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  1. Aesthetic Education: A Small Manifesto.Peter Abbs - 1989 - Journal of Aesthetic Education 23 (4):75-85.
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  2. Whatever It Turns Out To Be: Oakeshott on Aesthetic Experience.Corey Abel - forthcoming - In Leslie MArsh Paul Franco (ed.), Whatever It Turns Out To Be: Oakeshott on Aesthetic Experience. Penn State UP.
    This essay presents a multifold argument on Oakeshott's aesthetics. First, his famous essay "The Voice of Poetry" deals more explicitly and thoroughly with art than is often acknowledged. Second, aesthetic experience is a competitor to philosophic insight in so far as it discloses the coherence of a world of ideas through its uniting form and content; yet "art" remains a mode. Third, the essay points out that the absence of history from any major role in Oakeshott's most important treatment of (...)
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  3. The Aesthetic Experience According to Abhinavagupta. Abhinavagupta - 1968 - Varanasi, Chowkhamba Sanskrit Series Office.
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  4. The Aesthetic Experience: Its Meaning in a Functional Psychology.Elizabeth Kemper Adams - 1907 - Philosophical Review 16:660.
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  5. Visual Aesthetic Education: Its Place in General Education.Halim Obeid Ahmed - 1993 - Journal of Aesthetic Education 27 (2):1-13.
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  6. Husserls Theorie des Zeitbewusstseins in der Ästhetik improvisierter Musik.Dragan Ahmedovic - 2012 - GRIN.
    Edmund Husserl, Begründer der Phänomenologie als Wesensforschung, hielt in der Zeit von 1904 bis 1910 eine Reihe von Vorlesungen die sein Schüler Martin Heidegger 1928 unter dem Titel Vorlesungen zur Phänomenologie des inneren Zeitbewusstseins veröffentlicht hat. Das zentrale Thema der Schriftensammlung war die Untersuchung zeitlicher Konstitution subjektiven Empfindungsmoments und diesem Moment zugrunde liegende Selbstkonstitution des Zeitbewusstseins.Selbstkonstitution des Zeitbewusstseins basiert vor allem auf Urimpression, Retention und Protention, und diese Prozesse bilden eine Mannigfaltigkeit möglichen Konfigurationen der phänomenologischen Zeit . Alle diese Termini (...)
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  7. Dewey's Deconstructive Hermeneutic: Contra the Phenomenology and Morphology of Aesthetic-Mystical Experience Statically Conceived.Gregory Aisemberg - 2014 - Journal of Aesthetic Education 48 (1):54-75.
    Either beauty is the beholding of a fixed and final aesthetic essence discontinuous with the rest of nature, or it is an intuitive grasp and encompassing feel of a consummated movement of natural energies and elements through their inner relations into a single, qualitative unity, whose pervasive tonality is a situational emergent from the biologically active, temporally continuous, and reciprocally constituting-constituted transactional dialectic between a human creature and the world. If aesthetic-mystical experience is indeed something “eternalized” out of all connection (...)
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  8. La Vision dans le Miroir: L’intercorporéité comme commencement d’une éthique dans L’œil et l’esprit.Alia Al-Saji - 2005 - Chiasmi International 6:253-271.
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  9. Back to Aesthetic Experience.Virgil C. Aldrich - 1966 - Journal of Aesthetics and Art Criticism 24 (3):365-371.
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  10. Aesthetic Preference and Resemblance of Viewer’s Personality to Paintings.Blair Alexander & Lawrence E. Marks - 1983 - Bulletin of the Psychonomic Society 21 (5):384-386.
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  11. The Music in the Heart, the Way of Water, and the Light of a Thousand Suns: A Response to Richard Shusterman, Crispin Sartwell, and Scott Stroud.Thomas Alexander - 2009 - Journal of Aesthetic Education 43 (1):pp. 41-58.
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  12. The Aesthetics of Reality : The Development of Dewey's Ecological Theory of Experience.Thomas Alexander - 2002 - In F. Thomas Burke, D. Micah Hester & Robert B. Talisse (eds.), Dewey's Logical Theory: New Studies and Interpretations. Vanderbilt University Press. pp. 3--26.
