The literature on the Cambridge Platonists abounds with references to Neoplatonism and the Alexandrian Fathers on general themes of philosophical and theological methodology. The specific theme of the spiritual senses of the soul has received scant attention however, to the detriment of our understanding of their place in this important tradition of Christian speculation. Thus, while much attention has been paid to the clear influence of Plotinus and the Florentine Academy, far less has been given to important theological figures that (...) also form a vital part of the tradition the Cambridge Platonists find irresistible. Similarly, scholarship on the spiritual senses has tended to ignore early modern Protestant developments in this tradition focusing instead on patristic, medieval, and later modern figures. In response to these oversights, the present chapter provides a close reading and analysis of the reception and modification of Origen of Alexandria’s (185-252) doctrine of the spiritual senses in the “Discourse on the True Way or Method of Attaining to Divine Knowledge” by the Cambridge Platonist, John Smith (1618-1652). Although Smith accepted much of the doctrine as he found it in Origen his allegiance to modern notions of methodology, derived especially from Descartes, as well as his Protestantism, made taking the doctrine on authority or antiquity alone unacceptable. Smith therefore offered his own case for the spiritual senses, at once intentionally mimicking the Alexandrian’s interpretive synthesis of Platonism and Scripture (“Origen as model”) and echoing Origen’s own words (“Origen as source”). Whereas Origen made spiritual sensibility intelligible by means of Middle Platonic thought, Smith’s Neoplatonism provided the conceptual tools needed to make sense of biblical passages without suggesting a merely metaphorical meaning for sensory language concerning the awareness of spiritual realities. In this way, both tradition and innovation guide Smith’s reformulation of the doctrine of the spiritual senses. In addition to demonstrating Smith’s debt to patristic thought, this chapter also discusses his influence on such leading figures in modern theology as John Wesley (1703-1791) and Jonathan Edwards (1703-1758). The chapter thus presents an important moment in the development of Christian speculation about the spiritual senses that begins to bridge scholarship on the Patristic and Enlightenment periods. (shrink)

John Smith (1618-1652), long known for the elegance of his prose and the breadth of his erudition, has been underappreciated as a philosophical theologian. This book redresses this by showing how the spiritual senses became an essential tool for responding to early modern developments in philosophy, science, and religion for Smith. Through a close reading of the Select Discourses (1660) it is shown how Smith’s theories of theological knowledge, method, and prophecy as well as his prescriptive account of Christian piety (...) rely on his spiritual aesthetics. Smith offers a coherent system with intellectual intuition informing natural theology and revelation supplemented by spiritual perception via the imagination too. The central uniting feature of Smith’s philosophical theology is thus ‘spiritual sensation’ broadly construed. The book closes with proposals for research on Smith’s influence on the accounts of the spiritual senses developed by significant later figures including Jonathan Edwards (1703-1758) and John Wesley (1703-1791). (shrink)

A *very* rough draft of a paper on Anselm's "ontological argument" in which I argue that the argument in the Proslogion rests on a robust notion of having "that then which nothing greater can be thought" in one's mind.

This paper is an exercise in the Christian (meta)theology of religions. As such, it rests on the idea that systematic theology must take account of the fact of religious pluralism within its articulation of the Christian faith. It might be asked however, despite clear motivations such as the traditional imperative of mission, why we need a theology of religions at all. Why not simply dialogue or engage in a kind of comparative study of the texts and practices of the religions? (...) On the contrary, the fact of religious pluralism requires at least a basic or schematic response in the present, and not only in the alwayspostponed-future that makes true dialogue and comparative theology possible and fruitful. While remaining open to new developments that may arise out of the necessary work of dialogue and comparative theology, the theology of religions can, and should, provide an intellectual resting place, albeit a temporary one, as we shall see. (shrink)

