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  1. Art and Human Intelligence. [REVIEW]E. J. A. - 1966 - Review of Metaphysics 19 (3):602-602.
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  2. The Concept of Expression: A Study in Philosophical Psychology and Aesthetics. [REVIEW]S. C. A. - 1972 - Review of Metaphysics 25 (3):571-571.
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  3. On Cognitive Aesthetics.Lars Aagaard-Mogensen - 1982 - Philosophica 30 (2):5-16.
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  4. Æstetisk Kultur [Aesthetic Culture].Lars Aagaard-Mogensen - 1980 - Journal of Aesthetics and Art Criticism 38 (4):458-460.
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  5. A is for Aesthetic: Essays on Creative and Aesthetic Education.Peter Abbs - 1989
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  6. On "Form" in Art.Reuben Abel - 1972 - Philosophy and Phenomenological Research 32 (3):371-376.
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  7. II—Genre, Interpretation and Evaluation.Catharine Abell - 2015 - Proceedings of the Aristotelian Society 115 (1pt1):25-40.
    The genre to which an artwork belongs affects how it is to be interpreted and evaluated. An account of genre and of the criteria for genre membership should explain these interpretative and evaluative effects. Contrary to conceptions of genres as categories distinguished by the features of the works that belong to them, I argue that these effects are to be explained by conceiving of genres as categories distinguished by certain of the purposes that the works belonging to them are intended (...)
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  8. The Public Cost of Private Ownership of Artworks.Catharine Abell - 2005 - Philosophy in the Contemporary World 12 (2):76-81.
    I argue that artworks are of public value because aesthetic experience of them contributes to the development of our aestheticjudgement. I use two accounts of aesthetic judgement to explore how it might do so and how the private ownership of artworks could affect the development of our aesthetic judgement.
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  9. Aesthetics of Self-Fashioning.Jerold J. Abrams - forthcoming - Philosophy Today.
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  10. Dictionar de Estetica Generala.Ionel Achim - 1972 - Editura Politica.
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  11. Estetica.Gheorghe Achitei & Academia de Stiinte Sociale si Politice A. Republicii Socialiste România - 1983 - Editura Academiei Republicii Socialiste România.
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  12. The Blakean Aesthetic.Hazard Adams - 1954 - Journal of Aesthetics and Art Criticism 13 (2):233-248.
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  13. “Revolutionary” Art and the “Art” of Revolution: Aesthetic Work in a Millenarian Period. [REVIEW]Judith Adler - 1976 - Theory and Society 3 (3):417-435.
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  14. Art, the Arts, and the Great Ideas.Mortimer Jerome Adler - 1995
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  15. Evolution and Aesthetics.Evental Aesthetics - 2015 - Evental Aesthetics 4 (2):1-170.
    Is aesthetics a product of evolution? Are human aesthetic behaviors in fact evolutionary adaptations? The creation of artistic objects and experiences is an important aesthetic behavior. But so is the perception of aesthetic phenomena qua aesthetic. The question of evolutionary aesthetics is whether humans have evolved the capacity not only to make beautiful things but also to appreciate the aesthetic qualities in things. Are our near-universal love of music and cute baby animals essential to our species’ evolutionary development, which took (...)
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  16. Evental Aesthetics (Vol. 3 No. 1,2014).Evental Aesthetics - 2014 - Evental Aesthetics 3 (1):1-64.
    Our contributors explore a rich variety of aesthetic problems that bring about the self-reflexive re-evaluation of ideas.
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  17. Hijacking.Evental Aesthetics - 2014 - Evental Aesthetics 3 (2):1-61.
    A hijacking is a violent takeover, a misappropriation of something for a purpose other than its intended one, by parties other than those for whom the thing was meant. This issue explores the aesthetic practices and consequences of unauthorized repurposing.
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  18. Aesthetic Histories.Evental Aesthetics - 2013 - Evental Aesthetics 2 (3):1-86.
