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  1. Kreativität Und Mimesis. Das Bildschaffen in Interkultureller Perspektive.Zhuofei Wang - 2022 - Image. Zeitschrift für Interdisziplinäre Bildwissenschaft 36:102-111.
    As two concepts that are both distinct and intertwined, creativity and mimesis have their own history of development. In the visual arts, both refer primarily to the principles, methods, and procedures of image production. The production of images is neither entirely arbitrary nor entirely plannable, but has its own logic, which lies between work and reality, the inner world and the outer world as well as tradition and innovation. The relevant discourses are influenced by the respective cultural-historical frameworks. Due to (...)
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  2. The Inauguration of Formalism: Aestheticism and the Productive Opacity Principle.Michalle Gal - 2022 - Journal of Comparative Literature and Aesthetics 2 (24):20-30.
    This essay presents the Aestheticism of the 19th century as the foundational movement of modernist-formalist aesthetics of the 20th century. The main principle of this movement is what I denominate “productive opacity”. Aestheticism has not been recognized as a philosophical aesthetic theory. However, its definition of artwork as an exclusive kind of form—a deep, opaque form—is among the most precise ever given in the discipline. This essay offers an interpretation of aestheticism as a formalist theory, referred to here as “deep (...)
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  3. Interpreting Art.Sam Rose - 2022 - London, UK: University College London Press.
    Art interpretation in practice, not theory. -/- How do people make sense of works of art? And how do they write to make others see the same way? There are many guides to looking at art, histories of art history and art criticism, and accounts of various ‘theories’ and ‘methods’, but this book offers something very unlike the normal search for difference and division: it examines the general and largely unspoken norms shared by interpreters of many kinds. -/- Ranging widely, (...)
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  4. Uno sguardo filosofico alla teoria della sensazione di Aristotele.Lorenzo Maria Pacini - manuscript
    splorando con interesse il vasto mondo delle scienze filosofiche, l’autore del presente saggio si è proposto di indagare la cosiddetta teoria della sensazione . Tema trattato da molti pensatori, sin dall’antichità esso ha affascinato ed occupato la specula zione di tuttele branche della materia, riscuotendo particolare successo ai giorni nostri con leneuroscienze, il cui progresso sta permettendo di coniugare la riflessione filosofica con lescoperte scientifiche, aprendo nuovi scenari di approfondimento e ridefinizione concettuale.Senza la pretesa di una completa esaustività, la presente (...)
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  5. Um estudo sobre os universais em Ideias I.Nathalie de la Cadena - 2017 - Aoristo International Journal of Phenomenology, Hermeneutics and Metaphysics 1 (2):43-62.
    A questão dos universais permanece tema na filosofia tanto na ontologia como na epistemologia. Em Husserl, há universais particulares, o ‘X’ noemático, o idêntico, e universais stricto sensu, nomes universais atemporais. Neste artigo, apresento o tema conforme analisado por Husserl em Ideias I. Na primeira seção, descrevo a trajetória até os universais destacando o paralelismo entre noese e noema. Na segunda seção, traço o reflexo para a filosofia da linguagem também afetada pela correspondência noético-noemática. Na terceira e última seção, mostro (...)
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  6. Supervenience and Realization: Aesthetic Objects and Their Properties.Michael Watkins - 2021 - British Journal of Aesthetics 61 (2):229-245.
    Aestheticians generally agree that the aesthetic features of an object depend upon the non-aesthetic features of an object, and that this dependence can be captured by some formulation of the supervenience relation. I argue that the aesthetic depends upon the non-aesthetic in various and importantly different ways; that these dependence relations cannot be explained by supervenience; that appeals to supervenience create puzzles that aestheticians have neither fully appreciated nor resolved; and that appealing to various realization relations avoids these puzzles and (...)
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  7. Empathie in der Kunst.Íngrid Vendrell-Ferran - forthcoming - In Siegmund Judith (ed.), Handbuch Kunstphilosophie.
    Dieses Kapitel handelt von der Empathie in der Kunst. Ich beginne mit einer Reflexion über die Ursprünge des Begriffes und seine Verwendung in der Ästhetik. Es folgt eine Analyse der Empathie im Vergleich zu anderen Formen der Anteilnahme an Kunstwerken. Im dritten Teil untersuche ich die Mechanismen der Empathie in der Kunst und die Funktion der Imagination. Der vierte Teil widmet sich der Bedeutung der Gefühle bei der Empathie für Kunstfiguren. Schließlich thematisiere ich den epistemischen, moralischen und ästhetischen Wert der (...)
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  8. Aesthetic Truth Through the Ages: A Lonerganian Theory of Art History.Ryan Miller - forthcoming - Proceedings of the American Catholic Philosophical Association 94 (2020).
