzyki: Berleant, Dufrenne, Ingarden i Merleau-Ponty.Małgorzata A. Szyszkowska - 2017 - Meakultura.
    Music as perception and creation is processual in nature. Its nature is development, succession, dialogical processes of reaching out and harmonizing. Not one process, in fact, but many. Among these processes that make music, author would like to focus on a very specific process of human self development which occurs during listening to music (in any music experience). The entanglement of different ways, in which musical processes appear in the world, author feels, suggest reaching out for Maurice Merleau-Ponty's concept of (...)
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  25.  23
    Engagement and Resonance: Two Ways Out From Disinterestedness and Alienation.Mădălina Diaconu - 2017 - ESPES 6 (2):40-49.
    Arnold Berleant’s enlargement of the scope of aesthetics to environments and social relationships opens the way for associations with approaches from other human and social sciences. One possible term of comparison is Hartmut Rosa’s theory of modernity, which applies the concept of resonance to various fields, including nature and art. At the beginning, their aims appear to be different and their alternatives slightly different: engagement stresses the continuity between the embodied self and the world, whereas resonance is primarily based (...)
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  26.  8
    The Ethical Dimensions of Aesthetic Engagement.Yuriko Saito - 2017 - ESPES 6 (2):19-29.
    This paper explores the ethical dimensions of aesthetic engagement, the central theme of Arnold Berleant’s aesthetics. His recent works on social aesthetics and negative aesthetics explicitly argue for the inseparability of aesthetics from the rest of life, in particular ethical concerns. Aesthetic engagement requires overcoming the subject-object divide and adopting an attitude of open-mindedness, responsiveness, reciprocity, and collaboration, as well as the willingness and readiness to expose negative aesthetics for what it is. These requirements characterize not only the nature (...)
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  27.  2
    Architecture of Movement.Katarzyna Nawrocka - 2017 - ESPES 6 (2):50-61.
    This paper describes the general concepts of Arnold Berleant's urban metaphors in order to use them as a background for presenting a different perspective on the aesthetics of engagement through the prism of contemporary dance strategies and design practices in architecture and urban planning.
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  28.  29
    Different Kinds of Perfect: The Pursuit of Excellence in Nature-Based Sports.Leslie A. Howe - 2012 - Sport, Ethics and Philosophy 6 (3):353-368.
    Excellence in sport performance is normally taken to be a matter of superior performance of physical movements or quantitative outcomes of movements. This paper considers whether a wider conception can be afforded by certain kinds of nature based sport. The interplay between technical skill and aesthetic experience in nature based sports is explored, and the extent to which it contributes to a distinction between different sport-based approaches to natural environments. The potential for aesthetic appreciation of environmental engagement is found to (...)
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  29. Contemporary Art and Environmental Aesthetics.Samantha Clark - 2010 - Environmental Values 19 (3):351-371.
    Aesthetic debates within contemporary art have been tangential to the debates in environmental aesthetics since the 1960s. I argue that these disciplines, having evolved separately in response to the limitations of traditional aesthetics, may now usefully inform each other. Firstly, the dematerialisation of art as the focus of aesthetic experience may have environmentally useful consequences. Secondly, Gablik's 'connective aesthetics ', like Berleant's ' aesthetics of engagement', folds aesthetic experience into the social as a kind of environmental aesthetics. Thirdly, contemporary (...)
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  30. The Aesthetics of Natural Environments. [REVIEW]J. Robert Loftis - 2005 - Environmental Ethics 27 (4):429-432.
    This is a very positive review of Carlson, Allen, and Arnold Berleant, ed. 2004. The Aesthetics of Natural Environments. Broadview Press. -/- .
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  31. Sensation as Participation in Visual Art.Clive Cazeaux - 2012 - Aesthetic Pathways 2 (2):2-30.
