Models of experience -- The interpenetration of concepts and society -- Negativism and truth -- Texture, performativity, and truth -- Aesthetic truth content and oblique second reflection -- Beethoven, proust, and applying adorno's aesthetic theory.

Whether art can be wholly autonomous has been repeatedly challenged in the modern history of aesthetics. In this collection of specially-commissioned chapters, a team of experts discuss the extent to which art can be explained purely in terms of aesthetic categories. Covering examples from Philosophy, Music and Art History and drawing on continental and analytic sources, this volume clarifies the relationship between artworks and extra-aesthetic considerations, including historic, cultural or economic factors. It presents a comprehensive overview of the question of (...) aesthetic autonomy, exploring its relevance to both philosophy and the comprehension of specific artworks themselves. By closely examining how the creation of artworks, and our judgements of these artworks, relate to society and history, Aesthetic and Artistic Autonomy provides an insightful and sustained discussion of a major question in aesthetic philosophy. (shrink)

In this chapter I consider what the limits of autonomous aesthetic experience are, for Adorno. Autonomous aesthetic experience can, in Adorno's view, lead us to knowledge of facts about the world external to the artwork. It is challenging to reconcile this with his account of the “hermetically sealed” nature of artworks. In response, I argue that aesthetic experience is for Adorno intrinsically truth‐directed, and intrinsically speculative.

In this article I revisit A. C. Bradley's account of form/content unity through the lens of both Peter Kivy's and Peter Lamarque's recent work on Bradley's lecture “Poetry for Poetry's Sake.” I argue that Lamarque gives a superior account of Bradley's argument. However, Lamarque claims that form/content unity should be understood as an imposition applied by the reader to poetry. Working with the counterexample of modernist poetry, I throw doubt on both this claim and some associated presuppositions found in Lamarque's (...) account. Modernist poetry appears to intermittently fail to exhibit form/content unity; its unique value also appears bound up with this intermittent failure. However—against the moderates, like Kivy and Kelly Dean Jolley, who this counterexample may seem to support—I claim Lamarque is nonetheless correct that form/content unity is intrinsic in response to poetic value. I argue form/content unity should be seen as a demand, which poems can intentionally frustrate. (shrink)

Adorno’s commitment to anti-foundationalism generates a concern over how his ethically normative appraisals of social phenomena can be founded. Drawing on both Kohlmann and Bernstein’s account, I produce a new reading which contends somatic impulses are capable of bearing intrinsically normative epistemic and moral content. This entails a new way of understanding Adorno’s contention that Auschwitz produced a new categorical imperative. Working with Bernstein’s account, I claim that Auschwitz makes manifest the hostility of the instrumentalization of reason to the somatic (...) grounds of reason. One’s mimetic identification with the victims of Auschwitz arouses a self-preserving desire to intercede in and re-orient the progress of reason itself, for the sake of one’s own somatic integrity. In closing, I claim – contra Zuidervaart – that this reading allows us to place the ethical as primary in Adorno, without reducing the political to it. (shrink)

adorno’s philosophy bristles with terms that, shorn from any settled stipulative definition, present a challenge to the reader.2 Adorno’s difficult concept of “non-identity” is perhaps the most notorious, but it is “mimesis” that more than any other resists easy comprehension. Despite this, or because of it, mimesis has received sustained and enthusiastic attention. Jameson goes so far as it say that mimesis is for Adorno a “foundational concept, never defined nor argued but always alluded to, by name, as though it (...) had pre-existed all the texts.”3 While the talk of foundational concepts is perhaps a little strong, Adorno gives us cause to think mimesis is a central part of his philosophy, due to its infrequent.. (shrink)

In this paper I argue that Peter Kivy’s contention that music is incapable of profundity is correct only in a limited sense. So long as we associate profundity with depth of subject matter, even the revisions proposed by Stephen Davies and Julian Dodd are incapable of delivering an account of musical profundity which has the correct scope. Theories of profundity based on criteria of exemplification and non-denotational expression of content remain vulnerable to Kivy’s well-chosen counter-examples of non-profound artworks which meet (...) these criteria. However, the established debate presumes that profundity is only possible through a depth of subject matter; I argue that there is an alternative form off profundity which music does exhibit, relating to its formal complexity. This profundity I term ‘anti-humanist’. (shrink)