    Classical authors were generally artistic realists. The predominant aesthetic theory was mimesis, which saw the truth of art as its successful representation of reality. High modernists rejected this aesthetic theory as lifeless, seeing the truth of art as its subjective expression. This impasse has serious consequences for both the Church and the public square. Moving forward requires both, first, an appreciation of the strengths and weaknesses of the high modernist critique of classical mimetic theory, and, second, a theory of truth (...)
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  9. Spur, Zeugnis Und Imagination: Der Erkenntniswert von Dokumentarfilmen.Íngrid Vendrell-Ferran - 2020 - Zeitschrift für Ästhetik Und Allgemeine Kunstwissenschaft 65 (1).
    In diesem Aufsatz argumentiere ich für die These, dass alle Dokumentarfilme darauf abzielen, uns Erkenntnis über einen Aspekt der Realität zu vermitteln. Dieser These zufolge sind Dokumentarfilme – im Unterschied zu anderen Filmgattungen – der Wirklichkeit verpflichtet. Vor diesem Hintergrund sollen in diesem Aufsatz zwei Aspekte genauer untersucht werden: zum einen, wie der kognitive Wert von Dokumentarfilmen genauer zu verstehen ist, und zum anderen, inwiefern ausgehend von diesem epistemischen Aspekt Unterscheidungskriterien zwischen Dokumentarfilmen und anderen Filmgattungen entwickelt werden können. Der Aufsatz (...)
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  10. On Hybrid Expressivism About Aesthetic Judgments.Sanna Hirvonen, Natalia Karczewska & Michał P. Sikorski - 2019 - Grazer Philosophische Studien 96 (4):541-568.
    Contextualist accounts of aesthetic predicates have difficulties explaining why we feel that speakers are disagreeing when they make true and compatible but superficially contradictory aesthetic judgments. One possible way to account for the disagreement is hybrid expressivism, which holds that the disagreement happens at the level of pragmatically conveyed, clashing contents about the speakers’ conative states. Marques defends such a strategy, combining dispositionalism about value, contextualism, and hybrid expressivism. This paper critically evaluates the plausibility of the suggested pragmatic mechanisms in (...)
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  11. Introduction: The Place of Beauty in Contemporary Aesthetics.Ingrid Vendrell Ferran & Wolfgang Huemer - 2019 - In Wolfgang Huemer & Íngrid Vendrell Ferran (eds.), Beauty. New Essays in Aesthetics and the Philosophy of Art. München, Deutschland:
    The notion of beauty has endured a troublesome history over the last few decades. While for centuries beauty has been considered one of the central values of art, there have also been times when it seemed old-fashioned to even mention the term. The present volume aims to explore the nature of beauty and to shed light its place in contemporary philosphy and art practice.
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  12. Close Looking and Conviction.Sam Rose - 2017 - Art History 40:156-77.
    This article analyses the processes involved in description and ‘close looking’ in relation to works of art. Aspects discussed include the often-unspoken appeal to a limited form of artistic intention, the use of ‘context’, and the way that pictorial features are manipulated in the service of interpretation. Ultimately the article shows how great a role the writers’ overarching assumptions (such as about the history of modernism) are likely to play in apparently object-focused analysis, and as such why we should be (...)
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  13. Aesthetic Properties, Mind-Independence, and Companions in Guilt.Daan Evers - 2019 - In Richard Rowland & Christopher Cowie (eds.), Companions in Guilt Arguments in Metaethics. Routledge.
    I first show how one might argue for a mind-independent conception of beauty and artistic merit. I then discuss whether this makes aesthetic judgements suitable to undermine skeptical worries about the existence of mind-independent moral value and categorical reasons.
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  14. Aristotle's Axology.Seyed Mohammad Hosseini - 2010 - Ayeneh Marefat 20 (7):95-121.
    This Paper attempts to Jude the axiology of Aristotle’s Philosophy based on Aristotelian Philosophy. For this Purpose, we will first Prove axiology as a kind of knowledge and then we will study the relation between axiology and two others knowledge domains, that is, ontology and epistemology. We will demonstrate that values like goodness and beauty, are same final cause and formal cause for explanation of values of every thing. At least, in the nature, goodness and beauty are the idea of (...)
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  15. Deflating Truth About Taste.Filippo Ferrari & Sebastiano Moruzzi - forthcoming - American Philosophical Quarterly 57 (4).
    In Truth and Objectivity, Crispin Wright argues that because truth is a distinctively normative property, it cannot be as metaphysically insubstantive as deflationists claim.1 This argument has been taken, together with the scope problem,2 as one of the main motivations for alethic pluralism.3 We offer a reconstruction of Wright’s Inflationary Argument (henceforth IA) aimed at highlighting what are the steps required to establish its inflationary conclusion. We argue that if a certain metaphysical and epistemological view of a given subject matter (...)
