lack.” Lacan’s conception of Eros revolves around “a presentification of 1 It is my contention that King Lear invites a theoretical reading of kinship as such “presentification of lack.” Indeed, the dialectic of desire in the text derives from King Lear’s discovering that his own kingly signifier signifies nothing. This error of judgment, which stems from a confusion between desire and jouissance, leads him to misappropriate the rules of bothkingship and kinship. Interestingly enough, it is Cordelia, the daughter andsubject with (...) whom he is erotically involved, who brings home to him thetruth of his error. As an incestuous drama of signification, then, King Learnot only relates to the Phallus as master signifier, but also to the Name-ofthe-Father as referent of the law. Moreover, the truth Cordelia speaks is “a half-said” that leads to the “abolition of discourse”: muteness, madness anddeath. 2 Thus, if the violence implicit in the erotics of the play strikes at “the self-contained character of the participators,” it strikes first at the core of language. 3. (shrink)

The article deals with Cantor's argument for the non-denumerability of reals somewhat in the spirit of Lakatos' logic of mathematical discovery. At the outset Cantor's proof is compared with some other famous proofs such as Dedekind's recursion theorem, showing that rather than usual proofs they are resolutions to do things differently. Based on this I argue that there are "ontologically" safer ways of developing the diagonal argument into a full-fledged theory of continuum, concluding eventually that famous semantic paradoxes based (...) on diagonal construction are caused by superficial understanding of what a name is. (shrink)

Although the theory of greatest-element rationalizability and maximal-element rationalizability on general domains and without full transitivity of rationalizing relations is well-developed in the literature, these standard notions of rational choice are often considered to be too demanding. An alternative definition of rationality of choice is that of non-deteriorating choice, which requires that the chosen alternatives must be judged at least as good as a reference alternative. In game theory, this definition is well-known under the name of individual rationality (...) when the reference alternative is construed to be the status quo. This alternative form of rationality of individual and social choice is characterized inthispaperongeneraldomainsandwithout full transitivity of rationalizing relations. (shrink)

How anything acts depends upon what it is, both as a kind of thing and as a distinct individual of that kind: “agere sequitur esse” — action follows being. This is as true of signs as it is of lions or centipedes: therefore, in order to determine the range or extent of semiosis we need above all to determine the kind of being at stake under the name “sign”. Since Poinsot, in a thesis that the work of Peirce centuries (...) later confirmed, the proper being of signs as signs lies in a relation, a relationship irreducibly unifying three distinct terms: a foreground term representing another than itself — the representamen or sign vehicle; the other represented — the significate or object signified; and the third term to or for whom the other-representation is made — the interpretant, which need not be a person and, indeed, need not even be mental. The action of signs then is the way signs influence the world, including the world of experience and knowledge, but extending even to the physical world of nature beyond the living. It is a question of what is the causality proper to signs in consequence of the being proper to them as signs, an indirect causality, just as relations are indirectly dependent upon the interactions of individuals making up the plurality of the universe; and a causality that models what could or might be in contrast to what is here and now. To associate this causality with final causality is correct insofar as signs are employed in shaping the interactions of individual things; but to equate this causality with “teleology” is a fundamental error into which the contemporary development of semiotics has been inclined to fall, largely through some published passages of Peirce from an essay within which he corrects this error but in passages so far left unpublished. By bringing these passages to light, in which Peirce points exactly in the direction earlier indicated by Poinsot, this essay attempts a kind of survey of the contemporary semiotic development in which the full vista of semiosis is laid out, and shown to be co-extensive with the boundaries of the universe itself, wherever they might fall. Precisely the indirect extrinsically specificative formal causality that signs exercise is what enables the “influence of the future” according to which semiosis changes the relevance of past to present in the interactions of Secondness. Understanding of this point also manifests the error of reducing the universe to signs, the error sometimes called “pansemiosis”. (shrink)

There is an obvious paradox in any attempt to map the topography of Paradise, for Paradise, theologians assure us, is outside of space as well as time. Yet mapping Paradise is what Dante's poem, the Paradiso, attempts to do. For the two preceding realms of the afterlife, hell and purgatory, Dante provides numerous finely articulated descriptions of rigorously ordered regions. And again for Paradise, the variegated states of the souls making up the spiritual order of the realm are expressed very (...) precisely by a topographical scheme, one in this case based on Ptolemy's system of the heavens. The seven planetary spheres are followed by the sphere of the fixed stars and the primum mobile, the whole finally bordering on the completely nonspatial heaven of the Empyrean. But this last “sphere” alone is Paradise in the full and strict sense. As Dante has Beatrice explain in canto 4.28–48, the whole poem attempts to describe this totally nonspatial order in terms of the array of the nine physical heavens as metaphorical correlatives for the successive degrees of beatitude experienced by the souls “in” the Empyrean. Paradise in this sense—as the Empyrean—is thus utopic, if any place is: it is literally “no place” at all. (shrink)

Name der Zeitschrift: SATS Jahrgang: 18 Heft: 1 Seiten: 19-35.

How do we refer to people in everyday conversation? No matter the language or culture, we must choose from a range of options: full name ('Robert Smith'), reduced name ('Bob'), description ('tall guy'), kin term ('my son') etc. Our choices reflect how we know that person in context, and allow us to take a particular perspective on them. This book brings together a team of leading linguists, sociologists and anthropologists to show that there is more to person (...) reference than meets the eye. Drawing on video-recorded, everyday interactions in nine languages, it examines the fascinating ways in which we exploit person reference for social and cultural purposes, and reveals the underlying principles of person reference across cultures from the Americas to Asia to the South Pacific. Combining rich ethnographic detail with cross-linguistic generalizations, it will be welcomed by researchers and graduate students interested in the relationship between language and culture. (shrink)

Two minuscule codices carrying collections of grammatical and rhetorical treatises and extracts from such treatises, one written at Monte Cassino between A.D. 779 and 796 ), the other at Benevento towards the middle of the following century , contain among their uncial tituli the three words INCIPIT THVESTES VARII. There follows in both codices a twenty-four-word sentence stating the full name of Varius, the literary character of the Thyestes, an aesthetic judgement on the work, the date of a (...) public performance in a Roman theatre, and the price paid: Lucius Varius cognomento Rufus Thyesten tragoediam magna cura absolutam post Actiacam uictoriam Augusti ludis eius in scaena edidit pro qua fabula sestertium deciens accepit. (shrink)

On the 28th of October, 2006, Alexander Vladimirovich Kuznetsov, so is his full name, would have turned 80. Although belated, the editorial board of Logic and Logical Philosophy, we, the editors and contributors of the present issue, and other members of the logic community mark this event with the present issue. Most of those who contributed to it knew Kuznetsov in person and/or were influenced by him or by his ideas, which very often resided in somebody else’s papers (...) or became part of a scientific folklore. But, to be sure, there are even more mathematicians and logicians who have been witnesses to his scientific activity and/or have taken advantage of its results. (shrink)

A principle that many have found attractive is one that goes by the name “'Ought' Implies 'Can'.” According to this principle, one morally ought to do something only if one can do it. This essay has two goals: to show that the principle is false and to undermine the motivations that have been offered for it. Toward the end, a proposal about moral obligation according to which something like a restricted version of 'Ought' Implies 'Can' is true is floated. (...) Though no full-fledged argument for this proposal is offered, that it fits with a rather natural and intuitive picture of the structure of morality and seems to explain certain salient features of the debate over whether the principle is true, goes some way toward recommending it. (shrink)

It has been known for a few years that no more than Pi-1-1 comprehension is needed for the proof of "Frege's Theorem". One can at least imagine a view that would regard Pi-1-1 comprehension axioms as logical truths but deny that status to any that are more complex—a view that would, in particular, deny that full second-order logic deserves the name. Such a view would serve the purposes of neo-logicists. It is, in fact, no part of my view (...) that, say, Delta-3-1 comprehension axioms are not logical truths. What I am going to suggest, however, is that there is a special case to be made on behalf of Pi-1-1 comprehension. Making the case involves investigating extensions of first-order logic that do not rely upon the presence of second-order quantifiers. A formal system for so-called "ancestral logic" is developed, and it is then extended to yield what I call "Arché logic". (shrink)

In the Foundations of Arithmetic, Frege famously developed a theory which today goes by the name of logicism - that it is possible to prove the truths of arithmetic using only logical principles and definitions. Logicism fell out of favor for various reasons, most spectacular of which was that the system, which Frege thought would definitively prove his thesis, turned out to be inconsistent. In the early 1980s a movement called neo-logicism was begun by Crispin Wright. Neo-logicism holds that (...) Frege was almost right, in that arithmetic can be proven in second-order logic using only definitions and one quasi-logical proposition, called Hume's Principle, which says that the number of Ps equals the number of Qs if and only if they can be put into one-to-one correspondence. There has been some controversy about the status of Hume’s Principle - for instance, whether it counts as a logical or analytic proposition. (See e.g. the similarly titled, “Is Hume’s Principle Analytic?, by Crispin Wright and George Boolos.) In this paper a different tack will be tried. Indeed Frege is almost right. He is almost right because a large part of arithmetic and number theory, or at the least a large part of something which looks like them, can indeed be generated using only logical principles and definitions, without the assumption of any quasi-logical assertion and in particular without Hume’s Principle. Specifically, logic will be taken as second-order logic with full comprehension and the addition of one distinguished 2-ary predicate “!”. A large amount of arithmetic and number theory will then be developed, using only (second-order) logical principles and definitions. It can thus be seen that the epistemological status of this large part of arithmetic is independent of the question of the status of Hume’s Principle. (shrink)

In this article, I introduce the term “cognitivism” as a name for the thesis that degrees of belief are equivalent to full beliefs about truth-valued propositions. The thesis (of cognitivism) that degrees of belief are equivalent to full beliefs is equivocal, inasmuch as different sorts of equivalence may be postulated between degrees of belief and full beliefs. The simplest sort of equivalence (and the sort of equivalence that I discuss here) identifies having a given degree of (...) belief with having a full belief with a specific content. This sort of view was proposed in [C. Howson and P. Urbach, Scientific reasoning: the Bayesian approach. Chicago: Open Court (1996)].In addition to embracing a form of cognitivism about degrees of belief, Howson and Urbach argued for a brand of probabilism. I call a view, such as Howson and Urbach’s, which combines probabilism with cognitivism about degrees of belief “cognitivist probabilism”. In order to address some problems with Howson and Urbach’s view, I propose a view that incorperates several of modifications of Howson and Urbach’s version of cognitivist probabilism. The view that I finally propose upholds cognitivism about degrees of belief, but deviates from the letter of probabilism, in allowing that a rational agent’s degrees of belief need not conform to the axioms of probability, in the case where the agent’s cognitive resources are limited. (shrink)

Abstract While much has been written about science and the Abrahamic religious traditions, there is little about the Hindu tradition and science. We examine two recent authors who have explored the relationship between the two, in one case across the full spectrum of Indian history, and in the other with a specific focus on the Bhāgavata Purāṇa, a ninth- to eleventh-century CE document centered on the Lord Krishna. These two publications are compared with a symposium of articles by scientists (...) and scholars of the Hindu tradition that consider both science and religion heuristically in terms of “knowing the unknowable.” Each contribution explores this concept in accordance with the scientific or religious topic's internal self-understanding, without any cross-fertilization (“cherry picking”) across the boundaries. Finally, we consider the author's own approach, which is intermediate between the previous mentioned in that it reviews the work of Hindu scientists who shaped the course of their research in accordance with their Vedāntic beliefs. These include Satyendra Nath Bose, who collaborated with Einstein on his quest for a unified field theory, and gave his name to a class of fundamental particles called bosons. (shrink)

Honor has been in disrepute among intellectuals for almost a century now. The standard explanation for honor’s demise is its role in driving young men and their countries to surpass the limits of acceptable human slaughter in the First World War, the trenches of which became ‘a mass grave for honor’ (Welsh 2008: x). Academic interest in honor revived in the 1950s among anthropologists and sociologists, where it was treated with a studied moral distance. Literary scholars, historians, and political scientists (...) took up the subject a generation later, and broached the question of whether honor should be rehabiliated. So it was only a matter of time until philosophers turned their attention to honor (by name) in any sustained way. Fortunately for our field, one of the first to do so was Kwame Anthony Appiah. The Honor Code is an enjoyable, approachable, and yet immensely learned book in which all of Appiah’s many capabilities—as a philosopher, a historian of ideas, a cosmopolitan, and a prose stylist—are on full display in the service of honor and our understanding of it. (shrink)

