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  1. The Significance of Beauty in Nature and Art.H. D. A. & Herbert Ellsworth Cory - 1948 - Journal of Philosophy 45 (18):499.
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  2. Kant's Justified Dismissal of Artistic Sublimity.Uygar Abaci - 2008 - Journal of Aesthetics and Art Criticism 66 (3):237 - 251.
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  3. The Rational Justification of Aesthetic Judgments.Alcaraz León María José - 2008 - Journal of Aesthetics and Art Criticism 66 (3):291-300.
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  4. The Origin of the Sublime.Grant Allen - 1878 - Mind 3 (11):324-339.
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  5. Kant's Theory of Taste: A Reading of the Critique of Aesthetic Judgment.E. Allison Henry - 2001 - Cambridge University Press.
    This book constitutes one of the most important contributions to recent Kant scholarship. In it, one of the pre-eminent interpreters of Kant, Henry Allison, offers a comprehensive, systematic, and philosophically astute account of all aspects of Kant's views on aesthetics. The first part of the book analyses Kant's conception of reflective judgment and its connections with both empirical knowledge and judgments of taste. The second and third parts treat two questions that Allison insists must be kept distinct: the normativity of (...)
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  6. Reply to the Comments of Longuenesse and Ginsborg.Henry E. Allison - 2003 - Inquiry 46 (2):182 – 194.
    In this discussion I respond to some of the criticisms raised by Béatrice Longuenesse and Hannah Ginsborg to my account of Kant's aesthetic theory presents in Kant's Theory of Taste.
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  7. On the Irrelevance of the Beautiful.Peter Amato - 2011 - Research in Phenomenology 41 (2):287-294.
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  8. Review: Guyer, Paul, Kant and the Experience of Freedom: Essays on Aesthetics and Morality[REVIEW]Karl Ameriks - 1994 - Ethics 105 (1):207-.
  9. Kant and the Objectivity of Taste.Karl Ameriks - 1983 - British Journal of Aesthetics 23 (1):3-17.
  10. How to Save Kant's Deduction of Taste.Karl Ameriks - 1982 - Journal of Value Inquiry 16 (4):295-302.
  11. Free Quantification and Logical Invariance.G. Aldo Antonelli - 2007 - Rivista di Estetica 33 (1):61-73.
    Henry Leonard and Karel Lambert first introduced so-called presupposition-free (or just simply: free) logics in the 1950’s in order to provide a logical framework allowing for non-denoting singular terms (be they descriptions or constants) such as “the largest prime” or “Pegasus” (see Leonard [1956] and Lambert [1960]). Of course, ever since Russell’s paradigmatic treatment of definite descriptions (Russell [1905]), philosophers have had a way to deal with such terms. A sentence such as “the..
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  12. A Contextualist Semantics for Aesthetic Judgments.Lance Aschliman & Jordan Schummer - 2016 - Inquiry 59 (6):632-662.
    In this paper, we present and defend a modest anti-realist conception of aesthetic properties – e.g. being unified, moving, delicate, tragic, etc – in order to motivate a contextualist semantic view about aesthetic judgments. We argue that aesthetic properties are plausibly seen as viewpoint-dependent even though our epistemic access to the presence of aesthetic properties is decidedly more complicated than other, less controversial instances of viewpoint-dependent properties. On the basis of our anti-realist conception, we argue, utilizing the Kaplanian distinction between (...)
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  13. The Pleasures of Goodness: Peircean Aesthetics in Light of Kant's Critique of the Power of Judgment: Os Prazeres Do Bem: A Estética Peirciana À Luz da Crítica da Faculdade Do Juízo de Kant.Richard Atkins - 2008 - Cognitio 9 (1).
  14. Observations on the Feeling of the Beautiful and the Sublime.R. J. B. - 1961 - Review of Metaphysics 14 (3):569-569.
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  15. Two Aesthetic Realism Papers.Martha Baird - 1971 - New York: Definition Press.
    Opposites in the drama.--Opposites in myself.
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  16. The Press Boycott of Aesthetic Realism: Documentation.Martha Baird & Ellen Reiss (eds.) - 1978 - Definition Press.