    In "Aesthetic Histories" our contributors’ shared concern is the inspiring and confounding, healthy and uncomfortable and above all inevitable relationship between history and aesthetic praxis.
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  19. Estética.Harold Aesthetics & Osborne - 1976 - Fondo de Cultura Económica.
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  20. Beauty in Mulla Sadra's View.Ali Afrasiyabpur - unknown - Kheradnameh Sadra Quarterly 51.
    In this paper, a number of general issues have been presented in order to familiarize readers with Mulla Sadra's philosophy of beauty and aesthetics and, in this way, clarify his gnostic views. It reveals that, like other prominent figures of Iranian and Islamic gnosis and sufism, particularly those of the school of love and beauty, Mulla Sadra also dealt with the issue of beauty and viewed the Almighty Truth as absolute beauty. He also maintained that love is born out of (...)
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  21. Visual Aesthetic Education: Its Place in General Education.Halim Obeid Ahmed - 1993 - Journal of Aesthetic Education 27 (2):1-13.
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  22. The Aesthetic Relevance of Artists' Intentions.Henry David Aiken - 1955 - Journal of Philosophy 52 (24):742-753.
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  23. Some Notes Concerning the Aesthetic and the Cognitive.Henry David Aiken - 1954 - Journal of Aesthetics and Art Criticism 13 (3):378-394.
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  24. Aesthetic Models and the Enjoyment of Art.Henry David Aiken - 1953 - Journal of Aesthetics and Art Criticism 11 (3):262-264.
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  25. The Aesthetic Relevance of Belief.Henry David Aiken - 1951 - Journal of Aesthetics and Art Criticism 9 (4):301-315.
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  26. He Aisthetike Sten Arche Tes Trites Chilietias = Aesthetics on the Threshold of the Third Millenieum = L'esthétique au Seuil du Troisième Millénaire.Mesogeiako Synedrio Aisthetikes - 2002 - Hidryma Panagiote Kai Ephes Michele.
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  27. Of Disjunctions, Contradictions, and Aesthetic Education.Milton C. Albrecht - 1972 - Journal of Aesthetic Education 6 (1/2):83.
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  28. McGregor on Dickie's Institutionalized Aesthetic.Virgil C. Aldrich - 1977 - Journal of Aesthetics and Art Criticism 36 (2):213-215.
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  29. Aesthetic Preference and Resemblance of Viewer’s Personality to Paintings.Blair Alexander & Lawrence E. Marks - 1983 - Bulletin of the Psychonomic Society 21 (5):384-386.
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  30. Beauty and Other Forms of Value by C. Delisle Burns. [REVIEW]S. Alexander - 1933 - Ethics 44:259.
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  31. IX.—Beauty and Greatness in Art.S. Alexander - 1930 - Proceedings of the Aristotelian Society 30 (1):205-228.
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  32. Beauty and Greatness in Art.S. Alexander - 1929 - Proceedings of the Aristotelian Society 30:205 - 228.
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  33. Beauty and Other Forms of Value.Samuel Alexander - 1933 - New York: Crowell.
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  34. Art and Instinct.Samuel Alexander - 1927 - R. West.
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  35. A Comparison of Plato, Plotinus and Hegel on Aesthetics and the Concept of Beauty.Aphrodite Alexandrakis - 1986 - Dissertation, University of Miami
    This is a study of Hegel's theory of beauty, his theory of aesthetics, the origin of these theories in certain Platonic and Plotinian principles and concepts, and the application of these to Greek art and the Classical Ideal. ;An attempt is made to discover the notion of beauty in Hegel's theory of fine art on the basis of the analysis of the Classical Ideal, specifically, his theory of Greek sculpture. ;Hegel considers the unification of the classical concepts of the True, (...)
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  36. A Unitary Model of Intense Aesthetic Experiences in Art and Science.Melvin Leonard Alexenberg - 1969
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  37. Affect and Aesthetics in Human Evolution.Alexander Alland Jr - 1989 - Journal of Aesthetics and Art Criticism 47 (1):1-14.