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  13. Artifice and Design: Art and Technology in Human Experience.Barry Allen - 2008 - Cornell University Press.
    The book concludes that it is a mistake to think of Art as something subjective, or as an arbitrary social representation, and of Technology as an instrumental ..
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  14. Aesthetic Perception in Dufrenne's Phenomenology of Aesthetic Experience.David G. Allen - 1978 - Philosophy Today 22 (1):50-64.
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  15. The Phenomenological Aesthetic of Mikel Dufrenne as a Critical Tool for Dramatic Literature.David Gordon Allen - 1976 - Dissertation, The University of Iowa
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  16. The Aesthetic Experience Again.R. T. Allen - 1970 - British Journal of Aesthetics 10 (4):344-349.
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  17. Aesthetic Experience in the Age of Globalization.Christian G. Allesch - 2003 - Dialogue and Universalism 13 (11-12):95-102.
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  18. Why Should There Not Be Experience of God?William P. Alston - 2000 - In Brian Davies (ed.), Philosophy of Religion: A Guide and Anthology. Oxford University Press.
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  19. The Key Role of Selbstgefühl in Philosophy's Aesthetic and Historical Turns.Karl Ameriks - 2004 - Critical Horizons 5 (1):27-52.
    In Selbstgefühl, Manfred Frank provides a detailed study of the eighteenth century origins and contemporary philosophical implications of a unique kind of direct selfawareness. The growing significance of this phenomenon is closely related to three interconnected developments in modern philosophy, which I describe as the 'subjective turn', the 'aesthetic turn', and the 'historical turn'. While following Frank in emphasising key concepts in the first of these two turns, I add a stress on the historical turn in post-Kantian philosophical writing.
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  20. John Dewey as Aesthetician.Van Meter Ames - 1953 - Journal of Aesthetics and Art Criticism 12 (2):145 - 168.
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  21. What is Form?Meter Amevans - 1956 - Journal of Aesthetics and Art Criticism 15 (1):85-93.
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  22. John Dewey as Aesthetician.Meter Amevans - 1953 - Journal of Aesthetics and Art Criticism 12 (2):145-168.
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  23. L'estetica Dell' Empirismo Inglese.Luciano Anceschi - 1959 - Alfa.
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  24. Possibility of the Aesthetic Experience.Douglas R. Anderson - 1992 - Idealistic Studies 22 (3):219-220.
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  25. The Self in the Aesthetic Experience.Emma Louise Antz - 1930
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  26. Children's Writing and Aesthetic Experience - Conditioning or Creativity?Helen Arnold - 1984 - Journal of Aesthetic Education 18 (1):35.
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  27. Aesthetic Qualities in Experience and Learning.Donald Arnstine - 1970 - In Ralph Alexander Smith (ed.), Aesthetic Concepts and Education. Urbana, University of Illinois Press. pp. 21--44.
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  28. Aesthetic Experience in Education.Donald G. Arnstine - 1958 - Philosophy of Education:74.
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  29. Stability and Achievement in Richard Lind's Aesthetic Theory.P. Sven Arvidson - 1993 - Journal of Aesthetics and Art Criticism 51 (4):619-622.
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  30. Conceptual Determination of Aesthetic Experience.Karl Aschenbrenner - 1976 - Dialectics and Humanism 3 (2):107-115.
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  31. The Aesthetic Experience of Nursing.R. N. Austgard - 2006 - Nursing Philosophy 7 (1):11–19.
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  32. Aesthetic Experience and the Nature of Religious Perception.M. R. Austin - 1980 - Journal of Aesthetic Education 14 (3):19.
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  33. The Aesthetic Field: A Phenomenology of Aesthetic Experience. [REVIEW]T. B. - 1971 - Review of Metaphysics 24 (4):741-742.
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  34. On Criteria for Aesthetic Experience.Jay E. Bachrach - 1974 - Philosophia 4 (2-3):319-326.
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  35. Aesthetic Experience and Moral Experience.Archie J. Bahm - 1958 - Journal of Philosophy 55 (20):837-846.
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  36. Beardsley's Aesthetic Instrumentalism.George Bailey - 1989 - International Studies in Philosophy 21 (3):63-70.