John Smith (1618-1652), the 17th century Cambridge Platonist, employed the traditional language of the spiritual senses of the soul to develop an early modern theological aesthetic central to his religious epistemology and thus to his philosophy of religion and systematic theology. As a Christian Platonist, Smith advocated intellectual intuition of Divine Goodness as the key to theological knowledge and spiritual practice. Additionally, Smith’s theory of prophecy rests on the reception of sensible images in the imagination. Chapter one lays out how (...) Smith’s place in this tradition has been under-appreciated by scholars working on the Cambridge Platonists and the spiritual senses. Chapter two presents an interpretive summary of the spiritual senses tradition and proposes a functional typology that registers three uses of non-corporeal perception throughout the history of Christian theology: (1) accounts of the origin and methods of theological knowledge, (2) descriptions of spirituality, and (3) attempts to systematically present or defend Christian theology. Chapter three places Smith in his historical and intellectual context in early seventeenth century England noting especially how his education prepared him to contribute to the mystical tradition of the spiritual senses of the soul. Chapter four argues that Smith’s theories of theological knowledge, method, and prophecy rest on his development of the spiritual senses tradition, combining intellectual intuition and imaginative perception. Chapter five addresses the role of spiritual aesthetics in Smith’s prescriptive account of Christian piety. Here the spiritual senses are both means and reward in the spiritual life in the process of deification (theosis). Chapter six demonstrates how Smith’s theology forms a coherent system with intellectual intuition informing natural theology and revelation being supplemented by spiritual perception via the imagination. The central uniting feature therefore is the spiritual perception of theological truth. Chapter seven closes with a summary of Smith’s various uses of the spiritual senses and proposes future research on his influence upon later figures including Jonathan Edwards, John Wesley, and prospective constructive work inspired by Smith’s combination of reason and experience in religion. (shrink)

Book review of Georg Gasser, ed. “Personal Identity: How do we Survive Our Death?” (Ashgate, 2010).

Review of Catherine Keller’s the Face of the Deep (Routledge, 2002).

This is a major work in moral philosophy, the long-awaited follow-up to Parfit's 1984 classic Reasons and Persons, a landmark of twentieth-century philosophy. Parfit now presents a powerful new treatment of reasons and a critical examination of the most prominent systematic moral theories, leading to his own ground-breaking conclusion.

Challenging, with several powerful arguments, some of our deepest beliefs about rationality, morality, and personal identity, Parfit claims that we have a false view about our own nature. It is often rational to act against our own best interersts, he argues, and most of us have moral views that are self-defeating. We often act wrongly, although we know there will be no one with serious grounds for complaint, and when we consider future generations it is very hard to avoid conclusions (...) that most of us will find very disturbing. (shrink)

Les institutions - et en premier lieu l'Eglise - où s'exprimait et se vivait l'expérience du sacré se sont peu à peu effritées. Mais le sacré déborde le cadre des institutions et il en reste des vestiges, entre autres, dans la littérature. C'est dans l'oeuvre de Cioran que Sara Danièle Bélanger Michaud les a cherchés. Emil Michel Cioran (1911 - 1995) est un philosophe et essayiste d'origine roumaine qui a vécu en France à partir de 1937. Il est principalement (...) connu pour ses aphorismes et pour son recueil De l'inconvénient d'être né, paru en 1973. Dans son essai, l'auteure présente son oeuvre comme une manifestation de la quête du sacré et une nouvelle manière de l'habiter. Elle écrit : " Qu'il soit question de sa quête spirituelle (ou de son ratage spirituel), de ses rencontres avec l'absolu, de ses expériences d'extase, de son obsession pour le doute ou encore de sa nature religieuse à rebours, c'est toujours en même temps du sacré dont il est question ". (shrink)

This is the second volume of a major new work in moral philosophy. It starts with critiques of Derek Parfit's work by four eminent moral philosophers, and his responses. The largest part of the volume is a self-contained monograph on normativity. The final part comprises seven new essays on Kant, reasons, and why the universe exists.

In the first monograph on Lyotard and education, Derek R. Ford approaches Lyotard's thought as pedagogical in itself. The result is a novel, soft, and accessible study of Lyotard organized around two inhuman educations: that of "the system" and that of "the human." The former enforces an interminable process of development, dialogue and exchange, while the latter finds its force in the mute, secret, opaque, and inarticulable. Threading together a range of Lyotard's work through four pedagogical processes-reading, writing, voicing, (...) and listening-the author insists on the distinct educational logics that can uphold or interrupt different ways of being-together in the world, touching on a range of topics from literacy and aesthetics to time and political-economy. While Inhuman Educations can serve as an introduction to Lyotard's philosophy, it also constitutes a singular, provocative, and fresh take on his thought. (shrink)

