17th/18th Century British Philosophy

Книгата проследява зараждането на един от най-важните и продължителни исторически конфликти във философията на природата: борбата между релативисти и абсолютисти по отношение на пространството, времето и движението. Катализатор на този конфликт е Рене Декарт - първият, опитващ се да създаде последователна релационистична система във физиката, която обаче започва да ерозира още с възраженията на Нютон. Изследването разкрива и разгръща фундаменталните светогледни позиции на двамата учени през персонална, понятийна и контекстуална рамка. Ако използваме клишета, то в крайна сметка бащата на модерната (...) философия /Декарт/ и бащата на модерната физика /Нютон/ се разминават - точно както се разминават непрестанно идеите и понятията. В изследването са преведени за първи път на български език /от латински и от френски/ два основополагащи и често цитирани откъса от Нютон и Декарт. (shrink)

This article explores a previously neglected manuscript essay in which Thomas White offers an account of the metaphysics underpinning transubstantiation. White’s views are of particular interest because his explanation employs a broadly mechanist framework, rather than the hylomorphism traditionally associated with Roman Catholic discussions of the Eucharist. The manuscript helps to shed light on a number of topics of importance to early modern philosophy including the reception of Descartes’ views, the relationship between theology and natural philosophy, and mechanist accounts of (...) identity and individuation. (shrink)

Emma has often convincingly been assigned to the “quixotic” novel, a genre much favored by the long eighteenth century and admired on occasion by Jane Austen herself. But whereas novels of this type invariably end with a joint renunciation of imagination and romance in deference to a greater realism, Emma shows imagination to be integral to an apprehension of the real world, and to require, for its fidelity, a principle long enshrined by romance. Austen’s understanding of imagination as both necessary (...) and all-pervasive—held in common with a number of contemporary philosophers who built on David Hume’s analysis of the “productive” and “magical” faculty that underlay all perception—in no way lessened her sense of its ambivalence, and Emma shows how its work of construction is constantly undermined by received stereotypes as well as by insidious subterfuges of the self. The novel celebrates an empirical habit of mind, fortified by the virtue of benevolence. -/- Keywords: imagination, romance, realism, empiricism, Hume, Austen, Emma, benevolence. (shrink)

The chapter provides a brief survey of the moral views of some of the main writers advocating rationalist conceptions in philosophical ethics in Eighteenth-Century Britain and Germany, prior to Reid and Kant: Samuel Clarke, William Wollaston, John Balguy, Richard Price, Christian Wolff (along with his adversary Christian August Crusius), Alexander Gottlieb Baumgarten.

W.E. Gladstone’s changing and inconsistent views on religious oaths and established churches present an intriguing puzzle. This article compares and contrasts his early and later stances on these topics with the purpose of evaluating the place of practical judgments in his arguments. This exploration reveals that the prevailing description of Gladstone’s views, which privileges the role practicality played in his later support for a more liberal set of policies governing church–state relations, does not explain the changes and inconsistencies in his (...) position as well as does a description that emphasizes the changes and continuities in his fundamental philosophy. In conclusion, connections are suggested between this explanation of Gladstone’s views and theoretical considerations regarding the development of liberal freedoms. (shrink)

This study will explore the Enlightenment conception of the individual of reason, its attempted formulations in actor biographies, and its ultimate denial by the reality of human identity as multiple, fluid, and dialogical. Such fluidity sought to overcome the marginal status of the stage player through the embodiment of rational models of personality. Some stage celebrities, most notably David Garrick, were offering themselves as public models of identity for the new age of reasoned discourse. This involved the presentation before the (...) public of stage performers as fully realized individuals. However, the unavoidable problem was that presenting an individual, even a renowned stage star, as a living paradigm of the enlightened person of reason would prove elusive. Aside from the inherent contradiction of locating any perfected stereotype in an actual person, the qualities making an individual in full conformity to his or her “reason” did not match the particular cultural qualities demanded for a successful eighteenth-century middle-class Englishman or Englishwoman. Nonetheless, by the last quarter of the eighteenth century, significant advances were made both within the particular profession of acting and before the onstage and offstage public. The acting profession was moving quickly and for the first time in England away from its marginalized status to offer respected agents for cultural change. The new genre of actor biographies as well contributed to this more fully realized formulation of the modern individual. (shrink)

Challenging recent work that contends that seventeenth-century English discourses privilege the notion of a self-enclosed, self-sufficient individual, The Power of the Passive Self in English Literature recovers a counter-tradition that imagines selves as more passively prompted than actively choosing. This tradition - which Scott Paul Gordon locates in seventeenth-century religious discourse, in early eighteenth-century moral philosophy, in mid eighteenth-century acting theory, and in the emergent novel - resists autonomy and defers agency from the individual to an external 'prompter'. Gordon argues (...) that the trope of passivity aims to guarantee a disinterested self in a culture that was increasingly convinced that every deliberate action involves calculating one's own interest. Gordon traces the origins of such ideas from their roots in the non-conformist religious tradition to their flowering in one of the central texts of eighteenth-century literature, Samuel Richardson's Clarissa. (shrink)

Variously a teacher, clergyman and town mayor, William Fordyce Mavor wrote prolifically on a range of literary, historical and educational topics. This work, first published in 1801 and reissued here in a corrected and improved edition of 1843, is Mavor's most famous. Intended to 'sow the seeds of useful learning', it is both a reading primer and a compendium of general knowledge. Beginning with the alphabet, with each letter illustrated by the delightful wood engravings of Thomas Bewick, the book presents (...) vocabulary of increasing complexity together with simple and amusing stories for reading practice, as well as guidance on spelling and grammar. General knowledge is addressed through sections on such topics as weights and measures, geography, key dates in history, and the solar system. So successful was the work that it ran to 500 editions, had sold more than 2 million copies by 1823, and was translated into Hindi and French. (shrink)