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  38. The Meaning of Beauty.A. H. B. Allen - 1955 - Philosophy 30 (113):112 - 130.
    Theories of beauty are often divided into the objective and the subjective. I am doubtful whether a rigid distinction between the two can be maintained. It is difficult for an objective theory to assert that the impression of beauty is received quite passively, without any reaction or co-operation on the part of the subject, which is likely to be similar in the various cases.
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  39. A Theory of Craft: Function and Aesthetic Expression.Barry Allen - 2009 - Common Knowledge 15 (3):517-517.
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  40. I.--Aesthetic Evolution in Man.G. Allen - 1880 - Mind 5 (20):445-464.
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  41. The Aesthetic Paradox in "Hamlet".Glen O. Allen - 1969 - Journal of Aesthetics and Art Criticism 27 (3):303-315.
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  42. Locating The Unique Hues.Keith Allen - 2010 - Rivista di Estetica 43 (1):13-28.
    Variations in colour perception have featured prominently in recent attempts to argue against the view that colours are objective mind-independent properties of the perceptual environment. My aim in this paper is to defend the view that colours are mind-independent properties in response to worries arising from one type of empirically documented case of perceptual variation: variation in the perception of the «unique hues». §1 sets out the challenge raised by variation in the perception of the unique hues. I argue in (...)
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  43. Martin Buber's Aesthetic Theories: Some Reflections.Marcia Allentuck - 1971 - Journal of Aesthetics and Art Criticism 30 (1):35-38.
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  44. Diagrammatic Agency Versus Aesthetic Regime of Contemporary Art: Ernesto Neto's Anti-Leviathan.Eric Alliez - 2012 - Deleuze Studies 6 (1):6-26.
    Ernesto Neto's installation at the Panthéon in Paris, Leviathan Toth (2006), brings us into a semiotics of intensities that does not belong to the ‘aesthetic regime’ as described by Jacques Rancière but rather to a Diagrammatic Agency of Contemporary Art. In this case study, the latter is constructed after Deleuze and Guattari – from a politics of the Body without Organs critically and clinically identified to a Body without Image.
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  45. A Theory of Musical Narrative.Byron Almén - 2008 - Indiana University Press.
    A theory of musical narrative. An introduction to narrative analysis : Chopin's prelude in G major, op. 28, no. 3 ; Perspectives and critiques ; A theory of musical narrative : conceptual considerations ; A theory of musical narrative : analytical considerations ; Narrative and topic -- Archetypal narratives and phases. Romance narratives and Micznik's degrees of narrativity ; Tragic narratives : an extended analysis of Schubert, piano sonata in B flat major, D. 960, first movement ; Ironic narratives : (...)
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  46. Aesthetics of Affects.Charles Altiei - 2013 - Journal of Philosophy: A Cross-Disciplinary Inquiry 8 (19):48-53.
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  47. La Ilusión Erótica.Pedro Alzuru - 2005 - Cdcht.
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  48. The Key Role of Selbstgefühl in Philosophy's Aesthetic and Historical Turns.Karl Ameriks - 2004 - Critical Horizons 5 (1):27-52.
    In Selbstgefühl, Manfred Frank provides a detailed study of the eighteenth century origins and contemporary philosophical implications of a unique kind of direct selfawareness. The growing significance of this phenomenon is closely related to three interconnected developments in modern philosophy, which I describe as the 'subjective turn', the 'aesthetic turn', and the 'historical turn'. While following Frank in emphasising key concepts in the first of these two turns, I add a stress on the historical turn in post-Kantian philosophical writing.
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  49. Aesthetic Values in the East and West.Van Meter Ames - 1960 - Journal of Aesthetics and Art Criticism 19 (1):3 - 16.
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  50. Aesthetic Values in the West.Meter Amevans - 1959 - Philosophy East and West 9 (1/2):47-49.
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