This category needs an editor. We encourage you to help if you are qualified.
Volunteer, or read more about what this involves.
Related categories

43 found
Order:
  1. Ekphrasis and Aesthetic Attitudes in Vasari's Lives.Svetlana Leontief Alpers - 1960 - Journal of the Warburg and Courtauld Institutes 23 (3/4):190-215.
    Remove from this list   Direct download (4 more)  
     
    Export citation  
     
    My bibliography  
  2. Aesthetic Attitude.M. Budd - unknown
    Remove from this list   Direct download  
     
    Export citation  
     
    My bibliography  
  3. On Saxena's Defense of the Aesthetic Attitude.Earle Coleman - 1979 - Philosophy East and West 29 (1):95-97.
    Remove from this list   Direct download (4 more)  
     
    Export citation  
     
    My bibliography  
  4. The Aesthetic Attitude: Back in Gear with Bullough.D. J. Crossley - 1975 - Pacific Philosophical Quarterly 56 (3):336.
    Remove from this list  
     
    Export citation  
     
    My bibliography  
  5. Beardsley and the Autonomy of the Work of Art.Stephen Davies - 2005 - Journal of Aesthetics and Art Criticism 63 (2):179–183.
    Remove from this list   Direct download (7 more)  
     
    Export citation  
     
    My bibliography  
  6. Stolnitz's Attitude: Taste and Perception.George Dickie - 1984 - Journal of Aesthetics and Art Criticism 43 (2):195-203.
    Remove from this list   Direct download (4 more)  
     
    Export citation  
     
    My bibliography  
  7. Taste and Attitude: The Origin of the Aesthetic.George Dickie - 1973 - Theoria 39 (1-3):153-170.
    Remove from this list   Direct download (4 more)  
     
    Export citation  
     
    My bibliography   1 citation  
  8. Attitude and Object: Aldrich on the Aesthetic.George Dickie - 1966 - Journal of Aesthetics and Art Criticism 25 (1):89-91.
    Remove from this list   Direct download (4 more)  
     
    Export citation  
     
    My bibliography  
  9. 9/11 as Schmaltz-Attractor: A Coda on the Significance of Kitsch.C. E. Emmer - 2013 - In Monica Kjellman-Chapin (ed.), Kitsch: History, Theory, Practice. Cambridge Scholars Press. pp. 184-224.
    "The concluding chapter, penned by C. E. Emmer, both revisits and greatly expands upon disputations within the contested territory of kitsch as term and tool in cultural turf-war arsenals. Focusing on debates surrounding two visual responses to the terrorist attacks on September 11, 2001, Dennis Madalone's 2003 music video for the patriotic anthem 'America We Stand As One' and Jenny Ryan's 'plushie' sculpture, 'Soft 9/11,' Emmer utilizes these debates to reveal the coexisting and competing attitudes towards ostensibly kitschy objects and (...)
    Remove from this list   Direct download (2 more)  
     
    Export citation  
     
    My bibliography  
  10. Thinking About the Aesthetic Attitude.Randolph M. Feezell - 1985 - Philosophical Topics 13 (3):19-32.
    Remove from this list   Direct download (4 more)  
     
    Export citation  
     
    My bibliography  
  11. The Aesthetic Attitude Debate: Some Remarks on Saxena, Coleman, and a Phenomenological Approach to the Issue.Randolph M. Feezell - 1980 - Philosophy East and West 30 (1):87-90.
    Remove from this list   Direct download (4 more)  
     
    Export citation  
     
    My bibliography  
  12. The Aesthetic Attitude.David E. W. Fenner - 1996 - Humanities Press.
    It seems to be the case that when we look at a flower in the way that the scientist does, we see the flower in one way, but when we look at the flower in a way as to view it as a thing of beauty, charm, elegance, we see it in a different way; we see it as an aesthetic object. Viewing the flower in such a way as to see it, or any object, as an aesthetic object, is (...)
    Remove from this list  
     