continent. 1.2 (2011): 78-91. This article consists of three parts. First, I will review the major themes of Quentin Meillassoux’s After Finitude . Since some of my readers will have read this book and others not, I will try to strike a balance between clear summary and fresh critique. Second, I discuss an unpublished book by Meillassoux unfamiliar to all readers of this article, except those scant few that may have gone digging in the microfilm archives of the École normale (...) supérieure. The book in question is Meillassoux’s revised doctoral dissertation L’Inexistence divine (or The Divine Inexistence ), with its seemingly bizarre vision of a God who does not yet exist but might exist in the future. Without literally accepting this view, I will claim that it is philosophically interesting in ways that even a hardened sceptic might be able to appreciate. Third and finally, I will speculate on the possible future of Meillassoux’s speculative materialism itself. And here I mean its future development not by Meillassoux, but by those readers who might be inspired by his book. Plato could never have predicted the emergence of Aristotle’s philosophy, despite the obvious debt of the latter to the former. Nor could Descartes have predicted Spinoza and Leibniz, nor Kant the German Idealists, and neither could Husserl in 1901 have foreseen the later emergence of Heidegger. How are the works of interesting philosophers transformed by later thinkers of comparable importance? While it may seem that there are countless ways to do this, I think there are only two basic ways in which this happens: you can radicalize your predecessors, or you can reverse them. I will close this article with a few words about these two methods, and try to imagine how Meillassoux might be radicalized or reversed by some future admirer. My view is that the more important thinkers are, the easier they are to radicalize or reverse. This helps explain why the great philosophers of the West have so often appeared in clusters, succeeding one another at relatively brief intervals during periods of especial ferment. 1. After Finitude After Finitude is unusually short for such an influential book of philosophy: running to just 178 pages in the original French, and an even more compact 128 pages in the English version, despite the introduction of roughly eight pages of new material for the English edition. Rather than summarizing Meillassoux’s book in the order he intended, I will focus on six points that strike me as the pillars of his debut book. Along the way, I will offer a few criticisms as well. The first pillar of the book is Meillassoux’s own term “correlationism.”1 Although he introduces this term as the name for an enemy, it is striking that Meillassoux remains impressed by correlationism much more than his fellow speculative realists are. This continued appreciation for his great enemy influences the shape of his own ontology. Is there a world outside our thinking of it, or does the world consist entirely in being thought? Traditionally, this dispute between realism and idealism has been dismissed in continental philosophy as a “pseudo-problem,” in a strategy pioneered by Husserl and extended by Heidegger. We cannot be realists, since following Kant we have no direct access to things-in-themselves. But neither are we idealists, since the human being is always already outside itself, aiming at objects in intentional experience, deeply engaged with practical implements, or stationed in some particular world-disclosing mood. The centuries-old dispute between realism and idealism is dissolved by saying that we cannot think either real or ideal in isolation from the other. There is neither human without world nor world without human, but only a primordial correlation or rapport between the two. This is what “correlationism” means: philosophy trapped in a permanent meditation on the human-world correlate, trying to find the best model of the correlate: is it language, intentionality, embodiment, or some other form of correlation between human and world? Among other problems, this generates some friction between philosophy and the literal meaning of science. When cosmologists say that the universe originated 13.5 billion years ago, they do not mean “13.5 billion years ago for us ,” but literally 13.5 billion years ago, well before conscious life existed, and thus at a time when there was no such thing as a correlate. Meillassoux also coins the term “ancestrality” (10) for the reality that predated the correlate, and later expands this term to “dia-chronicity,” (112) to refer to events occurring after the extinction of human beings no less than to those occurring before we existed. Up to this point, Meillassoux’s focus on ancestral entities existing prior to consciousness might seem like a straightforward realist who wants to unmask correlationism as just another form of idealism. Yet Meillassoux also admires the correlationist maneuver, which can obviously be traced back to Kant. Unlike a thinker such as Whitehead, Meillassoux feels no nostalgia for the pre-critical realism that came before Kant: “we cannot but be heirs of Kantianism,” he says (29). What impresses Meillassoux about correlationism is something both simple and familiar. If we attempt to think a tree outside thought, this is itself a thought . Any form of realism which thinks it can simply and directly address the world the way it is fails to escape the correlational circle, since the attempt to think something outside of thought is itself nothing other than a thought, and thereby collapses back into the very human-world correlate that it pretends to escape. For Meillassoux this step, suggested by Kant but first refined by the ensuing figures of German Idealism, marks decisive forward progress in the history of philosophy that must not be abolished. Any attempt to break free from the correlate must first acknowledge its mighty intellectual power. Realist though he may seem, Meillassoux’s works are filled with praise of such figures as Fichte and Hegel, not of so-called “naïve realists.” It is also the case that for Meillassoux, not all correlationisms are the same. The second pillar of his book is a distinction between various positions that I have termed “Meillassoux’s Spectrum,” though of course he is never so immodest as to name it after himself. He distinguishes between at least six different possible positions, and perhaps we could add even subtler variations if we wished. But in its simplest form, Meillassoux’s Spectrum allows for just four basic outlooks on the question of realism vs. anti-realism. Three of these are easy to understand, since we have already been discussing them. At one extreme is so-called “naïve realism,” which holds that a world exists outside the mind, and that we can know this world. Meillassoux rejects this naïve realism as having been overthrown by Kant’s critical philosophy. At the other extreme is subjective idealism, in which nothing exists outside the mind. For to think a dog outside thought immediately turns it into a thought, and therefore there cannot be anything outside; the very notion is meaningless. In between these two is what we have called correlationism. And here comes a crucial moment for Meillassoux, since he distinguishes between the two forms of “weak” and “strong” correlationism, and chooses the strong form as the launching pad for his own philosophy. Weak correlationism is easy to explain, since we all know it from the philosophy of Kant. The things-in-themselves can be thought but not known. They certainly must exist, since there cannot be appearances without something that appears. And we can think about them, which idealism holds to be impossible. They are simply unknowable due to the finitude of human thought. Strong correlationism is the new position introduced by Meillassoux (though he sees it at work in numerous twentieth century thinkers), midway between weak correlationism and subjective idealism. The major difference between the three positions is as follows. Weak correlationism says: “The things-in-themselves exist, but we cannot know them.” The subjective idealist says: “This is a contradiction in terms, since when we think the things-in-themselves, we already turn them into thoughts.” But the strong correlationist says: “Just because ‘things-in-themselves’ is a meaningless notion does not mean that they cannot exist. No one has ever traveled to the world-in-itself and come back to make a report on it. Thus, the fact that we cannot think things-in-themselves without contradiction does not prove that they do not exist anyway. There may be things-in-themselves, we simply are not capable of thinking them without contradiction form within the correlational circle.” This step is crucial for Meillassoux, since strong correlationism is the position he attempts to radicalize into his own new standpoint: speculative materialism. As I see it, this step of the argument fails. Strong correlationism cannot avoid collapsing into subjective idealism, since the statements of the strong correlationist are rendered meaningless from within. All three of the other positions in the Spectrum make perfectly good sense even for those who disagree with them. The naïve realist says that things-in-themselves exist and we can know them; the meaning of this statement is clear. The weak correlationist can say that things-in-themselves exist but lie forever beyond our grasp; this too makes perfect sense, even though the German Idealists try to show a contradiction at work here. We can also understand the claim of the subjective idealist that to think anything outside thought turns it into a thought, and that for this reason we cannot think the unthought. The strong correlationist, alone among the four, speaks nonsense . This person says “I cannot think the unthought without turning it into a thought, and yet the unthought might exist anyway.” But notice that the final phrase “the unthought might exist anyway” is fruitless for this purpose. For we have already heard that to think any unthought turns it into a thought. But now the strong correlationist wants to do two incompatible things simultaneously with this unthought. On the one hand, he neutralizes the unthought by showing that it instantly changes into just another thought. But on the other hand, he wants to appeal to the unthought as a haunting residue that might exist outside thought, thereby undercutting the absolute status of the human-world correlate found in idealism. But this is impossible. If you accept the argument that thinking the unthought turns it into a thought, you cannot also add “but maybe there is something outside that prevents this conversion from being absolutely true,” because this “something outside” is immediately converted into nothing but a thought for us. In short, Meillassoux here seems to be offering a kind of Zen koan: his “strong correlationism” is reminiscent of the gateless gate, or the sound of one hand clapping, or the command to punch Hegel in the jaw when meeting him on the road. We cannot at the same time both destroy the realist challenge of the things-in-themselves in order to undercut realism and reintroduce that very realist sense in order to undercut idealism. In a world where everything is instantly converted into thought, we cannot claim that there might be something extra-mental anyway, because this “might be something” is itself converted into a thought by the same rules that condemned dogs, trees, and houses to the idealist prison. This brings us to the third pillar of Meillassoux’s argument, which is the key to all the rest: the necessity of contingency. His strategy is to transform our supposed ignorance of things-in-themselves into an absolute knowledge that they exist without reason, and that the laws of nature can change at any time for no reason at all. In this way the cautious agnosticism of Kantian philosophies is avoided, but so is the collapse of reality into thought as found in German Idealism. Meillassoux does try to prove the existence of things-in-themselves existing outside thought; he simply holds that they must be proven after passing through the rigors of the correlationist challenge, not just arbitrarily decreed to exist in the manner of naïve realism. As he puts it, “Everything could actually collapse: from trees to stars, from stars to laws, from physical laws to logical laws; and this not by virtue of some superior law whereby everything is destined to perish, but by virtue of the absence of any superior law capable of preserving anything, no matter what, from perishing” (53). If idealism thinks that the human-world correlate is absolute, for Meillassoux it is the facticity of the correlate that is absolute. He tries to show this with a nice brief dialogue between five separate characters (55-59) which is covered in detail in my forthcoming book,2 but which I will simplify here for reasons of time. In this simplified version, we first imagine a dogmatic realist arguing with a dogmatic idealist. The realist says that we can know the truth about the things-in-themselves; the idealist counters that we can only the truth about thought, since all statements about reality must be turned into statements concerning our thoughts about reality. Here the correlationist enters and proclaims that both of these positions are equally dogmatic. For although we have access to nothing but thoughts, we cannot be sure that these thoughts are all that exist; there could be a reality outside thought, there is simply no way to know for sure. And this latter position is the one that Meillassoux attempts to transform from an agnostic, skeptical point into an ontological claim about the contingency of everything. Consider it this way. How does the correlationist defeat the idealist? The idealist holds that the existence of anything outside thought is impossible. The correlationist, by contrast, holds that something might exist outside the human-world correlate. But this “something might” has to be an absolute possibility. It cannot mean that “something outside thought might exist for thought ,” because that is what the idealist already says. No, the correlationist must mean that something might exist outside thought quite independently of thought. In other words, the correlationist says that idealism might be wrong, and this means it is absolutely true that idealism might be wrong. Thus, correlationism is no longer just a skeptical position. It holds that all the possibilities of the world are absolute possibilities. We have absolute knowledge that any of the possibilities about the existence or non-existence of things-in-themselves might be true, and this means that correlationism flips into Meillassoux’s own position: speculative materialism. As Meillassoux sees it, there are only two options here. Option A is to absolutize the human-world correlate, which is what the idealist does: there absolutely cannot be anything outside thought. Option B, by contrast, is to absolutize the facticity of the correlate: its character of simply being given to us, without any inherent necessity. The correlationist cannot have it both ways by saying: “there absolutely might be something outside thought, yet maybe this is absolutely impossible.” In other words, once we escape dogmatism we can only be idealists or speculative materialists, not correlationists. The human-world correlate is merely a fact, not an absolute necessity. But this facticity itself cannot be merely factical: it must be absolute. Here Meillassoux coins the French neologism factualité , which has been suitably translated into the English neologism “factiality.” (7, 122-3) Factialty means that for everything that exists, it is absolutely possible that it might be otherwise, not just that we cannot know whether or not it might be otherwise. Just as Kant transformed philosophy into a meditation on the categories governing human finitude, Meillassoux wishes to turn philosophy into a meditation on the necessary conditions of factiality, which he calls “figures”—a new technical term for him. (80) One such figure is that the law of non-contradiction must be true, and for an unusual reason. Since everything is proven to be contingent, nothing that exists can be contradictory, for whatever is contradictory has no opposite into which it might be transformed, and thus contingency would be impossible.3 Another such figure is that there must be something rather than nothing: for since contingency exists, something must exist in order to be contingent. It is a daring high-wire act, one that sacrifices realism to the correlational circle in order to rebuild it from out of its own ashes. Some might conclude that the lack of reason in things is a byproduct of the ignorance of finite humans, Meillassoux is making precisely the opposite point. For in fact, the doctrine of finitude usually leads directly to belief in a hidden reason. The fact that it lies beyond human comprehension merely increases our belief in this arbitrarily chosen concealed ground. By defending anew the concept of absolute knowledge Meillassoux evacuates the world of everything hidden. The reason for things having no reason is not that the reason is hidden, but that no reason exists. Thus, even while insisting on the necessity of non-contradiction, he rejects the other Leibnizian principle: sufficient reason. Everything simply is what it is, in purely immanent form, without deeply hidden causes. Or as Meillassoux puts it: “There is nothing beneath or beyond the manifest gratuitousness of the given—nothing but the limitless and lawless power of its destruction, emergence, or persistence” (63).The world is a “hyper-chaos”(64). But this is not the same thing as flux. For the chaos of the world is such that stability might occur just as easily as constant, turbulent change. Let’s now digress a bit, and return to the question of ancestrality, which Meillassoux transforms later in the book into “dia-chronicity.” Correlationism holds that all talk of a world outside the correlate is immediately recuperated by the correlate. The phrase “13.5 billion years ago” becomes “13.5 billion years ago for us ,” and the phrase “the universe following the extinction of humans” becomes “the universe following the extinction of humans for humans .” But notice that whether we talk about the world before or after humans, in both cases it is time that is used to challenge the correlate. Meillassoux has no interest in challenges that might be posed by space. For example, what about a vase in a lonely country house that topples to the floor and smashes when no one is there to watch it? Isn’t this also a challenge to correlationism, no less than the Big Bang or the heat death of the universe long after humans have vanished? In an eight-page supplement to the English translation of After Finitude ,4 possibly in response to my own 2007 review of the French original,5 Meillassoux bluntly denies that space is of any relevance to the question. Spatial distance is a merely harmless challenge to the human-world correlate. After all, even though no one is there in the lonely country house to witness the shattering of the vase, we can say that had there been an observer , that observer would have witnessed the toppling and destruction of the vase. For this event still occurs in a world in which the human-world correlate already exists, whereas the diachronicity of events both before and after the existence of humans makes it impossible to say that had there been an observer they would have witnessed the Big Bang occurring in such and such a fashion. However, it seems to me that Meillassoux merely asserts that the temporal simultaneity of our existence with that of the vase in the lonely country house is enough to render it harmless. It is true that the house does not exist prior to the correlate, but nonetheless it exists outside the correlate, and that is enough to make the same challenge. It is difficult to see why the “had there been an observer” maneuver succeeds in the case of a vase in the countryside in April 2011 but fails in the case of the Big Bang. This is not just a matter of nitpicking Meillassoux’s argumentative style: the fact that he bases his argument on time has at least two important consequences for his position. For in the first place, even though Meillassoux insists that the laws of nature are absolutely contingent, this turns out to be true only in a temporal sense. That is to say, it is a paradoxical feature of Meillassoux’s philosophy that he does allow for the existence of laws of nature, and simply believes that they can change at any moment without reason. Within any given moment, laws of nature do exist. He never suggests that different parts of the universe can have different laws at the same time, nor does he have any interest in the laws of part/whole composition that take place within any given instant. Could it be the case that rather than being made of gold atoms, a small chunk of gold could be made of silver atoms, cotton, horses, or that this same small piece of gold could be made of gigantic vaults filled with even more gold? These are not topics that draw Meillassoux’s attention, since he is focused solely on how the laws of nature might change or endure from one moment to the next . Another implication for Meillassoux’s system is that his concept of things-in-themselves turns out to be to be inadequate. For when he proves that things-in-themselves can exist without humans, this turns out to be true only in a temporal sense as well. Namely, things-in-themselves existed ten billion years ago, and they will continue to exist after all humans have succeeded in exterminating themselves. However, being able to exist before our births and after our deaths is just one small part of what it means to be a thing-in-itself. The more important part is that even if a thing is sitting on a table right now, in front of me, even if I stroke it lovingly or press my face up against it directly, I am still dealing only with a phenomenal version of the thing; the thing-in-itself continues to withdraw from all access. Yet no such thing is acknowledged by Meillassoux. For him finitude is a disaster, and absolute knowledge is in fact possible. Meillassoux’s thing-in-itself exists in independence only of the human lifespan , not of human knowledge. The fifth pillar of Meillassoux’s argument is his use of Cantor’s transfinite mathematics to show that even if the laws of nature are contingent, they need not be unstable, and thus we cannot use the apparent stability of nature to disprove his metaphysics of absolute contingency. What Cantor showed is that there are different sizes of infinity, and that all these infinities cannot be totalized in a single infinite number of infinities. Meillassoux sees this as crucial, since it allows him to discredit any “probabilistic” argument against his theory. The probabilistic argument (as defended quite clearly by Jean-René Vernes)6 would say this: given that the laws of nature seem so stable, it it is extremely improbable that there is no hidden reason for their remaining so stable. As Meillassoux sees it, probability is of value only when we can index an accessible total of cases. These can even be infinite: for example, there are an infinite number of points where a rope can break when stretched tight, but this does not stop us from calculating probabilities for various sections of the rope to break. By contrast, there is no way to sum up the number of possible laws of nature. For here there is no way to totalize; we cannot stand outside of nature and calculate the possible number of laws so as to determine the probabilities that any one of them might change. Therefore, although we can speak of probability when dealing with intraworldly events such as elections, horse races, and coin-flips, we cannot use the words “probable” or “improbable” when describing alterations at the level of nature as a whole. Rather than commenting on the validity of this argument and its use of Cantor, let me simply note that it once again creates a dualistic ontology. We already saw that Meillassoux treats time differently from space. In analogous fashion, he now treats the level of world differently from that of intraworldly events. The emergence of worlds is purely contingent and virtual and governed by no probability at all, while events within the world necessarily follow laws (even if these laws can change at any moment without reason), and thus their probabilities can be calculated. It is a strategy deeply reminiscent of Badiou’s (2005) own dualism between the normal “state of the situation” and the rare and intermittent “event.” The sixth and final pillar of Meillassoux’s book can be dealt with briefly, since we have already touched on it elsewhere. It comes at the very beginning of the book, when Meillassoux says that we must revive the distinction between primary and secondary qualities, and that the primary qualities are the ones that can be mathematized. He admits that he has not yet published a proof of this idea, though in fact it is already known as one of his primary doctrines. And here we encounter the familiar problem with Meillassoux’s inadequate conception of things-in-themselves. “Primary qualities” refers to those qualities that a thing has independently of its relations with us or anything else. But if the primary qualities can be mathematized, this means that they are not entirely independent of us, since our knowledge can get right to the bottom of them. The mathematized qualities of things are independent of us only in Meillassoux’s sense that they will still have those qualities even when all humans are dead. But to repeat, autonomy from the human lifespan is not the same as autonomy from human access. Here once more Meillassoux is concerned only with independence from the human-world correlate across time, not in any given instant. 2. L’Inexistence divine In 1997, the same year in which he turned thirty years old, Meillassoux earned his doctorate at the École normale supériuere with a brazen dissertation entitled L’Inexistence divine ( The Divine Inexistence ). The work was substantially revised in 2003. But even then, with typical fastidiousness, Meillassoux decided that the work was not yet ready for press. It has now been scrapped in favor of some future, multi-volume work bearing the same title. While writing my book on Meillassoux for Edinburgh University Press, I was permitted to translate excerpts from this unpublished work for use as an appendix in my own book; in total, the appendix contains approximately twenty percent of Meillassoux’s 2003 manuscript, the first time any of it will be published in any language. Nonetheless, a portion of the argument was already tested in the article “Spectral Dilemma,” published in English in the journal Collapse (2008: 261-75). There the philosophical motives for the virtual God are already made clear. What troubles us most are early deaths, brutal deaths, deaths of especial injustice– the sorts of deaths in which the brutal twentieth century was so abundant. And here, neither the atheist nor the believer can help us. The atheist can offer nothing but a sad and cynical resignation when reflecting on the victims of these terrible crimes. The believer does little better, being unable to explain how God could have allowed such things to happen, due to the famous intractability of the problem of evil. The solution offered to this dilemma by Meillassoux is bold, and all the more so given that he emerges from such a deeply Leftist, materialist, and unreligious background. His solution is that God does not yet exist, and therefore is not blameworthy for these catastrophes. Given that everything is contingent in Meillassoux’s philosophy, this God and divine justice might never exist, but they can at least exist as an object of hope. Let’s begin by jumping to the end of L’Inexistence divine , where the alternatives are laid out so nicely. There are four basic attitudes that humans can have towards God, Meillassoux says. First, we can believe in God because he exists. This is the classical theist attitude, rejected for the simple reason that it would be amoral and blasphemous to believe in a God who allows children to be eaten by dogs, to use Dostoevsky’s example. Second, we can disbelieve in God because he does not exist: the classical atheist attitude. But this leads to sadness, cynicism, and a sneering contempt for the greatness of human capacity. The third option, rather more complex, is to disbelieve in God because he does exist: in other words, to exist in rebellion against God as the one who must be blamed for the evils of the earth. The examples here might range from Lucifer himself, to the more human figure of Captain Ahab in Melville’s Moby-Dick , to Werner Herzog’s even more recent catchphrase, “Every man for himself, and God against all.” That leaves only the fourth option: believing in God because he does not exist. Meillassoux closes his book by saying that the fourth option has now been tried (namely, in the course of his own book), and that now that all four have been specified, we must choose. The first reaction to this theory of the inexistent God will be laughter. Few readers will ever be literally convinced by it, and probably none will immediately be convinced by it. But if we ask ourselves why we laugh, the answer is because it sounds so improbable that an inexistent God might suddenly emerge and resurrect the dead. It obviously sounds more like a gullible theology than a rigorous piece of philosophical work. Yet two things need to be kept in mind. First, Meillassoux’s theories are hardly more unlikely than those of great philosophers of the past such as Plato, Plotinus, Avicenna, Malebranche, Spinoza, Leibniz, Nietzsche, or Whitehead. We read the great philosophers not because their systems are plausible in commonsense terms that can be measured by the laws of probability. Instead, we read them precisely because they shatter the existing framework of common sense and open up new window on the universe. Second, and even more importantly, Meillassoux has already rejected probability as a valid measuring stick in philosophy. Or rather, he accepts probability in the intra-worldly realm (where it is linked with potentiality), and rejects it at the level of the world itself (where potentiality is replaced with what he calls virtuality). The virtual God can appear at any moment for no reason at all, just as any other new configuration of laws of nature can appear: in a manner that the laws of probability cannot calculate. Responding to those who might ridicule the idea of a sudden emergence of God and a resurrection of the dead, Meillassoux cites Pascal, who asserts that the resurrection of the dead would be far less incredible than the fact that we were born in the first place. This shifts philosophy onto new ground. Rather than concerning ourselves with what is likely to happen in the world as we know it, we focus instead on the most important things that could happen. For this reason, the expected objection that a virtual God is no more likely to appear than a virtual unicorn or a virtual flying spaghetti monster misses the point. Unicorns and spaghetti monsters could also appear, just like any other non-contradictory thing. But these would just be novel bizarre entities among others, not the heralds of completely new worlds. For Meillassoux, the emergence of matter, life, and thought have been the three truly amazing advents of the world so far, each of them dependent on the advent(s) preceding them. As he sees it, there can be no greater intraworldly entity than the human beings who already exist, since nothing in the world is better than the absolute knowledge of which humans alone are capable. This means that the next great advent must be something that perfects human beings rather than superseding them. And this can only be the world of justice, in which the dead are resurrected and their horrible deaths partially cancelled (Meillassoux never considers the possibility of a God who would literally erase the pre-divine past so that it never happened at all). The only immortality worth having is an immortality of this life, not an existence in some ill-defined afterworld. Human existence, he holds, must always be governed by a “symbol” that gives us the “immanent and comprehensible inscription of values in a world.” And just as cosmic history made the three great contingent leaps of matter, life, and thought, with a leap to justice as the only one still to come, a similar structure occurs within human culture and its symbols, which consist so far of the cosmological, naturalistic, and historical symbols, with a “factial” symbol still to come. We can review each of these symbols briefly. The cosmological symbol refers to the ancient dualism between the terrestrial and celestial spheres. Here below everything is conflict, corruption, and decay; but in the heavens nothing is perishable, all movement is circular, and everything is arranged in mutual harmony. This symbol is ended by modern physics when Galileo discovers such blemishes as sunspots and craters on the moon, and when Newton integrates both celestial and terrestrial movement into a single gravitational law. Next comes the naturalistic or romantic symbol, in which perfection comes not from the sky but from nature itself. The world is filled with pretty flowers (Meillassoux claims that the ancients never discussed the beauty of flowers until Plotinus in the third century) and with living creatures naturally moved by pity, at least until society corrupts them. This symbol collapses in the face of reality as we know it, since pity is no more common than war, corruption, and violence. This brings us to the historical symbol, which only now is passing away. Bad things may happen, but history has an inner logic of its own, such that everything works out in the end. The ultimate form of the historical symbol is the economic symbol, whether in a Marxist or neo-liberal form. Just as the Marxist holds that the inner economic logic of the capitalists will inexorably lead them to self-destruction, the neo-liberal assumes that the sum total of individual selfish actions will lead, in the long run, to the greatest possible good. We worship the economy and let it guide history for us, just as the ancients worshipped celestial bodies and held them to be free from blemish. The final remaining symbol is the factial symbol, which Meillassoux hopes will now emerge. Factiality, we recall, is his term for the absolute contingency of everything that exists. Once we have grasped this absolute contingency, we are free to expect the dramatic advent of the coming fourth World: the world of justice, inaugurated by a virtual God and even mediated by a messianic human figure. There is the added feature, however, that this messiah must abandon all claims to special status once the messianic realm of justice is achieved. The messianic figure will then be no more special than any person on the street, since a reign of human equality will have arisen. Although this focus on human being might seem like a return to standard humanism, Meillassoux holds that human pre-eminence has never truly been maintained. Previously, humans have been treated as special only because they contemplate the Good, because they resemble their omnipotent creator, or because they happen to be the temporary victors in a cruel Darwinian death-match between millions of living species. For Meillassoux, by contrast, humans have value because they know the eternal. But it is not the eternal that is important, since this merely represents the blind, anonymous contingency of each thing. What is important is not knowledge of the eternal , but knowledge of the eternal. We should not admire Prometheus for stealing fire from the gods; Prometheus is simply as bad as all the gods, no matter how much he increased our power. Feuerbach and Marx were wrong to say that God is a projection of the human essence, since for Meillassoux the usual concept of God represents the degradation of the human essence. If the traditional God was allowed to inflict plagues and tsunamis on the human race, the Promethean human of the twentieth century simply assumes the right to inflict death camps and atomic fireballs instead. In this respect, we have simply begun to imitate the degradation of humanity that was formerly invested in an omnipotent and arbitrary God. In response to charges that absolute contingency might lead to political quietism, Meillassoux counters that the World of justice would mean nothing unless we had already hoped for it beforehand. A World of justice that came along at random would merely be an improved third World of thought: indeed, a perfect one. But it would have satisfied no craving, and would therefore have no redemptive power. For this reason, we must actively hope for the fourth World of justice for such a fourth World ever to arise. Not only justice, but beauty is dependent on such hope: for Meillassoux, who is here somewhat dependent on Kant, beauty means an accord between our human symbolization and the actual world, which could never be present in a World of the blessed any more than justice could. And just as a messianic figure is needed to incarnate our hope and then abandon power once the World of justice is realized, it is the figure of the child whose fragile contingency shows us a dignity and a demand for justice beyond all power. 3. Meillassoux Radicalized or Reversed Given the promising reception of Meillassoux’s first book, it would not be groundless to engage in early speculation about what it might take to earn him a place in the history of philosophy. Maybe this will never happen—who knows?—but quite possibly it will: his lucid argumentative methods and sheer philosophical imagination at least make him a good candidate to be read well into the future, especially following further elaboration in print of his mature system. Philosophy is often practiced as thought it were nothing more than the amassing of “knockdown arguments.” But this is no more insightful than saying that good architecture is the amassing of steal beams. It is true that poorly constructed building cannot stand for long, but sound construction is merely the first, indispensable step in building. In fact, I am inclined to say that what really makes a philosopher important is not being right, but being wrong . I mean this in a very specific sense. I once heard the interesting remark about twentieth century culture that “you have to remember that the sixties really happened in the seventies.” That is to say, it was in the 1970’s rather than the more honored 1960’s that civil rights, free love, long hair, and the rock and roll drug culture really took root. With respect to the history of philosophy, we might just as easily say: “you have to remember that Plato really happened in Aristotle,” that “Kant really happened in Hegel” or “Hume really happened in Kant,” or that “Husserl’s phenomenology first achieved its truth in Heidegger.” One becomes an important philosopher not by being right, but by attracting rebellious admirers who tell you that you are wrong , even as their own careers silently orbit around your own. To recruit faithful disciples may be comforting and flattering, but the greatest thinkers have generally had to experience refutation at the hands of their most talented heirs. For this reason, I would propose that we size up the magnitude of living thinkers not by deciding how many times they are right and wrong, but by asking instead: who would take the trouble to refute this author? For this reason I do not ask: “Is Meillassoux right?”, since I do not believe in the virtual God myself, nor am I convinced by any important aspect of Meillassoux’s philosophy. Instead, I ask if there are interesting ways to overturn him. Only by being overturned, by no longer remaining a contemporary, does one become a classic. Let’s begin with a simple model of refutation, which can be refined further at a later date once the basic point is established. One kind of refutation simply consists in saying: “This author is a complete idiot.” The refuter now walks away in celebration, and no link between the present and the future is built; all is reduced to rubble. But this sort of mediocre triumphalism is generally practiced by those who achieve little of their own, and is not especially interesting. Much more interesting is the sort of refutation that does not take its target to be a complete idiot. I would like to suggest that there are just two basic ways in which this can be done: radicalization and reversal . It has not escaped my notice that this is a fairly good match for the Deleuzian distinction between irony and humor. Whereas irony critiques and adopts the opposite principle of what it attacks, humor accepts what it confronts but pushes it into highly exaggerated form. The ironist is like the worker who sows chaos by rebeling and contradicting the boss, while the humorist is like the worker who follows orders to an absurdly literal degree, with equally chaotic results. Let’s start with a few examples. In Aristotle’s treatment of Plato, and Heidegger’s of Husserl, we find reversal. Plato’s eidei are transformed by Aristotle into mere secondary substances, and the individual worldly things despised by Plato become what is primary. For Husserl what is primary is whatever is present to consciousness, while for Heidegger this is precisely what is secondary, since the primary stuff of the world withdraws from any form of presence at all. As for radicalization, it is most easily found in the transformation of Kant by German Idealism: “Kant was right to wall off the things-in-themselves from human access, and simply should have realized that the thought of the Ding an sich is also a thought, and thereby the noumena are just special cases of the phenomena,” with much following from this discovery. It would also be easy to read Spinoza as a radicalizer of Descartes, and Berkeley and Hume as radicalized versions of Locke. Perhaps the distinction is now sufficiently clear. Admiring refutations are not those that say “Professor X is an idiot,” which is merely the flip side of the eager disciple’s fruitless “Professor X got everything right.” Instead, it will be some variant of one of the following two options: “Professor X is important, but got it backwards,” or “Professor X is important, but didn’t push things far enough.” In the history of philosophy these two latter cases have often been painful in purely human terms: Aristotle expresses sadness at refuting Plato, Kant is openly annoyed at Fichte, and Husserl feels betrayed and used by Heidegger. Rude handling from later figures almost seems to be the sine qua non of being a great philosopher. Now, it has already been claimed that Meillassoux is an emerging philosopher of the first importance, and by no less a figure than Alain Badiou: “It would be no exaggeration to say that Quentin Meillassoux has opened up a new path in the history of philosophy…” (Preface, vii). But rather than taking Badiou’s word for it, or rejecting his word, we might experiment by asking how Meillassoux could be radicalized or reversed. Are there interesting ways of doing this that might launch whole new schools of philosophy, unexpected or even condemned by Meillassoux himself? While no one can see the future, the present is poor when it is not riddled with virtual futures. The relation between philosophers and their predecessors and successors is always somewhat complicated, of course. But generally there is one central divergence at stake, which might be taken as the key to all the others. On this basis we could say that new thinkers primarily radicalize or primarily reverse the main ideas of their chief philosophical forerunner. There may be specific historical conditions and perhaps even personality traits connected with these two types, but this question can be left aside for now. More important for us is that radicalizers will generally be followed by reversers, and vice versa. Consider the textbook example of a reversal in the history of philosophy: Kant’s Copernican Revolution, which inverts the so-called dogmatic tradition that addresses the world itself, and makes the world revolve instead around the conditions by which it is known. While it is not completely impossible that Kant’s successors might have re-reversed this principle back into a new and stronger dogmatic realism, conditions were premature for such a move. Anyone doing this too early would likely have been an angry anti-Kantian reactionary rather than an original thinker in command of a genuinely new realist principle. The far more likely outcome is the one that actually happened: Kant’s reversal of his predecessors was viewed as incomplete, or as retaining lamentable bits of the traditional view, which despite his admirable breakthrough he was unable to shake off. This was the view of German Idealism, anyway. In similar fashion, Spinoza could also be viewed as a radicalizer of Descartes, who is equally accused of preserving various Scholastic dogmas in an otherwise radical project of philosophical reversal. The point is this: reversals in the history of thought tend to be followed soon thereafter by radicalizations of those reversals. The same may hold true in reverse: radicalizations might generally be followed by reversals, given that it is not always possible to be more radical than the radicals have already been. Consider the case of Husserl, who radicalizes Brentano’s early vagueness about what lies beyond immanent objectivity, and Twardowski’s assertion that there must be an external object lying outside the intentional content, by collapsing everything into the intentional sphere: there is no difference between the Berlin in my consciousness and the actual Berlin that is home to millions of people. It is difficult to see how one could be even more radical than Husserl’s idealist turn here. And thus the road is paved to Heidegger’s reversal of classical phenomenology, in which the key point is what lies deeper than any presence to consciousness: the Sein whose power and obscurity cannot be made exhaustively present, but only sends itself in historical epochs. In similar fashion we might also read Leibniz as a reverser of Spinoza’s radicalization, retrieving a strong sense of individual substance and a certain validity of what the Scholastics had said. Returning to Meillassoux, we might ask which kind of philosopher he is: a radicalizer or a reverser? At present, Meillassoux looks to me like a radicalizer (though for now his future remains shrouded in mist). He takes the correlationist tradition, which allows us to speak only of the relation between human and world, and tries to raise it into an even more extreme claim about the absolute contingency of everything. But whereas German Idealism did this by trying to collapse the distinction between thought and world entirely into the “thought” side, Meillassoux does it by trying to shift the non-absolute contingency of the thought-world correlate from epistemology to ontology. It is no longer a question of the inability of human knowledge to know what lies outside the correlate, but the inability of reality itself to be rooted in any definite laws. Furthermore, if we look at the various features of Meillassoux’s philosophy identified earlier tonight, all but one are already so radical that there is no obvious way to push them further. The one exception would be his claim that the world as a whole can change for no reason at any moment, coupled with the inconsistent claim that within a given world there are laws of nature that everything must follow. If gravitational attraction between all masses is a current law in our world, then for Meillassoux there can be no exceptions to this law for as long as it remains in force. A toppled vase will fall to the floor every time for sure,unless there is a cosmic change by which the laws of nature as a whole have altered. (This is reminiscent of the late medieval distinction between the absolute and ordained power of God, according to which God has the power to set or change the laws of nature, but not to contravene those laws locally once they are set.) On this point, to radicalize Meillassoux would simply be to say: there are no laws of nature even in the local sense. Everything that happens, even in the world here and now, is purely contingent and not governed by even a trace of law. And while this would be a more consistent development of Meillassoux’s thoughts on contingency, it is difficult to see how it could lead to a new philosophy. Instead, the admiring successors of Meillassoux are more likely to reverse one of his already sufficiently radical points. At least four candidates come to mind: *First, we have seen that Meillassoux thinks correlationism is challenged by a time before or after consciousness, but not by a space lying outside it. Perhaps this could be reversed into saying that spatial exteriority is the really crucial point. The arguments on this point are perhaps the least convincing in After Finitude (and do not even occur in the original French edition), and therefore it might be a candidate for the “blind spot” of which no philosopher is ever free. *Second, Meillassoux uses Cantor to claim that the contingency of laws of nature would not entail that they are unstable. A successor of Meillassoux might claim that it does make them unstable, and celebrate this fact. This person would then have to explain why common sense seems to encounter a relatively stable world despite its truly rampant instability. Whereas Meillassoux’s problem is to show how stability might exist despite contingency, this successor’s problem would be slightly different: to show why actual, full-blown instability might have the appearance of stability. *Third, Meillassoux claims that the primary qualities of things are those that can be mathematized. He might be reversed by a successor who says the opposite: the mathematizable qualities are the secondary ones, and the primary ones are those that elude symbolic formulation. While this is a perfectly valid possible objection to Meillassoux, it is one that is made in advance by some of his predecessors and is still made by some of his peers, making it less interesting for futurology than some of his other points. *Fourth and finally, whereas Meillassoux claims that God does not exist but might exist in the future, a successor might argue even more bizarrely that God has always existed but might vanish in the future. Let’s arbitrarily select the first of these possibilities, and imagine briefly where it might lead, if pursued in the future by admiring detractors. Meillassoux comes from the circle of Badiou, and some of Badiou’s most ardent admirers are found in Latin America. So, let’s imagine that towards mid-century some ingenious reversers of Meillassoux emerge in that portion of the Spanish-speaking world. Just for fun, let’s call them Castro and Chávez. And in order to avoid any confusion with the present-day politicians of those names, we will stipulate that Meillassoux’s great successors are both women. The philosopher Castro (we will suppose she comes from Peru) reverses Meillassoux’s argument that the ancestral or diachronic are what most threaten the human-world correlate. Instead, she claims that the diachronic does not threaten the correlate at all, and that we must instead look at space as what ruins the correlate and demands a strange new realism. What would such a philosophy look like? In order to determine this, we might ask what price Meillassoux pays for doing it the opposite way. As I see it, he pays in two separate ways. One is that laws of nature for him are contingent over time . The laws of nature apply to the universe as a whole at any given moment, and would be changed globally if they are ever changed at all. The second price he pays is that Meillassoux has no mereology , or theory of parts and wholes. Everything for him is on the level of the given, or immanent in experience, with the sole proviso that the laws governing this immanence might change without notice at any given moment. In reversing Meillassoux, Castro makes the following claims in the preface to her stunning debut book of 2045, The Cosmos and its Neighborhoods , rapidly translated from Spanish into all the languages of the world: Despite his brilliant analysis of the contingency of laws of nature over time, Meillassoux gets two important assumptions wrong. First, he allows for only one set of contingent laws to govern nature as a whole. Second, he allows laws to govern only the world that is immanent in experience, and thereby fails to explore the contingency among part-whole relations. In this book I will argue, first, that the laws of nature vary in any given instant between one region of the universe and the next; and second, that the world is made up of layers of parts and wholes that are also contingent with respect to one another. Those are the words of Castro. This may sound like a hopeless free-for-all of chaos, yet the book somehow succeeds in drawing some compelling deductions about how laws must vary from one place or level in the world to the next. Trapped in the limited horizon of 2011, and not yet inspired by the heavily balkanized political and technological situation of 2050 that somehow lends additional credence to Castro’s vision, we can only vaguely grasp what such a philosophy might look like. After this reversal of Meillassoux by Castro, the usual pattern leads us to expect a radicalization by Chávez, a young Argentine student of Castro. How could the already strange theories of Castro be radicalized? Perhaps as follows, in a disturbing new book entitled The Implosion of the Neighborhoods , which argues as follows: Castro was right to shift the Meillassouxian framework of contingency from time to space. However, in this respect she retained a surprisingly traditional opposition between the two. In this book I will show that time and space collapse into one another. This may sound too much like the discredited four-dimensional block universe of twentieth century physics and philosophy. However, the four-dimensional universe is a model biased in favor of space, merely adding an extra dimension to the commonsense spatial continuum while stipulating that the serial passage of time is an illusion. In this book I will argue instead for a one-dimensional space-time modeled after our experience of time, in which there is no simultaneous co-existence at all between different parts of the universe, or ‘neighborhoods’ as my esteemed teacher Castro has called them. Instead, the various portions of the universe link to one another by succession rather than by coexistence. Buenos Aires, New York, and Amsterdam do not exist simultaneously in the same landscape, but one after the other in the mind of some observer, and this observer can only be an observer much larger than any human. Against Meillassoux’s notion of a virtual God that does not exist now but might exist in the future, I will argue for an actual God that surveys the universe in sequence, thereby generating the illusion of spatial diversity and even the illusion of individual minds located within that diversity. Once this divine observer dies, the universe as a whole must perish. Again, these ideas are so bizarre that we of 2011 can barely comprehend them, just as Aristotle would have had a difficult time grasping the theories of Descartes. We could then perhaps imagine a further reversal of this theory, emanating from the intellectually resurgent Philippines of the twenty-second century. The Filipino School might argue that the universe is already dead, given the collapse of its spatial richness into the serial observations of a flimsy and mortal God. The virtual universe does not yet exist, but might exist in fully spatial form in the future, and this would require the death of God and the resulting liberation of God’s succession of images as independent, spatially situated realities. With a bit of sharpening, we might be able to make all of these imaginary thinkers more intuitively clear. Along with the history of philosophy, there might arise a new discipline generating imaginary futures for philosophy. The richness of Meillassoux’s system comes not from the fact that he is plausibly right about so many things, but because his philosophy offers such a treasury of bold statements ripe for being radicalized or reversed. He is a rich target for many still-unborn intellectual heirs, and this is what gives him the chance to be an important figure. NOTES 1. Quentin Meillassoux, After Finitude . Trans. R Brassier. (London: Continuum, 2008.) Page 5. The word “correlationism” does not appear in his doctoral thesis. As Meillassoux informed me in an email of February 8, 2011, he first coined this term in 2003 or 2004, while editing for publication a lecture he had given at the École normale supérieure on a day devoted to the theme of “Philosophy and Mathematics,” an event including Alain Badiou as one of the participants. 2. Graham Harman, Quentin Meillassoux: Philosophy in the Making . (Edinburgh: Edinburgh University Press, forthcoming 2011). 3. In an email of December 6, 2010, Meillassoux clarifies that in After Finitude he only deduces the impossibility of a “universal contradiction,” not of a determinate contradiction. In the same email he suggests that he can also prove the latter, though the proof is somewhat lengthier than the one found in After Finitude . 4. After Finitude (18-26), in the passage falling between the two sets of triple asterisks. These pages were sent by Meillassoux to translator Ray Brassier (in French) during the translation process, and do not appear in the original French version of the book. 5. Graham Harman, “Quentin Meillassoux: A New French Philosopher.” Philosophy Today 51.1 (2007): Pages 104-117. The passage where I raise the question of space can be found in the first column of page 107. 6. Vernes is first cited on p. 95 of After Finitude . See Jean-René Vernes, Critique de la raison aléatoire, ou Descartes contra Kant . (Paris: Aubier, 1982).  . (shrink)

Universal Logic is not a new logic, but a general theory of logics, considered as mathematical structures. The name was introduced about ten years ago, but the subject is as old as the beginning of modern logic: Alfred Tarski and other Polish logicians such as Adolf Lindenbaum developed a general theory of logics at the end of the 1920s based on consequence operations and logical matrices. The subject was revived after the flowering of thousands of new logics during the (...) last thirty years: there was a need for a systematic theory of logics to put some order in this chaotic multiplicity. This book contains recent works on universal logic by first-class researchers from all around the world. The book is full of new and challenging ideas that will guide the future of this exciting subject. It will be of interest for people who want to better understand what logic is. Tools and concepts are provided here for those who want to study classes of already existing logics or want to design and build new ones. (shrink)

In this paper we give a brief treatment of a theory of proofs for a system of Full Intuitionistic Linear Logic. This system is distinct from Classical Linear Logic, but unlike the standard Intuitionistic Linear Logic of Girard and Lafont includes the multiplicative disjunction par. This connective does have an entirely natural interpretation in a variety of categorical models of Intuitionistic Linear Logic. The main proof-theoretic problem arises from the observation of Schellinx that cut elimination fails outright for an (...) intuitive formulation of Full Intuitionistic Linear Logic; the nub of the problem is the interaction between par and linear implication. We present here a term assignment system which gives an interpretation of proofs as some kind of non-deterministic function. In this way we find a system which does enjoy cut elimination. The system is a direct result of an analysis of the categorical semantics, though we make an effort to present the system as if it were purely a proof-theoretic construction. (shrink)

"Thirty-five years ago few could have predicted that The New Science of Politics would be a best-seller by political theory standards. Compressed within the Draconian economy of the six Walgreen lectures is a complete theory of man, society, and history, presented at the most profound and intellectual level. . . . Voegelin's [work] stands out in bold relief from much of what has passed under the name of political science in recent decades. . . . The New Science is (...) aptly titled, for Voegelin makes clear at the outset that a 'return to the specific content' of premodern political theory is out of the question. . . . The subtitle of the book, An Introduction, clearly indicates that The New Science of Politics is an invitation to join the search for the recovery of our full humanity."--From the new Foreword by Dante Germino "This book must be considered one of the most enlightening essays on the character of European politics that has appeared in half a century. . . . This is a book powerful and vivid enough to make agreement or disagreement with even its main thesis relatively unimportant."-- Times Literary Supplement "Voegelin . . . is one of the most distinguished interpreters to Americans of the non-liberal streams of European thought. . . . He brings a remarkable breadth of knowledge, and a historical imagination that ranges frequently into brilliant insights and generalizations."--Francis G. Wilson, American Political Science Review "This book is beautifully constructed . . . his erudition constantly brings a startling illumination."--Martin Wright, International Affairs "A ledestar to thinking men who seek a restoration of political science on the classic and Christian basis . . . a significant accomplishment in the retheorization of our age."--Anthony Harrigan, Christian Century. (shrink)

The year 2017 marks fifteen years for me as a fashion educator in Australia and the United States, nine of those in a full-time capacity. My research has focused on various facets of fashion and sustainability for almost as long. In that time many positive developments have occurred, among them, the 2015 Paris Agreement on climate action and the formation of the Sustainable Apparel Coalition in 2010, to name two. Yet an immense amount of urgent work remains. Wallace-Wells (...) presents an apocalyptic near-future caused by anthropogenic global warming;1 within two weeks the online version of the article became New York Magazine's most read in history. It is worth reading in tandem with Rockström et al.,2 as the latter... (shrink)

It is well known that Bayes’ theorem (with likelihood ratios) can be used to calculate the impact of evidence, such as a ‘match’ of some feature of a person. Typically the feature of interest is the DNA profile, but the method applies in principle to any feature of a person or object, including not just DNA, fingerprints, or footprints, but also more basic features such as skin colour, height, hair colour or even name. Notwithstanding concerns about the extensiveness of (...) databases of such features, a serious challenge to the use of Bayes in such legal contexts is that its standard formulaic representations are not readily understandable to non-statisticians. Attempts to get round this problem usually involve representations based around some variation of an event tree. While this approach works well in explaining the most trivial instance of Bayes’ theorem (involving a single hypothesis and a single piece of evidence) it does not scale up to realistic situations. In particular, even with a single piece of match evidence, if we wish to incorporate the possibility that there are potential errors (both false positives and false negatives) introduced at any stage in the investigative process, matters become very complex. As a result we have observed expert witnesses (in different areas of speciality) routinely ignore the possibility of errors when presenting their evidence. To counter this, we produce what we believe is the first full probabilistic solution of the simple case of generic match evidence incorporating both classes of testing errors. Unfortunately, the resultant event tree solution is too complex for intuitive comprehension. And, crucially, the event tree also fails to represent the causal information that underpins the argument. In contrast, we also present a simple-to-construct graphical Bayesian Network (BN) solution that automatically performs the calculations and may also be intuitively simpler to understand. Although there have been multiple previous applications of BNs for analysing forensic evidence—including very detailed models for the DNA matching problem, these models have not widely penetrated the expert witness community. Nor have they addressed the basic generic match problem incorporating the two types of testing error. Hence we believe our basic BN solution provides an important mechanism for convincing experts—and eventually the legal community—that it is possible to rigorously analyse and communicate the full impact of match evidence on a case, in the presence of possible errors. (shrink)

[1] In twelve quite demanding chapters, outstanding scholars provide an overall view of the key issues of Scotus’s philosophical thought. To this a very concise introduction is added, concerning the life and works of John Duns (very good, especially the survey of works and the information on critical editions etc.). Throughout the book, I find the information clear and the difficult topics well explained. Moreover, the volume gives a quick entrance to the vast literature. Among the topics discussed are: ‘Metaphysics’ (...) (Peter King), ‘Universals and Individuation’ (Timothy Noone), ‘Modal Theory’ (Calvin Normore), ‘Natural Theology’ (James Ross & Todd Bates), ‘Philosophy of Mind’ (Richard Cross), ‘Cognition’ (Robert Pasnau), ‘Moral Dispositions’ (Bonnie Kent). What strikes the eye is the absence of important theological subjects: Trinity, Christology, sin and grace, to name a few. Since the cover text promises that ‘the essays in this volume systematically survey the full range of Scotus’ thought’, this omission is remarkable. It stems, I guess, from the strict philosophical scope of the series of the Cambridge Companions, but such a limitation should have been recognised explicitly: this companion provides, in fact, an introduction to John Duns’s philosophy—i.e., philosophy in our modern sense. Of course, this separation of philosophical from theological thought is not from Scotus. Most of his innovative ‘philosophical’ ideas are developed in a profoundly theological context! (shrink)

I argue that it follows from a very plausible principle concerning understanding that the truth of an ascription of understanding is context-relative. I use this to defend an account of lexical meaning according to which full understanding of a natural kind term or name requires knowing informative, uniquely identifying information about its referent. This point undermines Putnam-style 'elm-beech' arguments against the description theory of names and natural kind terms.