Avec trois entretiens de Jean-Luc Nancy Cosa volante : l'art n'est ni un objet, ni un ensemble de composantes formelles, encore moins schème et substance. L'art les arts plutôt, dans leur pluralité différentielle élève la question d'une forme en formation. Cette forma formans traverse de part en part la pensée des arts de Jean-Luc Nancy où importe surtout l'approche de ce qui, dans l'art, fait sens (sensibilité, intelligence, sensation, sensualité). A travers touches, intensités, vibrations, timbres, tonalités, colorations, grains, résonances, rythmes, (...) il s'agit de voir comment les arts donnent forme au monde. Cet ouvrage explore plusieurs motifs du travail de Nancy : sa réflexion sur l'iconologie "chrétienne" au sein de sa "déconstruction du christianisme", la question de ses "étranges corps étrangers", les modalités de ses ekphraseis, sa poétique cinétique, entre autres. Trois entretiens avec le philosophe constituent des moments privilégiés de cet échange autour de la question de l'art. (shrink)

Pour yourself glass of Three Wizard's Chardonnay, Winkle's Old Peculiar, or Soggy Mountain Dew, pull up a three-legged chair, and for Om's sake, stay out of the bathtub! Keep and eye open for the octarine flashes that would indicate magic is trying to escape from the pages and be ready to grab something made of copper in order to ground uncontrolled magic without harmful incident (Some would Consider the Copper Safeguard Unnecessary) You are now ready to dive into Discworld and (...) Philosophy and join a group of philosophical Discworld fans as they explore truth, history, death, luck, morality, and reality in the magical inverse of the Disc. (shrink)

This chapter deals with one of the common fallacies in Western philosophy, inappropriate appeal to authority (IAA). IAA has many different facets. At its core, it is a fallacy that assumes that because someone is an authority, we should listen to that person. The problem with IAA is that it ignores content in favor of credentials and power. There are a few different ways in which IAA can occur. IAA seems to be the result of a flaw in human thinking. (...) Social cognitive theory, a theory that helps explain human action, notes that humans tend to act like each other. The tendency to listen to authorities who are not authorities explains why celebrities are able to sell us stuff. The important thing to remember about IAA is that it is not just a fallacy that comes up in arguments that do not matter. (shrink)

It’s intuitive to think that an intentional action requires that the agent knows that she’s doing so. In light of some apparent counterexamples, Setiya suggests that this intuitive insight is better captured in terms of credence: performing an intentional action requires the agent to have a higher credence that she’s doing so than she would have otherwise. I argue that there is no such thing as an agent’s credence for what she’s doing. After distinguishing this thesis from an idea some (...) defend under the slogan “deliberation crowds out prediction”, I explore the thesis’s broader epistemological implications for the belief-credence relation. (shrink)

This chapter focuses on one of the common fallacies in Western philosophy, 'intentional fallacy (IF)'. The IF is an odd kind of fallacy. Rather than being a fallacy focused on logic and argumentation, it is a fallacy that focuses on art, relating to how we judge art and engage in literary criticism. The IF focuses on the fact that we often think that there is one right interpretation of a work of art. According to David Fenner, the IF “states that (...) we do not need to know, nor can we on most occasions, what was in the mind of the artist in order to interpret the art work”. So, it seems unreasonable to use the artist's intention as the most important way to understand a work of art as the artist's intention is often unavailable. The IF is an error in art interpretation that causes us to realize important things about art. (shrink)

"La poétique de Celan- a profondément incisé la réflexion de Derrida, lui devenant indispensable pour repenser les questions de la date, de la crypte et du secret. De Schibboleth à Béliers et à son dernier séminaire, La bête et le souverain, Derrida s'est aussi intéressé au poème celanien comme lieu d'une souveraine solitude, d'une souveraineté autre, peut-être, quand il parle de lui-même. Cet essai tente d'analyser la portée du deuil et de la dette contractée par le philosophe à l'endroit du (...) poète. De la rencontre entre Celan et Derrida, nulle archive ne saura témoigner. Le verbe "témoigner" évoque une sorte de mot de passe secret entre eux : "Niemand/ zeugt für den/ Zeugen" et "Die Welt ist fort, ich muss dicte tragen". Ces deux vers, Jacques Derrida incitait ses lecteurs à les apprendre par coeur pour deux raisons : d'abord, pour méditer sans fin le rapport à la langue, à l'idiome plutôt, de Celan, creusant, enibuissant, retournant sa langue dans la langue allemande ; ensuite, pour mesurer relever, dit Derrida la nécessaire et impossible épreuve de la traduction, cette question qui est non seulement l'un des enjeux les plus importants de la "déconstruction" mais aussi le foyer d'une éthique de la lecture."--Page 4 of cover. (shrink)