    Can an understanding be formed of how sensory experience might be presented or manipulated in visual art in order to promote a relational concept of the senses, in opposition to the customary, capitalist notion of sensation as a private possession, as a sensory impression that is mine? I ask the question in the light of recent visual art theory and practice which pursue relational, ecological ambitions. As Arnold Berleant, Nicolas Bourriaud, and Grant Kester see it, ecological ambition and artistic (...)
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  32.  56
    The Requirements for An Adequate Aesthetics of Nature.Allen Carlson - 2007 - Environmental Philosophy 4 (1/2):1-13.
    This essay presents a methodological framework for assessing the adequacy of philosophical accounts of the aesthetic appreciation of nature. The framework involves five requirements, each of which is labeled after a philosopher who has defended it. They are called Ziff's Anything Viewed Doctrine, Budd's As Nature Constraint, Berleant's Unified Aesthetics Requirement, Hepburn's Serious Beauty Intuition, and Thompson's Objectivity Desideratum. The conclusion of the essay is that most contemporary treatments of the aesthetics of nature fail to comply with one or (...)
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  33.  12
    Musical Phenomenology: Artistic Traditions and Everyday Experience.Małgorzata A. Szyszkowska - 2018 - Avant: Trends in Interdisciplinary Studies 9 (2):141-155.
    The work begins by asking the questions of how contemporary phenomenology is concerned with music, and how phenomenological descriptions of music and musical experiences are helpful in grasping the concreteness of these experiences. I then proceed with minor findings from phenomenological authorities, who seem to somehow need music to explain their phenomenology. From Maurice Merleau-Ponty to Jean-Luc Nancy and back to Edmund Husserl and Martin Heidegger, there are musical findings to be asserted. I propose to look at phenomenological studies of (...)
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  34.  21
    Approaching Aisthetics Or: Installation Art and Environmental Aesthetics as Investigative Activity.Benno Hinkes - 2017 - ESPES 6 (2):62-71.
    The article discusses installation art and its potential contribution to a transdisciplinary research practice, in which not only artistic, but also aesthetic theoretical approaches could play a central role. However, as the article shows, this firstly requires a change in perspective concerning the way we approach art. Secondly, it entails changes to a common understanding of aesthetic theory and, thereby, philosophy. A term of central significance in this context is the notion of aisthesis. The article will illustrate these thoughts through (...)
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  35.  80
    Teaching & Learning Guide For: The Aesthetics of Nature.Glenn Parsons - 2008 - Philosophy Compass 3 (5):1106-1112.
    Traditionally, analytic philosophers writing on aesthetics have given short shrift to nature. The last thirty years, however, have seen a steady growth of interest in this area. The essays and books now available cover central philosophical issues concerning the nature of the aesthetic and the existence of norms for aesthetic judgement. They also intersect with important issues in environmental philosophy. More recent contributions have opened up new topics, such as the relationship between natural sound and music, the beauty of animals, (...)
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  36.  20
    Ethics Commands, Aesthetics Demands: Environmental Aesthetics for Environmental Justice in Newark.Erik Anderson - 2010 - Environmental Philosophy 7 (2):115-133.
    I identify a commonly held position in environmental philosophy, “the received view,” and argue that its proponents beg the question when challenged to demonstrate the relevance of environmental aesthetics for environmental justice. I call this “the inference problem,” and I go on to argue that an alternative to the received view, Arnold Berleant’s participatory engagement model, is better equipped to meet the challenge it poses. By adopting an alternative metaphysics, the engagement model supplies a solution to the inference problem (...)
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  37.  46
    Philosophy and Architecture.Michael H. Mitias (ed.) - 1994 - Rodopi.
    Contents: PART I: AESTHETICS OF ARCHITECTURE: QUESTIONS. Francis SPARSHOTT: The Aesthetics of Architecture and the Politics of Space. Arnold BERLEANT: Architecture and the Aesthetics of Continuity. Stephen DAVIES: Is Architecture Art? PART II: NATURE OF ARCHITECTURE. B.R. TILGHMAN: Architecture, Expression, and the Understanding of a Culture. David NOVITZ: Architectural Brilliance and the Constraints of Time. Michael H. MITIAS: Expression in Architecture. Ralf WEBER: The Myth of Meaningful Forms. Michael H. MITIAS: Is Meaning in Architecture a Myth? A Response to (...)