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  16. PHIL4230 Photocopy Packet Surrealism (Edited by V.I. Burke).Victoria I. Burke (ed.) - 2011 - Guelph: University of Guelph.
    This out-of-print, two-volume, photocopy packet, in the area of "Surrealism and the Politics of the Particular" includes readings on language, meaning, and surrealism from Adorno, Benjamin, McCumber, Breton, Heidegger, Freud, Kristeva, Ricouer, and Bataille.
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  17. Aesthetic Ineffability.Silvia Jonas - 2017 - Philosophy Compass 12 (2):e12396.
    This essay provides an overview of the ways in which contemporary philosophers have tried to make sense of ineffability as encountered in aesthetic contexts. Section 1 sets up the problem of aesthetic ineffability by putting it into historical perspective. Section 2 specifies the kinds of questions that may be raised with regard to aesthetic ineffability, as well as the kinds of answer each one of those questions would require. Section 3 investigates arguments that seek to locate aesthetic ineffability within the (...)
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  18. Kant, Quasi‐Realism, and the Autonomy of Aesthetic Judgement.Robert Hopkins - 2001 - European Journal of Philosophy 9 (2):166-189.
    Aesthetic judgements are autonomous, as many other judgements are not: for the latter, but not the former, it is sometimes justifiable to change one’s mind simply because several others share a different opinion. Why is this? One answer is that claims about beauty are not assertions at all, but expressions of aesthetic response. However, to cover more than just some of the explananda, this expressivism needs combining with some analogue of cognitive command, i.e. the idea that disagreements over beuaty can (...)
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  19. A Contextualist Semantics for Aesthetic Judgments.Lance Aschliman & Jordan Schummer - 2016 - Inquiry: An Interdisciplinary Journal of Philosophy 59 (6):632-662.
    In this paper, we present and defend a modest anti-realist conception of aesthetic properties – e.g. being unified, moving, delicate, tragic, etc – in order to motivate a contextualist semantic view about aesthetic judgments. We argue that aesthetic properties are plausibly seen as viewpoint-dependent even though our epistemic access to the presence of aesthetic properties is decidedly more complicated than other, less controversial instances of viewpoint-dependent properties. On the basis of our anti-realist conception, we argue, utilizing the Kaplanian distinction between (...)
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  20. Aesthetic Judge-Dependence and Expertise.Max Kölbel - 2016 - Inquiry: An Interdisciplinary Journal of Philosophy 59 (6):589-617.
    This paper expounds and defends a judge-dependence account of aesthetic concepts, where aesthetic concepts are construed widely, to include for example both concepts of personal taste and more narrowly aesthetic concepts. According to such an account, it can depend on personal features of a judge whether it is correct for that judge to apply an aesthetic concept to a given object. After introducing and motivating the account, the article sets out to explain how some aesthetic questions can seem more objective (...)
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  21. An Absolutist Theory of Faultless Disagreement in Aesthetics.Carl Baker & Jon Robson - 2017 - Pacific Philosophical Quarterly 98 (3):429-448.
    Some philosophers writing on the possibility of faultless disagreement have argued that the only way to account for the intuition that there could be disagreements which are faultless in every sense is to accept a relativistic semantics. In this article we demonstrate that this view is mistaken by constructing an absolutist semantics for a particular domain – aesthetic discourse – which allows for the possibility of genuinely faultless disagreements. We argue that this position is an improvement over previous absolutist responses (...)
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  22. The Other “in” the Self: The Sense of Self and the Threat of Relativism.Cristina Meini & Alfredo Paternoster - 2014 - Rivista di Estetica 56:21-34.
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  23. Semantic Realism and Aesthetic Realism.Francois Rastier & Rachael Ann Siciliano - 1993 - Substance 22 (2/3):74.
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  24. Reification and the Aesthetics of Music.Jonathan Lewis - 2016 - New York, NY, USA: Routledge.
    This innovative study re-evaluates the philosophical significance of aesthetics in the context of contemporary debates on the nature of philosophy. Lewis's main argument is that contemporary conceptions of meaning and truth have been reified, and that aesthetics is able to articulate why this is the case, with important consequences for understanding the horizons and nature of philosophical inquiry. _Reification and the Aesthetics of Music_ challenges the most emphatic and problematic conceptions of meaning and truth in both analytic philosophy and postmodern (...)
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  25. Beauty.Rafael De Clercq - 2013 - In Berys Gaut Gaut & Dominic Lopes (eds.), Routledge Companion to Aesthetics 3rd Edition. Routledge.
    This survey chapter focuses on two questions concerning the nature of beauty. First, can “beauty” be defined, and if so, how? Second, what is the relation between beauty and the mind; for example, between being beautiful and being judged beautiful, or between being beautiful and being the object of pleasure?