    Export citation  
     
    My bibliography  
  13. Music Cognition and Aesthetic Attitudes.Harold E. Fiske - 1993 - E. Mellen Press.
    Remove from this list  
     
    Export citation  
     
    My bibliography  
  14. Dismantling the Frame: Site-Specific Art and Aesthetic Autonomy.Jason Gaiger - 2009 - British Journal of Aesthetics 49 (1):43-58.
    This paper examines the assumptions underpinning one of the constitutive elements of the modern concept of art: the idea of aesthetic autonomy. I argue that the orientation of recent art practice towards what has come to be termed ‘site-specificity’ is best understood as a progressive relinquishment of the principle of aesthetic autonomy. I develop this position through a close analysis of the work of Miwon Kwon. The paper is intended as a case-study that investigates the problematic relation between historical and (...)
    Remove from this list   Direct download (6 more)  
     
    Export citation  
     
    My bibliography  
  15. The Aesthetic Attitude and the Hidden Curriculum.David Gordon - 1981 - Journal of Aesthetic Education 15 (2):51.
    Remove from this list   Direct download  
     
    Export citation  
     
    My bibliography  
  16. Paradoxes of Aesthetic Distance.Oswald Hanfling - 2003 - British Journal of Aesthetics 43 (2):175-186.
    A feature that contributes to the charm of much poetry is its obscurity and indirectness. We want to grasp what the poet is saying and yet, it appears, to do so only with difficulty. How is this preference to be explained? (1) It contributes to promoting an ‘aesthetic attitude’. (2) It conforms to certain general features of human psychology, including (a) a general preference for indirectness and indeterminacy and (b) the pleasure of working things out. Distance, in the relevant sense, (...)
    Remove from this list   Direct download (5 more)  
     
    Export citation  
     
    My bibliography  
  17. Can Expressivists Tell the Difference Between Beauty and Moral Goodness?James Harold - 2008 - American Philosophical Quarterly 45 (3):289-300.
    One important but infrequently discussed difficulty with expressivism is the attitude type individuation problem.1 Expressivist theories purport to provide a unified account of normative states. Judgments of moral goodness, beauty, humor, prudence, and the like, are all explicated in the same way: as expressions of attitudes, what Allan Gibbard calls “states of norm-acceptance”. However, expressivism also needs to explain the difference between these different sorts of attitude. It is possible to judge that a thing is both aesthetically good and morally (...)
    Remove from this list   Direct download (3 more)  
     
    Export citation  
     
    My bibliography   1 citation  
  18. Beauty and Interestingness.Francis S. Haserot - 1952 - Journal of Philosophy 49 (8):261-273.
    Remove from this list   Direct download (6 more)  
     
    Export citation  
     
    My bibliography  
  19. The Aesthetic Attitude.Gary Kemp - 1999 - British Journal of Aesthetics 39 (4):392-399.
    Remove from this list   Direct download (5 more)  
     
    Export citation  
     
    My bibliography  
  20. The Aesthetic Attitude.Alexandra King - 2012 - Internet Encyclopedia of Philosophy.
    Aesthetics is the subject matter concerning, as a paradigm, fine art, but also the special, art-like status sometimes given to applied arts like architecture or industrial design or to objects in nature. It is hard to say precisely what is shared among this motley crew of objects (often referred to as aesthetic objects), but the aesthetic attitude is supposed to go some way toward solving this problem. It is, at the very least, the special point of view we take toward (...)
    Remove from this list   Direct download  
     
    Export citation  
     
    My bibliography  
  21. The Aesthetic Attitude.Herbert Sidney Langfeld - 1920 - Port Washington, N.Y., Kennikat Press.
    We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
    Remove from this list   Direct download  
     
