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  1. Early Medieval Architecture as Bearer of Meaning. [REVIEW]Mickey Abel - 2007 - The Medieval Review 5.
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  2. Horrific “Cults” and Comic Religion.Manga After Aum - 2012 - Japanese Journal of Religious Studies 39 (1):127-151.
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  3. Risus Mediaevalis: Laughter in Medieval Literature and ArtHerman Braet Guido Latré Werner Verbeke.F. R. P. Akehurst - 2005 - Speculum 80 (2):528-530.
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  4. Reseña de "Hegel, pensador de la actualidad. Ensayos sobre la fenomenología Del espíritu Y otros textos" de Vanessa Lemm Y Juan ormeño karzulovic (eds.).Jorge Rendón Alarcón - 2011 - Signos Filosóficos 13 (26):171-175.
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  5. Listening to Many Voices: Athenian Tragedy as Popular Art.William Allan & Adrian Kelly - 2013 - In Anna Marmodoro & Jonathan Hill (eds.), The Author's Voice in Classical and Late Antiquity. Oxford University Press. pp. 77.
    By analysing how the audience interpreted the many voices of tragic performance, this chapter suggests a new model for understanding tragedy’s relationship to the world of the watching community. Although the idea that the poet expresses his personal opinions through the chorus or his characters is now rightly seen as old-fashioned and naïve, it is still legitimate to ask how the poet uses his heroic characters and their voices to speak to his contemporary audience—using ‘speak to’ in the broadest sense, (...)
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  6. Metafora E Filosofia.L. Anceschi - 1986 - Rivista di Estetica 26 (24):3-14.
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  7. Lorenzo de'Medici and the Art of Magnificence.Wayne Andersen - 2008 - Common Knowledge 14 (1):161-163.
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  8. Lo Sublime.Jaime Rubio Angulo - 1992 - Universitas Philosophica 17:37-50.
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  9. Filosofía y Cine.Roberto R. Aramayo - 2011 - Isegoría 45:771-773.
  10. Beauty as Suitability.Rudolf Arnheim - 1996 - Journal of Aesthetics and Art Criticism 54 (3):251-253.
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  11. Phänomenologie Ironischen Geistes: Ethik, Poetik Und Politik der Moderne.Armen Avanessian - 2010 - Fink.
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  12. Experiencias de Lo Sublime y Principios Racionales.José María Artola Barrenechea - 1990 - Revista de filosofía (Chile) 3:83-112.
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  13. Divagación apasionada sobre Pío Baroja.Julio Manso Barrios - 1999 - Anales Del Seminario de Historia de la Filosofía 16:199.
    Me irrita la asepsia que ostentan algunos estudiosos, derivada del temor a asumir riesgos intelectuales. Contra esta clase de mediocridad expongo el legado de una impregnación estético-vital, que, en mi modesta opinión, constituye el modo sincero de revelar la calidad de un espíritu. Se notará un efecto de vasos comunicantes. Por ello, dispuesto a tratar sobre la personalidad de don Pío Baroja, lo haré compartiendo su profunda emoción de ser, cota que excede el alcance de lo anecdótico, de lo chismográfico (...)
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  14. Ao som do emaranhamento: a música e o discurso filosófico sobre as artes.Fernando R. De Moraes Barros - 2012 - Kriterion: Journal of Philosophy 53 (125):195-229.
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  15. The Promiscuous Poetics Of the Comic.Jagannath Basu - manuscript -
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  16. Literature In Medieval Germany. [REVIEW]M. Batts - 1970 - Speculum 45 (2):326-327.
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  17. The Essence of Laughter and Other Essays, Journals, and Letters.Charles Baudelaire & Peter Quennel - 1958 - Journal of Aesthetics and Art Criticism 17 (1):121-121.
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  18. The Calligraphy of Medieval Music. [REVIEW]Inga Behrendt - 2012 - The Medieval Review 9.
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  19. Reflections on Mathematics and Aesthetics.John L. Bell - 2015 - Aisthesis. Pratiche, Linguaggi E Saperi Dell’Estetico 8 (1):159-179.
    In this paper I reflect on the nature of mathematical beauty, and examine the connections between mathematics and the arts. I employ Plutarch’s distinction between the intelligible and the sensible, to compare the beauty of mathematics with the beauties of music, poetry and painting. While the beauty of mathematics is almost exclusively intelligible, and the beauties of these arts primarily sensible, it is pointed out that the latter share with mathematics a certain kind of intelligible beauty. The paper also contains (...)
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  20. Prejudice in Jest: When Racial and Gender Humor Harms.David Benatar - 1999 - Public Affairs Quarterly 13 (2):191-203.
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  21. Il Sublime E la Non-Arte.C. Benedetti - 1990 - Rivista di Estetica 30 (36):55-64.
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  22. "Taking Laughter Seriously": John Morreall. [REVIEW]F. Berenson - 1984 - British Journal of Aesthetics 24 (1):74.
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  23. Charles Brockden Brown and the Sublime.Kenneth Bernard - 1964 - Pacific Philosophical Quarterly 45 (2):235.
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  24. La scrittura e la morte. Sulla poetica di Michel Leiris in Filosofia e poesia. Philosophie et poésie.P. Bertetto - 1986 - Rivista di Estetica 26 (22):67-79.
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  25. Sociologia de la Autenticidad y la Simulacion Seguido de Otros Ensayos.Cayetano Betancur - 1955 - [Ministerio de Educacion Nacional, Division de Extension Cultural].
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  26. Medieval Liturgical Chant and Patristic Exegesis: Words and Music in the Second-Mode Tracts. [REVIEW]Jesse Billet - 2010 - The Medieval Review 4.
