20th Century Philosophy

This essay places Nishida Kitarō in dialogue with Maurice Merleau-Ponty regarding motor-perceptual aspects underlying their theories of artistic expression. The analysis begins by comparing their interpretations of negation as articulated in their later works and seeks to understand their poetic renderings of artistic practice as proposing a mutual and reciprocal form of negation. By analyzing their conceptions of negation as implicit to their depictions of artistic expression, this essay looks to expand their concepts of negation from a perceptual to a (...) motor-perceptual form of negation. Just as perceptual negation results in a multi-perspectival form of perception, motor-perceptual negation renders motion as a multi-volitional event outside and beyond the individuated body, and diffused throughout the motor-perceptual fabric. The artist is an exemplar for both Nishida and Merleau-Ponty because of their ability to create works that express themselves within this form of motor-perceptual negation. Doing so, expressing oneself as a motor-perceptualy negated body entails a bodily form of faith. This study thus expands Merleau-Ponty’s concept of “perceptual faith” (foi perceptive) to disclose its implicit motor aspects, while demonstrating how the expanded conceptions of expression and negation resonate with the faithful form of expression put forth in Nishida’s concept “interexpression” (表現的関係). (shrink)

Drawing on phenomenological literature author presents understanding of the aesthetic experience of the musical work pointing to several things: 1. the deep grounding of the experience in myth and Orphic tradition, 2. to the metaphor of building worlds and 3. to being in the moment as one of the most important description of the experience of musical work. Further on author underlines the dynamic as well as fickle character of the experience of musical work, suspended between the sensual audio experience (...) and the conscious mental one. Phenomenological descriptions capture the aesthetic experience of musical work as processual, subjective, emotional, quality based and unfinished, in which they realize perfectly the complexity of the experience, claims the author. (shrink)

Today’s ethics of privacy is largely dedicated to defending personal information from big data technologies. This essay goes in the other direction; it considers the struggle to be lost, and explores two strategies for living after privacy is gone. First, total exposure embraces privacy’s decline, and then contributes to the process with transparency. All personal information is shared without reservation. The resulting ethics is explored through a big data version of Robert Nozick’s Experience Machine thought experiment. Second, transient existence responds (...) to privacy’s loss by ceaselessly generating new personal identities, which translates into constantly producing temporarily unviolated private information. The ethics is explored through Gilles Deleuze’s metaphysics of difference applied in linguistic terms to the formation of the self. Comparing the exposure and transience alternatives leads to the conclusion that today’s big data reality splits the traditional ethical link between authenticity and freedom. Exposure provides authenticity, but negates human freedom. Transience provides freedom, but disdains authenticity. (shrink)

Today’s ethics of privacy is largely dedicated to defending personal information from big data technologies. This essay goes in the other direction; it considers the struggle to be lost, and explores two strategies for living after privacy is gone. First, total exposure embraces privacy’s decline, and then contributes to the process with transparency. All personal information is shared without reservation. The resulting ethics is explored through a big data version of Robert Nozick’s Experience Machine thought experiment. Second, transient existence responds (...) to privacy’s loss by ceaselessly generating new personal identities, which translates into constantly producing temporarily unviolated private information. The ethics is explored through Gilles Deleuze’s metaphysics of difference applied in linguistic terms to the formation of the self. Comparing the exposure and transience alternatives leads to the conclusion that today’s big data reality splits the traditional ethical link between authenticity and freedom. Exposure provides authenticity, but negates human freedom. Transience provides freedom, but disdains authenticity. (shrink)

This is a review of Miles Hollingworth's recent intellectual biography of Wittgenstein.

By portraying meaning as a phenomenon that eludes complete expression and arises spontaneously in our everyday embodied interactions with others and objects in the world, as well as in our own unconscious registering of those interactions, Woolf’s Mrs. Dalloway is uniquely insightful concerning both the presence of meaning in modern life and the modern conception of the self--phenomena marked by a certain ineradicable tension between that which is constituted by us and that which is given from outside us. This paper (...) examines this tension through the lens of Merleau-Ponty’s phenomenology, with special attention to the leitmotif of the «spontaneity of sense». Woolf and Merleau-Ponty both help to illustrate an important modern insight: that among the most meaningful experiences are those that are not only unexpected and unexplained, but in some sense foreign and unexplainable--mysterious events and yet everyday occurrences that explode the supposed privacy of our thought, and exceed our capacity for expression. (shrink)

This unique collection brings together internationally recognized scholars of film, philosophy, and the philosophy of perception and aesthetics, as well as many established philosophers working on the Film as Philosophy problem. It also includes several young scholars working currently in the philosophy and film genre. It is especially poised to be used in university undergraduate and graduate courses, but appeals to the larger, more general audience as well as to those working in these particular areas of specialization. Philosophy in motion...