ABSTRACTIn this paper, I consider Adorno's claim that art is at, or is coming to, an ‘end’. I consider Adorno's account in relation to the work of Arthur Danto and G. W. F. Hegel. I employ Danto's account, together with two distinct interpretive glosses of Hegel's account, as heuristic devices in order to clarify both Adorno's own arguments, and the context within which they are being advanced. I argue that while Danto and Hegel see art as coming to an end (...) autonomously, owing to art's successful realization of its governing principle, Adorno by contrast sees art as coming to an end heteronomously. Art's narrative is forcibly broken off, rather than completed. Adorno's account, indebted to Hegel, of art's commitment both to autonomy and the realization of ‘spiritual needs’ is explored in order to clarify how, on Adorno's view, this has happened to art; and why, precisely, he believes art is coming to an end. (shrink)

I will argue that there are (at least) two species of musical silence, which cannot be distinguished by attending to how these silences sound. I term these two kinds of musical silence ‘capacious’ and ‘opaque’. Both capacious and opaque musical silences might occur in the midst of the ongoing production of sound or might exist in the complete absence of sound. Both kinds of silence can, in certain conditions, be sonically identical, but both are always received by the listening ear (...) in importantly different ways. I will discuss our ability to distinguish between these silences, even when they ‘sound’ the same. I will argue that the accounts of musical silence and silent music offered by (among others) Levinson, Kania, and Davies are vitiated by their failure to distinguish between these kinds of musical silence. I distinguish these kinds of silence by the kinds of listening activity associated with them, and the ideal structure of such listening practices. (shrink)

Adorno sees experience as intrinsically interpretative. As interpretation requires normative constraints, in order to guide and channel this interpretative engagement, this opens the question of how experience acquires its motivating criteria. If experience is from the first criterially structured, how are these criteria acquired? Moreover, as these criteria are acquired in isolation from experience – as they are the precondition of that experience – are these criteria sensitive to the particularity of the experiences they produce? In order to address these (...) questions, and the problems they threaten to create for Adorno’s epistemology, I look at Adorno’s theory of impulse and cognition. I argue that Adorno grounds the criterial structure of experience and reason in self-preservation. This provides both a motivation and a determining constraint on the criterial structure of experience. It is also a determining influence which is epistemically flexible and compatible with Adorno’s project of tracing .. (shrink)

Prehistoric artefacts are capable of great beauty, despite our usually being in ignorance of the kind of cultural and interpretive practices which occasioned them, and which would make clear to us what such artefacts meant. I argue that often our aesthetic response to these artefacts—where we have no firm knowledge of their cultural context—is bound up with their ability to present a kind of physiognomy of the historical relationship between such objects, the historical processes which produced them and went on (...) to produce us, and ourselves. I claim further that this physiognomy, and the pathos associated with it, makes possible an aesthetic experience related to the dynamically sublime. I close by considering the consequences of this aesthetic experience for the restoration of prehistorical artefacts, and argue that it demonstrates and explains why—in these cases—a purist form of restoration is required. (shrink)

Axel Honneth has had considerable success in grounding his normative social philosophy on recognitive structures, and the capacity of experiences of disrespect to stimulate “struggles for recognition.” These struggles for recognition are held to yield advances in social structure, and to expand the individual's capacity for self-realization. In this paper, I show that this account relies on a supressed dichotomy between the immediate pre-recognitive self, and the mediated self produced intersubjectively. I argue that this dichotomy persists beyond Honneth's explicit use (...) of Meadian terminology, and that Honneth relies on an unsophisticated account of mediation which, once critiqued, undermines his attempt to derive norms from recognition simpliciter. A promising alternative is found in Adorno's analysis of humanism and the category of the individual, which shows that true fidelity to the aims of humanism entails a rejection of humanism itself, as the individual is a proleptic category. (shrink)