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  37. Street Art: A Reply to Riggle.Andrea Baldini - 2016 - Journal of Aesthetics and Art Criticism 74 (2):187-191.
    In this paper, I critically discuss Riggle’s definition of street art. I argue that his definition has important limitations, and is therefore unsuccessful. I show that his view obscures a defining feature of street art, that is, its subversive power. As a significant consequence of ignoring that essential aspect, Riggle is incapable of fully understanding how street art transforms public space by turning one corner of the city at the time into contested ground. I also suggest that, when appreciating street (...)
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  38. "An Estimate of Dewey's Art as Experience," Pp. 5-18 in Tulane Studies in Philosophy.Edward G. Ballard - 1956 - Journal of Aesthetics and Art Criticism 15 (2):261-261.
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  39. The Future of Aesthetic Experience: Conceiving a Better Way to Understand Beauty, Ugliness, and the Rest.Peter Baofu - 2007 - Cambridge Scholars Press.
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  40. Toward a Process Philosophy for Digital Aesthetics.Timothy Barker - 2009 - Process Studies 41 (1):188-189.
    Digital media seem to be marked by process. The digital image itself is produced by software processes and the constant flux of code. Further this, interaction with digital systems involves a constant process by which a so-called 'user' comes into contact with various machinic occasions. It seems that in light of these processes it is impossible to maintain an aesthetic or media theory that pictures a self-contained and psychologised subject interacting with a static and inert object. How then can we (...)
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  41. The Aesthetic Turn in Sonification Towards a Social and Cultural Medium.Stephen Barrass - 2012 - AI and Society 27 (2):177-181.
    The public release of datasets on the internet by government agencies, environmental scientists, political groups and many other organizations has fostered a social practice of data visualization. The audiences have expectations of production values commensurate with their daily experience of professional visual media. At the same time, access to this data has allowed visual designers and artists to apply their skills to what was previously a field dominated by scientists and engineers. The ‘aesthetic turn’ in data visualization has sparked debates (...)
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  42. "Playful Perception: Choosing How to Experience Your World": Herbert L. Leff. [REVIEW]Brian Bates - 1986 - British Journal of Aesthetics 26 (1):74.
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  43. Aura, Self, and Aesthetic Experience.Marshall Battani - 2011 - Contemporary Aesthetics 9.
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  44. Aesthetic Experience Regained.Monroe C. Beardsley - 1969 - Journal of Aesthetics and Art Criticism 28 (1):3-11.
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  45. Dufrenne and the Virtual as an Aesthetic Category in Phenomenology.Janos Bekesi - 1999 - Journal of French and Francophone Philosophy 11 (1):56-71.
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  46. Dufrenne and the Virtual as an Aesthetic Category in Phenomenology.Janos Békési - 1999 - Bulletin de la Société Américaine de Philosophie de Langue Française 11 (1):56-71.
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  47. The Aesthetic Experience According to Abhinavagupta.Ernest Bender & Raniero Gnoli - 1970 - Journal of the American Oriental Society 90 (2):412.
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  48. Ineffability and Religious Experience.Guy Bennett-Hunter - 2014 - Routledge.
    Ineffability—that which cannot be explained in words—lies at the heart of the Christian mystical tradition. It has also been part of every discussion of religious experience since the early twentieth century. Despite this centrality, ineffability is a concept that has largely been ignored by philosophers of religion. In this book, Bennett-Hunter builds on the recent work of David E. Cooper, who argues that the meaning of life can only be understood in terms of an ineffable source on which life depends, (...)
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  49. Natural Theology and Literature.Guy Bennett-Hunter - 2013 - In Russell Re Manning John Hedley Brooke & Fraser Watts (eds.), The Oxford Handbook of Natural Theology. Oxford University Press.
    In this chapter, I hope to show, by referring to two specific literary examples, that works of literature can demonstrate the possibility of Natural Theology and can prompt their readers’ thinking along Natural Theological lines by allowing them to have experiences which mirror the structure of those dealt with by Natural Theology.
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  50. Towards a Phenomenological Aesthetic: A Critical Exposition of Mikel Dufrenne's Aesthetic Philosophy with Special Reference to Theory of Literature.Richard Allan Berg - 1978 - Dissertation, Purdue University
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