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  27. The Kantian Sublime and the Revelation of Freedom by Clewis, Robert.Stefan Bird-Pollan - 2011 - Journal of Aesthetics and Art Criticism 69 (3):348-350.
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  28. La Filosofia Architettonica.Petar Bojanić & Vladan Đokić - 2015 - Rivista di Estetica 58:81-88.
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  29. Odvr'acen'a Tv'aér Humoru Ke Komice Absurdity.Vladimâir Boreckây - 1996 - Dauphin.
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  30. Odvrácená Tvár Humoru Ke Komice Absurdity.Vladimír Borecký - 1996 - Dauphin.
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  31. Filosofia Dei Sensi: Estetica Del Pensiero Tra Filosofia, Arte E Letteratura.Silvana Borutti - 2006 - R. Cortina.
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  32. If You Can Read This: The Philosophy of Bumper Stickers.Jack Bowen - 2010 - Random House Trade Paperbacks.
    A PICTURE MAY BE WORTH A THOUSAND WORDS-- BUT A FEW CHOICE WORDS CAN SPEAK VOLUMES! _ If Ignorance Is Bliss, Why Aren't More People Happy? Bottled Water Is for Suckers Clones Are People Too At Least the War on the Environment Is Going Well Don't Believe Everything You Think The Revolution Will Be Tweeted _ Long before blogs, tweets, and sound bites, people were telling the world how they felt in brief, blunt bursts of information plastered on the backs (...)
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  33. Reassessing Aesthetic Appreciation of Nature in the Kantian Sublime.Emily Brady - 2012 - Journal of Aesthetic Education 46 (1):91-109.
    The sublime has been a relatively neglected topic in recent work in philosophical aesthetics, with existing discussions confined mainly to problems in Kant's theory.1 Given the revival of interest in his aesthetic theory and the influence of the Kantian sublime compared to other eighteenth-century accounts, this focus is not surprising. Kant's emphasis on nature also sets his theory apart from other eighteenth-century theories that, although making nature central, also give explicit attention to moral character and mathematical ideas and generally devote (...)
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  34. The First American Sublime.Chandos Michael Brown - 2012 - In Timothy M. Costelloe (ed.), The Sublime: From Antiquity to the Present. Cambridge University Press.
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  35. The Characterization of Aesthetic Qualities by Essential Metaphors and Quasi-Metaphors.Malcolm Budd - 2006 - British Journal of Aesthetics 46 (2):133-143.
    My paper examines a vital but neglected aspect of Frank Sibley's pioneering account of aesthetic concepts. This is the claim that many aesthetic qualities are such that they can be characterized adequately only by metaphors or ‘quasi-metaphors’. Although there is no indication that Sibley embraced it, I outline a radical, minimalist conception of the experience of perceiving an item as possessing an aesthetic quality, which, I believe, has wide application and which would secure Sibley's position for those aesthetic qualities that (...)
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  36. Ensayos Iberoamericanos.Alberto E. Buela - 1994 -
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  37. The Philosophic Significance of the Sublime.Henry Bugbee - 1967 - Philosophy Today 11 (1):55.
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  38. Essays on Medieval Literature. [REVIEW]Robert Burlin - 1986 - Speculum 61 (3):630-631.
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  39. The World Grown Old in Later Medieval Literature. [REVIEW]J. Burrow - 1998 - Speculum 73 (3):830-832.
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  40. Interpretazione di Michelstaedter in Filosofia e poesia.Massimo Cacciari - 1986 - Rivista di Estetica 26 (22):21-36.
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  41. The Funny Bone.Social Calendar - forthcoming - Ethos: Journal of the Society for Psychological Anthropology.
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  42. Lezioni di Filosofia.Guido Calogero - 1968 - Journal of Aesthetics and Art Criticism 27 (2):241-242.
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  43. Ana Domínguez Rodríguez, Astrología y Arte En El “Lapidario” de Alfonso X El Sabio. Madrid: Editora Internacional de Libros Antiguos, 1984. Paper. Pp. 119; Many Black-and-White Facsimile Plates. Revised Version of Accompaniment to Facsimile Edition of Alfonso El Sabio's Primer Lapidario Published by Editora Internacional de Libros Antiguos in 1982. [REVIEW]Anthony J. Cárdenas - 1986 - Speculum 61 (2):405-408.
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  44. Alfonso X El Sabio, 1252–1284. [REVIEW]Anthony Cárdenas-Rotunno - 1999 - Speculum 74 (4):1067-1068.
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  45. Sublime Poussin.David Carrier - 2003 - Common Knowledge 9 (1):167-167.
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  46. The Gardens of Versailles and the Sublime.Alberto Jl Carrillo Canan - 2003 - Analecta Husserliana 78:47-58.
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  47. Comedy Incarnate: Buster Keaton, Physical Humor, and Bodily Coping.Carroll NoË & L. - 2009 - Wiley-Blackwell.
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  48. Comedy Incarnate: Buster Keaton, Physical Humor, and Bodily Coping.Carroll NoË & L. - 2008 - Wiley-Blackwell.
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  49. Comedy Incarnate: Buster Keaton, Physical Humor, and Bodily Coping.Carroll NoË & L. - 2007 - Wiley-Blackwell.
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  50. Comedy Incarnate: Buster Keaton, Physical Humor, and Bodily Coping.Carroll Noël - 2008 - Wiley-Blackwell.
    In _Comedy Incarnate_, Noël Carroll surveys the characteristics of Buster Keaton’s unique visual style, to reveal the distinctive experience of watching Keaton’s films. Bold and provocative thesis written by one of America’s foremost film theorists Takes a unique look at the philosophies behind Keaton’s style Weighs visual elements over narrative form in the analysis of the Keaton’s work Provides a fresh vantage point for analysis of film and comedy itself.
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