The aim of this paper is threefold. In the first place, I should like to show that Adorno’s philosophy is dependent, to a degree perhaps not always directly recognized in the literature, on a deeply contentious view on the relationship between the mind and the body. In order to show this, I explore and bring out the epistemic and ethical stakes for Adorno’s theory of the relationship between mind and body. Secondly, I move to better articulate precisely what Adorno’s view (...) on the nature of this relationship is. I hold that his position revolves around positing a porous boundary between the domains of the somatic and the cognitive. In closing, I show that Adorno’s account relies on this domain boundary being unidirectionally porous, in that determination of somatic impulses by cognitive content does not seem a live option for Adorno. I go on to note that this smuggles in a dubious position which does a lot of unearned work. The stakes which his implicit account of the body and mind relationship serv.. (shrink)

In this paper, I argue that Spinoza's claim at E1P15 that “Whatever is, is in God, and nothing can be or be conceived without God” remains exegetically troubling. Briefly noting some unresolved difficulties with the two dominant interpretations of Spinoza's account of the relationship between finite modes and God (these being the inherence and causal dependence readings), I move to claim that there is a third, neglected reading available which deserves consideration. I argue that, perhaps surprisingly, Althusser's notion of “structural (...) causality,” putatively derived from Spinoza himself, can be used to construct this reading. Althusser's original notion of “structural causality” is explained and clarified further, its advantages outlined over competing readings of Spinoza, and exegetical evidence for its applicability to Spinoza is then produced. (shrink)

This paper traces some lines of influence between post-Kantianism and Critical Theory. In the first part of the paper, we discuss Fichte and Hegel; in the second, we discuss Horkheimer, Adorno, and Honneth.

A review of Owen Hulatt´s Aesthetic and Artistic Autonomy.

Owen Hulatt has written an exceptional book. As truth takes a beating at the hands of late capitalism, Theodor W. Adorno's assessment of the modern world and of truth becomes intimately relevant. There is a lot to recommend in this book, and it is a bold contribution to understanding Adorno.Following Adorno, Hulatt suggests that there is a connection between epistemology and aesthetics, that the objects of both admit of being true. As he puts it, "art is itself (...) a kind of knowledge". Hulatt's strategy is to begin with epistemology and focus on the emergence of conceptuality. Following Adorno and Max Horkheimer's account in Dialectic of Enlightenment, Hulatt develops a novel reading of that... (shrink)

Owen Flanagan argues in this book for a more psychologically realistic ethical reflection and spells out the ways in which psychology can enrich moral philosophy. Beginning with a discussion of such "moral saints" as Gandhi, Mother Teresa, and Oskar Shindler, Flanagan charts a middle course between an ethics that is too realistic and socially parochial and one that is too idealistic, giving no weight to our natures.

Two models of assertion are described and their epistemological implications considered. The assurance model draws a parallel between the ethical norms surrounding promising and the epistemic norms which facilitate the transmission of testimonial knowledge. This model is rejected in favour of the view that assertion transmits knowledge by expressing belief. I go on to compare the epistemology of testimony with the epistemology of memory.

In Measuring the Immeasurable Mind: Where Contemporary Neuroscience Meets the Aristotelian Tradition, Matthew Owen argues that despite its nonphysical character, it is possible to empirically detect and measure consciousness. -/- Toward the end of the previous century, the neuroscience of consciousness set its roots and sprouted within a materialist milieu that reduced the mind to matter. Several decades later, dualism is being dusted off and reconsidered. Although some may see this revival as a threat to consciousness science aimed at (...) measuring the conscious mind, Owen argues that measuring consciousness, along with the medical benefits of such measurements, is not ruled out by consciousness being nonphysical. Owen proposes the Mind-Body Powers model of neural correlates of consciousness, which is informed by Aristotelian causation and a substance dualist view of human nature inspired by Thomas Aquinas, who often followed Aristotle. In addition to explaining why there are neural correlates of consciousness, the model provides a philosophical foundation for empirically discerning and quantifying consciousness. En route to presenting and applying the Mind-Body Powers model to neurobiology, Owen rebuts longstanding objections to dualism related to the mind-body problem. With scholarly precision and readable clarity, Owen applies an oft forgotten yet richly developed historical vantage point to contemporary cognitive neuroscience. (shrink)

Unlike many other animals, human beings enjoy freedom of action. They are capable of acting freely because they have certain psychological capacities which other animals lack. In this paper, I argue that the crucial capacity here is our ability to make practical judgements; to make judgements about what we ought to do. A number of other writers share this view but they treat practical judgement as a form of belief. Since, as I argue, we don't control our beliefs, that undermines (...) this model of human freedom. I suggest a different account of practical judgement, according to which they are cognitive states but not beliefs and I show how this provides us with a better model of practical freedom. (shrink)

The first book-length treatment in English of Habermas’s theory of social evolution and progress.