The problem which motivates this paper bears on the relationship between Marxism and morality. It is not the well-established question of whether the Marxist's commitments undermine an attachment to ethical standards, but the more neglected query as to whether they allow the espousal of political ideals. The study and assessment of political ideals is pursued nowadays under the title of theory of justice, the aim of such theory being to provide a criterion for distinguishing just patterns of social organization from (...) unjust ones. The main rivals in the field represent justice respectively as legitimacy, welfare and fairness. Marxism does not put forward a distinctive conception of justice itself and the question is whether the Marxist is free to choose as he thinks fit among the candidates on offer. (shrink)

The “morality system,” Bernard Williams writes, is “a deeply rooted and still powerful misconception of life.” It combines, in ways that Williams finds problematic, certain quite special conceptions of value, motivation, obligation, practical necessity, responsibility, voluntariness, blame, and guilt. But why does the morality system combine just these ideas in the way it does? And what exactly is wrong with it? This essay seeks to answer these questions by reconstructing the morality system from the ground up, starting by explaining why (...) the ideas it harnesses are there to be harnessed in the first place. The first part (§1) considers vindicatory explanations, in terms of highly generic and near universal needs, of four crucial building blocks for the morality system: the moral/non-moral distinction, the idea of obligation, the voluntary/involuntary distinction, and the practice of blame. This part performs a double function: it explains why these conceptual practices are there to be harnessed by the system in the first place, and it offers us a way of making sense of them that is independent of the system. The second part (§2) is a vindicatory explanation, relative to the need for ultimate fairness, of the way in which the morality system combines and refines these building blocks in order to provide a shelter from luck. Reconstructing the system in light of this organizing ambition gives us a good grasp on why it has the shape it has, and what the different components of the system contribute. The third part (§3) is a critique of the resulting construction: I argue that the ultimate problem with the morality system is its frictionless purity. It robs valuable concepts of their grip on the kind of world we live in, and, by insisting on purity from contingency, threatens to issue in nihilism about value and scepticism about agency. To overcome these problems, it is not enough to accept that contingency and luck pervade human life. We also need to revise our understanding of what the facts of contingency and luck entail. In particular, we need to abandon the purist attitude that blinds us to alternative ways of making sense of human values and agency—alternatives that naturalistic but vindicatory explanations can provide. (shrink)

Die Rezeption von Walter Benjamins Arbeiten ist von einer Paradoxie durchzogen: Obwohl Konsens darüber besteht, dass er seine Begriffe in ›enger Fühlung‹ mit dem jeweiligen Material entwickelt, werden seine Schriften häufig ohne ein eigenständiges Studium seiner Quellen gelesen, losgelöst vom jeweiligen Problem- und Debattenzusammenhang. Das verstärkt den Eindruck einer Esoterik seiner Texte und kann zu der Annahme verleiten, Benjamin entnehme Motive willkürlich aus seinem Material- und Quellenstudium und nutze sie als Vehikel eines an sich schwer in eine Tradition einzuordnenden Denkens. (...) Die Autorinnen und Autoren des vorliegenden Bandes legen das Gewicht auf Benjamins Material, sei es Literatur, Theater, Metaphysik, Rechts- und Moralphilosophie, Zeitschriftenprojekte, soziale Bewegungen oder Stadtarchitektur. Anhand von Texten unterschiedlicher Werkphasen untersuchen sie das Verhältnis von Material und Begriff aus beiden Blickrichtungen. Dieses Vorgehen ermöglicht es, auch Licht auf theoretische Beziehungen und Arbeitszusammenhänge zu werfen, die bisher eher unbeachtet blieben. (shrink)

Compartmentalizing our distinct personal identities is increasingly difficult in big data reality. Pictures of the person we were on past vacations resurface in employers’ Google searches; LinkedIn which exhibits our income level is increasingly used as a dating web site. Whether on vacation, at work, or seeking romance, our digital selves stream together. One result is that a perennial ethical question about personal identity has spilled out of philosophy departments and into the real world. Ought we possess one, unified identity (...) that coherently integrates the various aspects of our lives, or, incarnate deeply distinct selves suited to different occasions and contexts? At bottom, are we one, or many? The question is not only palpable today, but also urgent because if a decision is not made by us, the forces of big data and surveillance capitalism will make it for us by compelling unity. Speaking in favor of the big data tendency, Facebook’s Mark Zuckerberg promotes the ethics of an integrated identity, a single version of selfhood maintained across diverse contexts and human relationships. This essay goes in the other direction by sketching two ethical frameworks arranged to defend our compartmentalized identities, which amounts to promoting the dis-integration of our selves. One framework connects with natural law, the other with language, and both aim to create a sense of selfhood that breaks away from its own past, and from the unifying powers of big data technology. (shrink)

