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  1. added 2019-01-02
    Toward a Science of Criticism: Aesthetic Values, Human Nature, and the Standard of Taste.Collier Mark - 2014 - In Cognition, Literature, and History. Routledge. pp. 229-242.
    The aesthetic skeptic maintains that it is futile to dispute about taste. One and the same work of art might appear beautiful to one person but repellent to another, and we have no reason to prefer one or another of these conflicting verdicts. Hume argues that the skeptic, however, moves too quickly. The crucial question is whether qualified critics will agree on their evaluations. And the skeptic fails to provide sufficient evidence that their verdicts will diverge. We have reason to (...)
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  2. added 2018-12-07
    Kant on Beauty and the Normative Force of Feeling.Arata Hamawaki - 2006 - Philosophical Topics 34 (1/2):107-144.
  3. added 2018-11-29
    The Character and Role of Principles in the Evaluation of Art.James Shelley - 2002 - British Journal of Aesthetics 42 (1):37-51.
    , George Dickie offers an account of artistic principles comprising both a description of their character and a description of the role they play in the evaluation of artworks. According to the former, artistic principles state that certain individual properties of artworks, in isolation from other properties, are always artistic merits; according to the latter, artistic principles serve as premises from which we infer that artworks have artistic merit. I argue not merely that Dickie 's account fails, but that any (...)
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  4. added 2018-11-28
    When True Judges Differ: Reply to Durà‐Vilà.James Shelley - 2015 - Journal of Aesthetics and Art Criticism 73 (3):345-348.
    I defend my reading of Hume's "Of the Standard of Taste" against objections raised by Victor Durà‐Vilà. Two points are central to my defense. One is that Hume takes the joint verdict of true judges to indicate, rather than constitute, the standard of beauty. Two is that Hume requires a joint verdict because individual verdicts need not be expressive of human nature.
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  5. added 2018-11-28
    Hume and the Joint Verdict of True Judges.James Shelley - 2013 - Journal of Aesthetics and Art Criticism 71 (2):145-153.
    Malcolm Budd speaks for many when he locates the "principal weakness" of Hume's account of the standard of taste in Hume's "blithe optimism about the uniformity of response of his true judges of artistic value". I argue that Hume's optimism is not blithe. I argue, in particular, that it follows from Hume's definition of a true judge that true judges will never disagree, and that it follows from his appeal to the test of time that true judges will agree often (...)
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  6. added 2018-11-28
    Hume and the Value of the Beautiful.J. Shelley - 2011 - British Journal of Aesthetics 51 (2):213-222.
    Hume is plausibly interpreted as asserting that an artwork is beautiful if and only if it pleases ideal critics. Jerrold Levinson maintains that Hume's commitment to this biconditional gives rise to a problem that occurs neither to Hume nor to his any of his interpreters—the problem of explaining why you should care what pleases ideal critics if you are not one yourself. I argue that this problem arises only if you hold an empiricist theory of aesthetic value—that is, a theory (...)
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  7. added 2018-11-28
    Against Value Empiricism in Aesthetics.James Shelley - 2010 - Australasian Journal of Philosophy 88 (4):707-720.
    Value empiricists in aesthetics claim that we can explain the value of artworks by appeal to the value of the experiences they afford. I raise the question of the value of those experiences. I argue that while there are many values that such experiences might have, none is adequate to explaining the value of the works that afford the experiences. I then turn to defending the alternative to value empiricism, which I dub the object theory . I argue that if (...)
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  8. added 2018-11-28
    Hume's Aesthetic Theory: Taste and Sentiment. [REVIEW]James Shelley - 2003 - Journal of Aesthetics and Art Criticism 61.
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  9. added 2018-09-27
    The Default Theory of Aesthetic Value.James Shelley - forthcoming - British Journal of Aesthetics:ayy044.
    What makes aesthetic value aesthetic? What makes aesthetic value value? Suppose we call the first question the aesthetic question and the second the normative question. Strict perceptual formalism—the view according to which the aesthetic value of an object is value it has strictly in virtue of its visual, auditory, tactile, gustatory, or olfactory properties is an answer to the aesthetic question. Hedonism—the view according to which the aesthetic value of an object is value it has in virtue of some pleasure (...)
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  10. added 2018-09-24
    Solving the Puzzle of Aesthetic Assertion.Andrew Morgan - 2017 - Southwest Philosophy Review 33 (1):95-103.
    Most of us think that we can obtain knowledge about the aesthetic properties of objects via testimony – at least sometimes. We can learn that a painting is beautiful by reading a book, or learn that a film is awful by talking to a friend (as long as our sources are reliable). At the same time, if we go on to share this knowledge we have to carefully qualify it as second-hand in order to avoid misleading our audience. Simply stating (...)