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  17. Mapplethorpe, Duchamp and the Ends of Photography.Gary Banham - 2002 - Angelaki 7 (1):119-128.
    This paper presents an argument for seeing Marcel Duchamp and Robert Mapplethorpe as opposite ends of a tradition of negotiation of art with its conditions of production. The piece takes seriously Kant's suggestions concerning the fine arts and contests views of art that see the Kantian tradition as formally fixed.
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  18. The Kantian Beautiful, or, the Utterly Useless: Prolegomena to Any Future Aesthetics.Dorit Barchana-Lorand - 2002 - Kant-Studien 93 (3):309–323.
  19. Do Infants Prefer Beauty, or Do They Have a Taste for the Bizarre?Louise Barrett - 2002 - Trends in Cognitive Sciences 6 (6):233.
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  20. Originality and Value.Christopher Bartel - 2010 - Hermenia:66-77.
    What does it mean to describe a work of art as being ‘original’? Frank Sibley believed that works of art are not valued for their originality independently of their aesthetic value. He argued that a work may be described as being ‘original’ if it is innovative and also exhibits some further aesthetic value. In this essay, I argue against this conjunctive account of originality as some kind of innovation-plus-value. I claim that a work may be valued for and described as (...)
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  21. Types of Aesthetic Judgment. By E. Jordan. [REVIEW]E. M. Bartlett - 1937 - Ethics 48:450.
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  22. Types of Aesthetic Judgment.Ethel M. Bartlett - 1937 - Allen & Unwin.
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  23. Kant's Logic of Aesthetic Judgment.Peter Baumanns - 1981 - Philosophy and History 14 (1):23-25.
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  24. The Aesthetic Classroom and the Beautiful Game.Bradley Baurain - 2010 - Journal of Aesthetic Education 44 (2):pp. 50-62.
    Soccer fans will not be surprised that understanding "the beautiful game" can contribute to understandings of teaching and learning. After all, at least one theorist sees "the nature of all social life" to be reflected in soccer: "The unfolding match between team-mates and opponents [illustrates] … the interdependency of human beings, and the 'flexible lattice-work of tensions' generated through their social bonds. Power flows fluidly between players, jockeying for possession and moving between attack and defence."1 Another finds striking parallels between (...)
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  25. The Aesthetic Classroom and the Beautiful Game.Bradley Baurain - 2010 - Journal of Aesthetic Education 44 (2):50.
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  26. The Nature of Aesthetic Value; with a Critique of Miss Puffer's Theory of its Alleged Absoluteness.H. Heath Bawden - 1908 - Psychological Review 15 (4):217-236.
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  27. The Practical Significance of Taste in Kant's "Critique of Judgment": Love of Natural Beauty as a Mark of Moral Character.Anne Margaret Baxley - 2005 - Journal of Aesthetics and Art Criticism 63 (1):33–45.
  28. The Beautiful.Garrett[from old catalog] Baxter - 1927 - [Norfolk, Va.]The Economic Press.
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  29. The Sound of Bedrock: Lines of Grammar Between Kant, Wittgenstein, and Cavell.Avner Baz - 2016 - European Journal of Philosophy 24 (3):607-628.
    In ‘Aesthetics Problems of Modern Philosophy’ Stanley Cavell proposes, first, that Kant's characterization of judgments of beauty may be read as a Wittgensteinian grammatical characterization, and, second, that the philosophical appeal to ‘what we say and mean’ partakes of the grammar of judgment of beauty. I argue first that the expression of the dawning of an aspect partakes of the grammar of judgments of beauty as characterized by Kant, and may also be seen—on a prevailing way of thinking about concepts (...)
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  30. What's the Point of Calling Out Beauty?Avner Baz - 2004 - British Journal of Aesthetics 44 (1):57-72.
    The purpose of this paper is to use Kant's Critique of Judgement in order to raise and motivate the question of the point of judgements of beauty, to illustrate the philosophical tendency to neglect or even repress it, and to begin to look for an answer to that question. On the way, I will consider Kant's implied answer to the question and will argue that it is unsatisfactory in that it relies on a false picture of the everyday subject's relation (...)