This is the first critical edition of a fascinating medieval work on music, written in Iraq in the tenth century. It is accompanied by an English translation and full annotation. The Epistle examines not just the technical, scientific, and mathematical aspects of music, but its cosmic, psychological, and spiritual dimensions.

Nick Bostrom and others have suggested treating decision-making under moral uncertainty as analogous to parliamentary decision-making. The core suggestion of this “parliamentary approach” is that the competing moral theories function like delegates to the parliament, and that these delegates then make decisions by some combination of bargaining and voting. There seems some reason to hope that such an approach might avoid standard objections to existing approaches (for example, the “maximise expected choiceworthiness” (MEC) and “my favourite theory” approaches). However, the parliamentary (...) approach is so far extremely underspecified, making it largely indeterminate how such a model will in fact behave in the respects that those concerned with moral uncertainty care about. This paper explores one way of making it precise. We treat predicaments of moral uncertainty as analogous to bargaining situations alone (setting aside voting), and apply a version of the Nash solution that is standard in bargaining theory. The resulting model does indeed perform in many of the hoped-for ways. However, so also does a version of MEC that employs a structural approach to intertheoretic comparisons. It seems to us an open question which, regarding this version of MEC and the bargaining-theoretic approach, is superior to the other. We identify the key points on which the two differ. (shrink)

This chapter contains sections titled: The Problem of Normative Power Consent and Choice Promise, Consent and Normative Interests Permissive Interests.

In Morality Bernard Williams confronts the problems of writing moral philosophy, and offers a stimulating alternative to more systematic accounts which seem nevertheless to have left all the important issues somewhere off the page.

This paper examines the learning and performance of the air traffic control (ATC) work domain. This domain was chosen because it embodies features that represent future work for many other industries (e.g., information service provision mediated by information technologies; a high reliance on communication skills and collaborative work; increasing complexity and intensity of the work activity), within an organisational context undergoing considerable change. In ATC work learning occurs formally as part of accredited training and informally, as part of everyday practice. (...) In this way learning and experience of ATC work shapes – and is shaped by – the way work is organised, which includes the divisions of labour and technological artefacts. ATC work is experienced temporally, complexly, through affect and socially. Controllers learn to use a variety of socio-material resources which include embodiment and artefacts to undertake the work. In so doing the article demonstrates the ways in which learning and performance is not just a cognitive undertaking, but one that draws on embodiment to achieve what here is called “interdependent sentience”. This involves using all their senses to gain an awareness of problems as they emerge to collectively accomplish a seamless air traffic flow in a complex interdependent socio-technical system. (shrink)

Studying Lacan's Seminar VII offers a contemporary, critically informed set of analyses of Lacan's ethics seminar and astute reflections about what Lacan's ethics offers to the field of psychoanalytic thought today. The volume interrogates the seminar with fresh voices and situated curiosities and perspectives, making for a compellingly exciting range of explorations of the crucial matters related to an ethics of psychoanalysis. The essays question and tease out the paradoxes Lacan draws attention to in his seminar of 1959-1960, and in (...) addition, offer radical engagements with the seminar in light of theories of racism, inequality, capitalism, education, and subjectivity. The key elements in Lacan's seminar are explained, debated, and reconsidered with Antigone, das Ding, and the inevitable "ne ceder pas sur son desir" duly unpacked, examined, and ruminated upon. Studying Lacan's Seminar VII will be of interest to psychoanalytic scholars and students of Lacanian psychoanalysis, as well as psychoanalytic therapists and analysts. It will also be of interest to scholars and students of politics, philosophy, and studies at the intersections of racism, film, feminism, sociology, gender and queer theory. (shrink)

A historical review -- Contemplative practices in higher education -- Challenges and replies to contemplative methods -- Contemplative research -- The contemplative mind : a vision of higher education for the 21st century.