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  11. added 2018-09-22
    De Pulchritudine Non Est Disputandum? A Cross‐Cultural Investigation of the Alleged Intersubjective Validity of Aesthetic Judgment.Florian Cova, Christopher Y. Olivola, Edouard Machery, Stephen Stich, David Rose, Mario Alai, Adriano Angelucci, Renatas Berniūnas, Emma E. Buchtel, Amita Chatterjee, Hyundeuk Cheon, In-Rae Cho, Daniel Cohnitz, Vilius Dranseika, Ángeles E. Lagos, Laleh Ghadakpour, Maurice Grinberg, Ivar Hannikainen, Takaaki Hashimoto, Amir Horowitz, Evgeniya Hristova, Yasmina Jraissati, Veselina Kadreva, Kaori Karasawa, Hackjin Kim, Yeonjeong Kim, Minwoo Lee, Carlos Mauro, Masaharu Mizumoto, Sebastiano Moruzzi, Jorge Ornelas, Barbara Osimani, Carlos Romero, Alejandro Rosas, Massimo Sangoi, Andrea Sereni, Sarah Songhorian, Paulo Sousa, Noel Struchiner, Vera Tripodi, Naoki Usui, Alejandro V. del Mercado, Giorgio Volpe, Hrag A. Vosgerichian, Xueyi Zhang & Jing Zhu - forthcoming - Mind and Language.
    Since at least Hume and Kant, philosophers working on the nature of aesthetic judgment have generally agreed that common sense does not treat aesthetic judgments in the same way as typical expressions of subjective preferences—rather, it endows them with intersubjective validity, the property of being right or wrong regardless of disagreement. Moreover, this apparent intersubjective validity has been taken to constitute one of the main explananda for philosophical accounts of aesthetic judgment. But is it really the case that most people (...)
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  12. added 2018-08-17
    Kant's Aesthetic Theory: The Beautiful and Agreeable: Book Reviews. [REVIEW]Keren Gorodeisky - 2010 - British Journal of Aesthetics 50 (3):317-320.
    This is a book review of David Berger's "Kant's Aesthetic Theory: The Beautiful and the Agreeable.".
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  13. added 2018-07-27
    Functional Beauty, Architecture, and Morality: A Beautiful Konzentrationslager?Andrea Sauchelli - 2012 - Philosophical Quarterly 62 (246):128-147.
    Some works of architecture have remarkable aesthetic value. According to certain philosophers, part of this value derives from the appearance of such constructions to fulfil the function for which they were built. I argue that one way of understanding the connection between function and aesthetic value resides in the concept of functional beauty. I analyse a number of recent accounts of this notion, then offer a better way of understanding it. I then focus my attention on the relation between aesthetic (...)
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  14. added 2018-06-07
    The Aesthetics of Theory Selection and the Logics of Art.Ian O'Loughlin & Katie McCallum - 2018 - Philosophy of Science.
    Philosophers of science discuss whether theory selection depends on aesthetic judgments or criteria, and whether these putatively aesthetic features are genuinely extra-epistemic. As examples, judgments involving criteria such as simplicity and symmetry are often cited. However, other theory selection criteria, such as fecundity, coherence, internal consistency, and fertility, more closely match those criteria used in art contexts and by scholars working in aesthetics. Paying closer attention to the way these criteria are used in art contexts allows us to understand some (...)
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  15. added 2018-05-14
    Affine Geometry, Visual Sensation, and Preference for Symmetry of Things in a Thing.Birgitta Dresp-Langley - 2016 - Symmetry 127 (8).
    Evolution and geometry generate complexity in similar ways. Evolution drives natural selection while geometry may capture the logic of this selection and express it visually, in terms of specific generic properties representing some kind of advantage. Geometry is ideally suited for expressing the logic of evolutionary selection for symmetry, which is found in the shape curves of vein systems and other natural objects such as leaves, cell membranes, or tunnel systems built by ants. The topology and geometry of symmetry is (...)
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  16. added 2018-04-16
    The Art of Doing Mathematics.Christian Helmut Wenzel - 2018 - In Berys Gaut & Matthew Kieran (eds.), Creativity and Philosophy. Routledge. pp. 313-330.
    Mathematicians often say that their theorems, proofs, and theories can be beautiful. They say mathematics can be like art. They know how to move creatively and freely in their domains. But ordinary people usually cannot do this and do not share this view. They often have unpleasant memories from school and do not have this experience of freedom and creativity in doing mathematics. I myself have been a mathematician, and I wish to highlight some of the creative aspects in doing (...)