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  31. The Arts of the Beautiful.Monroe C. Beardsley & Etienne Gilson - 1968 - Philosophical Review 77 (1):114.
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  32. Beyond Beautiful and Ugly: Non-Dual Thinking and Aesthetic Theory.Jeffrey Bell - 2010 - Analysis and Metaphysics 9:19-34.
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  33. Moral Beauty Happens".Richard H. Bell - 2009 - In Pedro Alexis Tabensky (ed.), The Positive Function of Evil. Palgrave-Macmillan.
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  34. Giacometti's Art as a Judgment on Culture.Richard H. Bell - 1989 - Journal of Aesthetics and Art Criticism 47 (1):15-20.
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  35. Aesthetic Realism 2.John Bender - 2005 - In Jerrold Levinson (ed.), The Oxford Handbook of Aesthetics. Oxford University Press. pp. 80-98.
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  36. Supervenience and the Justification of Aesthetic Judgments.John Bender - 1987 - Journal of Aesthetics and Art Criticism 46 (1):31-40.
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  37. Transculturality, Art and Aesthetic Principles.Eugenio Benitez - 2005 - Literature & Aesthetics 15 (1):42-56.
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  38. Tolstoy and the Importance of Aesthetic Feeling.Eugenio Benitez - 2005 - Literature & Aesthetics 15 (2):167-176.
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  39. Judging Lyotard.Andrew Benjamin (ed.) - 1992 - Routledge.
    The work of Jean-Francois Lyotard signals the return of judgement to the centre of philosophical concerns. This collection of papers is the first devoted to his work and provides an estimation and critique of his writings, and included Lyotard's important essay on _Sensus Communis_.
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  40. Formalism and Marxism.Tony Bennett - 1979 - Methuen.
    Placing the work of key figures in context and addressing such issues as aesthetics, linguistics and the category of literature, form and function or literary ...
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  41. God the Beautiful, an Artist's Creed, by E.P.B.Emil P. Berg - 1901
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  42. Kant's Aesthetic Theory: The Beautiful and Agreeable.David Berger - 2009 - Continuum.
    The twofold conception of taste -- The beautiful and the agreeable -- Sensations and interests -- Some varieties of normativity.
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  43. E. Gilson's "The Arts of the Beautiful". [REVIEW]Arnold Berleant - 1966 - Philosophy and Phenomenological Research 27 (2):295.
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  44. The Relevance of the Beautiful and Other Essays.Robert Bernasconi (ed.) - 1986 - Cambridge University Press.
    This volume explores some of the more important of Hans-Georg Gadamer's extensive writings on art and literature. The principal text included is 'The Relevance of the Beautiful', Gadamer's most sustained treatment of philosophical aesthetics. The eleven other essays focus particularly on the challenge issued by modern painting and literature to our customary ideas of art, and in turn revitalize our understanding of it. Gadamer demonstrates the continuing importance of such concepts as imitation, truth, symbol, and play for our appreciation of (...)
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  45. Mild Intoxication and Other Aesthetic Feelings.Susan Best - 2005 - Angelaki 10 (3):157 – 170.
    The enjoyment of beauty has a peculiar, mildly intoxicating quality of feeling The science of aesthetics investigates the conditions under which things are felt as beautiful, but it has been unable to give any explanation of the nature and origin of beauty Psychoanalysis, unfortunately, has scarcely anything to say about beauty either.1 Freud.
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  46. Toward How to Add an Aesthetic Image to Mathematics.P. Betts - 2005 - Journal of Aesthetic Education 34 (3):149-166.
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  47. Kant's Theory of the Relation of Imagination and Understanding in Aesthetic Judgements of Taste.Harry Blocker - 1965 - British Journal of Aesthetics 5 (1):37-45.
  48. Duty, Beauty, Delight & Happiness : Motivations for Nature Conservation.Carol Booth - unknown
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  49. The Æsthetic Theory of Ugliness.Bernard Bosanquet - 1890 - Proceedings of the Aristotelian Society 3:32-48.
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  50. The Æsthetic Theory of Ugliness.Bernard Bosanquet - 1889 - Proceedings of the Aristotelian Society 1 (3):32 - 48.
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