    Export citation  
     
    My bibliography   1 citation  
  22. Remarks on Aesthetic Intentionality: Husserl or Kant.Danielle Lories - 2006 - International Journal of Philosophical Studies 14 (1):31-49.
    It is sometimes claimed that Husserl's writings provide an inspiration for considering art today. More specifically we ask here whether Husserl's description of aesthetic attitude is rich and original. The comparisons he draws between the aesthetic attitude and the phenomenological attitude always aim to clarify the phenomenological attitude and thus take it for granted that the typical features of the aesthetic attitude are well known. In this way Husserl presupposes and retrieves the teaching of Kant, although in certain working notes (...)
    Remove from this list   Direct download (4 more)  
     
    Export citation  
     
    My bibliography  
  23. The Aesthetic Attitude.C. A. Mace - 1972 - British Journal of Aesthetics 12 (3):217-227.
    Remove from this list   Direct download (5 more)  
     
    Export citation  
     
    My bibliography  
  24. Photography and Technology.Patrick Maynard - 2014 - In Michael Kelly (ed.), Encyclopedia of Aesthetics, 2d, rev. ed. Oxford University Press.
    Extensive revision of 1998 entry (for expanded new edition of Encyclopedia of Aesthetics) to include, besides mini-essays on technology, art, depiction and the aesthetic, a development of the last in terms of facture--the materials of a work and their working there, as perceivable in the work.
    Remove from this list  
     
    Export citation  
     
    My bibliography  
  25. "The Aesthetic Attitude" in India and the West.Richard McCarty - 1986 - Philosophy East and West 36 (2):121-130.
    Remove from this list   Direct download (4 more)  
     
    Export citation  
     
    My bibliography  
  26. Constructing Aesthetic Value: Responses to Commentators on "The Pleasure of Art".Matthen Mohan - forthcoming - Australasian Philosophical Review 1 (1).
    This is a response to invited and submitted commentary on "The Pleasure of Art," published in Australasian Philosophical Reviews 1, 1 (2017). In it, I expand on my view of aesthetic pleasure, particularly how the distinction between facilitating pleasure and relief pleasure works. In response to critics who discerned and were uncomfortable with the aesthetic hedonism that they found in the work, I develop that aspect of my view. My position is that the aesthetic value of a work of art (...)
    Remove from this list   Direct download  
     
    Export citation  
     
    My bibliography  
  27. Aesthetic Attention.Bence Nanay - 2015 - Journal of Consciousness Studies 22:960118.
    The aim of this paper is to give a new account of the way we exercise our attention in some paradigmatic cases of aesthetic experience. I treat aesthetic experience as a specific kind of experience and like in the case of other kinds of experiences, attention plays an important role in determining its phenomenal character. I argue that an important feature of at least some of our aesthetic experiences is that we exercise our attention in a specific, distributed, manner: our (...)
    Remove from this list  
    Translate
     
     
    Export citation  
     
    My bibliography  
  28. Aesthetic Attitudes and the Present Status of Art History and Appreciation.Alfred Neumeyer - 1952 - Journal of Aesthetics and Art Criticism 11 (1):61-66.
    Remove from this list   Direct download (4 more)  
     
    Export citation  
     
    My bibliography  
  29. Scruton on the Aesthetic Attitude.Christopher New - 1979 - British Journal of Aesthetics 19 (4):320-330.
    Remove from this list   Direct download (5 more)  
     
    Export citation  
     
    My bibliography  
  30. Are There Aesthetic Attitudes?Stanley Paluch - 1967 - Philosophy and Phenomenological Research 27 (4):606-609.
    Remove from this list   Direct download (4 more)  
     
    Export citation  
     
    My bibliography  
  31. Bullough's 'Psychical Distance', the Aesthetic Attitude, and Appreciationof Theater and Film.Roland Leonard Pfaff - 1974 - Dissertation, University of Michigan
    Remove from this list  
     
    Export citation  
     
    My bibliography  
  32. Literature, Knowledge, and the Aesthetic Attitude.M. W. Rowe - 2009 - Ratio 22 (4):375-397.
    An attitude which hopes to derive aesthetic pleasure from an object is often thought to be in tension with an attitude which hopes to derive knowledge from it. The current article argues that this alleged conflict only makes sense when the aesthetic attitude and knowledge are construed unnaturally narrowly, and that when both are correctly understood there is no tension between them. To do this, the article first proposes a broad and satisfying account of the aesthetic attitude, and then considers (...)
    Remove from this list   Direct download (6 more)  
     