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  17. added 2018-03-09
    Review of Paul Crowther The Kantian Aesthetic. [REVIEW]Jennifer A. McMahon - 2011 - British Journal of Aesthetics 51 (2):229-231.
    Paul Crowther provides interpretations of key concepts in Kant’s Critique of Aesthetic Judgment, indicating (particularly in very informative footnotes) how his views compare with those of other Kant commentators such as Paul Guyer, Rachel Zuckert, Béatrice Longuenesse, Henry Allison, Donald Crawford, Robert Wicks and others. One might be inclined to ask whether yet another interpretation of Kant’s third critique was needed, yet compared to his other two critiques, Kant’s Critique of Judgment can still be regarded as the neglected sibling. Its (...)
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  18. added 2018-03-09
    The Harmony of the Faculties in Recent Books on the Critique of the Power of Judgment.Paul Guyer - 2009 - Journal of Aesthetics and Art Criticism 67 (2):201-221.
    When I began working on my dissertation on Kant’s aesthetic theory in 1971, I was able to read virtually all of the extant literature on the Critique of Judgment in English, German, andFrench going back to Hermann Cohen’s Kants Begr¨undung der A¨ sthetik of 1889, while also reading most of what I wanted to read of eighteenth-century British and German aesthetics before Kant—not because I had paid my dues to Evelyn Wood, but just because there was not all that much (...)
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  19. added 2018-03-09
    Aesthetics, Cognition, and Creativity.Jennifer A. McMahon - 1996 - Dissertation, Australian National University
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  20. added 2018-02-18
    Kant and the Claims of Taste.Paul Guyer - 2019 - Cambridge University Press.
    Kant and the Claims of Taste, published here for the first time in paperback in a revised version, has become, since its initial publication in 1979, the standard commentary on Kant's aesthetic theory. The book offers a detailed account of Kant's views on judgments of taste, aesthetic pleasure, imagination and many other topics. For this new edition, Paul Guyer has provided a new foreword and has added a chapter on Kant's conception of fine art. This re-issue will complement the author's (...)
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  21. added 2018-02-18
    Kant on Beauty and Biology: An Interpretation of the 'Critique of Judgment'.Rachel Zuckert - 2007 - Cambridge University Press.
    Kant's Critique of Judgment has often been interpreted by scholars as comprising separate treatments of three uneasily connected topics: beauty, biology, and empirical knowledge. Rachel Zuckert's book interprets the Critique as a unified argument concerning all three domains. She argues that on Kant's view, human beings demonstrate a distinctive cognitive ability in appreciating beauty and understanding organic life: an ability to anticipate a whole that we do not completely understand according to preconceived categories. This ability is necessary, moreover, for human (...)
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  22. added 2018-02-18
    Kant and the Experience of Freedom: Essays on Aesthetics and Morality.Paul Guyer - 1993 - Cambridge University Press.
    This collection of essays by one of the preeminent Kant scholars of our time transforms our understanding of both Kant's aesthetics and his ethics. Guyer shows that at the very core of Kant's aesthetic theory, disinterestedness of taste becomes an experience of freedom and thus an essential accompaniment to morality itself. At the same time he reveals how Kant's moral theory includes a distinctive place for the cultivation of both general moral sentiments and particular attachments on the basis of the (...)
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  23. added 2018-02-18
    Judging Lyotard.Andrew Benjamin (ed.) - 1992 - Routledge.
    The work of Jean-Francois Lyotard signals the return of judgement to the centre of philosophical concerns. This collection of papers is the first devoted to his work and provides an estimation and critique of his writings, and included Lyotard's important essay on _Sensus Communis_.
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  24. added 2018-02-17
    The Role of Taste in Kant's Theory of Cognition.Hannah Ginsborg - 1990 - Routledge.
    First published in 1990. This title, originally a Ph. D. dissertation submitted to the Department of Philosophy at Harvard University in July 1988, grew out of an interest in the foundations of twentieth-century analytic philosophy. Believing that the idea of the primacy of judgment was an important one for understanding more recent issues in analytic philosophy, the author started to think about its historical antecedents. By examining Kant’s _Critique of Judgement_, Ginsborg explores the notion of a judgment of taste, as (...)
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  25. added 2018-02-02
    Korean Aesthetic Consciousness and the Problem of Aesthetic Rationality.Kwang-Myung Kim - 1998 - Canadian Aesthetics Journal 2.