This paper carried out bibliographical and documentary investigation on exploratory research with a qualitative approach in collect and analysis of data by consulting the sites and documents of various religious groups, systematizing liturgical and spirituality understanding, checking divergences and convergences and producing key considerations about liturgical and theological aspects and pastoral practice, to contribute with integral mission practice. Cults and religious celebrations in different churches and denominations have certain rites and actions that give them specific characteristics in order to allow (...) its members to experience their faith in the celebrative space, at churches or in open spaces, this set takes the name liturgy. The so called Tridentine liturgy, while celebrative practices, is eminently clergy centered. The assumed liturgical language has become far from full understanding of most of the faithful. The great mass of Catholics could not deeply connect them with what was celebrated in its temples. With the opening of Vatican Council II and the discussions held under its auspices, on its subsequent sessions, there was a rethink that also intends to answer for the claims of local churches about various aspects of a liturgy that is more participatory. There is a set of tensions between those who remained in favor of the former rite, called Tridentine rite, and those according to the following rite set at the Second Vatican Council, both with allowed use by the Holy See. Differences between the rites, and theological and spiritual understandings alleged, the differences are not in the foundation of matter itself, since if we takes not the letter but the lex orandi spirit, both one and the other has the same requirements for the mystery celebration that is full of sacrifice dimensions, this deeply catechetical nature, and Passover, when Christ becomes present as sacrificial gift and scatological hope. It is found that on stir core is a necessary liturgical studies which influences on effective participation, in any of the rites, when used in the celebrations. (shrink)

Is Popper's philosophy alive or dead? If we make a judgment based on recent discussion in academic philosophy of science, he definitely seems to be fading. Popper is still seen as an important historical figure, a key part of the grand drama of 20th century thinking about science. He is associated with an outlook, a mindset, and a general picture of scientific work. His name has bequeathed us an adjective, "Popperian," that is well established. But the adjective is used (...) for very general ideas that, according to most current philosophers, Popper did not develop convincingly. His detailed account is often seen as attractive on first impression, but full of holes that become bigger rather than smaller as discussion continues. The picture and the name remain, which is more than 1 most philosophers can hope for. But the name attaches more and more to a set of instincts and intuitions, less and less to views that are seeing ongoing philosophical development. Inside science itself, Popper's standing is quite different. He continues to be just about the only philosopher who can seize the imagination and command the loyalty of successful professional scientists. And he is popular within science not only for purposes of general commentary and public relations. Popper's philosophy is a resource drawn on by scientists in their internal debates about scientific matters. This has been especially marked in some parts of biology (Hull 1999). From the point of view of philosophers, this affection on the part of scientists may have an unflattering explanation. Popper offers a rather heroic view of the scientific character, featuring an appealing combination of creativity and hard-headedness. It is no surprise that scientists like to be described this way. It is no surprise that they prefer this picture to the one often (though inaccurately) associated with Hempel and Carnap – the scientist as a sort of logic-driven pattern-recognition machine. The same applies to the picture associated with Kuhn, who presents the normal scientist as a narrow-minded, indoctrinated member of a peculiar collective enterprise, an enterprise devoted to solving tiny puzzles most of the time but prone to occasional fits of crisis and chaos.. (shrink)

The first brief description is given of a project aimed at searching for the neural correlates of consciousness through computer simulation. The underlying model is based on the known circuitry of the mammalian nervous system, the neuronal groups of which are approximated as binary composite units. The simulated nervous system includes just two senses - hearing and touch - and it drives a set of muscles that serve vocalisation, feeding and bladder control. These functions were chosen because of their relevance (...) to the earliest stages of human life, and the simulation has been given the name CyberChild. The system's pain receptors respond to a sufficiently low milk level in the stomach, if there is simultaneously a low level of blood sugar, and also to a full bladder and an unchanged diaper. It is believed that it may be possible to infer the presence of consciousness in the simulation through observations of CyberChild's behaviour, and from the monitoring of its ability to ontogenetically acquire novel reflexes. The author has suggested that this ability is the crucial evolutionary advantage of possessing consciousness. The project is still in its very early stages, and although no suggestion of consciousness has yet emerged, there appears to be no fundamental reason why consciousness could not ultimately develop and be observed. (shrink)

Similarities between pragmatist models of democracy and deliberative models have been explored over recent years, most notably in this journal ( Talisse 2004). However, the work of Iris Marion Young has, thus far, not figured in such comparative analyses and historical weighing of pragmatist antecedents in deliberativist work. In what follows, I wish to redress this oversight by placing Young in conversation with John Dewey and Jane Addams. Young's particular brand of deliberative theorizing focuses on the inclusion of women and (...) all those deemed Other in our democracies. She identifies a significant shortcoming in standard expositions of deliberative thought, pointing out that communicative style, structured by oppressive norms of gender, race, and class, to name but a few, may serve to undermine our full participation in political decision making. While this forms a valuable insight for those seeking to redress the exclusion of Others in democracies, it also draws attention to the centrality of differences of communication in deliberative settings. In what follows, I will highlight the integral role played by communication in Young's and Dewey's expositions of democracy while showing that Addams foreshadows Young's principal insight through an appreciation of communicative difference and its attendant political implications. (shrink)

odel-L¨ ob computability logic. In order to make things relatively self-contained, I sketch the essential ideas of GL, and discuss the significance of its fixpoint theorem. Then I give the algorithm embodied in the program in a little more detail. It should be emphasized that nothing new is presented here — all the theory and methodology are due to others. The main interest is, in a sense, psychological. The approach taken here has been declared in the literature, more than once, (...) to be of theoretical interest only, being too unwieldly in practice. Experimentation shows this is not so provided formulas are not too complicated. A copy of the program can be obtained by ftp from venus.gc.cuny.edu. It is in the subdirectory “/pub/fitting,” under the name “glfixpt.pro.” Log on as “anonymous” and use your full e-mail address as password. If there are difficulties with ftp, send e-mail to the author at mlflc@cunyvm.cuny.edu. The Prolog code is standard, and should run under any implementation, though minor modifications may be necessary for some systems. These modifications are described in the last section, and also in the program itself. (shrink)

continent. 1.2 (2011): 102-116. All experience open to the future is prepared or prepares itself to welcome the monstrous arrivant, to welcome it, that is, to accord hospitality to that which is absolutely foreign or strange [….] All of history has shown that each time an event has been produced, for example in philosophy or in poetry, it took the form of the unacceptable, or even of the intolerable, or the incomprehensible, that is, of a certain monstrosity. Jacques Derrida “Passages—from (...) Traumatism to Promise” (387). Post-Continental Queer Theory In an interview with Paul Ennis in Post-Continental Voices , Adrian Ivakhiv (2011) is asked about his opinion concerning the future of post-continental philosophy and he responds that: In an increasingly global context, I’m not sure if either ‘continental philosophy’ or “analytical philosophy” have much of a future except as carriers of certain legacies; they’re carry-overs from a time when philosophy seemed exclusive to the North Atlantic world. In a globally mediated, technologically shaped world of shifting and intersecting biocultural contexts, philosophy will have to be more hybrid, viral, and shapeshifting if it’s to remain efficacious as a motivating and inspirational force for cosmopolitical world-making—which, to my mind, is what lies ahead of us (97). Ivakhiv goes on to prescribe what such a post-continental philosophy would need to be: “post-analytical, post-feminist, post-Marxist, post-postcolonial, post-constructivist” (97) and so on. He does not explicitly mention queer theory here but we might ask, and this essay sets out to ask, what queer theory might look like if we were to consider it as a hybrid, viral, shapeshifting, post-continental philosophy with cosmopolitical world-making aspirations. Lauren Berlant and Michael Warner’s essay “What does Queer Theory Teach us about X?” a guest column written for the PMLA in 1995 was already talking about queer theory in ways which we might now recognize as resonating with the term “post-continental.” The first thing we might notice about their essay is a refusal to succumb to the need to pin things down, to say what exactly queer theory is and does and to be entirely clear about what precisely it is that queer theorists do. Berlant and Warner are equally reluctant to accord a specific time to queer. For them, queer is radically anticipatory; it holds out a promise, a utopian aspiration, and occupies a time out-of-joint. Perhaps the appeal and the lasting power of queer theory then (and now) is that it is non-delimitable as a field and non-locatable in terms of a chrononormative temporal schema. Part of, perhaps all of, the attraction of queer theory is its very undefinability, its provisionality, its openness, and its not-yet-here-ness. Queer occupies a strange temporality; it is always, like Derrida’s monstrous arrivant , to-come, whether from the past or from the future. And it has a ghostly formlessness too. Berlant and Warner write that, in their view, “it is not useful to consider queer theory a thing, especially one dignified by capital letters. We wonder whether queer commentary might not more accurately describe the things linked by the rubric, most of which are not theory” (343). It cannot, they insist, “be assimilated to a single discourse, let alone a propositional program” (343). I share their desire “not to define, purify, puncture, sanitize, or otherwise entail [pin a tail on to] the emerging queer commentary” or to fix a “seal of approval or disapproval” (344) on anyone’s claims to queerness as I begin to think about the many and various afterlives of queer theory, if there is such a thing. Furthermore, I agree with them that we ought to prevent the reduction of queer theory to a speciality or a metatheory and that we ought to fight vigorously to “frustrate the already audible assertions that queer theory has only academic—which is to say, dead—politics” (344). And, as we shall see shortly, there is a certain discourse which propagates the idea that queer theory (and not just its politics) is always already dead, buried, over, finished. For me, much of queer thinking’s allure is its openness, its promissory nature, and that much of what goes under its name has been “radically anticipatory, trying to bring a [queer] world into being” (344). Because of this very provisionality, and an attendant welcomeness to its own revision, any attempt to “summarize it now will be violently partial” (343). But we might see some value in the violently partial accounts, the short-lived promiscuous encounters, cruising impersonal intimacies, I will be trying to stage here in this article as I ruminate upon the post-continental afterlives of queer theory. If, for Berlant and Warner, “Queer Theory is not the theory of anything in particular, and has no precise bibliographic shape” (344) then I would like to suggest—with a willful disingenuousness since after all Queer Theory [dignified by capitals] does have a working bibliographical and anthologizable shape which one can easily constitute—that queer theory is not solely the theory of nothing in particular. We might, a little hyperbolically to be sure, say that queer theory is (and always has been) the theory of everything . However, if we turn queer theory into a capital-t Theory (as we are often wont to do [and I cannot exclude myself from this urge]) we risk forgetting the differences between the various figures associated with it and the variegated contexts in which they work (as we shall soon see). As Berlant and Warner caution, “Queer commentary takes on varied shapes, risks, ambitions, and ambivalences in various contexts” (344) and if we try to pin the tail on the donkey by imagining a context (theory) in which queer has “a stable referential content and pragmatic force” (344) then we are in danger of forgetting the “multiple localities” (345) of queer theory and practice. No one corpus of work (Judith Butler’s for example) or no one particular project should be made to stand in for the whole movement, or what we might more provisionally—and more openly, perhaps a possible alternative to Berlant and Warner’s queer commentary—call the “culture” of queer theory (small-q, small-t). If queer thinking were simply reduced to being the province of one particular thinker (say, Judith Butler or Eve Kosofsky Sedgwick) then its multiple localities would be worryingly narrowed and its localities would become merely parochial like “little ornaments appliquéd over real politics or real intellectual work. They [would] carry the odor of the luxuriant” (Berlant and Warner, 345). If the works of Butler or Sedgwick, were made into a metonym for queer theory or queer culture (or world-building) itself, and if they are held to be exemplary cases (either for good or for bad) then what we lose is the original edgy impetus behind queer theory in the first place. We lose, as Berlant and Warner state, that “wrenching sense of re-contextualization it gave” (345). And then we would really leave queer theory open to charges of political uselessness and glaciation, “the infection of general culture by narrow interest” (349). The Many Deaths of Queer Theory Were we to accept recent commentators, Queer Theory, is: over, passé, moribund, stagnant; or, at worst, dead, its time and its power to wrench frames having come and gone. Almost since it began we have been hearing about the death(s) of Queer Theory. Stephen Barber and David Clark wrote in 2002 that, “it is not especially surprising to hear that the survival of queer theory has been questioned or its possible ‘death’ bruited, however questioningly”(4). However questioning this may have been, a year later Judith Halberstam wrote, “some say that queer theory is no longer in vogue; others characterize it as fatigued or exhausted of energy and lacking in keen debates; still others wax nostalgic for an earlier moment.” One year later Heather Love reports that some suspect that “queer theory is going downhill.” Andrew Parker and Janet Halley, who edited a special issue of South Atlantic Quarterly in 2007 entitled “After Sex: On Writing Since Queer Theory,” invited their contributors to share some “after” thoughts on what it might mean to be “after queer theory” since they had, “been hearing from some quarters that queer theory, if not already passé, was rapidly approaching its expiration date.” Yet, despite the rumors of extinction, Queer Theory continues to tenaciously hold on to life, to affirm the promise of the future, even despite the dominant influence of Lee Edelman’s book No Future: Queer Theory and the Death Drive which encourages us to fuck the future and its coercive politics which are, he tells us, embodied in the fascist face of the Child. With each new book, conference, seminar series, each new masters program, we hear (yet again) that Queer Theory is over. Some argue that the unstoppable train of queer theory came to a halt in the late nineties having been swallowed up by its own fashionability. It had become, contrary to its own anti-assimilationist rhetoric, fashionable, very much included, rather than being the outlaw, it wanted to be. But the books and articles still continue to appear, the conferences continue to be held. And, if it were true that Queer Theory has been assimilated completely, become sedimented, completely domesticated (or at least capable of being domesticated) then it really would be over. Nobody would be reading any more for we would already know what was to come.3 In a fascinating conclusion to her article “Busy Dying” Valerie Rohy (2011) suggests that we need not necessarily, “resist the death of queer theory, or not in the way one might think.” She explains: While it is ironic that queer theory should also be enlivened by prophecies of its death [...] there is no reason why that conversation should not continue. If we choose to accept the humanizing trope that gives life to queer theory, it must therefore be dying, like all of us: after all, the condition of life is its ending. And if so, the question becomes how long and how richly queer theory can live that dying, busy with the work of its time (219). Of course, to speak of afterlives, as I do here, is to suggest that queer theory has already died and has come back as a ghost or ghosts. Certainly, this gestures some way towards the hauntological survival of queer theory and its weird temporalities. But, if it is already-dead (and queer theory does tend to get anthropomorphized in these accounts of its demise) then its ghost comes from the future as well as from the past. But, Queer Theory, stubbornly vital as specter, revenant, ghost, took a strange twist in the late nineties and early noughties (or whatever we might awkwardly name our present queer age). Suddenly, queer theorists were interested in ethico-politics, in world politics, in events outside of the texts they were so busy subverting. And it was this political turn which led David Ruffolo to call for a renaming of queer thinking as post-queer politics. In Ruffolo’s (2009) book we catch a glimpse of what queer as a post-continental theory might look like and it is useful to read Post-Queer Politics alongside John Mullarkey’s (2006) Post-Continental Philosophy: An Outline . At the beginning of his book Mullarkey admits that he is writing about something, the philosophical event of post-continental thought, which does not yet have a shape, has not yet come into existence: This book may have been written too early. It is not about something, or some idea, that has actually occurred as yet, an objective event. It is about something that is unfolding, an event in the making. The ‘Post-‘ in ‘Post-Continental’ is not an accurate description of what is, but a prescription for what could be” (1). Similarly, the “post-” in David Ruffolo’s (2009) book operates not as a description of something which has already happened in response to the “peaking” of queer theory (1), but rather describes (or prescribes) what could be, if queer theory were to undergo significant renewal. Ruffolo’s primary concern is to immanentize queer theory which, for him, remains rooted in subjectivity, language, representations, discourses, identities, and so on. Ruffolo rejects the queer theoretical insistence on transcendence which he finds primarily in the work of Foucault and Butler—where acute attention is placed on representations, significations, and identifications—and he aims to kindle a neomaterialist (in the spirit of Elizabeth Grosz’s work) post-queer thinking which is open rather than closed to the world. In my (2009) preface “TwO (Theory without Organs)” to Post-Queer Politics I gestured toward the idea that Ruffolo is reanimating queer theory, plateauing it in ways that can be diagrammed: he puts queer theory on the line and he maps the plane of consistency of queer theory as a kind of free-floating space that is formless, without subject, without development, without centre or structure, without beginning or end.4 Mullarkey’s wager is that post-continental thought (which he associates with the philosophies of Deleuze, Laruelle, Badiou and Henry) embraces “absolute immanence over transcendence” (1). Each of these philosophers insist, Mullarkey tells us, upon, “a return to the category of immanence if philosophy is to have any future at all” (2). In “rejecting both the phenomenological tradition of transcendence (of consciousness, the Ego, Being, or Alterity), as well as the post-structuralist valorization of language” (2) these four French philosophers take continental philosophy “in a new direction that engages with naturalism with a refreshingly critical and non-reductive approach to the sciences of life, set theory, embodiment and knowledge. Taken together, these strategies amount to a rekindled faith in the possibility of philosophy as a worldly and materialist thinking” (2). Although Deleuze is the central figure in both Mullarkey’s and Ruffolo’s texts, it is perhaps Derrida (and his notion of the à-venir , the to-come) which springs to mind when we try to think about the attempt to make immanence supervene on transcendence in queer studies. The queer theory to-come (which Ruffolo refers to as post-queer dialogical becomings) is impossible to discern, to outline, to give precise shape too. If queer theory has reached an abyss (the heteronormativity/queer dyad Ruffolo problematizes) then re-mapping the co-ordinates of the field depends on an aporetic impossibility, a crossing of the uncrossable, a passing through the impassable. For Mullarkey, Derrida’s later thinking was marked by an inability to stay still and a shift from the undermining of the “possibility of experience” to “the experience of impossibility” (9) in the later writings on the aporetics of ethical, religious and political experience. The queer theory to-come, we might wager, then, is an experience of aporetic impossibility and Mullarkey gives us a clue as to how Derrida’s writing on/about aporias might be useful for thinking about the regime of philosophical immanence: In his own work entitled Aporias, Derrida tells us that the term’s philosophical use comes to us from Aristotle’s Physics IV and concerns the problematics of time. But it also concerns the issue of regress, Aristotle taking the view in the Categories that any relation (like time) must have distinct relata lest there be infinite regress. The relata need to be distinct if their relation is to be defined. And here is where we can begin to see a way out of our entanglement in immanence (9) Mullarkey contends that, “the regress, aporia, or ‘vertigo’ of immanence” can never be undone, “indeed, it can never even be said, strictly speaking” (9). Rather, we show it by unwriting it. He turns to Deleuze for a theory of abstraction that, “would provide the key to how a discourse of immanence might be possible—namely the theory of the diagram or philosophical drawing” (9). He explains that the diagram operates metaphilosophically in that it is a moving outline which takes both, “a transcendent view (representing immanence) while also remaining immanent: it does this by diagrammatising itself—it reiterates itself as a drawing that is perpetually re-drawn, and so materializes its own aporia”(9). Ruffolo’s post-queer politics is perhaps only capturable spatially or rather diagrammatically and not chronologically (it does not mean after queer or leaving queer behind, the post-queer remains, after all, forever tethered to the queer) or genealogically. Post-queer does not mean after queer or leaving queer behind, the post-queer remains, after all, forever tethered to the queer genealogically. Mullarkey sums up his project in ways which are strikingly similar to Ruffolo’s central concerns about the stagnation or death of queer theory, “the news this nascent event brings is effectively the following: not only was the report of Continental philosophy’s death at the hand of self-inflicted aporia, obscurantism and anti-scientism an exaggeration, but a recent change has taken place that will allow it to regenerate and renew itself with unexpected consequences” (11). The Many Afterlives of Queer Theory The news of queer theory’s death (or many deaths) at the hands of “self-inflicted aporia” also came too soon, was a gross exaggeration. And, echoing Mullarkey, I would argue that recent changes to the shape of the field promise its regeneration and renewal with many unexpected (and indeed unforeseeable consequences). So, in the remainder of this article I would like to speculate about some of Queer Theory’s afterlives by taking a look at some recent texts (all from the past two years and each committed to re-imagined queer futurities) which take the field in new directions and open up new spaces of enquiry, new worlds: José Esteban Muñoz’s Cruising Utopia: The Then and There of Queer Futurity (2009) on critical idealism, aesthetics and a Blochian educated hope, Sara Ahmed’s The Promise of Happiness (2010) on affect, Tim Dean’s Unlimited Intimacy: Reflections on the Subculture of Barebacking (2010) on barebacking, HIV and intimacies, Kathryn Bond Stockton’s The Queer Child; Or Growing Sideways in the Twentieth Century (2009) on queer childhood, and finally, Lynne Huffer’s Mad for Foucault: Rethinking the Foundations of Queer Theory (2010) which is a landmark text for queer studies because it shifts the emphasis away from Foucault’s three-volume History of Sexuality to his Madness and Civilization . My “violently partial” readings of these five important texts and the immemorial currents sweeping Queer Theory towards new headings, new futures, suggests not only that there is life after death for Queer Theory, a future for queer thinking, but that, Queer Theory is the future, a theory of the future, one which still has much to teach us about the urgent cultural and political questions of today. Queer theory and/as the Future From its very “beginnings” Queer Theory has, like its pervert twin, deconstruction, been turned toward the future, a theory permanently open to its own recitation, re-signification and revision. It has always been a hopeful and hope-full theory. We see this in its earliest incarnations as the AIDS activism of ACT UP and Queer Nation, both of which are privileged by utopian political thought that promises an unmasterable future, and the “foundational” theorizations of Eve Kosofsky Sedgwick and Judith Butler (among many others), queer theory has always already been of, for, and promised, given over to, the future, to futurality as such. It has curved, “endlessly toward the realization that its realization remains impossible,” as Lee Edelman wrote in 1995 (346), the same year as Berlant and Warner’s guest column in PMLA . So, in the early to mid 1990s Edelman himself was able to celebrate the utopic negativity, and asymptotic, incalculable futurity of queer thinking as a site of permanent becoming. But what his No Future has almost single-handedly instantiated is a turn away from the future, or what he more recently has called the “Futurch” (2006, 821) as it is embodied in the saccharine-laden figure of the Child. In the wake of Edelman’s book there has been an almost universal rejection of, a resounding “fuck you,” to the future and what has come to be called the ‘anti-social thesis’ now dominates the post-political, post-futural, anti-or post-relational landscape of queer studies. On the one side, the side of anti-utopianism and hopelessness you have figures like Edelman, Jonathan Goldberg and Madhavi Menon, and (much more problematically and equivocally) Judith Halberstam, for whom hope is imbued with and unable to be dislodged from a heteronormative logic. Theirs is a project calculated to give up on hope and by extension to refuse both the political and the futural. In a sense then the anti-social theorists are on the side of death, or of a logic which loudly proclaims and embraces the traumatized death drivenness of both queer theory and politics, raising a specter which has haunted it from the very start. On the other side, on the side of affirmation, utopianism and socio-political hope, very much on the side of life, we have figures such as Tim Dean, Michael Snediker, Sara Ahmed, and José Esteban Muñoz (a thinker such as Heather Love falls somewhere in the middle but I don’t think an optimistic queer theory can afford to dwell for very long on loss, melancholia, trauma at the expense of feeling forward as her work does). These theorists, a little bit in love with queer theory as lure, return us to the affirmative, revolutionary potential of queer studies, and seek to re-imagine a hopeful, forward-reaching, world-making queer theory that matters as the future, as the telepoietic queer event, as the always already not-yet of the democracy to-come and the justice to-come. We might even say, affirming the far-from-dead politics of queer theory, that queer theory is radical democracy, that queer theory is justice, is all about futurity and hope. And it is worth remembering here that for Eve Kosofsky Sedgwick, whose death in April 2009 occasioned a new round of assertions that the work of queer theory which she inspired was over and done with, queerness is “inextinguishable” (1993, xii). And, to quote Beth Freeman (2010), “as much as sexual dissidents have suffered, lived as objects of contempt or oblivion, endured physical and emotional punishment, we have also risked experimentation with our bodies and those of others, with affiliation, and with new practices of hoping, demanding, and otherwise making claims on the future”(xxi). Revolt We Said Those who take up the anti-social argument (a position usually incorrectly attributed to Leo Bersani’s Homos ) refuse to make claims on the future and so refuse queer theory as future dawning promise. To do so is to betray a certain spirit of Derridean deconstruction which has always animated queer thought. To take this anti-social argument is to give up on a Derridean understanding of the event as prospective and to remain in thrall to an onto-chrono-temporality. I would quite seriously suggest that we need to avoid this wrong turn by mobilizing a Derridean understanding of historicity, temporality (and by extension spatiality), relationality and the event. The latter being understood as that which ruptures onto-chrono-phenomenological temporality and is faithful to, or welcomes, that which arrives but which cannot be known or grasped in advance. This theoretical gesture, a reparative one, is in the service of what I have called elsewhere (2011, 53-69) queer theory as a weak force, queer theory as revolt. Julia Kristeva in Revolt, She Said understands the event as revolutionary, emphasizing there the etymological roots—which overlap with queer’s own etymological ones—of the word revolt, meaning “return, renewing, returning, discovering, uncovering, and renovating”( 2002, 85). This renovation is possible because at the moment of revolution, according to Kristeva, “I revolt, therefore we are still to come’ (42, my emphasis). Kristeva considers thinking as, “a revelation, an exploration, an opening, a place of freedom” (114). Similarly, José Esteban Muñoz, in his Cruising Utopia , sees queerness as, “a structuring and educated mode of desiring that allows us to see and feel beyond the quagmire of the present” (2009, 1). For Muñoz, “Queerness is also a performative because it is not simply a being but a doing for and toward the future” (1). Following Muñoz, queerness occupies the space of the not-yet, is always promissory, horizonal. He begins Cruising Utopia by stating: Queerness is not yet here. Queerness is an ideality. Put another way, we are not yet queer. We may never touch queerness, but we can feel it as the warm illumination of a horizon imbued with potentiality. We have never been queer, yet queerness exists for us as an ideality that can be distilled from the past and used to imagine a future. The future is queerness’s domain (1). I am not suggesting that it is easy to unmoor ourselves from linear temporalities, from what Elizabeth Freeman in her important recent book on erotohistoriographies calls “chrononormativities,” but I would like to draw attention to the way in which this capitulation in the end refuses and forecloses the promise of the future. In the remainder of this paper I would like to take a glimpse at some forward-glancing texts (or particular moments in those texts which we might encounter closely, even over-closely)12 which can be shored up against the so-called ruin(s) or death(s) or queer theory. Child’s Delay Firstly, let us take a sideways look at the child, from a parallax angle which Edelman’s No Future (2004), with its rejection of the child and of the possibility for queer children or queer childhood to even exist, explicitly disallows. Kathryn Bond Stockton’s The Queer Child; or Growing Sideways in the Twentieth Century (2009) asserts that, “if you scratch a child, you will find a queer” (1). In her readings of fiction and films from the twentieth century she returns the shadowy, ghostly, penumbral figure of the queer child to a central place. She will, she boldly claims, show throughout, “how every child is queer” (3). What this might suggest to us is that queer children stubbornly refuse to grow up, to follow arborescent, vertical, even Oedipalized models of development.13 Rather they make lateral, rhizomatic, sideways moves. The child is post-queer, then, in Ruffolo’s sense. It is important to note that these sweeping lateral shifts are also as such a rejection of the coercive politics of “reproductive futurism” (Edelman, 2004). But, having said that, the temporality Stockton’s queer children occupy is the time of Derrida’s différance, a time of delay. Their, “supposed gradual growth, their suggested slow unfolding, which, unhelpfully, has been relentlessly figured as vertical movement upward (hence ‘growing up’) toward full stature, marriage, work, reproduction and the loss of childishness” (Stockton, 4). The temporality of delay is, Stockton admits, a tricky one. Like the speeds of Derridean différance, the child’s delay “spreads [...] sideways and backwards,” rather than simply accelerating and thrusting “toward height and forward time” (4). As a queer strategy, maneuvering sideways has the virtue of mobilizing the frame-wrenching unruliness of Berlant and Warner’s queer thinking, but also the power to bend the hetero-chrono-normative frames of temporality and History we are used to working with. These complicated asynchronicities, these luminescent moments of queer refusals to grow up, carve open new futures for queer childhood. If queer childhood—and here queer childhood becomes synecdochal for the childlike wonder of queer theory itself—is only ever recognizable after its death, retroactively, then this delaying or stalling of the forward-propulsion of growing up, allows the queer child, or simply queerness tout court, to live on, inextinguishably. Utopia’s Propulsions In his manifesto-like Cruising Utopia: The Then and There of Queer Futurity , José Esteban Muñoz enacts another sideways re-temporalizing move and makes a compelling argument for the anti-anti-relational thesis. We must, he states, “vacate the here and now for a then and there,” (185) leaving behind the contested present and its quagmire, for a re-imagined futurity. If Edelman emphasizes the lonely figure of the sinthomosexual who refuses relationality, then Muñoz wishes for, wants a, “collective temporal distortion.” This is a Kristevan revolt, “Individual transports are insufficient. We need to engage in a collective temporal distortion. We need to step out of the rigid conceptualization that is a straight present” (185). In a way Stockton’s queer child occupies Muñoz’s space (although the future is both a spatial and a temporal destination) of the “not yet here.” Rather than refusing the future’s pull in the way that Edelman rejects the tow of the à-venir (the to-come), Muñoz reminds us that, “what we need to know is that queerness is not yet here but it approaches like a crashing wave of potentiality. And we must give in to its propulsion, its status as a destination” (185), or we might say its status as a horizonless-horizon. In a rather compelling conclusion to his book Muñoz imagines this capitulation to the inexorable propulsive tug of the future-as-promise in terms of the ecstatic: “we must take ecstasy.” This has a whole range of possible registers from the pharmaceutical to the carnal but I want to place it alongside (or sideways with) Lynne Huffer’s more ecstatic moments in Mad for Foucault (2010), in which she is mad about her Foucault. She engages in moments of rapturous cross-temporal vibration with him in terms redolent of Muñoz’s own ekstasis (a Heideggerian standing outside of oneself which ruptures, tears up the linearities of straight time). Muñoz’s injunction, or request, for us to take ecstasy with him, to encounter a queer temporality thus, becomes a request to stand out of time together, to resist the stultifying temporality and time that is not ours, that is saturated with violence both visceral and emotional, a time that is not queerness. Queerness’s time is the time of ecstasy. Ecstasy is queerness’s way (187). It is in these ecstatic moments that we arrive (or move inexorably toward) “collective potentiality” (189). These ecstatic moments often take place in encounters with certain objects, objects like Warhol’s coke bottle which harbor potentiality and are illuminated by “the affective contours of hope itself” (7). Queer Ekstasis Those objects, which are illuminated by future- or forward-dawning-promise, can also be texts themselves. These are texts which take on qualities of the sentient as they vibrate with us across time and space. Lynne Huffer’s Mad for Foucault: Rethinking the Foundations of Queer Theory dramatizes a feverish moment which she shares in the archive with Foucault, where she takes ecstasy with him. Her argument throughout this field redefining book is that we cannot properly understand Foucault’s work on sexuality until we learn to (re)read The History of Madness . This project of “re-queering Foucault” (24) actually turns on a rejection of the now-sanctified versions of his ideas which dominate queer theory.14 Huffer bravely suggests that our understanding of Foucault occupies the time of ecstatic queerness: if we have yet to read (or understood) his work properly, then another Foucault, a futural Foucault is always potentially dawning. She glimpses this wave of potentiality for unsettling the object-event that Foucault has become in the Normandy archive where Foucault’s unpublished texts are held. While perusing a 400-page interview between Roger Pol Droit and Foucault, Huffer chances upon a moment of suppressed self-disclosure. Foucault had refused to publish this long interview text, embarrassed by how it forced him to resort to biographical answers, to a moi that his work—and the queer theory it has inspired— so assiduously moved to decenter. Foucault tells Droit that madness has always interested him, that “for twenty years now I’ve been worrying about my little mad ones, my little excluded ones, my little abnormals” (Huffer, 23). At this point, Droit presses him to explain the motivation for writing The History of Madness in the first place and he responds, in my personal life, from the moment of my sexual awakening, I felt excluded, not so much rejected, but belonging to society’s shadow. It’s all the more a problem when you discover it for yourself. All of this was very quickly transformed into a kind of psychiatric threat: if you’re not like everyone else, it’s because you’re abnormal, if you’re abnormal, it’s because you’re sick (Huffer, 23). Huffer admits that she is, “immediately thrilled,” to have, “discovered such a ‘confession,’” from Foucault (23). This is a moment where, for Foucault, “individual transports are not enough” (Muñoz, 185). Rather he engages in a “collective temporal distortion” (Muñoz, 185) in which he declares his solidarity with his “little mad ones, my little abnormals.” Huffer calls this moment a “ coup de foudre ” which sparks a “fever” in her and engenders, “a loyal kind of disloyalty to Foucault,” (24) who after all wanted to suppress this “confessional” text that she erotically vibrates toward, or even with. Perhaps, she says, “it can be received as an event of discovery that engenders what Deleuze called a resistant thinking, ‘a thought of resistance’ to the despotic readings that refuse to see Foucault’s queer madness” (24). Huffer’s queer theory takes it chances with that which has been repressed but in so doing goes where Muñoz tells us queer theory needs to go: into the queer time of ecstasy and archive fever. Huffer’s encounter with Foucault, her queer “touch” which crosses temporal lines, reveals the inherent strangeness which inhabits the chrono-normative rhythms of time. And her seeming “disloyalty,” her overcloseness discloses what Freeman says is the, “messiest thing about being queer,” that is, “the actual meeting of bodies with other bodies and with objects” (Freeman, xxi, my emphasis). The Promise of Affect Huffer’s ecstatic moment, her stepping outside of herself in a moment of happy stance, a chancy happenstance, should remind us that we know, as Muñoz, puts it, “time through the field of the affective, and affect is tightly bound to temporality” (Muñoz,187). Sara Ahmed’s The Promise of Happiness (2010) turns its attention to an affect which has been downplayed in queer studies which has up until recently preferred to wallow in bad feelings such as shame (by far the most dominant affect in queer cultural studies), hate, fear, anger, disgust and so on. Negative affect, melancholy and trauma, as Michael Snediker points out in his gorgeous dance of a book Queer Optimism , have preoccupied queer theorizing at the expense of or to the detriment of positive affect, happiness, optimism, hope, utopianism. In his review of Ahmed’s book Snediker avers that, “arguments for or against happiness arise most provocatively in the field of queer theory,” which suggests to him that, “queer persons bear an acutely salient relation to happiness as that from which they’ve been excluded, but furthermore, that they bear an exemplary relation to a happiness always requiring sacrifice and compromise, a shady bittersweetness from which no persons are exempt” (2009, np). Most queer theory has found itself cleaving to pernicious versions of happiness over and against its capacity for fungibility (there are many forms of happiness) and its constitutive (or at the very least etymological) potentiality for surprise. Happiness, then, occupies the strange temporality of Stockton’s child and his or her delay (and of Muñoz’s then-and-there, a not-yet-here). Snediker reminds us that Ahmed imagines an affective relation (which can be both happy or unhappy; there is, after all, no pure form of either happiness or unhappiness which tend, as Snediker puts it, rather to “equivocate around each other’s edges”) to an “experienced past as structurally analogous to a futural affect which we can speculate about but haven’t yet encountered”: “nostalgic and promissory forms of happiness belong under the same horizon, insofar as they imagine happiness as being somewhere other than where we are in the present” (Ahmed, 160-161). The anti-social theorists argue that, if one is to be queer, happiness is ontologically risky and therefore should be refused, given up. However, Ahmed much more promisingly (and promissorily) mines those times and spaces where we can in fact find forms of happiness beyond those we presently “trust and mistrust” (Snediker, 2009). In this brighter, more expansive world, Ahmed promises a differently-theorized happiness, which we might allow to migrate across other affects—both positive and negative. As Snediker concludes, Ahmed gratifyingly allows that, by swerving away from happiness’s compulsions and coercions and being drawn into near-proximity, “we might wish to be happy, without feeling theoretically unhappy in the wishing.” Unlimited Promiscuity Muñoz’s Cruising Utopia: The Then and There of Queer Futurity imagines what we “can possibly see, let alone know, here, and now, of future social relations, how we can dream and enact new and better pleasures, other ways of being in the world, and ultimately new worlds” (Muñoz ,1). The then and there of his subtitle insists on the now-cental question of how to bring about utopian futures from within a negating and seemingly hopeless present. How to introduce or bring exuberant futures (what Michael Warner would call “queer planets” maybe) into being. It may seem perverse to look for and to find ballast for what we can know of future social relations that would induce ebullient queer futurities in Tim Dean’s Unlimited Intimacy: Reflections on the Subculture of Barebacking (2010), the opening chapter of which bears the confessional epigraph, “I like to bareback—to fuck without condoms.” But for Dean barebacking “concerns an experience of unfettered intimacy, of overcoming the boundaries between persons, that is far from exclusive to this subculture or, indeed, to queer sexuality” (2). What this might mean, of course, is that barebacking occupies the queer time and space of the not-yet-here. It also promises a shattering of the identitarian structures which presently underpin our theories of sexuality and potentializes the thinking of new relational modes or forms-of-life (an important point to make about a book which has the virtue of bringing HIV, AIDS, and death back into focus without falling under the sway of the death driven queer post-politics).15 If Foucault needs to be re-queered, unleashing his queer unreason or madness, then Dean suggests that queer theory itself needs to be re-queered. Barebacking (which he refuses to endorse or condemn) allows him “to defer judgement about it in order to open a space in which real thinking can occur” (Dean, 3). If for Stockton growing sideways is a queer strategy in practice, and for Muñoz taking ecstasy is a queer strategy in motion, then for Dean promiscuity occupies that re-opened space where real thinking and patient forms of attention can take place. In lieu of the politics of identification he argues for an impersonal ethics in which one cares about others (strangers in the Levinasian sense), “even when one cannot see anything of oneself in them.” So, in “contradistinction to the politics of identification, we have the ethics of alterity” (Dean, 25). This post-continental approach which moves beyond the subject in favour of what Elizabeth Grosz (2007) calls a, “process of opening oneself up to the otherness that is the world itself […] that makes us unrecognisable,” might also be diagrammed using Lacan’s graphs of sexuation as does Levi Bryant in his work on the democracy of objects and what he has termed Object Oriented Ontology (OOO). Lacan plays a crucial role in both Dean’s Beyond Sexuality and Unlimited Intimacy as well as in Bryant’s onticology, his “flat ontology.” Bryant's theory of withdrawal is one which—in conversation with Timothy Morton (2011)—asserts an opposition to any “phallocentric totalization. This is what Bryant (2011) has recently called “phallosophy.” Instead of interpreting Lacan’s graphs in terms of sexuation, he understands them in terms of ontology. He explains that, “on both the masculine and the feminine side of the graph of sexuation, what we get are two different ways of handling the withdrawal at the heart of being. The left side of the graph refers to masculine sexuation, while the right side of the graph refers to feminine sexuation” (2010, np). And in Bryant’s post-phallosophical onticology, queer theory is to be found on the feminine (“not-all”) side of the graph. If David Ruffolo is determined to theorize queer desiring machines to counter an unproductive focus on lack then Bryant is equally attuned to the ways in which we ought to swerve away from Lacan’s phallic function (which of course refers to castration or lack). Bryant explains: rather than referring to a masculine and feminine side of the graph, we can instead refer to a side of the graph that refers to object-oriented ontologies (the feminine [and subsequently he has placed the queer here too]). Moreover, rather than treating phi as the phallic function, we should instead treat phi as withdrawal. [...W]hat we get in this schema are two fundamentally different ways of discoursing about being (2010). Bryant reformulates the schemas for masculinity and femininity in terms of philosophies of presence where, “all are submitted to withdrawal with one exception,” and object-oriented ontologies where, “not all are submitted to withdrawal. But there is no exception. There is none which is not submitted to withdrawal.” What Bryant is getting at here is that there is no master signifier outside the set of all objects and there is no top or bottom object anywhere to be found. He goes on to say that: if the graphs of sexuation are rewritten in terms of ontology and withdrawal we can see how we get radically different ontologies depending on whether or not we’re dealing with a metaphysics of presence or an object-oriented ontology. What the metaphysics of presence seeks and is always dependent upon is an exception or an entity that is not subject to withdrawal. In other words it seeks an entity that is fully present without any withdrawal whatsoever (2010). However, Object-Oriented Ontologies give us a completely different schematization because, as Bryant argues, there is “no exception to withdrawal.” He explains that, “it belongs to the being of all beings to withdraw without exception. Not only do beings withdraw from one another, but they also necessarily withdraw from themselves.” In his democratization of objects Bryant develops the thesis that objects have a dual nature, that they simultaneously withdraw and are, “self-othering in and through their manifestations.” If we look at Lacan’s graphs of sexuation we see a series of arrows traversing the two sides of the graph. As Bryant explains, on the masculine side we see an arrow pointing from the barred subject ($) to object a (a) and the “logic of metaphysics of presence” generates a situation in which “withdrawal is seen as a loss rather than as a constitutive dimension of being.” However, on the feminine side of the graph, which is on the side of object-oriented ontologies, there is a very different logic at work (something like Ruffolo’s creative lines of flight, a multiplicity of flows). The feminine article (~La~) is represented as a constitutively split subject. “On the one hand,” Bryant tells us, “we see an arrow pointing to the symbol for withdrawal ( phi ) indicating an orientation not to the presence or actuality of entities, but the manner in which an entity is always in excess of its manifestations. Likewise, we see yet another arrow directed at S(~A~) [...] the signifier for the barred Other.” Bryant rethinks that barred other in terms of what Timothy Morton has called in various places the strange stranger, a figure akin to Derrida’s monstrous arrivant, and also in terms of Graham Harman’s distinction between the real and sensuous properties of objects: “the arrow pointing to the barred object would thus indicate a desire oriented to welcoming the stranger or that which disrupts the familiar world of local manifestations. Where the logic of desire underlying metaphysics of presence is predicated on overcoming a loss and thereby attaining presence, the logic of desire [we might call it post-queer desire with Ruffolo] underlying object-oriented ontology would emphasize the excess of all substances over their local manifestations (there’s always more) and would welcome difference or those eruptions within stable regimes of local manifestation where the strange stranger surprises and indicates this excess” (“Phallosophy”). This is perhaps how we might diagram the virtuality of queer theory’s being constitutively open (to the world itself, and to go further, constitutively open to its future) and undomesticatable. If for Bryant, every “entity is a becoming that promises to become otherwise” then this is why entities are not only strange strangers to other entities but are also strange strangers to themselves” (2011). Morton has in his essay “Queer Ecology” extended his idea of the strange stranger to queer objects, guaranteeing a theory of withdrawn objects which recognizes the strange strangeness to everything.18 Any state an entity, say queer theory, happens to be in is merely provisional and there is always an excess or remainder beyond phallic identification and totalization. Bryant asks if his non-phallosophical thought deserves the title of a queer ontology, “in addition to a feminist ontology?” and the answer he provides is yes. His theory of withdrawal shares a great deal with Derrida’s abyssal aporetics, moving as it does beyond any epistemological limitation and “inscribing itself in the very being of the object itself.” If the object is withdrawn because, “it is never present either for-itself or for-another,” then we might begin to redraw queer theory as an entity which also deserves the name, “strange stranger” (2011). And we might now see Dean’s unlimited intimacy as a withdrawal from and reaching out towards strangers. In the concluding chapter, “Cruising as a Way of Life” (a clear nod to the later Foucault and the invention of new alliances, modes of life and unforeseen lines of force) to Unlimited Intimacy Dean writes that, “cruising entails a remarkably hospitable disposition towards strangers. Insofar as that is the case, the subculture of bareback promiscuity, far from being ethically irresponsible, may be ethically exemplary” (176). Barebacking, as he makes very clear throughout, is a practice which anyone can perform and may not have any particular attachment to or origin in gay sexualities. Cruising, which also is not a gay-specific practice, “exemplifies a distinctive ethic of openness to alterity and that—irrespective of our view of the morality of barebacking—we all, gay and non-gay, have something to learn from this relational ethic” (176). Barebacking disintricates us, then, from the identitarian (or in Dean’s terms “identificatory”) focus of lesbian and gay studies and opens up a space for queer sexualities and relationalities. Barebacking, we might say, is a queer strategy in practice. Methodologically—not that queer theory is a methodology, it is just what happens—this relates to a certain promiscuity, to “thinking promiscuously about promiscuity itself,” extending promiscuity beyond the sexual realm to the philosophico-theoretical (queer not as a sexual orientation but as a theoretical one). If for Lauren Berlant and Michael Warner in 1995 queer commentary was attuned to the opening up of a world then for Dean fifteen years later pleasurable yet risky openness to contact with others, with strangers and “cruising [...] involves not just hunting for sex but opening oneself to the world” (Dean, 210) and we might add, to a recalibrated futurity and erotico-relational ethic(s). Erotic impersonality, experimenting with viruses, for Dean, is an exploration of the ways in which we may, “relate to others and even become intimately engaged with them without needing to know or identify with them” (211). And this, I think, is what Bryant means by his own onticology of withdrawal which discloses the relation that is a non-relation to the strange stranger. Such is the (non)relational ethics, the posthuman ethics of difference, that onticology and [Morton’s] dark ecology strive to think, an ethics where the “non” must be placed in parentheses precisely because it is oddly both a relation and an absence of relation, precisely because it is proximity and the impossibility of any proximity (2011). Queer Theory, in moving outline (capable of being endlessly redrawn), we might say, could be diagrammed as a post-continental theory of precisely everything, a madly erotically impersonal mode of opening up to and meshing with the strangeness of others, of opening up to the incalculable strangeness of the future to-come, of opening up to aesthetic and political practices that do not yet exist but need to be envisioned as necessarily ec-static modes of stepping out of this enmired place and time to something cosmopolitically “fuller, vaster, more sensual and brighter” (Muñoz, 189). NOTES 1. The term “chrononormative” is one of the many brilliant formulations in Elizabeth Freeman’s Time Binds: Queer Temporalities, Queer Histories . Durham: Duke University Press. 2010. 2. Although I would argue that both have been read less and less well and indeed less and less as queer theory. 3. And I would argue that this is actually what has really been happening: does anyone actually read Judith Butler’s work now as queer theory or even of relevance to queer theory? 4. And this for me is exemplified by Masoud Ghaffarian-Shiraz’s cover image, “The Droplet.” 5. Patricia MacCormack’s resonant phrase “becomings to-come” seems to me to be a very useful one in this context, see her book, Cinesexuality . Farnham: Ashgate. 2008. 6. Elizabeth Freeman (2010) embraces the queerness of close reading encounters. She writes that the narratives she assembles in Time Binds (Durham: Duke University Press) are, “practices of knowing, physical as well as mental, erotic as well as loving 'grasps' of detail that do not accede to existing theories and lexicons but come into unpredictable contact with them: close readings that are, for most academic disciplines, simply too close for comfort” (xx-xxi). 7. We might note that the death of Theory itself has been repeatedly announced. A recent collection edited by Derek Attridge and Jane Elliott, entitled Theory After ‘Theory’ (New York: Routledge. 2011. Print.) argues that far from being dead that theory has adapted itself to the most pressing political and cultural problems of our time. 8. It is interesting that the subtitle of Huffer’s Mad for Foucault is Rethinking the Foundations of Queer Theory as if were not suspicious of all origins. 9. See Hardt, Michael and Antonio Negri, Multitude: War and Democracy in the Age of Empire. New York: Penguin. 2004. Print. 10. Editor's Note: We thus understand the BABEL Working Group's calling of all hands for their panel sessions at the 2012 Annual International Congress on Medieval Studies entitled "Fuck This: On Finally Letting Go" and "Fuck Me: On Never Letting Go" as esprit d'amour . 11. Incorrectly because Bersani’s work has everywhere been committed, like Eve Kosofsky Sedgwick’s, to recreating the world and letting it be. For Bersani everyone relates to everyone and everything else through formal correspondences and there is a marked shift from the anti-relational to ever-proliferating new relational modes and forms of being in his later work. Compare Homos (Cambridge: Harvard University Press, 1995) and Forms of Being: Cinema, Aesthetics, Subjectivity (co-authored with Ulysse Dutoit, London: BFI, 2004). 12. For Freeman a commitment to “overcloseness” informs her sense of “queer” which, for her, “cannot signal a purely deconstructive move or position of pure negativity” (2010, xxi). 13. And childhood, as Eve Sedgwick so acutely taught us, need not necessarily adhere only to children. 14. No figure more than Foucault—except perhaps Freud—has exerted such a deep influence on queer thinking since its “inception.” 15. I mean post-politics here in terms of Edelman’s position of pure oppositionality to politics. 16. See in particular, “Queer Ecology” PMLA 125.2 (March 2010): 273-282 and The Ecological Thought (Cambridge: Harvard University Press, 2010). 17. See also Morton’s “Here Comes Everything: The Promise of Object-Oriented Ontology.” Qui Parle . 19.2:163-90.  . (shrink)