Joanna Leidenhag’s research monograph Minding Creation: Theological Panpsychism and the Doctrine of Creation argues that theologians should seriously consider and perhaps even support panpsychism. In light of rekindled interest in panpsychism amongst philosophers of mind and a noteworthy minority of cognitive neuroscientists, which comes in the wake of physicalism’s faltering, Leidenhag’s thesis is timely. This work briefly analyzes some key aspects of Minding Creation.

This chapter contains sections titled: Learning Difference Against Ignoring Difference I Am Because We Are and We Are Because I Am Practicing Just Parenting Teaching Alienation? Notes.

"In the great English tradition of the lay specialist, Barfield, a lawyer, modernizes the Platonic dialogue format to focus on the philosophic problems of reality and ways of knowing.. This is the solvent mind at its best-distinguished exchanges giving provocative, open-ended results at every point. Highly recommended. of permanent value." Owen Barfield, who died in 1997 shortly after entering his hundredth year, was one of the seminal minds of the twentieth century, of whom C. S. Lewis wrote "he towers (...) above us all." His books have won respect from many writers other than Lewis, among them T. S. Eliot, J. R. R. Tolkein, and Saul Bellows, and John Lukacs. He was born in North London in 1898 and received his B.A. with first-class honors from Wadham College, Oxford, in 1921. He also earned B.C.L., M.A., and B.Litt. degrees from Oxford and was a fellow of the Royal Society of Literature. He served as a solicitor for twenty-eight years until his retirement from legal practice in 1959. Barfield was a visiting professor at Brandeis and Drew Universities, Hamilton College, the University of Missouri at Columbia, UCLA, SUNY-Stony Brook, and the University of British Columbia, Vancouver. His books include seven others published by The Barfield Press: Romanticism Comes of Age, Worlds Apart: A Dialogue of the 1960s, Unancestral Voice, Speaker's Meaning, What Coleridge Thought, The Rediscovery of Meaning, and History, Guilt and Habit. (shrink)

Heraclitus accepts as a principle that any particular insight into things is necessarily partial and perspectival. Edward Halper has discussed how, for this reason, it is in principle impossible for a particular thinker to attain the perspective of the Logos by which the whole can be made intelligible. So, metaphysics itself tells us that metaphysics is impossible. According to Halper, Heraclitus was wrong to take the Logos as applying to itself, as the Logos should properly be understood as applying only (...) to what is not a product of human agency. I argue that Halper’s move cannot serve as a corrective patch to Heraclitus’ metaphysical thought, since it posits a distinction between the human and the rest of reality which Heraclitus could never accept. Although not a radical monist who denies the reality of all multiplicity, a fundamental principle of his thought is that all distinctions and oppositions are grounded in a more fundamental unity. I instead approach the Heraclitean paradox by appealing to the strategy, familiar from a number of ancient Greek philosophers, of making a distinction between different levels of knowledge inherent within the same knower. (shrink)

After #MeToo, academics have become increasingly focused on the liberal concept of consent. Either problematized as a means of distinguishing between sex and rape, or vaunted as a tool for having better sex, consent remains central to discussions of sexual violence. Returning to Andrea Dworkin’s thought, this article argues that contemporary feminists must move beyond consent and recenter the problem of violence to theorize rape. Dworkin, alongside Catharine MacKinnon and Carole Pateman, critiques consent for disguising the violence of rape, sex, (...) and pornography. By defining violence as a process of objectification, Dworkin exposes rape, pornography, and most controversially, consensual heterosexual intercourse as “a new kind of death.” She, in turn, calls for the feminist exercise of violence as a tactic of disclosure that promises to make visible patriarchal violence hidden by consent and sexualization. Moving beyond consent to recenter the problem of violence, I conclude, opens up new avenues for feminist action and brings into view the seemingly unthinkable possibility of a world without rape. (shrink)

This article addresses the relationship of toleration and humour as virtues. It argues that our understanding of toleration as a virtue has been captured and shaped by the conception of tolerance as a duty and, through a critique of John Horton’s classic article on toleration as a virtue, seeks to show what a view freed from such captivity would look like. It then turns to argue that humour plays a fundamental role in relation to living a virtuous life. Finally, it (...) attempts to establish the practical necessity of the relationship between tolerance and humour setting out what I take to be significant structural relationships between them and between their formation as settled dispositions of character. (shrink)