    Aesthetic emotions are reputed to be irrational, but, aesthetic emotions as mental phenomena bear complex relations to rationality. Emotions give us knowledge about the world. The aesthetic consciousness of Korean is the internal roots of the Korean's mentality. The aesthetic consciousness and the mentality are inseparably related to each other. The aesthetic consciousness as the analogy of reason, in the context of A.G. Baumgarten plays a role to extend the logical world. Aesthetic rationality is the common sense or the communicative (...)
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  26. added 2017-12-05
    Recommending Beauty: Semantics and Pragmatics of Aesthetic Predicates.Ivan Milić & Javier González de Prado Salas - 2018 - Inquiry: An Interdisciplinary Journal of Philosophy 61 (2):1-27.
    The paper offers a semantic and pragmatic analysis of statements of the form ‘x is beautiful’ as involving a double speech act: first, a report that x is beautiful relative to the speaker’s aesthetic standard, along the lines of naive contextualism; second, the speaker’s recommendation that her audience comes to share her appraisal of x as beautiful. We suggest that attributions of beauty tend to convey such a recommendation due to the role that aesthetic practices play in fostering and enhancing (...)
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  27. added 2017-11-01
    Aesthetic Rationality.Keren Gorodeisky & Eric Marcus - 2018 - Journal of Philosophy 115 (3):113-140.
    We argue that the aesthetic domain falls inside the scope of rationality, but does so in its own way. Aesthetic judgment is a stance neither on whether a proposition is to be believed nor on whether an action is to be done, but on whether an object is to be appreciated. Aesthetic judgment is simply appreciation. Correlatively, reasons supporting theoretical, practical and aesthetic judgments operate in fundamentally different ways. The irreducibility of the aesthetic domain is due to the fact that (...)
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  28. added 2017-10-13
    Is Perception the Canonical Route to Aesthetic Judgement?Jon Robson - 2017 - Australasian Journal of Philosophy:1-12.
    It is commonplace amongst philosophers of art to make claims which postulate important links between aesthetics and perception. In this paper, I focus on one such claim: that perception is the canonical route to aesthetic judgement. I consider a range of prima facie plausible interpretations of this claim and argue that they each fail to identify any important link between aesthetic judgement and perception. Given this, I conclude that we have good reason to be sceptical of the claim that perception (...)
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  29. added 2017-04-26
    The Uses of Aesthetic Testimony.C. Thi Nguyen - 2017 - British Journal of Aesthetics 57 (1):19-36.
    The current debate over aesthetic testimony typically focuses on cases of doxastic repetition — where, when an agent, on receiving aesthetic testimony that p, acquires the belief that p without qualification. I suggest that we broaden the set of cases under consideration. I consider a number of cases of action from testimony, including reconsidering a disliked album based on testimony, and choosing an artistic educational institution from testimony. But this cannot simply be explained by supposing that testimony is usable for (...)
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  30. added 2017-04-13
    Mathematics and Aesthetics in Kantian Perspectives.Wenzel Christian Helmut - 2016 - In Peter Cassaza, Steven G. Krantz & Randi R. Ruden (eds.), I, Mathematician II. Further Introspections on the Mathematical Life. The Consortium of Mathematics and its Applications. pp. 93-106.
    This essay will inform the reader about Kant’s views on mathematics and aesthetics. It will also critically discuss these views and offer further suggestions and personal opinions from the author’s side. Kant (1724-1804) was not a mathematician, nor was he an artist. One must even admit that he had little understanding of higher mathematics and that he did not have much of a theory that could be called a “philosophy of mathematics” either. But he formulated a very influential aesthetic theory (...)
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  31. added 2017-03-06
    Aesthetic Acquaintance.Dominic Mciver Lopes - 2009 - Modern Schoolman 86 (3/4):267-281.
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  32. added 2017-02-22
    Reasoned and Unreasoned Judgement: On Inference, Acquaintance and Aesthetic Normativity.Dan Cavedon-Taylor - 2017 - British Journal of Aesthetics 57 (1):1-17.
    Aesthetic non-inferentialism is the widely-held thesis that aesthetic judgements either are identical to, or are made on the basis of, sensory states like perceptual experience and emotion. It is sometimes objected to on the basis that testimony is a legitimate source of such judgements. Less often is the view challenged on the grounds that one’s inferences can be a source of aesthetic judgements. This paper aims to do precisely that. According to the theory defended here, aesthetic judgements may be unreasoned, (...)
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  33. added 2017-02-20
    Constructing Aesthetic Value: Responses to Commentators on "The Pleasure of Art".Matthen Mohan - forthcoming - Australasian Philosophical Review 1 (1).