Normal 0 false false false EN-CA X-NONE X-NONE MicrosoftInternetExplorer4 /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Table Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-qformat:yes; mso-style-parent:""; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin:0cm; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:11.0pt; font-family:"Calibri","sans-serif"; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:"Times New Roman"; mso-fareast-theme-font:minor-fareast; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi;} This article stems from the author’s experience as one of the organizers of an alternative form of higher education, which drew its inspiration from the civil commons. In the early years of the new millennium, the People’s (...) Free University of Saskatchewan (PFU) offered a wide variety of courses to members of the public without charge, adopting as its founding principle the belief that “Everyone can learn, Everyone can teach.” As a form of community-based education, the PFU accommodated the needs and aspirations of a diversity of individuals and groups too often denied by “research-intensive” universities. The civil commons itself is a web of interlocking institutions based on the life-code of value, which strengthens the public interest and enhances the growth of organic life. Unlike the money-code of value, whose goods are only available to those who can pay, the goods of the civil commons are accessible to all. This inner logic enables a full realization of life value as exemplified in the living tradition of popular university education. (shrink)

Today it is a rare journal article that does not begin with the words "on the threshold of the third millennium." Someone might say, "What do you, philosophers, have to do with the swift flow of time? You're always talking about the eternal!" But he would not be right. First, although philosophy reflects on the eternal, it exists in time. Like any intellectual community, philosophy has its beginning and history; indeed, a history full of dramatic and even tragic pages, (...) including death at the stake for one's ideas, the irreconcilable confrontation of systems, the blind disregard of some thinkers in their lifetime and the undeserved fame of others, and so on. And what will the future bring? This is a question raised by philosophers "on the threshold of the third millennium," as they ponder the fate and paths of their activity. Second, the central philosophical problem is the problem of Being and man's place in it; hence, the question what the philosophy of the twenty-first century will be like is the question of how we shall represent being itself, man himself, the meaning of human life. Can we today at least name the most general features of the future philosophy? To answer this question I have tried to compare two past philosophical systems—I. Kant's and A. Schopenhauer's. And the reason is this both philosophers are one in their passionate desire to find the Truth for humanity and the individual and, although they begin their reflections from the same positions, they end up with results that are quite incompatible. But both poles of philosophy—the rationalist and the irrationalist—have proved equally valid for humanity. And I think that these two systems determined one of the paths of philosophy in the twentieth century that will continue into the twenty-first. (shrink)

The positive fragment of the local modal consequence relation defined by the class of all Kripke frames is studied in the context ofAlgebraic Logic. It is shown that this fragment is non-protoalgebraic and that its class of canonically associated algebras according to the criteria set up in [7] is the class of positive modal algebras. Moreover its full models are characterized as the models of the Gentzen calculus introduced in [3].

‘Quantified pure existentials’ are sentences (e.g., ‘Some things do not exist’) which meet these conditions: (i) the verb EXIST is contained in, and is, apart from quantificational BE, the only full (as against auxiliary) verb in the sentence; (ii) no (other) logical predicate features in the sentence; (iii) no name or other sub-sentential referring expression features in the sentence; (iv) the sentence contains a quantifier that is not an occurrence of EXIST. Colin McGinn and Rod Girle have alleged (...) that standard first-order logic cannot adequately deal with some such existentials. The article defends the view that it can. (shrink)

Are humans rational? Various experiments performed over the last several decades have been interpreted as showing that humans are irrational we make significant and consistent errors in logical reasoning, probabilistic reasoning, similarity judgements, and risk-assessment, to name a few areas. But can these experiments establish human irrationality, or is it a conceptual truth that humans must be rational, as various philosophers have argued? In this book, Edward Stein offers a clear critical account of this debate about rationality in philosophy (...) and cognitive science. He discusses concepts of rationality - the pictures of rationality that the debate centres on - and assesses the empirical evidence used to argue that humans are irrational. He concludes that the question of human rationality must be answered not conceptually but empirically, using the full resources of an advanced cognitive science. Furthermore, he extends this conclusion to argue that empirical considerations are also relevant to the theory of knowedge - in other words, that epistemology should be naturalized. from the reviews: 'Stein has done a great service in bringing together all of the important arguments in the human rationality debate and providing a measured critical assessment of them.... This will be an important book and is essential reading for epistemologists, philosophers of mind, and cognitive and evolutionary psychologists.' Choice 'very considerable value... for professionals' Times Higher Education Supplement. (shrink)

There is no “after socialism.” There will not be in our or in our children's lifetimes an “after socialism.” In the wake of the Holocaust and the ruins of Nazism, anti-Semitism lay low a bit, embarrassed by its worst manifestation, its actual exercise of state dominion. In the wake of the collapse of Communism, socialism's only real and full experience of power, socialism too lays low for just a moment. Socialism's causes in the West, however, remain ever with us, (...) the product of the convergence of two extraordinary achievements: liberal free enterprise and political democracy. The former creates wealth that has transformed all human possibility, but it also gives rise to particularly deep envy. The latter allows ambition a route to power by an appeal to the democratic state to seize and redistribute wealth in the name of social equality. As Friedrich Hayek and Ludwig von Mises understood perfectly, the bounty of free enterprise leads the unproductive to believe that such wealth is a fact of nature, there for the taking. (shrink)

In this wide-ranging book, Jesse Prinz attempts to resuscitate a strand of empiricism continuous with the classical thesis that all Ideas are imagistic. His name for this strand is “concept empiricism,” and he formulates it as follows: “all (human) concepts are copies or combinations of copies of perceptual representations” (p. 108). In the process of defending concept empiricism, Prinz is careful not to commit himself to a number of other theses commonly associated with empiricism more broadly construed. For example, (...) he is prepared to accept that there are innate concepts and/or knowledge, denies that what a concept means consists in the experiences that prompt us to use or create it, implies that cognitive architecture is not associationist, and offers no opinion on whether all knowledge claims must be justified by sensory experience. Those who await a full resurrection will have to wait a little longer – but in the meantime, Prinz’s reconstructive surgery will tide you over. Although it falls short of miraculous, it is still pretty impressive. Prinz has brought a vast knowledge of the literature to bear on his project, from philosophy, psychology, and neuroscience. In fact, this book would serve as an excellent entrée for the philosopher into the scientific aspects of concept research, or for the scientist into philosophical concerns. Prinz writes with exemplary clarity, and wields his theory with aplomb in answering the many objections that have been raised against imagism. To take just one example, anyone who doubts that imagism can accommodate the large scope of human concepts would be well advised to read Chapter 7, which contains a wealth of ingenious suggestions for how imagism might handle difficult cases, including lofty concepts such as cause and truth. His discussions of nativism (Chapter 8) and compositionality are also particularly illuminating. The central theoretical construct in Prinz’s theory of concepts is the “proxytype,” a group of imagistic/perceptual representations.. (shrink)