The principle of creativity constitutes a central point in the philosophical-anthropological as much as in the psychoanalytic work of the Greek philosopher Cornelius Castoriadis. In Castoriadis’s thought the creative praxis of the human being is dependent on the innate imaginary force. The purpose of this article is to elaborate the way that subjectivity and the social field are constituted and interconnected through the unfolding of two fundamental concepts of Castoriadis, the radical imagination which applies to the psyche and the social (...) imaginary significations which applies to the social. The text aims to point out that Castoriadis’s intention was to make thinkable the content of autonomy in psychoanalytic terms of an “exchange” between the conscious and the unconscious that unleashes the creative potentiality of the psyche, and also becomes a precondition of political autonomy. (shrink)

Se analizan los textos de Rafael Gutiérrez-Girardot sobre F. Nietzsche en torno a la tragedia y el pesimismo. Esta aproximación se elabora a partir de tres temas: estilo, nihilismo y estética. Se argumenta que la interpretación de Gutiérrez-Girardot sobre Nietzsche impide que este sea visto solo como un crítico literario. Asimismo, este trabajo brinda el tono a la escritura de Rafael Gutiérrez Girardot y, de este modo, configura su estilo personal.

In the following paper, pursuing a lead from Heidegger’s 1937 reading of Nietzsche’s Also Sprach Zarathustra (ASZ), I first claim that the Nietzschean emphasis on awakening the thought and the thinker of eternal return should be read as analogous to Heidegger’s own call to awaken a fundamental attunement in the 1929/30 lecture course, Die Grundbegriffe der Metaphysik (GDM). I bolster this claim by insisting on a Nietzschean inspiration in the very call to awaken a fundamental attunement, which can be identified (...) on both implicit and explicit levels of the text. Initially exploring these levels, I argue that their commonality announces in part Heidegger’s effort to digest a debt of gratitude to the Nietzschean concept of horizon, and the task of the paper becomes to locate and articulate the connection between Nietzschean horizonality and the Heideggerian phenomenon of attunement. This is achieved through the dynamics of sleep and awakening as Heidegger contends with them thematically in GDM. By enumerating key steps of Heidegger’s argument, I show how attunement demonstrates the force of the problem of horizon and with it, the extent to which Heidegger’s thinking can be said to be intimate with that of Nietzsche. (shrink)

In Max Scheler il concetto di spirito (Geist) è particolarmente instabile: come il pennino di un sismografo è capace di registrare ogni minimo mutamento del suo pensiero. L'oscillazione più spettacolare avviene nel 1923. Il problema è che invece le diverse interpretazioni su Scheler, ancora oggi, procedono come se avessero a che fare con un termine univocamente definito. Ancora nel 1922, nella seconda edizione di Vom Ewigen, Scheler esprimeva la tesi che «lo spirito è infinitamente più potente (mächtiger) di tutta la (...) natura insieme», già nel 1924, in Probleme einer Soziologie des Wissens, scrive esattamente il contrario: «originariamente lo spirito non ha in sé una qualsiasi traccia di forza o di efficacia». Inoltre mentre nel periodo intermedio i termini "persona" e "spirito" risultano rigorosamente correlati-nel Formalismus si arriverà a sostenere che «l'idea di uno spirito impersonale è insensata» - dopo il 1923 il concetto di "spirito" viene gradualmente riferito a tutta la natura, per cui la persona diventa una delle tante espressioni dello spirito. Che cosa succede nel 1923 per spiegare un rovesciamento di posizioni di tale portata? (shrink)

Through accessible analyses of Merleau-Ponty’s views of linguistic expression and understanding, and by tracing the evolution of these views throughout the course of his philosophical career, Merleau-Ponty’s Phenomenology of Language offers a comprehensive picture of his engagement with the philosophy of language.

El objetivo de esta nota es mostrar que no hay ningún motivo para llamar irracionalista a Miguel de Unamuno. Unamuno puso límites a la razón y rechazó lo que, a su juicio, constituía una violación de dichos límites (el cientificismo y el intelectualismo), pero en ningún momento despreció el uso de la razón.