Mengzi states that our human nature consists of our ability to feel compassion, disdain, respect, and (dis-)approval: all human beings have them. But he also states that we lose these four emotional capacities if we don’t reflect on or attend to them. There is an apparent contradiction in saying that all humans have them, but some have lost them. This essay offers a close reading of Mengzi’s phrase “to lose it” that helps explain away this appearance of contradiction. In doing (...) so, Mengzi is interpreted to be offering an ethics of attention about how we should attend to ourselves and others selectively to have a functional social life. (shrink)

Le constat est maintenant partout: la puissance du fondamentalisme religieux, la montee des populismes de droite comme de gauche, le discredit de la classe politique, le rejet de la construction europeenne, rendent caducs les schemas anciens. En particulier l'idee que la democratie, a force de bienveillance, peut tolerer toutes les differences, toutes les croyances. Oui! Il y a des croyances insupportables et intolerables. Non! Le populisme n'est pas une illusion qui se dissipera d'elle-meme avec un peu de pedagogie et de (...) bonne volonte. Non! La politique internationale n'obeit pas aux chartes du droit international. Il faut denoncer la tyrannie des bons sentiments, la politique de l'emotion et de la compassion. Non que la bienveillance soit un sentiment indigne, mais nous devons cesser de croire qu'on peut batir sur elle une communaute politique. (shrink)

Tragedy and Citizenship provides a wide-ranging exploration of attitudes toward tragedy and their implications for politics. Derek W. M. Barker reads the history of political thought as a contest between the tragic view of politics that accepts conflict and uncertainty, and an optimistic perspective that sees conflict as self-dissolving. Drawing on Aristotle's political thought, alongside a novel reading of the Antigone that centers on Haemon, its most neglected character, Barker provides contemporary democratic theory with a theory of tragedy. He (...) sees Hegel's philosophy of reconciliation as a critical turning point that results in the elimination of citizenship. By linking Hegel's failure to address the tragic dimensions of politics to Richard Rorty, John Rawls, and Judith Butler, Barkeroffers a major reassessment of contemporary political theory and a fresh perspective on the most urgent challenges facing democratic politics. Derek W. M. Barker is a program officer at the Kettering Foundation. (shrink)

French social and philosophical thought has played a very significant role in the development of European and American social theory. This detailed, timely book provides a map of the production and reception of French social thought within a global sociological context. Critically comparing the work of five key theorists Derek Robbins examines how their ideas were produced and received before persuasively setting out the key differences between their philosophical and ideological positions. The book sensitively traces the cross-currents of social (...) theory and confidently leads the reader through the complex foundations of Western social thought. Each chapter represents a textual analysis of the production of a critical intellectual and focuses upon the work of: Althusser, Foucault, Aron, Lyotard, Bourdieu. This carefully crafted volume represents a significant contribution to the globalization of theory and will be essential reading for anyone interested in Western social theory and the foundations of sociological thought."--Publisher's website. (shrink)

Traversing the fields of pedagogy, philosophy, and political theory, this book develops a marxist theory of education that will be useful for academics and activists alike. The second edition includes two additional chapters as well as a new preface and revisions throughout.

This chapter contains sections titled: Nice Tattoo What is Art? Art World Theory: Art is Participation in the Art World Formalism: Art is the Result of Formal Properties Working Together Expressionism: Art Elicits an Emotional Response from the Viewer What Do These Theories Accomplish for Tattoos? Tattoos as Performance Art The Human Canvas Tattoos, Mortality, and Deep Meaning.

This chapter focuses on one of the common fallacies in Western philosophy: appeal to tradition (ATT). ATT means to ignore the evidence that we should change because we have been doing something for a long time. ATTs are tremendously useful fallacies. ATTs hinge on sentimental tendencies and unwillingness to change, and are particularly dangerous when they prevents change. ATT seems to suggest that there is something good about tradition that trumps any other concerns. The problem is that since tradition has (...) nothing to do with morality, it is really easy for ATT to be used to justify anything, from continuing to tell children that Santa exists to preventing an oppressed group of people from voting. Perhaps at the core of ATT is belief that family and cultural traditions are important. In some ways, ATT is a popular fallacy of grandmothers all over the world. (shrink)