INTRODUCTION BY NANCY FUMERO What is a translation that stalls comprehension? That, when read, parsed, obfuscates comprehension through any language – English, Portuguese. It is inevitable that readers expect fidelity from translations. That language mirror with a sort of precision that enables the reader to become of another location, condition, to grasp in English in a similar vein as readers of Portuguese might from João Guimarães Rosa’s GRANDE SERTÃO: VEREDAS. There is the expectation that translations enable mobility. That what was (...) written in one language be accessible in another. And that a translator is to serve as a mediator, acting ultimately in service to ideas within the source text. To disperse them. However, this notion of translation is partly antithetical to the ideas in Rosa’s work. Or, alternately, to convey the despair of terrain slipping beneath one’s feet, and to encounter the heightened suspense of magic, the translation, as part of its strategy, cannot devotedly rely on its original language, not as its source text. The work undertaken by Felipe W.Martinez is a new form of translation that risks everything in order to encounter the same treacherous knowing Rosa had traversed. And it takes its risks by not taking risks: by being, almost word for word, a literal translation. This is an approach that reductively converts, as opposed to translates. The idiomatic differences between English and Portuguese are not accented. The syntax is not finessed. Liberties are not assumed on account of improving readability. What stands, resoundingly amid such absences, is the awakened challenge of reading. The genuine peril of not knowing. That is, this translation, one that purports to know nothing, creates access into the guileful world Rosa had created in Portuguese. But not by translating. If anything, GRANDE SERTÃO: VEREDAS is speaking a cosmic language through a linguistic one. And W.Martinez does us the service of recognizing this, as what configures the shapes of words and sentences is not as simple as neologisms, portmanteaus, and digressions, but as terrifying as the path the fool traverses: all paths. As such, this translation doesn’t speak English, just as the original does not speak Portuguese. It is the assemblage of paradox as a new logic that can be navigated, if only one could suspend the comfort of readability, of expectation. If one could descend a mountain in the pitch dark of night, each step shocking the body, unable to acclimate to the unleveled heights. Without a doubt, the translation is incongruous to the Portuguese. Taking a small excerpt to compare: Eh, well, thereafter, the rest the Sir provide: comes the bread, comes the hand, comes the god, comes the dog. What is striking is the interplay between “god” and “dog”. To most English speakers, this anagram is a familiar one. But in Portuguese the words god (“deus”) and dog (“cão”) are not so closely linked. In fact, there is no direct mention of “deus” in Rosa’s text: Eh, pois, empós, o resto o senhor prove: vem o pão, vem a mão, vem o são, vem o cão. Both are fascinating. In Rosa’s excerpt, the rhythm is unmistakable and precise, despite, of course, the indices of hesitation: the commas, the Eh, the uncomfortable way of searching through prolongation and wait. This is the sort of paradox Rosa can engage within a sentence. W.Martinez’s does this as well, at a scale that reverberates beyond the sentence, and with one noticeable addition: deus. What may appear to be an overstep, to add such a weighted word that draws out wordplay but is, nevertheless, not in the source text, is exemplary of risk. The translation buzzes because of it. This is because throughout the text we encounter dogs frequently, as some primal beast on par with humans. The dog is one that masters and can be mastered. A creature that is at times its face, and at others a mask. It is a powerful presence. For the translator to be attuned to the reverent undercurrent attributed to this animal, and create within the translation such charged play in English from what was only an implication in Portuguese, is in tribute to the grand beauty within dissonance. What aberrant modes of writing and translation can teach us most assuredly, is that things, words, are not in states of rightness or wrongness, but of oscillation. This isn’t so different from what Rosa says himself: The Sir look…see: the most important and beautiful, of the world, is this: that the people are not always same, still were not completed — but that they go always shifting. They tune or detune. We find this so readily in W.Martinez’s translation, this tuning and detuning. Nancy Fumero Los Angeles GRAND SERTÃO: VEREDAS BY JOÃO GUIMARÃES ROSA TRANSLATED FROM THE PORTUGUESE BY FELIPE W.MARTINEZ Nonothing. Shots that the Sir heard were man brawling not, God be. Bleach white sights on the tree in the backyard, down in the river. By my right. I do this every day, I like; from the bad of boyhood. Thereof they came to call on me. Case of a calf: a white calf, errorful, eyes of to not be—saw selves—; and with a mask of a dog! They told me; I didn’t want to catch a sight. Same that, by the defects of birth, upturned lips, looked to be a laughing man. Folkface, dogface: they determined—it was the devil. Bananas. Killed it. Do not know who owned it. They came to borrow my guns. I caved. I’ve no power to impose. Oh, sir, you laugh certain laughs…Look: when it’s a true shot, first the dogs begin to bark, instantly—after, then, you see who’s handed death. Sir, endure, this is the Sertão. Some want that it is not: that situated Sertão is in and out of those general fields, they say, end of the road, highlands, the other Urucuia. Toleima. For those of Cortino and of Curvelo, then, isn’t here said Sertão? Ah! That there’s more! To place the Sertão it’s told: it’s where the pastures lack latches; where one can tear off ten, fifteen leagues without running into a houseinhabitant; where criminalousness lives out its christ jesus. Sifted out from the tightening grip of the law. The Urcuia comes from the western mountains. But today, its banks, give all—farmlands of farms, pastures of meadows of good yield, low tides, cultures that go kill for kill, until these virgins there are. The general fields run round. These general fields are without size. Ultimately, whichever one one approves, the Sir knows: bread or breads, it’s a question of heads…the Sertão is everywhere. Of the devi? No comment. Sir ask the dwellers. Falsely I fear they unspeak that name of his—only say: whatsitcalled. Volt! no… Whosoever over avoids it, lives with it. In the sentence of one Aristides—who exists in the first palm grove on the right hand side, called Vereda-of-Cow-Calm-of-Saint-Rita—everyone believes: he can't pass in three designated places: then can be heard the tiny cry, behind, a little voice warning:— "Here I come! Here I come!... "— that is the Capirote, the whatsitcalled... And one Jise Simplicio—who anyone from here will swear he keeps an imp in house, a little satanite, imprisoned and obliged to help in all greedful deeds; reason that Simplicio emprises en route to complete riches. As such, for this they say too that his beast bristles and refuses, denying his banner, unyielding, when he wishes to mount... Superstition. Jise Simplicio and Aristides, continue getting fatter, thence unheard or heard. Still the Sir study: right now, in these days of time, you have people purporting that the devil proper stopped, mid-passage, in Andrequice. A boy out of there, to whom'd appeared, and there lauded that, to get here—normally, by horse, a day-n-half—he was capable of such with only some twenty minutes enough... by coasting the River of Chico by the headwaters! Or, too, who knows—sans offense—will not have been, for example, even yourself the Sir who announced such, when you passed by there, for fun run funny? Thereof, not my given crime, I know that wasn't. And evil I wanted not. Only that one question, in hours, at times, brightens peaceful reason. But, the Sir understand: if such a boy, there was, he wanted to dupe. Because, hey, that, to cut the river off by the springs, would be the same thing as one redoubling in the internals of this our state of ours, costant of a journey of some three months... Then? Whatsitcalled? Dodo. The fantastication. And, the respect of giving him such these names of delicacy, is what it is for one to want to invoke that he form of form, with his presence! Not that is. I, personally, almost that have lost in him the creed, deserving to Deus; is the that to the Sir I say, to pure-secret. I know that it is well established, that it greases our Saintly-Gospels. On occasion, I conversed with a young seminarian, super suitable, conferring in the book of prayers and coated in vestments, with a stick of black-sage in hand—prosed that he went auxilitator to the father, to extract the Cujo, from the body living of an oldwoman, in Waterfalls-of-Bulls, he went with the vicar of Field-Round... I conceive. The Sir not is as I? I didn't believe a single thing. Compadre mine Quelemem describes that that which reveals effect are the low spirits meager, of third, adoing in the worst darkness and with anxieties of connecting selves with the livers—they give support. Compadre mine Quelemem is who much me consoles—Quelemem of Goias. But he has to live far from here, in Jijuja, Vereda of Buriti Dark... Ahrr, I leave myself there, that in enevildemonment or with support—the Sir too must have had known diverse, men, women. As not yes? For me, umpteen I've seen, that I've learned. Ma-Neigh, Blood-o'Other, or Legion-Lips, or Tear-em-Down, Cold-Cutter, or Sissy-Goat, one Treciziano, or Verdigris... or Hermogenes... o'them, pileload. If I could forget so many names... I'm not a man for calming horses! And, same, whom of yes of to be jagunço self enters, yea is for some competence entrant of demonion. Will it not? Will it? From first, I made and mixed, and to think not I thought. I didn't have the deadlines. I lived pulling difficult from difficult, fish alive on griddle: who lives asp'rously, no fantasies. But, now, fete of fate to me comes, and sans little disquietudes, I'm from creaky net. And myself invented in this like, of to speculate ideas. The devil exists and nonexists? I say the saying. Opennouncement. These melancholies. The Sir sees: exists waterfall; and since? But waterfall is gulch of ground, and water so pouring from it, retumbling; the Sir consume that water, or undo that bankment, remainder waterfall any? To live is negotiation much perilous. I explain to the Sir: the devil vigors inside of human, the wrinkles of human— or is the human ruin, or the human of adversess. I free, per se, citizen, is that not has devil notone. Notone!— is the that I say. The Sir approve? Me declares total, frank— is high merit that me make: and to beg might, increased. This case— by rashtravagance that me they see— is of mine certain importance. God grant not was... But, not say that the Sir, awised and instructed, that agrees in people of them?! Not? You I appreciate! Your high opinion composes my value. Yea I knew, waited for it— yea the field! Ah, a we, in oldness, we lack of to have plowing of rest. You I appreciate. Is devil notone. Nor esprit. Never I've seen. Someone ought to see, then was I myself, this your servant. Was I you to tell... Well, the devil regulate his state black, ins creatures, ins womens, ins humans. E'en: ins childrens— I declaim. Since not is said: "boy—trainee of the devil"? And ins thes uses, ins plants, ins waters, in terra, in wind... Manures. …The devil in the street, in the middle of the vortex... Hey? Hey? Ah. Figuration mine, of worse by back, the certain memories. Mal-make me! I suffer pain of to tell not…Meliorate, if chillingly: well, in a ground and with equal format of branches and leaves, not give to cassava-calm, that is eaten common, and the cassava-mad that kills? Now, the Sir yea saw a strangeness? A cassava-sweet can rapidly to turn agonizing— motives not I know, at times is said that is for replanted in the terrain always, with mutations then, of caules—go embittering, of s’much in s’much, of its self takes poisons. And, well look: the other, the cassava-mad, too is that at times can fix calm, the estimate, of is to eat sans notone mal. And what this is? Eh, the Sir yea saw, for to see, the ugliness of hate pleated, facetorqued, on the faces of one cobrarattlesnake? Observed the porker fat, capita day more felicity brute, capable of, could, snort and engulf for its own dirty coziness the world total? And sparrowhawk, blackbird, some, the features of they yea represent the need of cleave for before, rend and shred by beak, appears a knife much fine for ruin I desire. Total. Has even twisted races of stone, horrorous, venomous— that spoil mortal the aquas, if they are buried beneath of well; the devil inside of them sleeps: they are the devil. Is known? And the demon— that is only thus the significance of one mercury malign— have order of to follow the path of him, have license to brag?! Arr, he is variegated in all! What the what wastes, goes spending the devil of inside of the people, by itttybits, is the reasonable to suffer. And the delight of love—compadre mine Quelemem says. Family. Really? Is, and not is. The Sir think and not think. Total is and not is… Almost all more grave criminous ferocity, always is much good husband, good son, good father, and is good-friend-of-your-friends! I know of those. Solo that have the afters— and Deus, joined. I spy many nimbi. But, in veracity, son, too, softens. Look: one called Aleixo, resident a league from Step-of-Sour, in Of-Sand, was the man of major badness calm that yea you saw. Me agreed that near the house of his had a weir, amidst the palms, with traíras, for souls of enormous, desenormous, to the real, that received fame; the Aleixo gave of to eat to them, in hours just, they self accustomed to if assuch of lunacies, in order to gobble, seemed to be fishes instructed. One day, solo for grace rustic, he killed an oldman who by there passed, destitute begging alms. The Sir not doubt—have people, in this bored world, that kill solo in order to see someone make grimace… Eh, well, thereafter, the rest the Sir provide: comes the bread, comes the hand, comes the god, comes the dog. This Aleixo was man afamilied, had children small; they were the love of his, total, absurdity. Gave good, that not even a year there passed, of to killed the oldman poor, and the children of Aleixo there they asickened. Smallepidemic of measles, they said, but complex; they never heal. When, then, they healed. But the eyes of theirs vermillionized high in an inflame of spraining to rebellion; and nexthing— the that not I know is if they went of at once, or one later and later other and other— they remained blind. Blind, sans remission of one sweet of light of this Ours! The Sir imagine: stairset— three boys and one girl— all blind. Sans remediable. The Aleixo not lost the judgment, but he changed; ah, mutated complete— now lives of band of Deus, sweating to be good and charitous in all his hours of night and of day. Appears even that he fixed the felicity, that before not was. He himself says he was a man of luck, because Deus wanted to have pity of him, to transform for there the route of his soul. That I heard, and me it gave rage. Reason of the children. If being castigated, what culpa of the let-there-bes of Aleixo those little children had?! Compadre mine Quelemem reproved my uncertainties. That, for certain, inother life returnaound, the children too had been the most wicked, of the mass and part of the father, demons of the same kettle of place. Sir the what thinks? And the oldman, assassinated? — I know the Sir goes to discuss. Well, too. In order that he had a sin of crime, in the body, by to pay. If the people— conforming compadre mine Quelemem is who says— if the people turn to to incarnate renovated, I contemplate even that enemy of death can come as son of the enemy. Look see: if to myself I say, has a subject Pedro Pindo, neighbor of here more six leagues, man of good for all in all, he and the woman of his, always been good, of goodness. They have a son of some ten years called Valtei—name modern, is the that the population of here now appreciates, the Sir knows. Well this-little-thing, thislet, since that some understanding illuminated in him, deed demonstrated the that is: petition stepfather, acid burner, likeful of ruin of inside of the profundity of the species of its nature. In which that torments, to the slowly, of all beasts or raisinglings little that quarrel; one time he found a creole woman hooched foolish sleeping, he arranged a shard of bottle, lashed at three points on the stern of the legs of hers. The what this boy drooled seeing, is bleeding hen or to knife pig.— “I enjoy of to kill…”— one occasion he teeny me told. He opened in me a fright; because: birdy that self leans over— the flight yea is ready! Well the Sir oversee: the pa, Pedro Pindo, mode of to correct this, and the ma, they give in him, misery and mast—they cast the boy sans to eat, they tied to trees in the yard, he nude, unplumed, even in June cold, they tilled the bittybody of his with the trammel and with the goblet, after they cleansed the skin of the sanguine, with bottle gourd brine. The people know, spy, fix wasted. The boy yea relowered of thinness, the eyes entering, caress of bones, enskulled, and tuberculated, the time total hacking, coughness of the that draw parched pectorals. Arr, that now, visible, the Pindo and the woman self habituated of on him hit, of little bit in little they were creating in this a pleasure ugly of diversion— as they regulate the canings in hours certain comfortable, until they call people to see the example good. I think that boy not endure, yea there is in the ta-da, not arrive for the lent to come… Ooee-ooee, then?! Not being as compadre mine Quelemem to want, that explication is that the Sir bestowed? That boy had to be a man. He should, in swing, terrible perversities. Soul of his was in the pitch. Demonstrated. And, now, paid. Ah, but, happens, when he’s crying and paining, he suffers equal that as was as a boy good… Bird, I saw all, in this world! Yea I saw even horse with hiccups… —the that the thing most costous that is. Good, but the Sir may say, should of: and in the start— for offenses and arts, the people— as for that was that s’much amended was started? Ey, ey, ey all collided. Compadre mine Quelemem, too. Am solo a sertanite, in these high ideas I navigate mal. Am much poor poor-thing. Envy my pedigree and of ones conform the Sir, with total reading and doctoration. Not is that I be illiterate. I spelt, years and middle, midly speller, memory and palmer. I had master, Master Lucas, in the Curralinho, he memorized grammar, the operations, rule-of-three, even geography and study patria. On leaves great of paper, with caprice I traced handsome maps. Ah, not is for to speak: but, since of the start, me they thought sophisticated of side. And that I merited of to go to course latin, in Lesson Waterlily—that too they said. Time nostalgic! Going today, I appreciate a good book, despaced. On the farm The Lilittlelemon, of one mine friend Vito Soziano, so sign of this almanac thick, of logoglyphs and conundrums and other divided matters, all year come. In s’much, I place primacy is in the reading advantageous, life of saints, virtues and examples— missionary astute engambling the Indians, or Saint Francis of Assis, Saint Anthony, Saint Gerald… I like much of moral. To ratiocinate, exhort the others for the good way, to acounsel to just. Mine woman, that the Sir knows, vigils for me: much prayer. She is a blessable. Compadre mine Quelemem always says that I may to aquiet my fears on conscience, that being well-attended, terrible good-esprits me protect. Eep! With like… As is of saint effect, I help with mine to want to accredit. But not even always can I. The Sir knew: I total the mine life I thought for me, lining, I am born different. I am and I same. I divert of total the world… I almost that nothing not I know. But I disconfide of many things. The Sir, conceding, I say: in order to think long, I am dog master— the Sir loose in mine front an idea ease and I research that by profundity of total the backwoods, amen! Look: the should of to have, was of so reunited-selves the wise, politicos, constitutions graded, closed the definitive the notion— to proclaim for one time, art assemblies, that not have devil notone, not exists, not possible. Valor of law! Solo assuch, they gave tranquility good to the people. Because the government not cares?! Ah, I know that not is possible. Not me settled the Sir for philistine. One this is to place ideas arranged, other is to deal with country of people, of flesh and sanguine, of thousand-and-many miseries… S’many people—gives scare of to know—and notone so calms: All nascenting, crescendoing, so wedding, wanting collocation of employment, consumables, health, abundance, to be important, wanting rain and affairs good… Of luck that lacks of so to choose: or we t’weave of to live in the salacious common, or care solo of religion solo. I could to be: father clergyman, if not chief of jagunços; for other things not was I birthed. But mine oldness yea principaled I erred of total account. And the rheumatism… There as whom says: in the primers. Ahem. Hey? Hey? The that more I think, I testify and explain: all-the-world is mad. The Sir, I, we, the people all. For this is that so lacks principally of religion: in order to desendodorize, to disdodoate. Pray is that heals of lunacy. In the general. This is that is the salvation-of-the-soul…Much religion your servant! I here, not I lose occasion of religion. I profit of all. I drink water of all rivers… One solo, for me is little, maybe not me arrives. I pray christian, catholic, I burrow the certain; and I accept the prayers of compadre mine Quelemem, doctrine of he, of Kardec. But, when I can, I go in the Mindubim, where one Matias is believer, methodist: the people so accuse of sinner, reads high the bible, and why, singing hymns beautiful of his. Total me quiets, me suspends. Whatever small shade me refreshes. But is solo much provisory. I wanted to pray— the time total. Many people not me approve, they think that law of Deus is privileges, invariable. And I! Doof! I Detest! The what I am? — the what I do, that want, much curia. And in face of total I face, executed. I? —not I trammel. Look: I have a black girl, Maria Leoncia, long from here not she lives, the prayers of her afame much virtue of power. Well to her I pay, every month— ordering of to pray for me one third, every saint day, and, on the Sundays, a rosary. Value, so values. Mine woman not sees mal in this. And I am, yea mandated word for an other, of the voyage-voyage, a Izina Calanga, in order to come here, I heard of that prayer too with grand mermermerits, I go to effect with she treatment equal. I want handful of those, me defending in Deus, reunited of me in volta… Cuts of Christ! To live is much perilous… To want the good with too much force, of incertain way, can yea to be being so wanting the mal, per to initiate. These humans! All they pull the world for itself, for the to concert amended. But capita one solo sees and understands the things of one his world. Amountain, the most supro, most serious was Mediero Vaz. That one man ancient… his Joaozy Ben-Ben, the most brave of all, no-one never can decipher how he by inside consisted. Joca Ramiro— grand man prince!— was politico. Zé Bebelo wanted to be politico, but had and not had luck: fox that lingered. So Candelario so demonized, by to think that was with illness mal. Titao Passos was the by the appreciation of friends: solo per via of them, of his same amities, were that such high so ajagunçoed. Antonio Do— severe bandit. But by half, grand majority half that be. Andalecio, in the profound, a good man-of-good, being raving in his total justice. Ricardao, same, wanted was to be rich in peace: for this he warred. Solo the Hermogenes was that born formed tiger, and assassinite. And the “Ofidios White”? Ah, not me speak. Ah this… joyless mischeivious, that was— that was a poor boy of the destiny… So good, congruous. The Sir heard, I you told: the ruin with the ruin, they terminate by the spine-bushes so to crack— Deus awaits that spendance. Boy!: Deus is patience. The contrary, is the devil. So consumes. The Sir file knife on knife— and file— that so they scrape. Even the rocks of the profound, one of in the other, they go-so aroundabounding even, that the rivulet rolls. Per enquantity, that I think, total as hath, in this world, is because so merits and lacks. Afterly precise. Deus not so reports with rifle, not garrotes the regulation. For what? Quit: goof with goof—one day, some illumination and learn: smart. Solo that, at times, for most auxiliar, Deus begets, in the middle, a pinch of pepper… Therebe? Well, for example: some time, I went of train, there in Seven-Lagoons, for parts of to consult a medical, of name me indicated. He went vested well, and in car of first, by via of the doubts, not me they shadowed for jagunço ancient. It goes and happens, that, close same of me, enfront, he took aseat, returning from the wild North, a mac Jazevedao, delegate professionale. Came with a capanga of his, an undercover, and I well knew the two, of that s’much a was ruin, as the other ruin was. The veracity to say, first I had the strict of me to surpasss for one lonng, to mutate of my place. Judgement me told, meliorate stay. Well, looking, I looked. And— you I tell: never I saw face of man furnished of brutez or malady more, of the them in that. As that was ogre, trussed of thickset, relustered of crude in the eyes small, and armed a chin of stone, toweringbrow; not of mid nor forehead. Not laughed, not so laughed not even one time; but, speaking or silent, the people appeared always to him some teeth, prey pointed of canids. Arr, and blustered, an ittybit. Solo growled curt, low, the mid-words grizzled. He came relooking, historicizing the documents— one by one the leaves with portraits and with the blacks of the digits of jagunços, lifters of horses and criminouses of death. That application of work, in one thing of those, generated the ire in the people. The undercover, busybodyguard, total close, seated joined, attending, excelling of to be dog. Me made a dread, but solo in the goof of the corpus, not in the intern of the courages. One hour, one of those reports fell— and I bent quickly, I knew there precisely by why, not I wanted, not I thought— even today I raise shame of this— I picked the paper of the ground, and delivered to him. Thereof, I say: I had more rage, because I did that; but there yea it was done. The man not even me looked, not even said notone thankfulment. Event he soles of the shoes of his— solo looking— that soles rough thick, bent of enormous, appearing iron bronzed. Because I knew: This Jazevedao, when he apprehended someone, the primary quiet thing that proceeded was that he came entering, sans to have to to say, feigning some hurry, and go stepping on the top of the feet of the poorthings. And that on these occasions he gave laughters, gave… Well, geck! I delivered to him the leaf of paper, and went leaving of there, by to have hand on me of not to destroy by shots that subject. Meat that much they weigh… And umbilicated beginning of belly pot bellied, that me created will… With my lightness, joyful that I’d kill. But, the barbarities that this delegate made and happened, the Sir not even has callus in heart to be able me to hear. He achieved of many men and women to cry blood, for the simple universolo ours here. Sertão. The Sir knows: sertão is where mandates who is strong, with the guile. And bullet is a tidbit of metal… S’much, I say: Jazevedao— one assuch, should of to have, needed? Ah, need. Leather ruined is that calls goad of point. That there be that, after— business particular of he— in the life or in the other, each Jazevedao, accomplished the that he has, desclimbs in his time of pain, too, until to pay the that he gave— compadre mine Quelemem is there, in order to fiscalize. The Sir knows: the peril that is to live… But solo of the mode, of these, by ugly instrument, was that the jagunsaga so finished. Sir thinks that Antonio Do or Olivino Oliviano were going to fix goodies by pure spelling of itself, or by begging of the infelicitous, or by always to hear sermon of father? You I think! In the aims… Of jagunço comported active in order so to repent in the middle of his jagunsagas, solo I lay of one: called Joe Cazuzo— was in smashing of one shotshow, for on the summit of the place Sierra New, district of river rusted, on the stream Traçadal. We made mal minority small, and they closed in order summit of us the personnel of one Coronel Adalvino, forted politico, with many soldiers uniformed in the center, commanding of the Lieutenant Epiphany Helm, that after fixed captain. We lasted hour more hour, and yea gave almost of encircled. There, of misslip, that Joe Cazuzo— man much valiant— so kneeled turned on the ground of the thick, lifted the arms that not even shoots of Jatoba dry, and solo yell, howl clear and howl deaf:— “I saw the Virgin Ours, in the resplendor of the Heavens, with her children of angels!... ” He screamed not touched. — “I saw the Virgin!... ” He ensouled? We desequaled. Bolt for my horse—that I thought— I leaped in mal seat, noteven I knew in which rupture-time I unfastened the halter, of tied up it foot of timber. I flew, arrived. Bullet come. The pasture roared. In the brush, the fear of the people so goes to the whole, one fear intentional. I could to lash out, fated burro brute, giv-that, giv-that. Some two or three bullets so drovein the pad of the mine saddle, they perforated of to tear away almost much the kapok of the filling. Horse trembled in pro, in middle of gallop, I know: thinks in the owner. I not fit of to be more well shrunken. Bulleted came to the sack that I had on the back, with few mine things. And other, of fusil, in ricochet decreed, heated my thigh, sans me wound, the Sir see: bullet does the what to want—so pierced impressed, between in me and the harness! Times crazy… Burumbum!: the horse so kneeled in the fall, dead perhaps, and I yea falling for front, embraced in foliage full, branched and linias, that me swayed and skewered, done I was pendulating in web of spider… Whither? I traversed that life total… Of fear of anxiety, I ruptured to read with mine corpus that forest, I know there — and me fell world below, rolled for the hollow of a grotto closed of shrubs, always me grasped— rolled same assuch: after: after, when I saw mine hands, total on they that not was withdrawn sanguine, was smeared green, on the digits, of leaves living that I pulled and mashed… I landed on the sedge of the profound— and a beast dark gave a releap, with a sneeze, too mad of fright: that was a papa-mel, that I descried; in order to flee, this is solely. Bigger being I, me doused mine overcoat; I spigotted total. And of one bit of thought: if that beast irara lying there then there not had cobra. I took the place of his. Existed cobra notone. I could me to lose. I was solo spineless, softness, but that not deadened, inside, the collisions of the heart. I gasped. I conceived that they came, me kill. Not even did mal, me mattered not. Assuch, some moments, at least I guarded the license of term in order me to rest. Conforming I thought in Diadorim. Solo I thought was in he. One joão-congo sang. I wanted to die thinking in my friend Diadorim, hand-o-bro, who was on the Sierra of WoodO’Bow, almost on the border baiana, with our other half of the so-candelarios… With my friend Diadorim me embraced, sentiment my went-flew right for he… Ay, arr, but: that this mine mouth not has order notone. I am accounting outside, things divagated. In the Sir me confide? Til-that, til-that. Say the angel-of-the-guard… But, conforming I came: after so knew, that same the soldiers of the Lieutenant and the goats of Coronel Adalvino remitted of to respect the blast of that Joe Cazuzo. And that this ended being the man most pacificious of the world, fabricator of oil and sacristan, in the Saint Sundays White. Times! For total, cleaned revelation, I fix thinking. I like. Meliorate, for the idea if well to open, is travelling in train-of-iron. Could, lived to top and to bottom, inside of it. Information that I ask: same in the Heavens, end of end, how is that the soul wins so to forget s’much sufferments and maladies, in the received and in the given? The how? The Sir knows: are things of hideous ofmuch, have. Pain of corpus and pain of idea mark forted, that forted as the total love and rage of hate. Goes, sea… Of luck that, then, the Firmiano, by appellationed Louse-of-Snake, so leoprosized with the leg disconformed, thickening, of that disease that not so cures; and not discern almost more, constant the branchials in the eyes, of the cataracts. Of before, years, had to of so disarray of the jagunsaga. Well, one occasion, some was on the ranch of his, on the High Jeuitai, after accounted—that, turns time, comes subject, he would say: “Me give yearning is of to seize a soldier, and such, for one good flay, with knife blind… But, first, to castrate…” The Sir conceive? Who has more dose of demon in self is Indian, any race of brusque. Folk see nation ofthese, for there profound of the generals of Goias, theofwhere has vagarous grand rivers, of aquas always so clear pleasantly, running of down crystal rosed… Louse-of-Snake gave of sanguine of heathen. Sir me will say: but that he pronounced that out of mouth, manner of to represent that yet not was old decadent. Opus of to oppose, for fear of to be tame, and cause in order so to see respected. Total listened for such rule: palavered of ruins, for more so valued, because we to the environs is hard durability. The worst, but, is that they finish, through the same ford, given of one day to execute the declared, in the real. I saw s’much crudity! Pain not pays to account; if I go, I collide. And me dedrip, three that me sicken, this total. Me convokes that the personnel, today in day, is good of heart. This is, good in the trivial. Malices wildwants, and perversities, always have some, but scarcities. Generation mine, true, was not assuch. Ah, goes to turn a time, in which not is used more to kill people… I yea am old. Good, I was saying: question, this that me excavates… Ah, I formed that question, for compadre mine Quelemem. That me responded: that, for close to heaven, we so amplified so, that total the uglies past so exhaled of not to be—fated sans-modus from time of youngster, mal-arts. As we not lack of to have remorse of the which divulged in the pulsation of his nightmares of one night. Assuch that: fleeced-so, flourished-so! Ahem. For this said, is that the journey to the Heavens is delayed. I confide with compadre mine Quelemem, the Sir knows: reason of creed same that has—that, for total the mal, that so does, one day so repays, the exact. Subject assuch rises three times, in ante of to want to facilitate in any minutia reprehensible… Compadre mine Quelemem never speaks vacant, not subtreats. Solo that this to he not I go to expose. We never should have to declare that accept entire the alien—that is what is the rule of the king! The Sir look…see: the most important and beautiful, of the world, is this: that the people are not always same, still were not completed — but that they go always shifting. They tune or detune. Truth major. Is the that the life me taught. This that me animates, mound. And, other thing: the devil and the brutes; but Deus is treacherous! Ah, a beauty of treacherous— gives like! The force of his, when he wants— boy!— me gives the fear dread! Deus comes coming: no one not sees. He does in the law of gentle— assuch is the miracle. And Deus attacks beautiful, so amusing, so economizes. The well: one day in a tannery, the little knife mine I had dropped inside of a tank, solo soup of bark of tan, stryphnodendron adstringens, angico, there I know. —“Tomorrow I try…”— I said, withmyself. Because it was of night, light notone I not disputed. Ah, then, I found: on the other day, early, the knife, the iron of it, had been gnawed, almost by half, by that aqua dark, total quiet. I left, for more to see. Crack, fuse! Know the what was? Well, in that same of afternoon, there: of the little knife solo so found the handle… The handle, for not to be of cold metal, but of horn of deer. There is: Deus… Good, the Sir heard knows, the that knows me understands… We sum, not think that religion fractures. Sir think the contrary. Visible that, those other times, I painted—belief that the neoglaziovia variegata lifts the flower. Ah, good my joy… Boyhood. But boyhood is task for more later so to deny. Too, I of that of to think in vague in s’much, lost mine hand-of-man for the management hot, in the middle of all. But, today, that I ratiocinated, and think the endeavor, not nor for this not I give for low my competence, in a fire-and-iron. The to see. Would approach would come here with war on me, with bad parts, with other laws, or with excessive looks, and I even draw to ignite this zone, ay, if, if! Is in the mouth of the blunderbuss: is in the rete-te-tem… And lonelyonly not I am, there-of-the. For not this, I was I placed encircle my mine people. Look the Sir: here, close, vereda below, the Paspe — cropper my — is mine. More league, if that, have the Herpetotheres, and have the compadre Ciril, him and three children, I know that they serve. Band of that hand, the Alaripe: knew the Sir the that is that so boasts, in rifleation and by the knife, one cearense did this! After more: the João Innatal, the Quipes, Lophiosilurus-of-claws. And the Fafafa— this gave fights high, all side with me, in the combat old of the Anteater-such: we cleaned the wind of whom not had order of to respirate, and ante these we desencompassed… The Fafafa has a mass of mares. He raises horses good. Even a little more distant, on the ped-of-sierra, of band mine was the Sesfred, Jesualdo, the Nelson, and João Concliz. Some others. The Triol… And not I go valuing? I leave terra with them, of theirs the what is mine is, we close that we not even brothers. For what I want to gather richness? They are there, of arms aireated. Enemy to come, we cross called, gathering: is hour of one good shotshowerment in peace, they exp’riment to see. I say this to the Sir, of confidence. Too, not go to think in double. We want is to work, propose tranquility. Of me, person, I live for mine woman, that total mode-meliorate merits, and for the devotion. Well-to want of mine woman was that me assisted, prayers of hers, graces. Love comes of love. I say. In Diadorim, I think too— but Diadorim is the mine nebulina… Now, well: not I wanted to touch on this more— of the Tineaous; arrive. But has a nevertheless: I ask: the Sir believe, think trust of truth in that parlance, of with the demon so to able to deal with pact? No, no is no? I knew that not there. I spoke of favas. But I like of total good confirmation. To vend you proper soul… Inventionate false! And, soul, the what is? Soul of has to be thing internal supremed, much more of the of inside, and is solo, of the that one if thought: ah, soul sheer! Decision of to vend soul is fearless moll, fantasied of moment, has not the obedience legal. Can I to vend those good terras, thereof of between the Veredas-Four— that are of one Mr. Admiral, who resides in the capital federal? Can I some? Then, if one boy boy is, and for this not so authorizes of to negotiate… And we, this I know, at times is solo fated boy. Mal that in mine life I prepared, I was in a certain infancy in dreams — total runs and arrives so swift —; will be that if hath flame of responsibilities? If dream; yea so did… I gave rapadura to the chump! Ahem. Well. If his soul, and has, it is of Deus established, not even that the person want or not want. Not is vendible. The Sir not thinks? Me declare, frank, I beg. Ah, you I appreciate. You so see that the Sir knows much, in idea firm, beyond of to have letter of doctor. You I appreciate, for much. Your company me gives high pleasures. In terms, I liked that I would live here, or close, was a help. Here not so has conviviation that to instruct. Sertão. Knows the Sir: sertão is where the thought of the people so forms more forted of the than power of the place. To live is much perilous… Eh, that you so go? Yeayea? Is that not. Today, no. Tomorrow, no. Not I consense. The Sir me forgive, but in endeavor of mine friendship accept: the Sir stay. After fifth of-morning-early, the Sir wanting to go, then goes, same me leaves feeling your absence. But, today or tomorrow, no. Visit, here in house, with me, is for three days! But, the Sir really intends to trespass the field this sea of territotires, for sortment of to confer the what exists? You have your motives. Now— I say for me — the Sir comes, came late, Times were, the customs mutate. Almost that, of legitimate loyal, little surplus, not even no excess more nothing. The bands good of valientoughs they reparted their end; many who were jagunço, by ouch pain, beg alms. Same as the herdsmen they doubt of to come in the commerce vested of clothes entire of leather, they think that garb of jerkin is ugly and boor. And even the herd in the shrubbed pasture goes waning less mad, more educated: casted of zebu, dissee with the rest of corralers and captiveborns. Always, in the generals is to the poverty, to the sadness. A sadness that even gladdens. But, then, for a crop reasonable of bizzarancies, I recounsel of the Sir to entest journey more dilated. Not were my desmight, by acids and rheumatism, there I went. I guided the Sir till total. March 2013 San Diego, CA ORIGINAL TEXT NONADA. TIROS QUE O SENHOR ouviu foram de briga de homem não, Deus esteja. Alvejei mira em árvores no quintal, no baixo do córrego. Por meu acerto. Todo dia isso faço, gosto; desde mal em minha mocidade. Daí, vieram me chamar. Causa dumbezerro: um bezerro branco, erroso, os olhos de nem ser – se viu –; e com máscara de cachorro. Me disseram; eu não quis avistar. Mesmo que, por defeito como nasceu, arrebitado de beiços, esse figurava rindo feito pessoa. Cara de gente, cara de cão: determinaram – era o demo. Povo prascóvio. Mataram. Dono dele nem sei quem for. Vieram emprestar minhas armas, cedi. Não tenho abusões. O senhor ri certas risadas... Olhe: quando é tiro de verdade, primeiro a cachorrada pega a latir, instantaneamente – depois, então, se vai ver se deu mortos. O senhor tolere, isto é o sertão. Uns querem que não seja: que situado sertão é por os campos-gerais a fora a dentro, eles dizem, fim de rumo, terras altas, demais do Urucuia. Toleima. Para os de Corinto e do Curvelo, então, o aqui não é dito sertão? Ah, que tem maior! Lugar sertão se divulga: é onde os pastos carecem de fechos; onde um pode torar dez, quinze léguas, sem topar com casa de morador; e onde criminoso vive seu cristo-jesus, arredado do arrocho de autoridade. O Urucuia vem dos montões oestes. Mas, hoje, que na beira dele, tudo dá – fazendões de fazendas, almargem de vargens de bom render, as vazantes; culturas que vão de mata em mata, madeiras de grossura, até ainda virgens dessas lá há. O gerais corre em volta. Esses gerais são sem tamanho. Enfim, cada um o que quer aprova, o senhor sabe: pão ou pães, é questão de opiniães... O sertão está em toda a parte. Do demo? Não gloso. Senhor pergunte aos moradores. Em falso receio, desfalam no nome dele – dizem só: o Que-Diga. Vote! não... Quem muito se evita, se convive. Sentença num Aristides – o que existe no buritizal primeiro desta minha mão direita, chamado a Vereda-da-Vaca-Mansa-deSanta-Rita – todo o mundo crê: ele não pode passar em três lugares, designados: porque então a gente escuta um chorinho, atrás, e uma vozinha que avisando: – “Eu já vou! Eu já vou!...” – que é o capiroto, o que-diga... E um José Simpilício – quem qualquer daqui jura ele tem um capeta em casa, miúdo satanazim, preso obrigado a ajudar em toda ganância que executa; razão que o Simpilício se empresa em vias de completar de rico. Apre, por isso dizem também que a besta pra ele rupeia, nega de banda, não deixando, quando ele quer amontar... Superstição. José Simpilício e Aristides, mesmo estão se engordando, de assim nãoouvir ou ouvir. Ainda o senhor estude: agora mesmo, nestes dias de época, tem gente porfalando que o Diabo próprio parou, de passagem, no Andrequicé. Um Moço de fora, teria aparecido, e lá se louvou que, para aqui vir – normal, a cavalo, dum dia-e-meio – ele era capaz que só com uns vinte minutos bastava... porque costeava o Rio do Chico pelas cabeceiras! Ou, também, quem sabe – sem ofensas – não terá sido, por um exemplo, até mesmo o senhor quem se anunciou assim, quando passou por lá, por prazido divertimento engraçado? Há-de, não me dê crime, sei que não foi. E mal eu não quis. Só que uma pergunta, em hora, às vezes, clareia razão de paz. Mas, o senhor entenda: o tal moço, se há, quis mangar. Pois, hem, que, despontar o Rio pelas nascentes, será a mesma coisa que um se redobrar nos internos deste nosso Estado nosso, custante viagem de uns três meses... Então? Que-Diga? Doideira. A fantasiação. E, o respeito de dar a ele assim esses nomes de rebuço, é que é mesmo um querer invocar que ele forme forma, com as presenças! Não seja. Eu, pessoalmente, quase que já perdi nele a crença, mercês a Deus; é o que ao senhor lhe digo, à puridade. Sei que é bem estabelecido, que grassa nos Santos- Evangelhos. Em ocasião, conversei com um rapaz seminarista, muito condizente, conferindo no livro de rezas e revestido de paramenta, com uma vara de maria-preta na mão – proseou que ia adjutorar o padre, para extraírem o Cujo, do corpo vivo de uma velha, na Cachoeira-dos-Bois, ele ia com o vigário do Campo-Redondo... Me concebo. O senhor não é como eu? Não acreditei patavim. Compadre meu Quelemém descreve que o que revela efeito são os baixos espíritos descarnados, de terceira, fuzuando nas piores trevas e com ânsias de se travarem com os viventes – dão encosto. Compadre meu Quelemém é quem muito me consola – Quelemém de Góis. Mas ele tem de morar longe daqui, na Jijujã, Vereda do Buriti Pardo... Arres, me deixe lá, que – em endemoninhamento ou com encosto – o senhor mesmo deverá de ter conhecido diversos, homens, mulheres. Pois não sim? Por mim, tantos vi, que aprendi. Rincha- Mãe, Sangued’Outro, o Muitos-Beiços, o Rasgaem-Baixo, Faca-Fria, o Fancho-Bode, um Treciziano, o Azinhavre... o Hermógenes... Deles, punhadão. Se eu pudesse esquecer tantos nomes... Não sou amansador de cavalos! E, mesmo, quem de si de ser jagunço se entrete, já é por alguma competência entrante do demônio. Será não? Será? De primeiro, eu fazia e mexia, e pensar não pensava. Não possuía os prazos. Vivi puxando difícil de dificel, peixe vivo no moquém: quem mói no asp’ro, não fantaseia. Mas, agora, feita a folga que me vem, e sem pequenos dessossegos, estou de range rede. E me inventei neste gosto, de especular idéia. O diabo existe e não existe? Dou o dito. Abrenúncio. Essas melancolias. O senhor vê: existe cachoeira; e pois? Mas cachoeira é barranco de chão, e água se caindo por ele, retombando; o senhor consome essa água, ou desfaz o barranco, sobra cachoeira alguma? Viver é negócio muito perigoso... Explico ao senhor: o diabo vige dentro do homem, os crespos do homem – ou é o homem arruinado, ou o homem dos avessos. Solto, por si, cidadão, é que não tem diabo nenhum. Nenhum! – é o que digo. O senhor aprova? Me declare tudo, franco – é alta mercê que me faz: e pedir posso, encarecido. Este caso – por estúrdio que me vejam – é de minha certa importância. Tomara não fosse... Mas, não diga que o senhor, assisado e instruído, que acredita na pessoa dele?! Não? Lhe agradeço! Sua alta opinião compõe minha valia. Já sabia, esperava por ela-já o campo! Ah, a gente, na velhice, carece de ter sua aragem de descanso. Lhe agradeço. Tem diabo nenhum. Nem espírito. Nunca vi. Alguém devia de ver, então era eu mesmo, este vosso servidor. Fosse lhe contar... Bem, o diabo regula seu estado preto, nas criaturas, nas mulheres, nos homens. Até: nas crianças – eu digo. Pois não é ditado: “menino – trem do diabo”? E nos usos, nas plantas, nas águas, na terra, no vento... Estrumes. ... O diabo na rua, no meio do redemunho... Hem? Hem? Ah. Figuração minha, de pior pra trás, as certas lembranças. Mal hajame! Sofro pena de contar não... Melhor, se arrepare: pois, num chão, e com igual formato de ramos e folhas, não dá a mandioca mansa, que se come comum, e a mandioca-brava, que mata? Agora, o senhor já viu uma estranhez? A mandioca-doce pode de repente virar azangada – motivos não sei; às vezes se diz que é por replantada no terreno sempre, com mudas seguidas, de manaíbas – vai em amargando, de tanto em tanto, de si mesma toma peçonhas. E, ora veja: a outra, a mandiocabrava, também é que às vezes pode ficar mansa, a esmo, de se comer sem nenhum mal. E que isso é? Eh, o senhor já viu, por ver, a feiúra de ódio franzido, carantonho, nas faces duma cobra cascavel? Observou o porco gordo, cada dia mais feliz bruto, capaz de, pudesse, roncar e engolir por sua suja comodidade o mundo todo? E gavião, corvo, alguns, as feições deles já representam a precisão de talhar para adiante, rasgar e estraçalhar a bico, parece uma quicé muito afiada por ruim desejo. Tudo. Tem até tortas raças de pedras, horrorosas, venenosas – que estragam mortal a água, se estão jazendo em fundo de poço; o diabo dentro delas dorme: são o demo. Se sabe? E o demo – que é só assim o significado dum azougue maligno – tem ordem de seguir o caminho dele, tem licença para campear?! Arre, ele está misturado em tudo. Que o que gasta, vai gastando o diabo de dentro da gente, aos pouquinhos, é o razoável sofrer. E a alegria de amor – compadre meu Quelemém, diz. Família. Deveras? É, e não é. O senhor ache e não ache. Tudo é e não é... Quase todo mais grave criminoso feroz, sempre é muito bom marido, bom filho, bom pai, e é bom amigo-de-seus-amigos! Sei desses. Só que tem os depois – e Deus, junto. Vi muitas nuvens. Mas, em verdade, filho, também, abranda. Olhe: um chamado Aleixo, residente a légua do Passo do Pubo, no da-Areia, era o homem de maiores ruindades calmas que já se viu. Me agradou que perto da casa dele tinha um açudinho, entre as palmeiras, com traíras, pra-almas de enormes, desenormes, ao real, que receberam fama; o Aleixo dava de comer a elas, em horas justas, elas se acostumaram a se assim das locas, para papar, semelhavam ser peixes ensinados. Um dia, só por graça rústica, ele matou um velhinho que por lá passou, desvalido rogando esmola. O senhor não duvide – tem gente, neste aborrecido mundo, que matam só para ver alguém fazer careta... Eh, pois, empós, o resto o senhor prove: vem o pão, vem a mão, vem o são, vem o cão. Esse Aleixo era homem afamilhado, tinha filhos pequenos; aqueles eram o amor dele, todo, despropósito. Dê bem, que não nem um ano estava passado, de se matar o velhinho pobre, e os meninos do Aleixo aí adoeceram. Andaço de sarampão, se disse, mas complicado; eles nunca saravam. Quando, então, sararam. Mas os olhos deles vermelhavam altos, numa inflama de sapiranga à rebelde; e susseguinte – o que não sei é se foram todos duma vez, ou um logo e logo outro e outro – eles restaram cegos. Cegos, sem remissão dum favinho de luz dessa nossa! O senhor imagine: uma escadinha – três meninos e uma menina – todos cegados. Sem remediável. O Aleixo não perdeu o juizo; mas mudou: ah, demudou completo – agora vive da banda de Deus, suando para ser bom e caridoso em todas suas horas da noite e do dia. Parece até que ficou o feliz, que antes não era. Ele mesmo diz que foi um homem de sorte, porque Deus quis ter pena dele, transformar para lá o rumo de sua alma. Isso eu ouvi, e me deu raiva. Razão das crianças. Se sendo castigo, que culpa das hajas do Aleixo aqueles meninozinhos tinham?! Compadre meu Quelemém reprovou minhas incertezas. Que, por certo, noutra vida revirada, os meninos também tinham sido os mais malvados, da massa e peça do pai, demônios do mesmo caldeirão de lugar. Senhor o que acha? E o velhinho assassinado? – eu sei que o senhor vai discutir. Pois, também. Em ordem que ele tinha um pecado de crime, no corpo, por pagar. Se a gente – conforme compadre meu Quelemém é quem diz – se a gente torna a encarnar renovado, eu cismo até que inimigo de morte pode vir como filho do inimigo. Mire veja: se me digo, tem um sujeito Pedro Pindó, vizinho daqui mais seis léguas, homem de bem por tudo em tudo, ele e a mulher dele, sempre sidos bons, de bem. Eles têm um filho duns dez anos, chamado Valtei – nome moderno, é o que o povo daqui agora apreceia, o senhor sabe. Pois essezinho, essezim, desde que algum entendimento alumiou nele, feito mostrou o que é: pedido madrasto, azedo queimador, gostoso de ruim de dentro do fundo das espécies de sua natureza. Em qual que judia, ao devagar, de todo bicho ou criaçãozinha pequena que pega; uma vez, encontrou uma crioula bentabêbada dormindo, arranjou um caco de garrafa, lanhou em três pontos a popa da perna dela. O que esse menino babeja vendo, é sangrarem galinha ou esfaquear porco. – “Eu gosto de matar...” – uma ocasião ele pequenino me disse. Abriu em mim um susto; porque: passarinho que se debruça – o vôo já está pronto! Pois, o senhor vigie: o pai, Pedro Pindó, modo de corrigir isso, e a mãe, dão nele, de miséria e mastro – botam o menino sem comer, amarram em árvores no terreiro, ele nu nuelo, mesmo em junho frio, lavram o corpinho dele na peia e na taca, depois limpam a pele do sangue, com cuia de salmoura. A gente sabe, espia, fica gasturado. O menino já rebaixou de magreza, os olhos entrando, carinha de ossos, encaveirada, e entisicou, o tempo todo tosse, tossura da que puxa secos peitos. Arre, que agora, visível, o Pindó e a mulher se habituaram de nele bater, de pouquinho em pouquim foram criando nisso um prazer feio de diversão – como regulam as sovas em horas certas confortáveis, até chamam gente para ver o exemplo bom. Acho que esse menino não dura, já está no blimbilim, não chega para a quaresma que vem... Uê-uê, então?!Não sendo como compadre meu Quelemém quer, que explicação é que o senhor dava? Aquele menino tinha sido homem. Devia, em balanço, terríveis perversidades. Alma dele estava no breu. Mostrava. E, agora, pagava. Ah, mas, acontece, quando está chorando e penando, ele sofre igual que se fosse um menino bonzinho... Ave, vi de tudo, neste mundo! lá vi até cavalo com soluço... – o que é a coisa mais custosa que há. Bem, mas o senhor dirá, deve de: e no começo – para pecados e artes, as pessoas – como por que foi que tanto emendado se começou? Ei, ei, aí todos esbarram. Compadre meu Quelemém, também. Sou só um sertanejo, nessas altas idéias navego mal. Sou muito pobre coitado. Inveja minha pura é de uns conforme o senhor, com toda leitura e suma doutoração. Não é que eu esteja analfabeto. Soletrei, anos e meio, meante cartilha, memória e palmatória. Tive mestre, Mestre Lucas, no Curralinho, decorei gramática, as operações, regra-de-três, até geografia e estudo pátrio. Em folhas grandes de papel, com capricho tracei bonitos mapas. Ah, não é por falar: mas, desde o começo, me achavam sofismado de ladino. E que eu merecia de ir para cursar latim, em Aula Régia – que também diziam. Tempo saudoso! Inda hoje, apreceio um bom livro, despaçado. Na fazenda O Limãozinho, de um meu amigo Vito Soziano, se assina desse almanaque grosso, de logogrifos e charadas e outras divididas matérias, todo ano vem. Em tanto, ponho primazia é na leitura proveitosa, vida de santo, virtudes e exemplos – missionário esperto engambelando os índios, ou São Francisco de Assis, Santo Antônio, São Geraldo... Eu gosto muito de moral. Raciocinar, exortar os outros para o bom caminho, aconselhar a justo. Minha mulher, que o senhor sabe, zela por mim: muito reza. Ela é uma abençoável. Compadre meu Quelemém sempre diz que eu posso aquietar meu temer de consciência, que sendo bem-assistido, terríveis bons-espíritos me protegem. Ipe! Com gosto... Como é de são efeito, ajudo com meu querer acreditar. Mas nem sempre posso. O senhor saiba: eu toda a minha vida pensei por mim, forro, sou nascido diferente. Eu sou é eu mesmo. Diverjo de todo o mundo... Eu quase que nada não sei. Mas desconfio de muita coisa. O senhor concedendo, eu digo: para pensar longe, sou cão mestre – o senhor solte em minha frente uma idéia ligeira, e eu rastreio essa por fundo de todos os matos, amém! Olhe: o que devia de haver, era de se reunirem-se os sábios, políticos, constituições gradas, fecharem o definitivo a noção – proclamar por uma vez, artes assembléias, que não tem diabo nenhum, não existe, não pode. Valor de lei! Só assim, davam tranqüilidade boa à gente. Por que o Governo não cuida?! Ah, eu sei que não é possível. Não me assente o senhor por beócio. Uma coisa é pôr idéias arranjadas, outra é lidar com país de pessoas, de carne e sangue, de mil-e-tantas misérias... Tanta gente – dá susto de saber – e nenhum se sossega: todos nascendo, crescendo, se casando, querendo colocação de emprego, comida, saúde, riqueza, ser importante, querendo chuva e negócios bons... De sorte que carece de se escolher: ou a gente se tece de viver no safado comum, ou cuida só de religião só. Eu podia ser: padre sacerdote, se não chefe de jagunços; para outras coisas não fui parido. Mas minha velhice já principiou, errei de toda conta. E o reumatismo... Lá como quem diz: nas escorvas. Ahã. Hem? Hem? O que mais penso, testo e explico: todo-omundo é louco. O senhor, eu, nós, as pessoas todas. Por isso é que se carece principalmente de religião: para se desendoidecer, desdoidar. Reza é que sara da loucura. No geral. Isso é que é a salvaçãoda- alma... Muita religião, seu moço! Eu cá, não perco ocasião de religião. Aproveito de todas. Bebo água de todo rio... Uma só, para mim é pouca, talvez não me chegue. Rezo cristão, católico, embrenho a certo; e aceito as preces de compadre meu Quelemém, doutrina dele, de Cardéque. Mas, quando posso, vou no Mindubim, onde um Matias é crente, metodista: a gente se acusa de pecador, lê alto a Bíblia, e ora, cantando hinos belos deles. Tudo me quieta, me suspende. Qualquer sombrinha me refresca. Mas é só muito provisório. Eu queria rezar – o tempo todo. Muita gente não me aprova, acham que lei de Deus é privilégios, invariável. E eu! Bofe! Detesto! O que sou? – o que faço, que quero, muito curial. E em cara de todos faço, executado. Eu não tresmalho! Olhe: tem uma preta, Maria Leôncia, longe daqui não mora, as rezas dela afamam muita virtude de poder. Pois a ela pago, todo mês – encomenda de rezar por mim um terço, todo santo dia, e, nos domingos, um rosário. Vale, se vale. Minha mulher não vê mal nisso. E estou, já mandei recado para uma outra, do Vau-Vau, uma Izina Calanga, para vir aqui, ouvi de que reza também com grandes meremerências, vou efetuar com ela trato igual. Quero punhado dessas, me defendendo em Deus, reunidas de mim em volta... Chagas de Cristo! Viver é muito perigoso... Querer o bem com demais força, de incerto jeito, pode já estar sendo se querendo o mal, por principiar. Esses homens! Todos puxavam o mundo para si, para o concertar consertado. Mas cada um só vê e entende as coisas dum seu modo. Montante, o mais supro, mais sério – foi Medeiro Vaz. Que um homem antigo... Seu Joãozinho Bem-Bem, o mais bravo de todos, ninguém nunca pôde decifrar como ele por dentro consistia. Joca Ramiro – grande homem príncipe! – era político. Zé- Bebelo quis ser político. (shrink)