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  38.  37
    Possibility of the Aesthetic Experience.Douglas R. Anderson - 1992 - Idealistic Studies 22 (3):219-220.
    Possibility of the Aesthetic Experience, edited by Michael H. Mitias, is an interesting and diverse collection of essays. It is difficult to know where to begin to evaluate such a collection; the styles move from the quasi-phenomenological of Arnold Berleant’s “Experience and Theory in Aesthetics,” to the historical and technical analyses of Carla Cordua’s “A Critique of Aesthetics” and Bohdan Dziemidok’s “Controversy About Aesthetic Attitude.” In this brief review, therefore, I shall address the book in a way that I (...)
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  39.  20
    The Aesthetic Field: A Phenomenology of Aesthetic Experience. [REVIEW]T. B. - 1971 - Review of Metaphysics 24 (4):741-742.
    This book, an outgrowth of the Bannerstone Division of American Lectures in Philosophy, is an attempt to form the groundwork for an empirical aesthetic that will be flexible and all-inclusive. Berleant bases his ideas on the concept of an open-ended aesthetic field in which art objects are actively experienced. This field consists of the art object, the perceiver, the artist, and the performer. It also includes conditioning factors of a biological, psychological, technological, historical, social, and cultural nature. When the (...)
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  40.  6
    Some Critical Reflections on Berleantian Critique of Kantian Aesthetics From the Perspective of Eco-Aesthetics.Cheng Xiangzhan - 2017 - ESPES 6 (2):30-39.
    In order to develop environmental aesthetics, Berleant takes environment as an aesthetic paradigm. His understanding of the nature of environment decides the nature of his aesthetics of engagement, which emphasizes experiential continuity and rejects the separation between subject and object. Based on these ideas, he criticizes Kant’s core idea of disinterestedness in his series of books. Berleant’s environmental aesthetics has a significant impact on ecoaesthetics in China. However, Berleant’s criticism of Kant’s core idea of disinterestedness is a (...)
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  41.  27
    The Syncretic Approach to Natural Beauty: What It Is and What It Isn’T.Ronald Moore - 2009 - Ethics, Place and Environment 12 (3):357-365.
    The theory presented in my book, Natural Beauty , is syncretic in that it denies the exclusivity of any one model of aesthetic appreciation of natural objects and instead insists: (1) that there is a tight, reciprocating connection between talents of perception that we develop in relation to arts and to natural objects; and (2) that the appreciation of natural beauty is intimately connected to the appreciation of other social values, including ethical values. In this paper, I respond to criticisms (...)
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  42.  22
    Art and Engagement.Karsten Harries - 1992 - Review of Metaphysics 45 (4):844-846.
    Convinced that we need a new aesthetic theory, Berleant attempts "to carry forward such an effort by developing and documenting a framework for aesthetic inquiry free from the restrictive ideas of the recent past". The book divides into three unequal parts. The first offers a sketch of traditional aesthetics and, mindful of the impact of technological change on aesthetic experience, proposes that we replace such key features, often taken for granted, as "disinterestedness" and "contemplation" with "engagement" and "participation." The (...)
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  43.  24
    Sensibility and Sense: The Aesthetic Transformation of the Human World.Robert E. Innis - 2011 - The Pluralist 6 (2):65-70.
    Arnold Berleant has produced once again a stimulating set of reflections on “vitally important topics” in the aesthetic field. The present book is more a collection than a treatise. This characteristic is the source both of the book’s very real value and of its shortcomings, minor as they may be from the substantive point of view. Berleant’s prior books and articles make up a most impressive scholarly and intellectual achievement, and they clearly inform the discussions and arguments brought (...)
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