John C. Altmann decides whether Dracula can really be blamed for his crimes, since it's his nature as a vampire to behave a certain way. Robert Arp argues that Dracula's addiction to live human blood dooms him to perpetual frustration and misery. John V. Karavitis sees Dracula as a Randian individual pitted against the Marxist collective. Greg Littmann maintains that if we disapprove of Dracula's behavior, we ought to be vegetarians. James Edwin Mahon uses the example of Dracula to resolve (...) nagging problems about the desirability of immortality. Adam Barkman and Michael Versteeg ponder what it would really feel like to be Dracula, and thereby shed some light on the nature of consciousness. Robert Vuckovich looks at the sexual morality of Dracula and other characters in the Dracula saga. Ariane de Waal explains that "Dragula" is scary because every time this being appears, it causes "gender trouble." And Cari Callis demonstrates that the Count is really the Jungian Shadow archetype--with added Shapeshifter elements--in the journey of Mina Harker, heroine/victim of Stoker's novel, from silly girl to empowered woman. (shrink)

Jar Jar Binks might be the most hated individual in the Star Wars universe. He should feel a great deal of guilt over his actions in the Senate, though well meaning, because they caused so much strife. This chapter considers how Darth Vader would reflect on his own actions: it is unlikely that he feels particularly good about inadvertently provoking Leia's confession of love. The chapter now talks about Immanuel Kant. Kant's ethics are focused on intentions, the reasons why people (...) choose to act as they do. Jar Jar was, like most of the Senate, a victim of Palpatine's deceptions. The author highlights that it is fair to say that Jar Jar did not make the choice to grant Palpatine emergency powers because he could not do otherwise. So, even though the consequences were grave, and Jar Jar's decision hasty, he can be absolved for what he did. (shrink)

Lois is so easily deceived by Clark’s glasses and mild‐mannered demeanor because identity isn’t nearly as clear as we’d like to believe. In fact, may be there is a strong sense in which Clark Kent and Superman really are two different people. Memory isn't the right place to look for identity, unless we want to agree that Superman losing his memory would mean that he was, in effect, dead. If we look at personal identity as something we just kind of (...) make up about ourselves and others, basically as just using names to avoid confusion and complexity, then we can start to give Lois some slack for never realizing that Superman and Clark aren't the same person. When we name things, we give them a common‐sense version of identity, and Superman and Clark are given two different identities by society and even themselves. (shrink)

This is Thomas Reid's greatest work. It covers far more philosophical ground than the earlier, more popular Inquiry. The Intellectual Powers and its companion volume, Essays on the Active Powers of Man, constitute the fullest, most original presentation of the philosophy of Common Sense. In the process, Reid provides acutely critical discussions of an impressive array of thinkers but especially of David Hume. In Reid's eyes, Hume had driven a deep tendency in modern philosophy to its ultimate conclusions by creating (...) a phantom-world of so-called 'ideas' that sprang from objects of observation; the self was a conglomeration of perceived ideas; and the will as the source of action was nothing but the balance of passionate impulses. -/- Reid's Common Sense philosophy answers these problems by suggesting that sceptics, such as Hume, unavoidably affirm what they purport to deny, namely the existence of a stable external world, of other minds, of the continuity of their own minds, and of their own and other people's ability to ascribe and accept responsibility for actions. We can understand all of this by proper empirical observation and philosophical analysis of the activity of the mind. Reid's major positive contribution to philosophy is a detailed account of the various innate powers of the mind. While particularly influential in the first half of the nineteenth century, Reid's work has retained a significant role in philosophy, not least in recent years. At the same time, his role in the Scottish Enlightenment is becoming much better understood. -/- This is the only properly established text. It is accompanied by manuscript lectures on the nature and immortality of the soul, as well as helpful editorial annotation and introduction, making it useful to a wide variety of readers. -/- Key Features: -/- Accurate, reliable and critically established text; The Introduction explains the work's genesis and its place in Reid's system; Annotations provide an understanding of Reid's context; An Appendix contains manuscript material covering an important topic not represented in the hitherto published work. (shrink)

From David Hume's famous puzzle about 'the missing shade of blue' to current research into the science of colour, the topic of colour is an incredibly fertile region of study and debate, cutting across philosophy of mind, epistemology, metaphysics and aesthetics as well as psychology. Debates about the nature of our experience of colour and the nature of colour itself are central to contemporary discussion and argument in philosophy of mind and psychology, and philosophy of perception. This outstanding Handbook contains (...) twenty-nine specially commissioned contributions by leading philosophers and examines the most important aspects of philosophy of colour. It is organised into six parts: The Importance of Colour to Philosophy The Science and Spaces of Colour Colour Phenomena Colour Ontology Colour Experience and Epistemology Language, Categories and Thought. The Routledge Handbook of Philosophy of Colour is essential reading for students and researchers in philosophy of mind and psychology, epistemology, metaphysics and aesthetics, as well as for those interested in conceptual issues in the psychology of colour. (shrink)