Psychoanalytic literary criticism has always been something of an embarrassment. One resists labeling as a “psychoanalytic critic” because the kind of criticism evoked by the term mostly deserves the bad name it largely has made for itself. Thus I have been worrying about the status of some of my own uses of psychoanalysis in the study of narrative, in my attempt to find dynamic models that might move us beyond the static formalism of structuralist and semiotic narratology. And in (...) general, I think we need to worry about the legitimacy and force that psychoanalysis may claim when imported into the study of literary texts. If versions of psychoanalytic criticism have been with us at least since 1908, when Freud published his essay on “Creative Writers and Day-dreaming,” and if the enterprise has recently been renewed in subtle ways by post-structuralist versions of reading, a malaise persists, a sense that whatever the promises of their union, literature and psychoanalysis remain mismatched bedfellows—or perhaps I should say playmates.The first problem, and the most basic, may be that psychoanalysis in literary study has over and over again mistaken the object of analysis, with the result that whatever insights it has produced tell us precious little about the structure and rhetoric of literary texts. Traditional psychoanalytic criticism tends to fall into three general categories, depending on the object of analysis: the author, the reader, or the fictive persons of the text. The first of these constituted the classical locus of psychoanalytic interest. It is now apparently the most discredited, though also perhaps the most difficult to extirpate, since if the disappearance of the author has been repeatedly announced, authorial mutants ceaselessly reappear, as, for instance, in Harold Bloom’s psychomachia of literary history. Like the author, the fictive character has been deconstructed into an effect of textual codes, a kind of thematic mirage, and the psychoanalytic study of the putative unconscious of characters in fiction has also fallen into disrepute. Here again, however, the impulse resurfaces, for instance in some of the moves of a feminist criticism that needs to show how the represented female psyche refuses and problematizes the dominant concepts of male psychological doctrine. Feminist criticism has in fact largely contributed to a new variant of the psychoanalytic study of fictive characters, a variant one might label the “situational-thematic”: studies of Oedipal triangles in fiction, their permutations and evolution, of the roles of mothers and daughters, of situations of nurture and bonding, and so forth. It is work often full of interest, but nonetheless methodologically disquieting in its use of Freudian analytic tools in a wholly thematic way, as if the identification and labeling of human relations in a psychoanalytic vocabulary were the task of criticism. The third traditional field of psychoanalytic literary study, the reader, continues to flourish in ever-renewed versions, since the role of the reader in the creation of textual meaning is very much on our minds at present, and since the psychoanalytic study of readers’ responses willingly brackets the impossible notion of author in favor of the acceptable and also verifiable notion of reader. The psychoanalytic study of the reader may concern real readers or the reader as psychological everyman . But like the other traditional psychoanalytic approaches, it displaces the object of analysis from the text to some person, some other psychodynamic structure—a displacement I wish to avoid since, as I hope to make clear as I go along, I think psychoanalytic criticism can and should be textual and rhetorical. Peter Brooks is the Tripp Professor of the Humanities at Yale University, where he is also director of the Whitney Humanities Center and chairman of the French department. His most recent book is Reading for the Plot: Design and Intention in Narrative, which has recently been reissued in paperback. His work in progress concerns psychoanalysis and story-telling. (shrink)

This paper focuses on the way in which Feuerbach's attempt to develop a naturalistic, realist remodeling of Hegel's relational ontology, which culminated in his own version of “sensualism”, led him to emphasize the vulnerability of the subject and the role of affectivity, thus making object-dependence a constitutive feature of subjectivity. We find in Feuerbach the first lineaments of a philosophical theory of object-relations, one that anticipates the well-known psychological theory of the same name, but one that also offers a (...) broader metaphysical basis in which all types of “essential objects” are shown to matter to subjectivity. This Feuerbachian theory of object-relations, the paper then argues, foreshadows a number of important developments in 20th century post-Hegelian philosophy. In it can be found an anticipation of Adorno's later theory of mimesis. Equally, this theory already emphasizes the “libidinal” nature of intentionality, in a way that announces Merleau-Ponty's ontology of the flesh. Finally, the last section of the article proposes a model with which we might reconstruct the way in which object-relations and self-relations can be brought together consistently. In this instance, Feuerbach uses concepts that announce Freud's notion of “primary narcissism”. One contemporary philosopher who has proposed a sophisticated model of subjectivity, in which primary narcissism is shown to complement object-dependence, is Axel Honneth. The last section argues that Feuerbach's full image of subjective identity as reciprocal scaffolding of self- and object-relations reminds strongly of Honneth's core concept of “positive self-relation”. (shrink)

"monumental work" - The North American Spinoza Society Newsletter , February 1999 "The sheer volume of this anthology makes it an indispensable asset to any serious scholar of Spinozism. Certainly no academic library can do without it. The quality of the material gathered here is extremely impressive. To the professional scholar of early modern philosophy many of the criticisms it contains may well look superficial and outworn, but even the best-informed experts will find much in it that will surprise and (...) delight." - Wipe van Bunge Benedict Spinoza (1632-77), Dutch metaphysician, psychologist, moral philosopher and philosopher of religion, is one of the most important figures of seventeenth-century rationalism. He is among the illustrious group of hugely influential thinkers of that time who were mathematicians and scientists as well as philosophers, a group that included Descartes, Leibniz and Hobbes. His thought has been continually reinterpreted and he influenced such people as Goethe, Lessing, Nietzsche, Shelley, George Eliot, Wordsworth, Bertrand Russell, Freud and Einstein. This unprecedented collection brings together some 150 historically and philosophically important discussions of Spinoza published in English in the two centuries following his death. The authoritative bibliography - Boucher's Spinoza in English: A Bibliography from the Seventeenth Century to the Present - cites a total of only about 300 publications from this period. Thus this collection gathers half of all materials so far identified and represents by far the most significant and interesting contributions. Internally cross-referenced, with an introduction, notes and full subject and name index, this essential collection also features an index of citations to the Ethics, by the editor. This will be an extremely useful resource for Spinoza specialists, research libraries, intellectual historians, and graduate students in philosophy. --a compilation of c.150 important pamphlets, papers and book chapters discussing Spinoza --the first collection of its kind - none of this material has previously been collected --6 reset volumes in royal size --extremely comprehensive, including many rare items --internally cross-referenced and fully indexed for easy use. (shrink)

Despite its title, Jean-François Courtine’s Archéo-Logique. Husserl, Heidegger,Patočka (henceforth AL), is mostly—if not exclusively—a book devoted to Heidegger. This is readily apparent in the table of contents: seven (chapters II-VIII) of the nine studies gathered in this volume deal entirely with Heidegger; one (chapter I) works through Heidegger’s notion of “Destruktion” with reference to Natorp’s “Rekonstruktion”; and only the concluding essay (chapter IX) focuses on Patočka’s a-subjective phenomenology and its criticism of Husserl. As for the “Introduction”, the only name (...) mentioned is, again, Heidegger’s. And when it comes to the historical context covered in the book, the author summarizes: “From the Natorp–Bericht to the Gespräch von der Sprache, these are the two extreme boundaries within which the following studies are included” (p. 9).Yet such an explicit restriction to Heidegger does not do full justice to the actual scope of this book. In fact, one of the most important co. (shrink)

In this issue we include contributions from the individuals presiding at the panel All in a Jurnal's Work: A BABEL Wayzgoose, convened at the second Biennial Meeting of the BABEL Working Group. Sadly, the contributions of Daniel Remein, chief rogue at the Organism for Poetic Research as well as editor at Whiskey & Fox , were not able to appear in this version of the proceedings. From the program : 2ND BIENNUAL MEETING OF THE BABEL WORKING GROUP CONFERENCE “CRUISING IN (...) THE RUINS: THE QUESTION OF DISCIPLINARITY IN THE POST/MEDIEVAL UNIVERSITY” SEPTEMBER 21ST, 2012: SESSION 13 MCLEOD C.322, CURRY STUDENT CENTER NORTHEASTERN UNIVERSITY, BOSTON, MA. Traditionally, a wayzgoose was a celebration at the end of a printer’s year, a night off in the late fall before the work began of printing by candlelight. According to the OED, the Master Printer would make for the journeymen “a good Feast, and not only entertains them at his own House, but besides, gives them Money to spend at the Ale-house or Tavern at Night.” Following in this line, continent. proposes in its publication(s) a night out and a good Feast, away from the noxious fumes of the Academy and into a night of revelry which begins, but does not end, at the alehouse or Tavern. continent. proposes that the thinking of the Academy be freed to be thought elsewhere, in the alleys and doorways of the village and cities, encountered not in the strictly defined spaces of the classroom and blackboard (now white) but anticipated and found where thinking occurs. Historically, academic journals have served a different purpose than the Academy itself. Journals (from the Anglo-Fr. jurnal , "a day," from O.Fr. jornel , "day, time; day's work," hence the journalist as writer of the news of the day ) have served as privileged sites for the articulation and concretization of specific modes of knowledge and control (insemination of those ideas has been formalized in the classroom, in seminar). In contrast, the academic journal is post-partum and has been an old-boys club, an insider trading network in which truths are (re)circulated against themselves, forming a Maginot Line against whatever is new, or the distinctly challenging. All in a Jurnal’s Work will discuss (in part) the ramifications of cheap start-up publications that are challenging the traditional ensconced-in-ivory academic journals and their supporting infrastructures. The panel will be seeking a questioning (as a challenging) towards the discipline of knowledge production/fabrication (of truth[s]) and the event of the Academy (and its publications) as it has evolved and continues to (d)evolve. Issues to be discussed will revolve around the power of academic publishing and its origins, hierarchical versus horizontal academic modules (is there a place for the General Assembly in academia?) and the evolving idea of the Multiversity as a site(s) of a (BABELing) multivocality in the wake of the University of Disaster. DISTURBING THE WEDNESDAY-ISH BUSINESS-AS-USUAL OF THE UNIVERSITY STUDIUM: A WAYZGOOSE MANIFEST Eileen A. Joy This time it is not I who seek it out . . . it is the element which rises from the scene, shoots out of it like an arrow, and pierces me. A Latin word exists to designate this wound, this prick, this mark made by a pointed instrument . . . This element which will disturb the studium I . . . call punctum; for punctum is also: sting, speck, cut, little hole—and also a cast of the dice. —Roland Barthes, Camera Lucida What enables us to risk change is the feeling that we are understood and (therefore) accompanied. —L.O. Aranye Fradenburg, “Living Chaucer” Professional Challenges. Amateur Solutions. —motto of the Bruce High Quality Foundation In an article in The Chronicle of Higher Education , “Ditch the Monograph,” Jennifer Howard surveys some recent experiments by university presses to cultivate and produce shorter-form e-books (i.e., Princeton Shorts and Stanford Briefs), 1 and wonders if these books might not “pull in new readers for serious scholarship,” and at a time, moreover, when “academic libraries have ever-smaller amounts of money and space to lavish on [longer] books, which often have more pages than they have readers.” 2 Paul Harvey, the new director of Stanford University Press, explains that these books will be “accessible but not simplified, and should be digestible in one or two sessions—bite-sized—and not require a month of reading.” 3 At the same time, we are witnessing the launching of new academic publishing initiatives, such as Anvil Academic, a platform for “born-digital” and “born-again-digital” “post-monograph” (non-book) research that is pinning its hopes for the future of academic publishing on networked and “digital-only” environments that would “free scholarly argument from the limitations of the printed monograph and allow authors to bring the full force of technology to the presentation of their work.” 4 It appears important to the academic collective at Anvil to continue to maintain and ensure certain protocols of peer review, but in ways that are “better suited to network environments.” Conversely, Zer0 Books (an imprint of John Hunt Publishing, Ltd.), one of the more radical and exciting academic imprints out there today, is offering shorter-form books that are very much still books in print as well as available in e-book formats. In their mission statement, Zer0 inveighs (in somewhat hysterical tones) that a “cretinous anti-intellectualism presides” over a contemporary culture, “cheerled by hacks in the pay of multinational corporations,” and thus the time is ripe for a different set of discourses—“intellectual without being academic, popular without being populist”—and while Zer0 Books, indeed, offers a particularly electric and eclectic list of reasonably-priced, shorter-form books ( Slime Dynamics , Nuclear Futurism , and Levitate the Primate are just a few samples of their bracing titles), they do not offer any of their publications in open-access form. Thus, their desire for a reinvigorated and non-bland, non-consensual sphere of public intellectual debate is still somewhat in the shadow of the multinational corporations (such as Amazon.com, to which all of their book pages link) that their mission statement scorns. 5 While watching the fat of our wayzgoose congeal in the wood-grains of the table in our communal vagabond printer’s workshop, and while bathed in the autumnal light of the raining Gutenberg-era photons to which Issac Linder has called our attention, 6 I share this admittedly woefully brief and selective overview of current trends in academic publishing initiatives simply to highlight their austerity of (or, perhaps, their overly pragmatic) imagination as well as their “heavy” managerial structures. 7 For even while I applaud the initiative of these initiatives (and I plan to support them with my voice and wallet, being a pluralist, after all), I also despair a little at the ways in which they are each, in their own way, also locked into institutional structures (whether corporate, academic, or even ideological) that determine in advance what is and isn’t (supposedly) possible and what is (supposedly) necessary now —such that, for example, the monograph is now “out” and shorter books (or serialized e-extracts from longer works) are “in,” e-texts are more desirable (and supposedly cheaper to produce and disseminate) than traditional print media, it is necessary to shift (and even dispense with) certain publishing modes to meet the demands of currently popular text-delivery technologies (such as iPads, Kindles, and smart-phones), expert and specialist peer review is still necessary for “legitimacy,” multiple layers of hierarchical and bureaucratic academic-managerial oversight still obtain while at the same time certain layers of important editorial care and curatorship drop away (due to lack of time, money, readers’ attention spans, space, etc.), the material archive (the dream of Borges’s Babelasian library or even Richard Fenyman’s 24 million library volumes etched on the head of a pin 8 ) should simply be abandoned, and so on. Being among friends in the glow of the para-academic Outside, I will dispense with the posture of academic politesse, and attempt to say what I really feel: if a radically innovative and public cultural-intellectual milieu is to flourish, and if we are to imagine and hope for future Walter Benjamins who will still attempt to cross borders with manuscripts in briefcases that are more important to them than their very own persons, 9 then what we need now is more (more papers, briefcases, Kindles, iPads, filing cabinets, shelves, teletype machines, Linux code, microchips, mimeographs, lithium batteries, candles, pens, javascripts, and so on) and not less of everything (we need print books as well as e-texts, yellow legal pads as well as the mystic writing pads of our Evernote apps, baroquely lengthy multi-volume works as well as broadsides and post-it note scholarship, close and loving and even co-dependent editorial curatorship of others’ work, and so on), and we also need the courage (or foolishness) to depart to extra-territories not bathed in the harsh fluorescent lighting of the academy “proper.” The university will continue to be an important site for keeping open the question of thought 10 and for fostering various modes of dissemination, but I also think it’s time for a subter-fugitive, vagabond, gypsy para-humanities, especially at a time when so many of us are barely hanging on to the university by the skin of our teeth (or hands or minds). 11 Let’s “get lost” now, taking the humanities with us like so many suitcases, portable libraries, and sacks of contraband diamonds. Let’s figure out inventive ways to radicalize (and thus sustain) the humanities by absconding with them to the streets, alleys, market squares, ateliers, lounges, coffee shops, bookstores, sofas, wine bars, clubs, kitchens, bedrooms, galleries, dive bars, park benches, garages, living rooms, deserted urban zones, and crumbling basements. 12 In short, let’s re-boot, let’s situate ourselves, like Diogenes on the outskirts of Athens, on the edges of our cities and towns, never losing sight of the places (and institutions) we care about, while also saying, fuck this . Let’s embrace a radical, polyglot cosmopolitanism that enunciates a “shaggy heart,” where we will have “no fixed abode” and be “nowhere a foreigner.” 13 Like practitioners of Hakim Bey’s amour fou , we should strive to be “illegal” now, “saturating” ourselves with our own aesthetic, engaging in publishing ventures that would fill themselves “to the borders” with “the trajectories of [their] own gestures,” running “on angels’ clocks,” our only goal the “ingestion of the Galaxy,” and never tilting at fates fit only for “commissars & shopkeepers.” 14 One of the things we have lost sight of in the university, and especially in our publishing practices, is the importance of play —now is the time, again cadging from Hakim Bey, to “share the mischievous destiny” of runaways, “to meet only as wild children might, locking gazes across a dinner table while adults gibber from behind their masks.” 15 Without non-utilitarian play, and without the right to flail, flounder, and fail while playing, we risk the frigid stasis of the status quo, of always being trapped in what has already been said, what has already been played out . How did we get here? How did the creative arts get so thoroughly de-cathected from the “liberal” arts? How will we give birth to heretic-misfit love-child thoughts without unbridled play? 16 So much for ontologically anarchic poetics and Bey’s wild children and crazy love: what about practicalities? Fuck practicality; this ain’t practical. For me, the most exciting publishing and dissemination ventures going are those such as continent. , Speculations , Itineration , Anarchist Developments in Cultural Studies , the Organism for Poetic Research (OPR) and its publication PELT , Uitgeverij Press, eth press: postmedieval poetries, the Hollow Earth Society, the Bruce High Quality Foundation, the Confraternity of Neoflagellants, and so on 17 —journals, presses, and alternative research-cultural organizations entirely run and managed by graduate students and post-graduates (and some faculty collaborator) with no financial support to speak of and only tenuous footholds in the university (our academic precariat) and who are publishing or fostering some of the most exciting work in the humanities and arts right now, work that eschews and also troubles the waters of disciplinary genre, “review,” privilege, and status. 18 It is one of the aims of punctum books to assist these and other new (extra- but also para-institutional) publishing initiatives with various forms of regular and longer-term support (economic, editorial, aesthetic, technical, promotional, etc.), but who is paying for this? No one; at least, no one “official.” We’ve simply scraped together what we have; we’re running on the heady steam of an international all-volunteer staff and gift-share economies, also martinis, WD-40, ramen, loose change, old Talking Heads albums, matches, a glitter ball, and chewing gum. And yet, we actually believe that an open-access and print-on-demand model (in which all of our publications are both free and available for purchase) may actually lead to something like financial solvency and even jobs, but we’re not making that a condition of our future plans. We aim to grow through a vast network of talented persons (some situated in universities and cultural institutions with paying jobs, some not) dedicated to a radically independent publishing ventureshumanities that would not be beholden to any specific university or commercial academic interest, and to fostering the broadest possible range of open-access print- and e-based platforms for the sustenance of what we are calling a “whimsical para-humanities assemblage”—an assemblage, moreover, that refuses to relinquish any possible form of public-ation (the making of cultural-intellectual stealth “publics” that would seep in and out of institutional and non-institutional spaces, hopefully blurring the boundaries between “inside” and “outside”), and we are also intent on resuscitating what we are calling postmedieval and pastmodern forms of publication (from breviary and commentary and florilegium to telegram and liner notes and inter-office memo, from the Book of Hours to the cassette mixtape). The term “para-academic” was devised by Nicola Masciandaro, one of punctum’s founders, to capture the multivalent sense of something that fulfills and/or frustrates the academic from a position of intimate exteriority. Para-academia is that which is beside academia, a place whose logic encompasses many reasons and no reason at all ( para -, “alongside, beyond, altered, contrary,” from Greek para -, “beside, near, from, against, contrary to,” cognate with Sanskrit para -, “beyond”). The para is the domain of: shadow, paradigm, daemon, parasite, supplement, amateur, elite. The para-academic embodies an unofficial excess or extension of the academic that helps, threatens, supports, mocks (par-ody), perfects and/or calls it into question simply by existing next to it. 19 This accords well, I think, with some of the sentiments expressed by the editors of continent. and Speculations during an online conversation they conducted with each other on the “aesthetics of (para)academic practice,” where Michael Austin wanted to distinguish between academia and the university—“I take academia to be the culture of knowledge-communication, while the university happens to be the most notable site of such communication in present society. There is no necessary connection between the two, nor should we assume academia requires the university in order to exist”—and Paul Boshears added this important exemplification of Austin’s comments: “Both Academia and the University are imagined communities, to borrow Benedict Anderson’s phrase. However, the University is an institution that accredits, controls, and stamps the passports of those that would enter its territory. It is a striated space as opposed to Academia’s [more] fluid space.” 20 It is punctum’s aim to occupy this more fluid space but to also de-territorialize the University itself, disturbing and disrupting the Wednesday-ish, business-as-usual protocols of both the generic university studium and its individual cells and holding tanks, while also extending the very important work of the University into new and often untended spaces. Because our press was founded and is directed by premodernists (medievalists and early modernists), 21 we have some serious love of the book as a material art object and we also embrace the idea of the itinerant and also the cloistered scholar. We also can imagine that printed matter might be of some use during and after our own pre- and post-apocalyptic “Age(s) of Simplification,” while we are also intent on making use of whatever “generators of electrical essences” we can get our hands on. 22 We want it all, and we’re not inclined to ask for permission to “pretty, please” let us publish whatever it is we want to publish. In this sense, we are also impatiently presentist: we want things now, as opposed to later and if we make mistakes, if we speak (or publish) too soon, too hastily, we’ll depend on what Kathleen Fitzpatrick has termed post-publication review 23 to sort that out. What we need now is more, and not less, thought, with more words, ruly and unruly, jostling with each other across the pages and liquid retina displays of our dispersed yet still ex/intimate “commons.” This is not to say that punctum books does not care about the quality of the work it publishes (we wouldn’t publish just anything but we would certainly publish almost anything if it were interesting enough and well-written and if it appears to take seriously what we say we are looking to “pimp”: “writing as risk, adventure, a going-forth without ‘papers’ or guarantees: falling through the hole/ punctum , a falling down, free-fall. . . . quixotic, sagely mad engagements that generate and satisfy noetic-erotic need, textual thought-bodies that give pleasures only to be possessed in their presence”). Nor is this to say that we do not lavish close and creative attention upon the editing, formatting, and creative design of our publications (indeed, we want to distinguish ourselves in this manner from university and commercial academic presses that increasingly either outsource this work or defer upon authors the responsibility for editing and proofing and sometimes even formatting the layout of their own manuscripts). We are not interested in the maintenance of specific genres or disciplines (is it literary theory? poetry? philosophy? art history? memoir? sociology? cybernetics? speculative fiction? who can tell?), and thus we take seriously Derrida’s belief in a university “without condition” which has the task, especially by way of the humanities, of ensuring “the principal right to say everything, whether it be under the heading of fiction and the experimentation of knowledge, and the right to say it publicly, to publish it.” 24 We want a radical Open of thought. This is thus also about freedom, something in very short supply in the university these days, and which also has something to do with well-being, with eudaimonia , or flourishing. But we do not scorn the University-at-large, or even specific institutions (Harvard, University of Chicago, Brooklyn College, Eastern Carolina University, Berkeley, whatever), which is to note (again) that para - is also the space of the “beside” and the “near,” and more than wanting to go against or beyond the university, we seek a more supplementary (even inter- or co-dependent) relationship, 25 if also an occasionally antagonistic one. And I am not sure I would draw the same distinctions that some of the editors of continent. and Speculations might want to draw between “academia” and the “university/University.” For me, the university (similar to how both Michael and Paul described academia/Academia) is everywhere and anywhere I am at any given moment, and this also extends to all who think and write alongside me, in whatever “location,” virtual, material, or otherwise. The university is not just the buildings and lawns demarcated by specific geographical coordinates (42° 22′ 25″ N, 71° 6′ 38″ W: Harvard), but anywhere we gather to disseminate : I define this as a practice of, quite literally (following the Oxford English Dictionary ), “scattering [knowledge] abroad” and “sowing” things and “spreading [knowledge] here and there,” and “dispersing (things) so as to deposit them in all parts.” Obviously, in some cases, specific locations matter a great deal, and the very hard work of the faculty and student activists to preserve the formerly free system of public higher education in California or to maintain the disciplines of philosophy or paleography at certain universities in the UK are extremely worthwhile and important political-pedagogical causes that we should all support however we can. Wherever persons gather to pro-fess and learn, there is something of value worth protecting, while at the same time, the university proper is increasingly becoming less “liveable” for increasing numbers of teaching faculty and actual and potential learners, and we need to pay attention to that. 26 While some people fight the good fight on the inside of specific campuses and even across specific campuses, some of us will have to be willing to create and foster new domains of thinking-together (which is not the same as thinking alike). This will require risk, and a willingness to fall and tumble into holes. Speaking of holes: punctum , in the idioms of the Middle Ages and Roland Barthes (refer to my first epigraph above), is simultaneously the moment (Augustine’s punctum ; writing as always momentary ), the pricks and punctures and perforations made by awls punching holes in vellum (what makes writing, but even more so, books , possible, opening-to-writing/writing-as-opening), and also the “pointed instrument” that disturbs the studium , the sting , the speck , and the cut , into and out of which anything might fall or emerge, and by which we feel ourselves pierced (writing as shock to the system—ours, our minds, our bodies, but also systems more largely). punctum is also the cast of the dice: we’re taking chances out here. It’s a form of play, but it’s also work, perhaps the best precarious job at present in the humanities-at-large. NOTES See Princeton Shorts: Short Takes, Big Ideas , and “‘ Bite-sized’ Reading from SUP ,” Stanford University: The Dish , May 17, 2012. There is something delightfully silly in how the titles of both these book series conjure up images of men’s underwear, and it also reminds me that not many university presses are run by women. Palgrave Macmillan also recently announced a shorter-form e-book series, Palgrave Pivot . Jennifer Howard, “ Ditch the Monograph ,” The Chronicle of Higher Education , October 14, 2012. “‘Bite-sized’ Reading from SUP.” “ About Anvil Academic ,” Anvil Academic . See also Adeline Koh’s interview with the head editor of Anvil, Fred Moody: “ A Digital Solution to Academic Publishing? Introducing Anvil Academic ,” ProfHacker [ Chronicle of Higher Education weblog], September 24, 2012. I will note here that Anvil was conceptualized and is managed by a consortium of institutions (such as the Council on Library and Information Resources [CLIR], the National Institute for Technology in Library Education [NITLE], and University of Michigan Library’s MPublishing office, which is also partnered with Open Humanities Press), university scholars, and academic librarians, and is partly funded by various universities with an intensive interest in the digital humanities (such as the University of Virginia, Washington University in Saint Louis, and Stanford University, among others). Anvil appears to not have fully made up its mind whether or not it would offer services to those who might want to publish monographs (whether longer or shorter), edited collections, and journals in digital form (at times, in their various statements, they seem to be saying analog-style digital publishing is passé and not their focus, and at others, that they would welcome helping academics with digital platforms for e-versions of academic monographs, etc.). What does appear clear is that one of their chief motivating impetuses and concerns seems to be ensuring the maintenance of traditional forms of expert peer review, albeit within newly innovative digital publishing environments, and yet, at the same time, what is not clear from their website or published pieces on their project is exactly how (or what ) they plan to offer in the way of technical infrastructures, platforms, and ongoing support for those new (and increasingly networked) environments. “ About Us ,” Zer0 Books . Zer0 Books is a subsidiary of John Hunt Publishing, Ltd., a trade publisher based in the UK, known especially for the books it has published in the genres of spirituality or “New Age” studies (through its O-Books, Dodona, Mantra Books, Moon Books, Soul Rocks, and Circle Books imprints) and also in the genres of parapsychology, esoteric and mystic knowledges, holistic health, juvenile fiction, and erotica, among other subjects. While Zer0 Books is a welcome imprint in the multiverse of what might be called “radicalized” para-academic publishing, it appears to offer practically no editorial support to its authors and also offers multiple levels of “contracts,” some of which essentially amount to self-publishing. Why I bother to mention this at all will be more apparent as my little wayzgoose diatribe here gathers more steam. Let it be said, however, that I have regularly purchased titles from this imprint because they are publishing authors whose work I admire (Rob Coley and Dean Lockwood, Mark Fisher, Graham Harman, Steve Shaviro, Eugene Thacker, Ben Woodard, to name some but not all), even while I find Zer0’s editorial oversight, such as it is, appallingly uneven. In his opening remarks to the “All in a Jurnal’s Work: A BABEL Wayzgoose” session (2nd Biennial Meeting of the BABEL Working Group, Boston, MA, 20-22 September 2012), from which my remarks here are culled and expanded upon, Isaac shared with us that, “as we proceed into the autumn with our printing projects always ahead of us and to be done, we will tonight literally be bathed not only by the artificial candlelight of our screens, but as well, in part bathed by photons raining down on us at 186,282 miles per second,” and also that “these photons that are raining down on us, will rain down on us all winter, [and] have been raining down on us all year . . . had their origin in the combustion cores at a center of 9 cyg, 572 years ago, in 1440, the year which we point to today as the common year in which, as we all know, Gutenberg is said to have brought the movable type press to the western world, inaugurating an era that stretches farther into the past and future than [Marshall] McLuhan could justify.” I would note here that I am in deep admiration of the work of Open Humanities Press , and am especially keen on their experimental writing + publishing modes as evidenced in their Living Books About Life series and Liquid Books imprint, edited by Clare Birchall and Gary Hall, as well as in some of their journals, such as Vectors . From my vantage point, OHP has been consistent in thinking “outside the box” of traditional university and commercial academic publishing and they have published some of the most radical new thinking in the humanities (albeit somewhat slowly ), but they cannot be viewed as completely “independent” of the university milieu from which all of their Editorial and Open-Access Board members, as well as the members of their Steering Group and Partners, hail. I simply seek a more radical, even anti-peer departure out of the academy for so-called “academic” publishing, while at the same time I support the idea of the university as one place among others where more radical publishing modes might be cultivated (as is the case with Anvil, OHP, Stanford Shorts, etc.), more on which below. See Richard Fenyman, “ There’s Plenty of Room at the Bottom ,” Engineering and Science 23.5 (February 1960): 22–36. See Julian Yates, “ The Briefcase of Walter Benjamin/Benjamin Walter’s Briefcase: An Invent/ Story ,” rhizomes 20 (Summer 2010. Here, as always, I defer to Bill Readings, The University in Ruins (Cambridge, MA: Harvard University Press, 1996). An important, more recent companion to Readings’ book is Christopher Newfield, Unmaking the Public University: The Forty-Year Assault on the Middle Class (Cambridge, MA: Harvard University Press, 2008). I’m thinking here especially of all the post-grads with no, or contingent, jobs, the adjunct teaching staff, but also those who, for various reasons (including economic constraints), have been cut off or distanced from university life, who hope that they can play a role in intellectual “life,” but who feel increasingly unable to participate. And here I would also pause to praise para-academic educational initiatives and organizations, such as The Public School New York , The Saxifrage School , The Vancouver Institute for Social Research , The Art School in The Art School , and The Brooklyn Institute for Social Research , to name just a few, no matter how long- or short-lived, that take advantage of non-traditional, non-institutional, and anti-hierarchical spaces in which to craft new teaching and learning environments that still value embodied social-pedagogical practices. Julia Kristeva, Strangers to Ourselves , trans. Leon S. Roudiez (New York: Columbia University Press, 1994), 140. Hakim Bey, “Amour Fou,” in Hakim Bey, T.A.Z.: The Temporary Autonomous Zone, Ontological Anarchy, Poetic Terrorism (Brooklyn, NY: Autonomedia, 1991). Bey, “Wild Children,” in T.A.Z. 16. On the importance of artful play to the humanities as well as to well-being, see L.O. Aranye Fradenburg, “Living Chaucer,” Studies in the Age of Chaucer 33 (2011): 41–64, where she writes that, “Playing and pretending are crucial to the becomings of living creatures, to adaptation and behavioral flexibility; . . . it is transformative and transforming. We can neither thrive nor survive without it” (57). See also Aranye Fradenburg, “Frontline: The Liberal Arts of Psychoanalysis,” Journal of the American Academy of Psychoanalysis and Dynamic Psychiatry 39.4 (Winter 2011): 589–609. See Speculations: A Journal of Speculative Realism , Itineration: Cross-Disciplinary Studies in Rhetoric, Media, and Culture , Anarchist Developments in Cultural Studies , Organism for Poetic Research and PELT , Uitgeverij Press , eth press: postmedieval poetries , Hollow Earth Society , Bruce High Quality Foundation , and the Confraternity of Neoflagellants . Or as Vincent W.J. van Gerven Oei put it during our BABEL Waygoose session, “Fuck peer review.” And as Vincent also puts it in one of the five maxims for his press, Uitgeverij (meaning simply, “Publisher”), “Only experiment can present the present. We only care about the new, whether past, present, or future. We enjoy publishing anything that’s between categories, obscure, or witnessing the edges of language. For us, all audience is potential” (see footnote 17 for Uitgeverij’s website address, where you will find all five maxims in a variety of different languages). Nicola Masciandaro, quoted in Eileen Joy, “ PARTY! Or is it a Panel Discussion on Para-Academic Publishing, or BOTH? ” punctum books [weblog], February 20, 2012. Jamie Allen et alia, “ Discussions Before an Encounter ,” continent. 2.2 (2012): 136–147. But is it important to note here that punctum books aims to publish books and other types of texts across a wide range of fields and disciplines, and our Advisory Board is made up of scholars and artists who work on diverse subjects, from political science to architecture to feminist philosophy to metal theory to new media studies to art history and beyond. References to Walter M. Miller, Jr., A Canticle for Leibowitz (Philadelphia: J.B. Lippincott Co., 1959). See Kathleen Fitzpatrick, “Peer Review,” in Kathleen Fitzpatrick, Planned Obsolescence: Publishing, Technology, and the Future of the Academy (New York: New York University Press, 2011), 15–49. Jacques Derrida, “The Future of the Profession or the University without Condition (thanks to the ‘Humanities,’ what could take place tomorrow),” in Jacques Derrida and the Humanities: A Critical Reader , ed. Tom Cohen (Cambridge, UK: Cambridge University Press, 2001), 26 [24–57]. On the important possibilities of newly imagined co-dependent co-disciplinarities and radically open confraternities as one way of moving the work of the para-“University” forward, see Jonathan Hsy, “ Let’s FAIL Together, yeah yeah YEAH! ” In The Middle , October 5, 2012. As Thomas Gokey, one of Speculation ’s editors, has put it, “In the United States at least, universities have been turned into shell corporations for Sallie Mae. That might sound overly dramatic or overly cynical but I think it is the most accurate way to think about our current situation. Right now the community of questioning, learning, researching and teaching has been captured by a system whose primary function is to extract as much value out of academics as possible. The main thing that universities produce is precarious, indebted, docile workers. Universities are one of the primary tools used to produce and maintain class difference. For the most part the poorest get excluded outright, the richest pass “Go” and collect $200, everyone else gets buried in decades worth of crushing debt for the privilege of receiving an education that will be recognized. An academic is a battery that gets plugged into this dying machine” (Allen et alia, “Discussions Before an Encounter”). (shrink)