    This is a response to invited and submitted commentary on "The Pleasure of Art," published in Australasian Philosophical Reviews 1, 1 (2017). In it, I expand on my view of aesthetic pleasure, particularly how the distinction between facilitating pleasure and relief pleasure works. In response to critics who discerned and were uncomfortable with the aesthetic hedonism that they found in the work, I develop that aspect of my view. My position is that the aesthetic value of a work of art (...)
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  34. added 2017-02-16
    A Beautiful Manhole Cover Thumbtacked to the Bulletin Board on Goodman's Door.Jere Williams - 2015 - Journal of Aesthetics and Art Criticism 73 (1):9-9.
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  35. added 2017-02-16
    What's the Good?: Self-Critical Art and Aesthetic Value in a Hyperanimated World.Derek Whitehead - 2006 - Literature & Aesthetics 16 (1):144-156.
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  36. added 2017-02-16
    Transculturality, Art and Aesthetic Principles.Eugenio Benitez - 2005 - Literature & Aesthetics 15 (1):42-56.
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  37. added 2017-02-16
    Tolstoy and the Importance of Aesthetic Feeling.Eugenio Benitez - 2005 - Literature & Aesthetics 15 (2):167-176.
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  38. added 2017-02-16
    Moral Moments: The Beauty and Utility of Logic.Joel Marks - 2003 - Philosophy Now 40:47-47.
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  39. added 2017-02-16
    Self-Surpassing Beauty: Plato's Ambiguous Legacy.Paul Redding - 1997 - Literature & Aesthetics 7:94-108.
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  40. added 2017-02-16
    The Æsthetic Experience: Its Nature and Function in Epistemology.William Davis Furry - 1908 - Philosophical Review 17 (5):556-557.
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  41. added 2017-02-16
    Influence of the Idea of Aesthetic Proportion on the Ethics of Shaftsbury.M. F. Libby - 1902 - Philosophical Review 11:196.
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  42. added 2017-02-15
    The Aesthetics of Anti-Social Behaviour.Andrew Millie - unknown
    From the late-1990s onwards, anti-social behaviour has been high on the political agenda in Britain. This chapter draws on philosophical, criminological and other writings to unpick some influences of aesthetic taste on what is perceived to be anti-social. The meaning and subjectivity of aesthetic judgment are considered, with examples given that may lead to censure and ‘banishment’ – such as wearing a hoodie, writing the wrong sort of graffiti or being visibly homeless. Due to its influence on British policy, Wilson (...)
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  43. added 2017-02-15
    Beauty in Hegel's Anthropology and Philosophy of Art.Julia Peters - 2013 - Idealistic Studies 43 (1-2):87-110.
    According to a widespread view, Hegel holds that beauty cannot be found in the creatures and objects of the natural world, but is strictly limited to works of art. I argue in this paper that Hegel’s restriction of beauty to works of art is not as straightforward as it is often taken to be, by showing that the phenomenon of beauty has anthropological roots in Hegel. Juxtaposing the Lectures on Aesthetics with sections from Hegel’s Anthropology in the Encyclopedia of Philosophical (...)
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  44. added 2017-02-15
    The Development of Aesthetic Judgment: Analysis of a Genetic-Structuralist Approach.Jos de Mul - 1988 - Journal of Aesthetic Education 22 (2):55.
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  45. added 2017-02-15
    Free Beauty, Dependent Beauty, and Art.Robert Stecker - 1987 - Journal of Aesthetic Education 21 (1):89.
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  46. added 2017-02-14
    This Strange Idea of the Beautiful.François Jullien - 2014 - Seagull Books.
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  47. added 2017-02-14
    Plato and the Question of Beauty.Drew A. Hyland - 2008 - Indiana University Press.
    Drew A. Hyland, one of Continental philosophy's keenest interpreters of Plato, takes up the question of beauty in three Platonic dialogues, the Hippias Major, Symposium, and Phaedrus. What Plato meant by beauty is not easily characterized, and Hyland's close readings show that Plato ultimately gives up on the possibility of a definition. Plato's failure, however, tells us something important about beauty—that it cannot be reduced to logos. Exploring questions surrounding love, memory, and ideal form, Hyland draws out the connections between (...)
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  48. added 2017-02-14
    Sartwell, C.(2004). Six Names of Beauty.M. J. Hannush - 2006 - Journal of Phenomenological Psychology 37 (2):267.
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  49. added 2017-02-14
    Toward How to Add an Aesthetic Image to Mathematics.P. Betts - 2005 - Journal of Aesthetic Education 34 (3):149-166.
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  50. added 2017-02-14
    The Metaphysics of Beauty.Gavin McIntosh - 2004 - Mind 113 (449):221-226.
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