    Export citation  
     
    My bibliography   1 citation  
  33. The Aesthetic Attitude Debate: Reply to Some New Criticisms.Sushil Kumar Saxena - 1980 - Philosophy East and West 30 (2):265-271.
    Remove from this list   Direct download (4 more)  
     
    Export citation  
     
    My bibliography  
  34. The Aesthetic Attitude.Sushil Kumar Saxena - 1978 - Philosophy East and West 28 (1):81-90.
    Remove from this list   Direct download (4 more)  
     
    Export citation  
     
    My bibliography  
  35. Pleasure and its Modifications: Stephan Witasek and the Aesthetics of the Grazer Schule.Barry Smith - 1996 - Axiomathes 7 (1-2):203-232.
    The most obvious varieties of mental phenomena directed to non- existent objects occur in our experiences of works of art. The task of applying the Meinongian ontology of the non-existent to the working out of a theory of aesthetic phenomena was however carried out not by Meinong by his disciple Stephan Witasek in his Grundzüge der allgemeinen Ästhetik of 1904. Witasek shows in detail how our feelings undergo certain sorts of structural modifications when they are directed towards what does not (...)
    Remove from this list   Direct download (6 more)  
     
    Export citation  
     
    My bibliography   1 citation  
  36. Saxena on the Aesthetic Attitude.Milton H. Snoeyenbos - 1979 - Philosophy East and West 29 (1):99-101.
    Remove from this list   Direct download (4 more)  
     
    Export citation  
     
    My bibliography  
  37. "Psychophobia in" the Myth of the Aesthetic Attitude.William Springer - 1989 - Southwest Philosophical Studies 11.
    Remove from this list  
     
    Export citation  
     
    My bibliography  
  38. "The Aesthetic Attitude" in the Rise of Modern Aesthetics: Again.Jerome Stolnitz - 1984 - Journal of Aesthetics and Art Criticism 43 (2):205-208.
    Remove from this list   Direct download (5 more)  
     
    Export citation  
     
    My bibliography  
  39. "The Aesthetic Attitude" in the Rise of Modern Aesthetics.Jerome Stolnitz - 1978 - Journal of Aesthetics and Art Criticism 36 (4):409-422.
    Remove from this list   Direct download (4 more)  
     
    Export citation  
     
    My bibliography   1 citation  
  40. A Third Note on Eighteenth-Century "Disinterestedness".Jerome Stolnitz - 1963 - Journal of Aesthetics and Art Criticism 22 (1):69-70.
    Remove from this list   Direct download (4 more)  
     
    Export citation  
     
    My bibliography  
  41. On the Origins of "Aesthetic Disinterestedness".Jerome Stolnitz - 1961 - Journal of Aesthetics and Art Criticism 20 (2):131-143.
    Remove from this list   Direct download (4 more)  
     
    Export citation  
     
    My bibliography   7 citations  
  42. LANGFELD, H. S. -The Aesthetic Attitude. [REVIEW]C. W. Valentine - 1922 - Mind 31:371.
    Remove from this list  
     
    Export citation  
     
    My bibliography  
  43. The Glass is Half Empty: A New Argument for Pessimism About Aesthetic Testimony.Daniel Whiting - 2015 - British Journal of Aesthetics 55 (1):91-107.
    Call the view that it is possible to acquire aesthetic knowledge via testimony, optimism, and its denial, pessimism. In this paper, I offer a novel argument for pessimism. It works by turning attention away from the basis of the relevant belief, namely, testimony, and toward what that belief in turn provides a basis for, namely, other attitudes. In short, I argue that an aesthetic belief acquired via testimony cannot provide a rational basis for further attitudes, such as admiration, and that (...)
    Remove from this list   Direct download (4 more)  
     
    Export citation  
     
    My bibliography   1 citation