In this essay I’d like to help readers prepare to learn from Gilles Deleuze’s Difference and Repetition.1 Such an essay is needed, as truer words were never spoken than when Deleuze said of it in his "Letter to a Harsh Critic": "it's still full of academic elements, it's heavy going"2 Now part of the “academic” aspect of the work comes from Deleuze having submitted Difference and Repetition to his jury as the primary thesis for the doctorat d'Etat in 1968.3 (...) But that doesn’t lessen the need for help when first approaching the book. The context of Deleuze’s remarks in his “Letter” should be noted: he has just been noting that "the history of philosophy plays a patently repressive role in philosophy, it's philosophy's own version of the Oedipus complex."4 Deleuze continues that he tried to subvert this repressive function by various means. First, by writing on authors such as Lucretius, Hume, Spinoza and Nietzsche who contested the rationalist tradition by the "critique of negativity, the cultivation of joy, the hatred of interiority, the externality of forces and relations, the denunciation of power [pouvoir]." Second, and quite notoriously, by “a sort of buggery [enculage] or (it comes to the same thing) immaculate conception.” That is, by making the author say something in their own words that would be “monstrous.”5 These are famous lines, and the last is certainly amusing in an épater les bourgeois sort of way. But what's really important in my view comes next, when Deleuze explains what it means to finally write "in your own name," as he claims he first did in Difference and Repetition. (shrink)

Ken Wilber’s AQAL model offers a way to synthesize the partial truths of many theories across various fields of knowledge such as evolutionary biology and sociology, developmental psychology, and perennial and contemporary philosophy to name only a few. Despite its reconciling power and influence, the model has been validly criticized for its static nature and its overemphasis on the ascendant, versus descendant, path of development. This paper points out areas of Wilber’s writing that suggest a way to overcome these (...) criticisms. Doing so allows for the refinement of AQAL’s Twenty Tenets for an extension of its formal, dynamic features. This is accomplished first by relating Wilber’s original dynamic drives to the quadrants and levels enabling the quadrants and levels to then predict additional drives not specified by Wilber. The full set of drives then suggests clarifications of assumptions and applications of the model regarding transcendence and inclusion in order for the refined model to be internally consistent. The result helps correct for AQAL’s ascending bias, a bias which overemphasizes a linear path from lower to higher stages of development. Instead, more possibilities emerge such as those in which ascending development is overly dependent on a higher capacity with inclusion of only basic, lower core capacities. This is in contrast to more fully realizing the potential for development of individuals or societies in the more fundamental, lower levels, through deeper inclusion within higher capacities. Also, given the other horizontal drives that are predicted by the model, further possibilities are explored for differing directions of, and emphasis in, development. (shrink)

Reproduced with the kind permission of the author. Currently available in the collection I Looked Alive . © 2010 The Brooklyn Rail/Black Square Editions | ISBN 978-1934029-07-7 Originally published 2003 Four Walls Eight Windows. continent. 1.1 (2011): 43-51. Introduction Ben Segal What interests me is instigated language, language dishabituated from its ordinary doings, language startled by itself. I don't know where that sort of interest locates me, or leaves me, but a lot of the books I see in the stores (...) seem to lack language entirely. Gary Lutz (2006). This issue of continent.'s fiction section features a reprint of “This Is Nice of You” from the first edition of Gary Lutz's collection I Looked Alive . That book was originally released by Four Walls Eight Windows in 2003 and has since been reissued in 2010 by The Brooklyn Rail/Black Square Editions. Calamari Press has also reissued Lutz's Stories in the Worst Way (originally published by Knopf, largely forgotten and dismissed, and then re-issued by the too-short-lived 3rd Bed). “This Is Nice of You” was edited for the re-issue of I Looked Alive and, as the original book is out of print, the earlier version of the story has been hard to come by for some time. This initial version is a bit longer than the new version—Lutz is a master of tightening down his texts to their most linguistically intensified cores—but it is in no way sloppy. It is a great privilege for continent. to be able to make available rare texts of (first) aesthetic and (second) scholarly value. For those readers unfamiliar with Gary Lutz, I believe this story will serve as a worthy introduction. Like Raymond Carver, Diane Williams, Christine Schutt, and so many other important twentieth century and contemporary short story writers, Lutz studied with and was edited by Gordon Lish. This connection is apparent in his attention to sound and the sentence as compositional unit, but Lutz's is a unique voice. “This Is Nice of You” bears Lutz's trademark torqued and turning syntax, his sexed-but-nameless characters, his rendering of the human body and its emissions as utterly discomfiting. Lutz's preoccupations with the mundane raise ordinariness, via startling language and observation, to grandiosity and grotesquery. In the fall of 2008, Lutz delivered a lecture entitled “The Sentence is a Lonely Place” to writing students at Columbia University. The lecture was later printed in The Believer (and is linked below). In it, he spoke about the importance of the sentence as a compositional unit, as even the distinguishing formal characteristic of prose. Specifically, Lutz explained that, from Lish, he had developed a "poetics of the sentence." Accordingly, Lutz constructs his stories at the level of the sentence, paying extreme attention to the material of words- their letters and their sounds- and the way they abut one another and interact on this material level even before they are employed in the service of traditional aims of fiction like meaning or story. Lutz often uses a(n almost constraint-related) technique called consecution. Letters or sounds from one word are carried forward into the following, producing drama and movement in the language itself at a level entirely apart from that of plot. For example, you can see how the 't's in the first sentence of “This Is Nice of You” repeat fast and hard through met and then soften into the 'th's of brothers and they. This close attention to the specific material and characteristic conditions of prose means that Gary Lutz's work always involves both a happening in language and of language. “This Is Nice of You” has a richness and depth that is hidden not in symbolism or obscure reference but on the surface of the page, in the language of every sentence. FURTHER READING Lutz, Gary. “ The Sentence Is a Lonely Place. ” The Believer January, 2009. Web. Short stories and excerpts at Web del Sol . Web. Taylor, Justin. “ An Interview with Gary Lutz .” Bookslut. July, 2006. Web. THIS IS NICE OF YOU [156] [1] I was a man dropping already well through my forties, filthy with myself, when, taking a turn at the toilets one afternoon, I met two brothers-they said they were brothers-who swore they had a sister, a schoolteacher, an officer of instruction at the county college, a whirlwind midlife turmoil of everything already put to ruin, who had gone off from a new marriage in an old car, an upkept and ennobling sedan, but had returned now to the apartment and [157] was living there alone with the little runoff there was from the marriage-some outcurved appliances, apparently, and low-posted furniture promoting its own mystery but becoming figurable in certain concentrations of TV light-and, above all, a telephone (on a pedestal, they insisted), the handpiece of which she gripped in lieu of exercise, or in fury, and I thus let out my little, reliable cry that I was in fact a student of the telephone, that it was a debasing apparatus in the main, with its meager economy of bells and tones, and the intimacy of the mouthpiece that sent your breath, tiny aftervapors of it, back toward your lips, so that regardless of the party accepting the outgoing products of your voice, you were, at most, in a further, rivaling exchange with yourself alone, and this is what must have brought the two of them around, the men who proclaimed brotherhood with the woman, because they offered me her phone number, put it at my disposal on a piece of paper one of them had already committed it to, a tearing from a menu, and the looks the men were now giving me had deletions in them, already, of my exact, beanpole shape and size. So off I went to a pay phone, the nearest canopied one I could find. The woman answered after the second ring and said she needed a lift right that very moment into the little, unlevel city close by. She was idling in the doorway of the building when I pulled up in front, and I helped her into the car, then got back in myself. I had always had a way of not having to look at people that nonetheless brought them to me in full, and so I still am certain of the susceptive and impressible comp-[158]lexion, the shimmer on the mouth, a lipstick of low brilliance, a difficulty around the eyes, the hair short and rayed out exclamation ally, skin bagged up over the elbow bone, conflict even in how her arms stayed at her sides—in sum, a spinal loveliness for me, an off-blonde quantity with shadowed, thumbworn hollows that put me out of as much as I might have ever known of women before. I set the two of us into the narrow traffic, and I remember telling her, by way of explaining the little burden which I had shifted, by now, from the shelf of the dashboard and onto my lap, that when you lived in filth, as I then did, a daily newspaper came to count for a lot, although instead of the thick-supplemented local paper I bought a trimmer one from a backlying town—not, of course, for any affluences of native data it carried, but as an article of house ware: a rough immaculacy in four lank sections, a set of fresh, hygienic surfaces to come between the table, say, and whatever I had going for me at the table, if the table was where I was going forward—because what else so cheap comes so clean and far-spreading? The woman told me that her own trouble with paper was that through a modest hole, no larger than a quarter, that had been drilled a foot or so above the floor (the standard height, she had reasoned, of legitimate electrical outlets), and by means of which her faculty office had at last gained communication with the roomier but unoccupied office next door, more and more often shot a single sheet of paper, plain copier paper she had rolled just barely into a tube, [159] so that after landing on the floor of the neighboring office the paper would preserve little if any of the curl, and there would be nothing written or typed on it, of course, and it was always a blank sheet that had been ageing on her desk for some time and had already been moved around, or advanced, from station to station on the desktop, coming into further creaselets and crimps and other infirmities—paper, in short, still too bare and unfraught to be thrown responsibly and forgettably away, and yet too seasoned and beset with irritations of the surface (a molelike blemish, say, or what looked like a tiny hair, an eyelash, sunk into it, or frecklings, or notational pressings of a fingernail), too wrought, in sum, for the paper to be appointed to any secure curricular purpose. Her office, she claimed, was in fact full of such paper, much-handled and singularized sheets of it by the loose, functionless hundred. I had to get it across to the woman that I myself no longer had an office, or any other place to divide me reliably from everybody else, and that for much of the daylight I thus appeared to be among people because I kept putting myself where people came together into even closer-fitting assortments, the viewing areas and showrooms and rotundas and such: I took in the lean-to look of the women, the tongues coming and going in what the men kept thinking of to say—whole families of low knees for me to bark my shins against during the crowded and involving way out. At home afterward, in the one room where my life was packed down, I would keep my nose stuck in the safehold of the phone [160] book, where the names of people suffered reduction to mere episodes of the alphabet and underwent humbling declensions down every column (Lail, Lain, Laine, Lainerd), and he names of streets, of the towns and townships, got docked in crude, heedless abbreviations (the vowels almost always the first to get poked out), and I would run my eyes over the telephone numbers themselves, each sequence of digits another fallible run of the infinite. I thus corrected my feelings for people and assembled myself emotionally into whatever else I had at hand—the obligating arms of the clothes hangers, usually, or the keen-angled understructure, the guardian legginess, of the ironing board. The woman said that in her case, though, it was more a matter of making slow circuits of the classroom where she had to put across the Emporial Sciences, retail theory and methods, to heat-giving and suggestive young women, some of them world cruelties already. There was the cooing of empty stomachs in the hour just before lunch, and the braying and fizzle of loaded stomachs in the low hours of the afternoon. She would recite her notes in a voice barely loyal to anyone octave, a tiny alluvium of slaver hardening at the corners of her mouth on the days she gave the glassy lozenges a slow, warming suck, and she would take lowering notice of how whatever she said succumbed at once to freak spellings and razzing paraphrase in the big, dividered notebooks; and because in midafternoon light the world looked as thorough, as filled in, as it was ever going to get, a better way to set about ruining her eyes was to review how hair had [161] established itself on the arms of the young women, because almost every arm had brought across itself a welcome and diversifying shadow. On one girl it would be a fine, driftless haze afloat above the white of the arm, never seeming to touch down on the skin itself. (An atmosphere, at most, of chestnut brown.) On another, it was as if copper wire, the narrowmost lengthlets of it, had been stuck into the fleshy batter of the thick, freckled forearms. On a third: a field of it–wheat-colored, thin-spun. On a fourth; a differencing, darkish updrift that shaded off as it approached the inner bend of the elbow, then re-emerged at the base of the upper arm as whiskery fringe. On others it was a brassy or rust-colored frizz, or it was as coarse as cornsilk, or it looked fussed on, as if the arm had been slowly stroked with charcoal. But here the woman broke off, or I may well have made an interruption of my own—I think I must have asked whether she was hungry, and she said if I was, and so on one of the lesser streets I parked the car and led her down into a belowstairs eating house I still remembered. Sandwiches were presently lowered in front of us. I watched her remove the festooned toothpick from hers and then play her fingers over the toasted planes before she took a fond first bite. "This is nice of you," she said. I must have looked at her in the way I then had of getting people to speak so they would not seem to be dwelling any longer on my features, because if on the well-set face the mouth and eyes are said to seem frozen in elegant orbit about the til) of the nose, then mine was a face that behold-[162]ers, regarders, could not help trying to round off with greater success, to goad the particulars of it back into the arcs they had wandered away from—the mouth, for instance, having been pursed and pinched suchwise that it seemed resident more on one side of the face than the other—and there were other signs of original strife to be busied with (slapdash eyebrows unbunched, it appeared, from reserves of hair elsewhere on my person; a showing of adult acne, a shrivelly little relevance of it, confined to the declivity of my nose); and so to be polite, the woman thus sank her gaze into her sandwich, and told me, in a voice lowered accordingly, that, one late-childhood summer, she had devoted herself to collecting postage stamps: it was a tongue-involving sideline to early-arriving puberty, and she liked having to lick the pale, gummed hinges instead of the sticky backs of the stamps themselves before entering everything into the hosting album; and once, during some foul weather between her and a brother (the older, thrown-over one, who had already made a habit of fooling the underside of his arm across the top of hers and calling her "pussified"), she reached for the shoe box in which she had let duplicate stamps accumulate—Spanish ones, mostly, of a fading orange—and sent the box slooshing through the lower air so that the stamps showered onto the brother's bare legs with a full, delicate harm. The woman was now touching up the surface of her iced tea with tiny activities, initiatives, of the longspun spoon. I myself was good at getting my touch onto things, although in a way that seemed to mix up the motive atoms inside [163] them, but I was satisfied that for the moment my sandwich, the unbitten-at half of it, was displayable and fit and local to my plate. The woman went on to say that, as a child, she had been bundled off, many an afternoon, to the slope-ceilinged quarters of a bachelor uncle who, when speaking of anybody not immediately present, could not bring himself to use the person's name but instead would say "an acquaintance of mine in ..." and then mention the name of some lapsed homeland, or little-loved rural orchestra, or backset building about to come down; and it was never a riddle, this device of his (not once could the girl have been expected to identify any of the subjects), and no matter how often and aloud he insisted that particularizing persons any further—bringing even a first name down upon anyone of them—would have been indecent, he claimed, much like doing things to people while they slept, the girl accepted all of the uncle's prim and extravagant evasion for what he surely must have intended it to be: a neat, protective trick to space the world out a little further in her favor, to scatter the population so that wherever her hand might at last come down, it would have to be on herself alone. And here I could sense that the woman wanted from my mouth an account of as much as I myself might have ever managed of attachment, so I told her I had once owned a house (a rising, really, of much-fingered, handwrought architecture that amounted to a little family of rooms above garages: a boxlike building with a rattly thorax of downspouts [164] and drainpipes and an unfolded but full-toned fire escape), and I had had for a time a boarder, a student, a high-colored, loose-packed representative of declining girlhood, hung with necklaces and barrettes, a girl of precise but shifting leanings and inclinations; and the afternoon she had come round to ask after the room, I stood in the entranceway, handshaken and asweat, and from what would later be my memory of the girl, I made off with, first, how every pore of her nose seemed to be sheltering within itself a tiny dark seedlet, a grain of something immediately, enormously valuable. And an almost lipless mouth (just a slit, practically), the teeth inside looking wet, watered-it was my life's chore, at that instant, to keep from sending the back of my thumb blotterlike across the line of them (I was later to learn she drank everything cold and through the narrowest of straws). And her hair: it was tea-colored hair she had, long and reachful, an unstopped downcome of it. Tall for a girl, but she managed to stay out of much of her height and put herself across as somebody backward, or behind. I must have told the girl, as best I could, that I of course had a wife, a full-faced, imperishable partner, though for the moment she was gone otherwhere in the marriage, and here the woman, my present companion, my tablemate, whose feet were now parked, in parallel, on the grade of my upper leg, interrupted to say that her husband, too, had been such a liar, and what could I bring up by way of reply other than that a lie is a truth struck through with other, further truth, or that a lie is the present multiplied by the past or that a lie [165] is an outcry of borrowed hope? The woman gave me an allowed look of disgust, her eyes lowered but still popular with me, and on I went with what had now become the girl of my story. For there had been a great, gainful carpet in the room I put the girl into, a matty expanse of coarse, grabby piles, an engrossing affair that took things into itself and held them tight, misered them, and I of course insisted that the girl not bother herself with its upkeep, that I enjoyed weekly access to a prestigious, upstanding vacuum cleaner; but no sooner was the girl out of the house each morning than I would withdraw from my room, where time was unportionable, and loose myself into the ticktock impertinence of the girl's room and get down on my knees, and, going after the carpet first with my fingers, then with a forceps, and finally by unspooling lengths of clear package-sealing tape and pressing them against the tufts in neat rectangles to catch what I might have missed, I brought vast tracts of the carpet to depletion, recovering not simply the girlinesses, the girleries, one would expect (buttons, straight pins, downed jewelry), but flirtier personalia in the form, say, of a stray confetto brought into the world when a page had been wrung with out caution from a spiral-bound notebook, or some pleated paper shells of the chocolates she required, or one of the bargain antihistamines she took to get her naps going, or a trash-bag tie ragged enough to show the kinked line of the wire within (this I would get wound around my finger), or a cough drop enwrapped like a bonbon (I would undo the [166] wings of the wrapper and have to decide whether to suck the drop all down or begin chewing it midway)—I became the following, the public, that these things, these off-faIlings, had come to have; but mostly there was hair, afloat above the uppermost pushings of the fabric of the carpet an almost continuous haziness of loose hairs of all lengths and sources, and I would have to set them out on a fresh sheet of paper and assort them according to the regions of the body they had taken their departure from, and in no time I had nest-like filiations of broken filaments and smaller involvements of the hairs that made me think of hooks, of barbs, of treble clefs, and each pile required a separate envelope, to be filed in a separate shoe box for every sector of the body until, I hoped, the boxes themselves would no longer be enough and I would have raised something semblable, brought up something equal in volume to the comprehensive girl herself. And her wastebasket! For every bit of rubbish, every dreariment she tossed into the thing, I would, in secret, deposit a reciprocal discard of my own, matching a spotted, confessory tissue of hers with a lurid throwaway after my own heart–the cardboard substructions of a fresh parcel of underwear, maybe, or tearings from pantyhose I now and again pressed against a span of my forearm to work onto it the complications of female shading I otherwise made do, choosily, without. I thus built the two of us up together in her trash! One afternoon-it was another of those lifeful, unsam-[167]pled days on which the world humors us each a little differently to keep us nicely on our last legs—I discovered in the wastebasket an inch-deep textbook of hers, a paperback with a celery-colored cover that had come partly unglued, and this dilapidation I paired off, naturally, with a name-your baby guide to whose pages, during my recurrent turnings of them, in bed or at table, I had contributed dried produces of my person, a chemical splendor entirely mine. This coupling sent a sudden spigoty thrill from me that forced an unbuckling and an unzipping and a cleanup with a handkerchief I then ventured responsively into the wastebasket as well. It was in the bathroom afterward that I found a suds-clouded puddle on the unlevel floor of the tub, a little undrained remainder, rimmed with offscum, of the girl's prolonged early-morning soak, and this was as much as I needed to get on my hands; I pressed them flat against the wet porcelain, then flapped them around in the air, and that was when I noticed it—in the amphitheater of the toilet bowl, an orange-yellow tint, or value, to the waters. When the girl arrived home that evening, I told her, of course, that I had discovered fresh, unforeseen trouble within the tank of thelet (a misalignment of the trip lever, a waywardness of the float ball, a ulation of the lift wires, kinks and defects, really, throughout the entire system) and that in fine it was an apparatus now operable only by means of advanced and strenuous equilibrial manipulations that it would be unseemly, inhospitable, of me to pre-[168]sume to burd to burden her with–so that from here on out, following any leak or evacuation she need merely lower the lid and then, before quitting the room, ring the handbell that had been placed on the would seeeverythinghing else. But the bell never rang, not even once, and from my window the next morning I watched the girl carry from the house a little plastic bag distended balloonishly, much like those bags you will remember having seen in the hands of children bearing homeward their solitary carnival-prize goldfish. In fact, I never ran across the likes of the girl again. The man who came to collect her things-not the father, apparently, but an advocate, an upholder-l found to be dull-eared and lax in his speech, and the better part of his face seemed to have already begun making tiny, rotational departures from whatever it was that the eyes, themselves impressively mobile, were just that moment having to take in. (Was there a lamp in the house that was not that night slopping its wattage over everything?) I guess I was waiting for the man to take a laggard, last-minute interest in me, and by now I was pushing everything out into the paired first person–it was, I said, “Our night shot,” and I began including the two of us in whatever it might be doing out, the expected sprinkles and such—but he was no friendship buff, and he paid no heed to my telling him that the only dress of hers I'd ever twidged myself into even part of the way had been the simplest of them all, a large-buttoned wonder of depthless blue, and then only on the principle that one naturally fits whatever one has into whatever somebody else [169] had first, or how else would the world keep getting any taller with people? The man just went about the removal of the girl's things without having to be reminded too noticeably, I guess, of how every dick hangs by a thread. My listener, though, had by this time brought about some becoming slowings of her arm—it was an arm inclinable to langorous diagonals and magicianly swoops through the air above the tabletop—but it no longer was involving itself with her plate, so I suggested we shove off, I made payment for the food, and on our way to the car, and then in the car as I took to following her pointings, the directional tilts of her head, she said that you naturally kept putting more and more of yourself into another person, at first wondering how much she can take, how much of you is accumulable and how much she can hold, and you're letting things out, disbursing yourself, and you've soon got things set up in her, and room is being made for even more of you, and if you bring this off with enough people, even two or three, what you've got is at first a comfort, because you can pass yourself along and move a little more widely through the world and leave it to these others to man your grievances, your disappointments; and what brought this to mind, the woman said, was a term of financial hardship she had contrived for herself a few years back, an unpaid leave of absence from scrupling letter grades onto quiz papers (propped-up As, and upended Bs made to look, rather, like fannies; all As and Bs, no Cs or anything lower, the difference between an A and a B having less to do with the accuracy of whatever facts might [170] have been impounded in provided for an answer than with anything recallable about the way the enrollee ad conformed her body to the confining perpendiculars of her chair and the navel-level writing surface that projected from it, or the way there might one day have been an unignorable blush on the instep of a once-moseying foot, disburdened of its shoe, that had got itself trapped in the grillwork of that cagelike involvement, intended for books, that was welded to, or otherwise schemed into, the underworks of the chair)—this had been a duration, in short, of controlled difficulty when the misexpenditure of even a twenty-dollar bill had set her thrilling, gloating, over everything she would miss out on, and one afternoon she had made an engagement for a haircut, just a trim, and very early in the session the haircutter, a woman ill-defined in the face but otherwise full of conspicuities of emotion, set down the prevailing scissors and pressed the flat of a lukewarm hand against the woman's cheek, held it there for a good minute or longer, while the other hand eventually found its way into a drawer, a shallow treasury of slender specialty scissors, one pair of which the cutter withdrew and began routing deductively through the woman's hair, the other hand staying put on the cheek, longer and longer, and the woman went home and for afterward the bathtub was now a more likely destination than any of the upright furniture, and it got easier to fill the tub with further clarifying volumes than to clear space on the difficult heights of the sofa, and she was hardly claiming to have become a cleaner [171] person in result—she in fact would often discover, voyaging about her body, a browned, fractionary detail of a larger crepe of toilet tissue that must have got itself stuck in some assy crevice and was impossible to get plucked out of the revolving suds—she was saying only that she spent more and more of her time thus immersed, ill off in water, and the haircutter had surely had a hand in it, the woman was doing some of the cutter's life now, coming into some of its wrong, because you sometimes have to look to somebody else's life to get dimensions set back even part of the way around your own, and it should not have to be any less your own life when it comes from somebody else, and you could surely fudge a society out of anyone available person and get this person doubling for the many, so that in the little run of things perpetuable from one person to the next, every loose moment stood to become a complete, active finality. But by now this was a new day, with only an hour or so off it already, and the place the woman had made me bring us to, the man's place, with a promise that the man was elsewhere—this was on a little offshoot of a street, a stewy efficiency apartment the color had long ago gone out of; and when, once in bed, still clothed, I found among the sheets and blankets a spoiling pair of the man's underpants, one of the leg openings of which was puckered into an avid, sloppy mouth, I held myself accountable for redisposing the fabric until I got a befitting featurelessness back onto it; but all the while, I am sure I had to make myself go over again in my mind that if the body is the porter of as many organs of affec-[172]tion as there might one day turn out to be, then the idea was to let the thing carry you to where you would otherwise never have any reason to arrive, because I listened for the unmelodiof the the thede ofthe woman's zipper, and then the woman made me put myself out of my own clothes, the attritional corduroys and overshirt, and got herself up at last onto the topic not of the man whose apartment it was (because his story was scarcely the story of how the boy who decides he is half a girl no sooner starts to worry about where the other half might than he gets careless with where he rests his eyes, or what he gives even the feeblest of fingerholds to, and anything, even a crumbly triangle of pie offered on a saucer instead of on a pie plate proper, comes in easy, ready, wronging answer), but of her husband, and how, no more than a couple of months into the marriage, he had begun snugging away in his undershorts a little source of chanc, reliable frictions to nudge him onward through the workday—anything company-keeping that could be counted on not to slide out of the elasticky leg holes: a half-dollar packet of chocolate tittles, maybe, that was barely noticeable in the baggy surround of the widecut trousers so popular at the time. For by now the woman had at last brought what is usually called the other mouth to within only inches of my lips, but it is not a mouth, obviously, although I let myself go along with the goodwill behind the comparison, the way I will remain loyal to anything deliberately and faithfully misunderstood, and I fussed my tongue against the vital trifles hung inside of her, as much of the curtailed finery as I could find, [173] and gave the whole insimplicity of it a slow-circling, examinational lick, until I was taking a sudden tepid downwash on the tongue. It was a familiar, latrine in dribble that must have tasted, no doubt, like trouble just starting out.p [1] Editor's Note: Original pagination from first edition print denoted with bracketed page numbers. (shrink)

continent. 2.1 (2012): 22–28. Jeroen Mettes burst onto the Dutch poetry scene twice. First, in 2005, when he became a strong presence on the nascent Dutch poetry blogosphere overnight as he embarked on his critical project Dichtersalfabet (Poet’s Alphabet). And again in 2011, when to great critical acclaim (and some bafflement) his complete writings were published – almost five years after his far too early death. 2005 was the year in which Dutch poetry blogging exploded. That year saw the foundation (...) of the influential, polemical, and populistically inclined weblog De Contrabas (The Double Bass), which became a strong force for internet poetry in Dutch in the years to follow. In the summer of that year, a lively debate raged in the aftermath of Bas Belleman’s article “ Doet poëzie er nu eindelijk toe ?” (“Does poetry finally matter now?”), on a blog specifically devoted to this question. Up to that point, the poetical debate in the Netherlands had largely been confined to literary reviews (which were often subsidized), having become mostly marginalized in more mainstream media, where poetry could be covered by only a small number of so-called authorities. As a result, literary debate had acquired a rather placid quality. Though a variety of camps with different aesthetics could be discerned, most poetical positions shared a general acceptance of poetry as a form of art somewhat apart from fundamental political concerns. Late modernists would pursue subtlety and density of reference. Others would insist poetry was best understood as a form of entertainment that should ideally be accessible and work well on the stage. Still others would insist that poetry is mostly a play with forms. Linguistically disruptive strategies were valued highly by some, but mostly for their aesthetic effect. Values of disinterested playfulness reigned supreme everywhere. Any idea that poetry could be a field in which one confronts politics and the world was decidedly marginal. This led to a climate in which most attempts at polemics were DOA, often based on far too superficial positioning and analysis. The greatest polemical debates were revolving around the question of whether poetry should be difficult or easy, with both camps defining their ideas of difficulty and accessibility in ways that were so utterly shallow as to make the entire point moot. Debates were performed, rather than engaged with. It was a postmodern hell of underarticulated poetics. Half-consciously, people were yearning for new forms of criticism that could put the oomph back into poetry. Weblogs provided for ways to explore debate directly outside of the clotted older channels of the reviews and the newspapers. Belleman’s essay and the resulting online activity had shown that there was a widespread eagerness to take poetry more seriously as a social art form. It was in this environment that Mettes started his remarkable project Dichtersalfabet . At that moment, Mettes was active mostly in academic circles, having become noted at Leiden University as a particularly gifted student of literary theory. Within the Netherlands, the field of literary theory has a very odd relationship to literature as it is practiced in the country. Academic theory tends to have a mostly international view and engage with international debates of cultural criticism, literary theory, and philosophy, with academics often publishing in English and attending conferences around the world. Literature itself however is much more concerned with domestic traditions. Consequently, in the Netherlands, there exists a language gap between academic theoretical practice (as it is studied in the literary theory departments) and literary practice (which, academically, gets studied in specialized departments of Dutch literature). The Dichtersalfabet can be seen as Mettes’s attempt to close this gap. It is also an attempt to bridge the divide between theory and practice, in which he could apply his theoretical knowledge in a very unorthodox and unacademic critical mode that moreover could reach far beyond the domain of conventional criticism. Mettes’s goal was to trace a diagonal through Dutch poetic culture, to “strangle” what he perceived to be its dominant oppressive traditions of agreeable irrelevance, in order to see whatever might be able to survive his critical assaults. But he could only do so by means of a very serious engagement with poetry itself. To this end, he would go systematically through the poetry bookshelf of the Verwijs bookshop (part of a mainstream chain of booksellers) in The Hague, buying one publication per blog item, starting from A and working his way through the alphabet, reading whatever he might encounter that way in the restaurant of the HEMA store (another big commercial chain in the country). He would subsequently write down his reading experiences, refraining however from trying to write a nuanced book review. Rather, he would write about anything that caught his attention and sparked his critical interest. This way of working would yield vast, at times somewhat rambling, dense, lively, and generally brilliant essays, in which he held no punches. He never hesitated to pull out his entire arsenal of concepts from the international theory traditions, while never degenerating into mere academic exercise and pointless intertextualities. The attempt was rather to live the poetry that he read, and to engage it with the full range of political, academic, cultural, and personal references that he had at his disposal—all that composed the individual named Jeroen Mettes as a reader. Often what he wrote would not be according to the standards of what we usually think of as a critical review of a book of poetry. Sometimes he would even be a little sloppy in his judgments of poets or representations of the books he read, for example by basing an entire essay on the blurb of a book rather than its poetry content. But what he did was always brilliant writing nonetheless—virtuoso riffs on poetic fragments randomly found within capitalist society, exposing an incisive and insistent poetical sensibility. Mettes read poetry for political reasons, to see whether poetry could offer him a way to deal with a political world he detested. The right-wing horrors of the Bush years, the Iraq war, and the turn of Dutch public opinion towards ever more conservative, narrow-minded, and xenophobic views alongside a complete failure of the political left to present any credible alternative, were weighing heavily on the times in which Mettes reported on his reading. Poetry was to measure this world, diagram it, to lay bare its inconsistencies and faults, to indicate where lines of flight might be found. Amid the ruins of a world wrecked by imperialist policies, corporate capitalism, and doctrinal neoliberalism it would have to show the possibility of a new community. And it was, through its rhythmical workings, to release the reading subject from his confinement to ideologically conditioned individuality and lead him into the immanent paradise of reading. The stakes were high. Much higher than anything Dutch poetry had seen for many years. Mettes’s blog was widely read from the start. His posts sparked lively debates. Some of these subsequently led to the publication of extensive essays on a few key poets in some literary journals, particularly Parmentier and the Flemish journal yang , for which Mettes would become a member of the editorial board, a few months after starting the Dichtersalfabet . This could have been the start of a brilliant career, but this was not to be. The initial manic energy that fueled the blog gradually subsided. The Alfabet was updated less and less regularly. Mettes sometimes just disappeared for many weeks, then suddenly returning with a brilliant essay. Until, on September 21, 2006, he posted his final blogpost, consisting of no text whatsoever. That night I learned from his mentor at Leiden University that he had committed suicide. Mettes and I had had some fruitful exchanges on poetry, rhythm, music, and form, mostly on the blogs, but also by email. Three weeks before his death was the last time I heard from him: a very sudden, uncharacteristically curt note saying “My old new sentence epic.” Attached to that message I found a DOC-file of a work so major that I felt intimidated. This was N30 , a text he had been working on for over five years. After his death, it took me a long time before I dared to read it in its entirety. In the meantime, the work of preparing the manuscript for publication was entrusted by his relatives to his colleagues at yang magazine. It took them a few years to brush up the text and to edit the Dichtersalfabet -blog (which, apart from the Alphabet project itself, incorporated many other fragments of political, polemical, and theoretical writing) into book form along with the essays. The result of this labor was finally published in 2011 as a two-book set, and Mettes burst onto the Dutch poetry scene for the second time. The work was widely reviewed, on blogs, in journals, magazines, and newspapers. Many critics who had not followed the blogs in 2005 showed themselves surprised, baffled even, by the intensity of Mettes’s critical writing. But for those who had read the blog, the main surprise was in the poetry. During Mettes’s lifetime, some of his poems had already been published in Parmentier . Although these were strong texts by themselves, in no way did they prepare readers for N30 . Nothing like it had been written in Dutch before. Instead, N30 explicitly follows the American tradition of Language Writing, directly referencing Ron Silliman and his concept of The New Sentence. However, it would seem that much of the poetical thinking around his use of this technique puts him closer to a writer such as Bruce Andrews. For Mettes, using non sequiturs as a unit of poetic construction was not only a way of reinventing formal textual construction, but it was another way of finding the fault lines in the social fabric. From the perspective of the Language tradition, one may put N30 somewhere between Silliman and Andrews. N30 shares an autobiographical element with Silliman’s New Sentence projects, and as in Andrews, there is a concern for mapping out social totality within text—what Mettes refers to as a “textual world civil war.” Again this shows a formal textual strategy for allowing the person “Jeroen Mettes” to be absorbed by the world, which here appears as a whirlwind of demotic and demonic chatter, full of violence, humor, intensity, beauty, disgust, sex, commerce, and strife. Influenced as it may by American precursors, Mettes’s tone and form end up quite different from his American counterparts, consistently referencing a world that is Dutch, all too Dutch, taking on the oppressive orderliness of Dutch society with its endemic penchant for consensus by introducing chaos into its daily life and laying bare its implicit aggressions. The work’s 31 chapters each have a different feel and rhythmical outline, but none of them follow a predetermined pattern. Rather, Mettes would consistently edit and reedit the text, randomly rewriting parts of it, as he explains in his poetical creed Politieke Poëzie (Political Poetry). N30 – referring to the 1999 antiglobalist protest in Seattle – was to be the first text of a trilogy. The work itself was written “in the mode of the present.” A second text was to be written in the mode of the future, and a third one, in the mode of the past, was going to be an epic poem about the Paris Commune, and to form an alternative poetic constitution for the European project. I still deeply regret that Jeroen Mettes never got to complete those projects, just as I would be very keen on knowing what he might have had to say about more recent political developments. Instead, in 2006, he remained stuck in the horrors of the present, that ended up consuming him completely. He left Dutch literature with some of its most piercing criticism and its most profoundly moving, exciting and powerful poetry. Excerpts from N30 Translated by Vincent W.J. van Gerven Oei from Jeroen Mettes. "N30." In N30+ . Amsterdam: De wereldbibliotheek, 2011. Published with permission of Uitgeverij Wereldbibliotheek, Amsterdam. Chapter 1 1999. A day is a space too. And another man, who had chained himself, had his ribs crushed, and a motor has driven over somebody’s legs. Dutch health care system spends ±145 million guilders per year on worriers. A spiderweb vibrates as I pass by. Randstad renovating. She slaps her bag against her ass: “Hurry up!” OPINION IS TRUE FRIENDSHIP Your skin. It doesn’t express anything. “But the use of the sword, that’s what I learned, and you’ll need nothing more for the moment.” Just try to interrogate a guy like that. Gullit in Sierra Leone. Codes silently lying all around. But that’s simply what belongs to “that it’s just allowed”: that sigh of “world” (a word expressing that the trees are now standing along the water like black men with white bags in their hair); that’s nothing else right? And you see how everything has to move, and first of all what cannot do so. Without Elysium and without savings, barbarians lashing out, horny for an enemy, staring across the water, staring into the air—staring to get out of it. “You’ve never showed me more than the mall,” she said. All those “dreams” in the end—and now? It was lying on the stairway, so I picked it up and took it upstairs. Chapter 3 “You know what?” Telecommunication. For love… I don’t really like that cheap cultural pessimism, but… The holy city is on pilgrimage in the earthly bodies of the faithful until the time of the heavenly kingdom has come. The end of an exhausting autumn day behind the computer, my eyes filled with tears of fatigue. KITCHEN / INSTALLATION / SPECIALIST. Network integration. In the sun, stretched out on a sheet. (…) I don’t believe what I’m reading, because I want to believe something else. An illusion? Suits me. There’s a variety of shapes and tastes… “So what?” you may think. 102 dalmatians can’t be wrong. But I want more, dear… A feel good movie. I’m smashing the burned body. So what? We continue to save the European civilization. What’s there to win? Plato with poets = Stalin without gulag? Ball against the crossbar. No wonder. She comes straight to her point. She’s standing in the kitchen eating an apple. (…) The godless Napoleon had used her as a stable and wanted to have her taken down. “Our” Rutger Hauer. Ready or not here I come. Psst… are you also wearing a string? Nobody understands our desire. Cliffs breaking the waves and shattering the sunset. I used to be a real romantic (as a poet). A typical fantasy used to be the one in which I brutally raped mother and daughter Seaver from the sitcom Growing Pains . Nevertheless you only contain bad words. Eyelashes. Automatic or manual? That your skin always in the afternoon. Integration. The air is empty. Too bad! Hand in hand on their lonely way. Alaska! Chapter 12 May 5, 2001 [10:00-10:30] A dust cloud on a hill. Globe. Indian (British) (tie) / pope. Damascus. Rape. We’re carrying the ayatollah’s portrait through the streets. At the moment the girl is mostly suede jacket with white ribbons on her sleeves. A small explosion flares up/impact. Camouflage. Close up. We’re analyzing the situation. He’s dead right? Dead dead. Dead. Everything without, these, and only with the body. Indices signal death. Dollar bills are printed in factories. Holes. Light patch. Globe in a box. Microphone. What’s the situation? Grey impact on a green hill (field?). The water is blue. He has no lips. Interns on the background with skirts that are too long. This is an example of a sonnet. An Islamic woman pushes against the door of an electronics shop. Arrows (percentages (prices)). Is this what awaits the American? Touch screen interface. The word, an island, can only be a sign in that situation. We pull up a chair, join in on the fun. On the shelves only books about computers. One glance in the distance is enough to lighten up a luna park in the distance. She’s really desperate, especially when she laughs. Click. Ah. Next. And now it’s raining, but that’s ok. Yellow stains sliding over the south. Shallow caves light: clothes, boots, electrical equipment. 45. 22:10. Nothing gives you the right to eat more than people starving to death. The Hague. Slam dunk. Traffic light. Two H’s, one L (standing for the L (little prick)). We’re happy to say something. Clouds, small suns, temperatures, cities. The truth is never an excuse. Yellow. Yellow. Green. Yellow. Yellow. Yellow. Yellow. Green. Green. Yellow. Will you email me? Skeleton: “No.” Ex-nerds in brand-new and brightly red sport cars. $$$. I love. Shihab. Hooves in the sand. Skinny senior with over-sized sunglasses; old jockey (cap, trophy) smiling in slow motion. And there I am again, flashback, crying with my head in between my hands. Sometimes I’ve got the feeling that cannibals. Eyes: blue. Cancer. Why would I wait until tomorrow? Golden beams protruding from the lifted/lit earth. May 5, 2001 [11:30-12:45] You’ll remember this for the rest of your life. Graphs, diagrams. Bu$ine$$. Blue shirt, white collar, no neck (porn star). A name lights up. I’m hysteric. Will you join us? Letters falling in their words. Fingers set up a tent and start to dance. Young entrepreneurs from poor neighborhoods (read: black) guided by Microsoft. Kinda makes me happy, that sort of kitsch. A sense of exhaustion/impotence to see anything but the present. (…) Wouldn’t you like to? Orange explosion in an industrial zone. YOU’RE DOING THIS FOR AMNESTY INTERNATIONAL. Would you. A familiar face. Clouds and blossom. Sunflowers. Supermodels. Mountainous area in a rectangle: shades of brown, from dark to beige, more green toward the south. Tents and next to them (it’s all a blur) people. Plane. Stadium. Geometrical block of people. No, I ain’t crying. I don’t speak no more. I just want. Quote + photo. (Positive:) screaming crowd. Three-piece suit, seen from the back, before entering the arena. On the back: “Daddy abused me.” Oh, bummer. State of emergency has been declared and everyone has to cooperate. She’s cut her wrists. What we do know (…) is that there’s never been a unique word, an imperative name, nor will there ever be. [Click here for work that suits you.] Barefooted children are watching it (coherent pieces revelation of what’s lying below). Who knows how she’s changed during those two years. “Everything used to be better” + sigh. And here we are. An empty field of parquet. A city lying behind it. Explosion. Blue. A rain drop falling in my coffee. May 5, 2001 [14:30-15:30] A young Arafat on video speaking with raised finger. “I’m calling from my convertible.” Names on walls, victims, numbers… Tourists. Yellow. Yellow. “Your own child! Really, what kind of human are you?” I don’t want to hear it no more. A woman jumping out of the water in a yellow bikini against a background of fireworks and the Cheops pyramid. Thy sorrow shall become good fortune, thy complaints laudation. All planets will float and wander. Wo die Welt zum Bild wird, kommt das System (…) zur Herrschaft. It is something, but is it? May 5, 2001 [18:30-19:00] Iris. Leaves. NASDAQ. Open / and white and. For the one who’s doing nothing, just waiting. (…) NO DEFEAT is made entirely up of defeat -- since / the world it opens is always a place / formerly / unsuspected. October 2002. “Jeroen, I’m leaving for the cemetery, byeeee.” The rise of the middle class. My entire oeuvre is an ode to the. My entire head is a fight against the. God always demands what you cannot sacrifice. You may take that the easy way, but… “The state hasn’t made us, but we make the state” (Hitler). A stork exits the elevator. Skeletons of. Moscow. Helsinki. Palermo. Paris. Chapter 30 Like your paradises: nothing. United Desire, as only remaining superpower. And even though the sea is now calmer and the wind is blowing pleasantly in my face… Heart! Who determines whether a tradition is “alive”? The yellow leaf or the white branch? Mars. This sentence is a typical example. Most Dutch people are happy. No consolation. When I see a girl sitting at a table with a book, a notepad, a pen, a bottle of mineral water, her hand writing in the light—then I consider that one thing. “Presents,” “poetry,” “classics.” We are what we cannot make from ourselves. “Left”: mendicant orders, missionaries. Saint-Just: “A republic is founded on the destruction of its enemies.” She crosses the street with a banana peel between her fingers. (…) We chose our own wardens, torturers, it was us who called all this insanity upon ourselves, we created this nightmare… But “no”? Girl (just like a beach ball) talking rapid Spanish (Portuguese?) in a mobile phone. Do I have a chance now that her boyfriend is getting bold? CLIO, horny bitch. What else do you want? An old woman, between the doors of the C1000, is suddenly unable to go on; her husband stretches out his hand, speaking a few encouraging words. Selection from. Der Führer schenkt den Jüden ein Stadt. How can it reach us if we haven’t been already reached somehow? It doesn’t “speak.” No problem. Each word she uses is a small miracle, as if she doesn’t belong to it, to language, but wanders around with a pocket light looking for the exit; she’s never desperate (maybe a little nervous), lighting up heavy words from the inside. But indeed, we’re free. But the predicate is not an attribute, but an event, and the subject is not a subject, but a shell. That’s why also samurai, knights, and warriors raised the blossom as emblem: they knew how to die. Locked up in a baby carriage with a McDonald’s balloon. Blue helicopter, the blue sky. Whether you want to refer? The point is. How / Motherfucker can I sing a sad song / When I remember Zion? You’ll feel so miserable and worthless that you think: “If only I were dead!,” or: “Just put an end to it!” “So you’re an economist?” Her card—two little birds building a nest, her handwriting shaking—is still on the mantelpiece. Guevara: “No, a communist.” A straw fire, such was our life: rapidly it flared up, rapidly it passed. I’m fleeing, coming from nowhere. (…) Eazy-E drinking coffee with the American president. If I’d scream, would that be an event? Drown it: the cleaner it will rise up from the depths. No! The night, so fast… As if there’s something opened up in that face. Come on, we may not curse life. He shows me his methadone: “If you drink that all at once, you’ll die instantly.” The last one dictates how we should behave to deserve happiness. One shine / above the earth. “I want to go to Bosnia,” I said bluntly. I don’t even know the name of the current mayor. Let’s despise our success! “There is no future; this is the future. Hope is a weakness that we've overcome. We have found happiness!” Sun. Sushi. Volvo. I feel like a bomb about to explode at any moment. Makes a difference for the reconstruction right? The decor moves forward. Daughter of Nereus, you nymphs of the sea, and you Thetis, you should have kept his tired head above the waves! Alas! This sentence has been written wearing a green cap. I receive my orders from the future. A frog jumps into it. Her husband has turned the Intifada, which he follows daily on CCN, into his hobby, “to forget that he doesn’t have his driver’s license yet." Suddenly the sun slides over the crosswalk. Her (his?) foot is playing with the slipper under the table. Is this how I’m writing this book now? I’m not a fellow man. I hate you and I want to hurt you. These are my people. Their screaming doesn’t rise above the constantly wailing sirens which we've learned to ignore. My whole body became warm and suddenly started to tremble. Unfortunate is he who is standing on the threshold of the most beautiful time, but awaits a better one. Arafat’s “removal” is contrary to American interests. Jeep drives into boy. What you can do alone, you should do alone. A food gift from the people of the United States of America. Two seagulls. [...]. (shrink)

This paper examines the long dialogue between Africana phenomenology and Africana feminism. In particular, it examines the exchanges between WEB Du Bois, Frantz Fanon, Lewis Gordon and Sylvia Wynter on the one hand, and a number of black feminists on the other, including bell hooks, Natasha Barnes, Farrah Griffin, and Joy James. The primary outcome of the survey of these exchanges is that the pro-feminist spaces created by black male phenomenologists have all been insufficient for the full representation of (...) the black female voice. In the words of Sylvia Wynter, such a full representation can only come through "a feminism in its own name". (shrink)

The present essay discusses a notorious rhetoric means familiar to all scholars in the social sciences and humanities including philosophy: name-dropping. Defined as the excessive over-use of authoritative names, I argue that it is a pernicious practice leading to collective disorientation in spoken discourse. First, I discuss name-dropping in terms of informal logic as an ad verecundiam-type fallacy. Insofar this perspective proves to lack contextual sensitivity, name-dropping is portrayed in Goffman’s terms as a more general social practice. (...) By narrowing down the focus to social science and the humanities, the essay emphasizes its function of discursive legitimation. This view, I argue, is incomplete because it overlooks the basic mechanism beneath. Names not only provide legitimation of but also orientation in discourse. Consequently, two tipping points—detour and disorientation—are proposed as benchmarks for it to become problematic. The conclusion re-widens the argument’s scope by suggesting questions for future inquiries. (shrink)

A stationary subset S of a regular uncountable cardinal κ reflects fully at regular cardinals if for every stationary set $T \subseteq \kappa$ of higher order consisting of regular cardinals there exists an α ∈ T such that S ∩ α is a stationary subset of α. Full Reflection states that every stationary set reflects fully at regular cardinals. We will prove that under a slightly weaker assumption than κ having the Mitchell order κ++ it is consistent that (...) class='Hi'>Full Reflection holds at every λ ≤ κ and κ is measurable. (shrink)

continent. 2.2 (2012): 155–158 Michel Serres. Biogea . Trans. Randolph Burks. Minneapolis: Univocal Publishing. 2012. 200 pp. | ISBN 9781937561086 | $22.95 Conveying to potential readers the significance of a book puts me at risk of glad handing. It’s not in my interest to laud the undeserving, especially on the pages of this journal. This is not a sales pitch, but rather an affirmation of a necessary work on very troubled terms: human, earth, nature, and the problematic world we made. (...) It is this world that aspirates the silence (so to speak), and therefore the subject which, along with the development of the “made world” exports the excess augmentation of the cosmically missing, this silence of the natural, et cetera. Had we learned from Locke that lesson of “labor,” to consume what we need… but perhaps we need more than what matters? Serres’ Biogea has several functions on this manner, if it is indeed a book to be consumed. First, readers searching for novelistic entertainment have a place to dwell. Biogea deserves a place in your back pocket; biographical generosity and poetic fluidity should satisfy most textual fetishes. For lay philosophers who want to refresh their acumen, Biogea deserves a place on the book shelf, one already reads a sorely needed postmodern tune-up here. Serres’ style is clearly French; he leaves few cheese crumbs on his words, rather preciseness and breathing in the work give way to a sweeping manner that breaks the narrative line of sight. A circular narrative and anachronistic fragmentation of terms allows an abyssal atmosphere to swell, if only to pump into the book the externality of its broader text. Biogea aspires to a higher standard and the book, at times, is thinking this negentropic problem too. Univocal, the publisher, has crafted a book appropriate for the hands to hold and the translations are an achievement of an otherwise difficult writer to translate. Terms are the conditions of a broader text. It is important to note that Serres’ content is as much a thinking of terminal ports. There is a regard for the transportation technology of the written word. For me, this is the mark of genius, a craftiness that tells of a book device that I may trust. Serres is an accomplished thinker and a necessary voice to check the putative trendiness of anti-postmodernist and market-driven theory of endless cultural liquidation. Offering interventions on subjectivity as an open system we are given a chance to affirm the human, not merely to discard it, but to engage its poetic image emotion, the calibratory silent sense of the analogic world; the terms on which we base our efforts. 1 The human is the center of its own negation, constantly mediating it. Something deeper at stake appears in the work then, and it is quite obvious from the onset. Certainly, a book is an intensification of possible text and those who brought this actual book into existence have captured a rarity in regards to the subject matter and artistic accomplishment. I mentioned terms as conditions, so let us understand Biogea as bio-yea, a yes to bios . An affirmation of living and accepting presence for all of its defiance of images, words, and things temporal. Therefore Serres’ existence and its existants plays parts; out of linearity and still like a porous bone pumping blood it manufactures into the fleshy life it becomes. Starting from a man named silence chaos emerges, or the man “Old Taciturn” takes up a journey anticipating a great flood. In other words, a development akin to the one in Genesis. In dealing with this ancestral occupation, fusing Genesis with contemporary philosophical terms, Serres initiates this anachronistic fragmentation under the forming subjectivity of his own autobiography. This mutation in the open system is precisely one of Serres’ terms. There an abyss is at work, stated, but also measured by heels on the ground—the abyss dispatching earthen tensions, that which plays our tunes, that which we abide by and recognize in volcanoes, rivers, oceans, earthquakes and weaponry in the battles of the world. Set in later stages of the book, such tensions are harnessed through scientific principles in an attempt to unify the terms of natural force if only to terminate the world. Thus the elevation of the earth into the world is clearly set forth. Here already, and few pages in, a resonance is set forth under appellations such as the river Garonne, a subjectivity as much as it is inhuman, the river is the inhuman that makes us human. I get the sense that Serres is taking up a challenge issued by Wallace Stevens; namely, that the great poems of heaven and hell have been written, but that only the poem of the earth has resisted composition. 2 On this level we cannot avoid the killing factor of silence, given that our cognition blocks its pure, radical obliteration. Thus a silence of attunement to the earth is in a novel dialectic of the rithmic and rhythm. A technological world, a triumph of termination is set forth. If a text imposes its will given the reader who authorizes it, it is made to convey or convect a presupposition to a reader or its inhabitant(s). Text is therefore both, in-content, contenting, contentedness, and in reading it, a way to navigate self-destruction (dis-content). Here then would one note that the “inhuman” reveals itself, “an aperiodic rhythm of lovers and beloved…the sea as our friend…but as our enemy…maternal vivifying sea.” The sea is an open book, or vaginal birth canal, where the engagement of text comes forth: “…woman sea, open vulva.” One sees like the sea, but only after it, when the uninhabitable truth of inhabiting it switches the polarity of the sailors soul: “I was seeing like the sea” (9-11). In other words, we are invited to embrace the nonsense of the visible. At this point I am taken to Jean-François Lyotard’s work The Inhuman , specifically the first entry on negentropy that would be congruent with Serres’ thematic. 3 The human being exports, deports, or transplants its relation through text, through the system— and this is its sense or relation to silence, to music. Unaware of Serres’ proximity to this work, the concept of gender interrelation as regards a solar catastrophe runs clear. It would be, on this basis, that Serres references his peers, the other texts that, as mentioned above, are discarded in philosophy today. For students of philosophy what we have here is perhaps a gift, a needed project. If silence and death are at work, there is a political valence to deal with, and here, much like the domain of the text and the dominion of the reader, we confront the world of natural, fluid violence. The anti-postmodernist critique is in part based on a weak idea that the loss of ideology, of a world vision, motivates the “correlationist” project. 4 Serres seems to offer another way to view this when he notes that whereas persons “sometimes kill,” it is clearly “the collective” that “always kills” (17). What is the collective today, if not an organizing function we never see yet acts in its favor in the name of truth? One feels a sense of enigma here, if only to link to what Stevens remarked of communism as a “grubby faith,” providing this applies for capitalism as well, namely any ideology of progress overly interested in absolutes. Here we get the sense that the inhuman, silence, this type of killing, always killing, could not be matched by human-made, political dynamos. Or that if it comes to an equilibrium, a catastrophe is never too far from us to read with our heels. We are left to note that the forces of nature presuppose and permeate political systems, the more these systems obtain force, the more the system takes upon itself the proper name of nature that motivates its dissemination, albeit falsely. This note, that in an age of ecocide and technological captivity (sustainability and transparency) political regimes won’t grow our soul-learning ears any larger than our tongues, stands clear to us. The promise of technological desubjectification is here pushed aside. Regarding politics, Serres illustrates this fact: Where did this corpse come from? Who was it? Who killed it? I don’t know. I won’t try to find out. I refuse to get vengeance for it. And I only see Garonne. For our victims, today, are the rivers, too. Their waters have irrigated my life, enchanted my thought, invigorated my body; I’ve known them to be threatening, untamable, as dangerous as the sea when it rages. Yes, murderous. They decided to control their courses; dams, sometimes senseless, destroying sites and valleys, reduced entire populations to servile displacements; programs for the irrigation of thirsty farmland, often beneficial of course, completed their drying up.(22) Serres enters into his idea concerning the captivity of language from the natural into a world system: For thousands of years, we have been licking things with our tongues, covering and daubing them so as to appropriate things for ourselves. If language boils down to a convention, this convention took place between the speakers without consulting the thing named, become as a result the property of those who covered it in this way with their drawn or voiced productions. Malfeasance analyzes these acts of appropriation. Thus every inert object, every living thing as well, sleeps under the covers of signs, a little in the way that, today, a thousand posters shouting messages and ugly riots of color drown, with their filthy flood, the landscapes, or better, exclude them from perception because the meaning, almost nil, of this false language and these base images forms an irresistible source of attraction to our neurons and eyes. This appropriation covers the world’s beauty with ugliness. (38-39) Technological concealment coming to bear, we begin to get a sense of another commentary on the condition of sensing, driving home the necessity of a text dealing with such subject matter to be what its terms insist. Thus toward new openings: The new opening. As low beneath our feet as you like, the Biogea opens us to another space, high enough for us to be able to acquire a wisdom there, that of redeveloping this same place differently from our fathers, this place that’s still politically cut up by old hatreds, beneath the flood of tears and blood that we call history. Without this soft place, spiritually very old, but newly conceived in this way, without the juridical construction of a common good, opposed to our filthy ownership, I don’t see how our planet, hard, will survive. Hardness that depends on a softness, material belonging that depends on this temporary rented location (51). Serres enters into a summit on the content and the structure of his work. Archimedes is brought in with the concept of three volcanoes. Meaning fire, but as well earth, water, air. For it was Archimedes’ war machines that sought to lift the earth, thus bringing in the question of principles of science: “can a principle be invented while controlling its consequences?” (66-7). May the earth be put in a sentence, terminated by terminology, appellations, gone wild? By means of these element-dominating laws, this old physicist began to tear nature away from the ancient myths; by a strange return, today we’re plunging our successes back into the anxieties and terrors from which that ancient physics was born. Yes, our new history of science and technology is plunging, today, as though in a loop, into the fundamental human myths from which Empedocles’ first laws came. A major progression and a regression on the nether side of the origins. Consequently, the contemporary time requires that we try to return to that unity in which the principles of hate and love are at the same time human, living, inert and global. We will never attain a deontology of our knowledge and actions without thinking the subjective, the objective, the collective, and the cognitive all together simultaneously. Here, hate and love are the result of these four components.(71) Working then on the concept of fire-starting mirrors to the atomic annihilation of the Second War, Serres works into the subjectivity in question on the matter of rhythm—say rithmic— precisely at that point: Knowledge is changing today. The all-political is dying; the monarchy of the sciences said to be hard is coming to a close. The science of the things of the world will have to communicate just as much as the things of the world do, which do it much better than humans do, who don’t always want to do it. Let’s celebrate two changes this morning. The first one strikes a new blow to our narcissism. No, knowledge and the world don’t resemble our analytical enjoyments of refined cutting up, of endless debates and of exclusions full of hate. They, on the contrary, form a bloc and a sum, alliance and alloys. Uniting the fields of knowledge among themselves the way the things are connected among themselves, the second newness puts into place sets united by interlacing, webs and simplexes that combine with the things of the world, themselves combined, the combined knowledge that understands them.(130-1) Biogea closes on its opening flood thematic, approaching the initial telos of Genesis. Here the trees are brought into a position with atmosphere, the opaque abyssal reservoir, the tomb of the sun, sea in the polarity of the earthen heaven and hell. The poem of the earth then is silent but deadly, indeed, as funny as that phrase is, mainly a tomb gas. The meaning of the living and the non-meaning of things converge in the muteness of the world; this meaning and non-meaning plunge there and come out, the ultimate eddy. Mundus patet: through a fissure, through an opening, a fault, a cleft come noises, calls as small as these apertures. I’m listening, attentive, I’m translating, I’m advancing in the scaled-down meaning and science. Mundus patet: should the world open greatly, it will launch me into its silence. The totality remains silent. Knowledge expanded in elation. White origin of meaning, fountain of joy. (198) Final Remarks One test of a review is the long term trajectory the referee thinks the book will have. I see Serres’ text lending greatly into the vision of Biogea . In fact, in the vision of the novel inquiries of Stephen Jay Gould’s work there is something to be thought on the level of the individual and the species; namely, that humanity and its uniqueness is in its deferral, its thinking and naming, a thinking surrounded by silence that filters into everything, that pulls us through the world, the kinetic pulse we recognize, and all of that we cleave away in the base philosophical maxim of difference itself. Unique individuals are spatial creatures: we dwell, and we ought to get good at it. Yet this is an imaginative space that, if you are crazy enough to believe it, de-term-ine the conditions of its own terms. That is why we are not merely creating spaces on the acceleration of time, or so this ignoramus thinks, to accidentally transcend. Imagination already has this insatiable silence that we drink up and fail to manifest. Space is timeless. The imagination itself, shared by humans for themselves, their objects, and the species as a whole, is a non-defined space of relation; a whole human trajectory as part of nature, and part of worlds that are the other side of thinking nature, the consequence of it, at least our attempt to do so. Our survival is based on our deliberation, our caution, our natural deconstructive sense toward this silence that is already part of the song, sung, singing of this century without end. Good books will let us inhabit this space and recognize a form of life. Serres’ text moves toward dwelling, as noted, in masterful and accessible ways. The pitched battles are the falling replays of anemic and dead politics. As soon as we realize there is humanity, we may be able to enjoy the end of it, our inhuman capability of listening to silence. NOTES 1. See Michel Serres. The Parasite . Minneapolis: University of Minnesota Press. 2007. 2. Wallace Stevens, “Imagination as Value” [ca. 1945], in Collected Poetry and Prose . New York: The Library of America. 1997. 724-39. 3. Jean-François Lyotard. The Inhuman: Reflections on Time . Trans. Geoffrey Bennington & Rachel Bowlby. Stanford, CA: Stanford University Press. 1992. 4. See the introduction: Quentin Melliassoux. After Finitude: An Essay on the Necessity of Contingency . Trans. Ray Brassier. New York: Continuum. 2008. EDITOR'S NOTE: This review was updated on August 8, 2012. Substantial edits include block quotes from the book under review as well as the inclusion of comments from the author. (shrink)