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  26. Aestheticism: Deep Formalism and the Emergence of Modernist Aesthetics.Michalle Gal - 2015 - Peter Lang.
    This book offers, for the first time in aesthetics, a comprehensive account of aestheticism of the 19<SUP>th</SUP> century as a philosophical theory of its own right. Taking philosophical and art-historical viewpoints, this cross-disciplinary book presents aestheticism as the foundational movement of modernist aesthetics of the 20<SUP>th</SUP> century. Emerging in the writings of the foremost aestheticists - Oscar Wilde, Walter Pater, James Whistler, and their formalist successors such as Clive Bell, Roger Fry, and Clement Greenberg - aestheticism offers a uniquely synthetic (...)
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  27. The New Subjectivism: Art in the 1980s.Donald Kuspit - 1989 - Journal of Aesthetics and Art Criticism 47 (4):400-400.
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  28. Aesthetic Realism.Lloyd Reinhardt - 1991 - Literature & Aesthetics 1:28-38.
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  29. The Alien Aesthetic of Speculative Realism, or, How Interpretation Lost the Battle to Materiality and How Comfortable This is to Humans.Roberto Simanowski - 2014 - Speculations:359-381.
  30. Aesthetic Realism 2.John Bender - 2003 - In Jerrold Levinson (ed.), The Oxford Handbook of Aesthetics. Oxford University Press. pp. 80-98.
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  31. Truth Without Objectivity.Max Kölbel - 2002 - London and New York: Routledge.
    The mainstream view in the philosophy of language holds that every meaningful sentence has a truth-condition. This view, however, runs into difficulties with non-objective sentences such as sentences on matters of taste or value: these do not appear to be either true or false, but are generally taken to be meaningful. How can this conflict be resolved? -/- Truth Without Objectivity examines various ways of resolving this fundamental problem, before developing and defending its own original solution, a relativist theory of (...)
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  32. Om Relativism Eller Omöjligheten Att Lyfta Sig I Håret.Lars-Olof Åhlberg - 1994 - Nordic Journal of Aesthetics 7 (11).
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  33. Relativism and the Evaluation of Art.James O. Young - 1997 - Journal of Aesthetic Education 31 (1):9.
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  34. Aesthetic Normativity and Realism.Jan Hrkut - 2012 - Filozofia 67 (5):353-361.
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  35. Three Versions of Objectivity: Moral, Aesthetic and Scientific.Richard W. Miller - 1997 - In Jerrold Levinson (ed.), Aesthetics and Ethics: Essays at the Intersection. Cambridge University Press.
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  36. The Disagreement-Argument and Aesthetic Subjectivism.Francis J. Kovach - 1979 - New Scholasticism 53 (1):22-41.
  37. Ideal Observer Theories in Aesthetics.Stephanie Ross - 2011 - Philosophy Compass 6 (8):513-522.
    I examine the prospects for an ideal observer theory in aesthetics modelled on Roderick Firth’s 1952 paper ‘Ethical Absolutism and the Ideal Observer’. The first generation of philosophers to consider an Ideal Aesthetic Observer found fault with Firth’s omniscience condition; more recent writers have criticized the affective component of an IAO’s response. In the end, most discussants reject the possibility of an IAO theory. Though the IAO theory gets the model wrong for answering meta‐aesthetic questions, revisiting the debate prompts useful (...)
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  38. Faultless Disagreement and Aesthetic Realism.Karl Schafer - 2011 - Philosophy and Phenomenological Research 82 (2):265-286.
    It has recently been argued that certain areas of discourse, such as discourse about matters of taste, involve a phenomenon of ‘‘ faultless disagreement ’’ that rules out giving a standard realist or contextualist semantics for them. Thus, it is argued, we are left with no choice but to consider more adventurous semantic alternatives for these areas, such as a semantic account that involves relativizing truth to perspectives or contexts of assessment. I argue that the sort of faultless disagreement present (...)
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  39. Realizing Beauty.Arnold Cusmariu - manuscript
    Tackling the question whether beauty is a property as if the problem of universals could safely be ignored leads to confusions exemplified in Scruton 2009, McMahon 2007, Zangwill 2001 and Scarry 1999, among recent writers. I frame the question in the proper context with a measure of precision, clear away misunderstandings, present a logically valid argument for an affirmative answer, list three relevant and four irrelevant ways of countering the argument, and show that well-known views of Hume and Kant yield (...)
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  40. Two Conceptions of Response-Dependence.Rafael De Clercq - 2002 - Philosophical Studies 107 (2):159-177.
    The traditional conception of response-dependence isinadequate because it cannot account for all intuitivecases of response-dependence. In particular, it is unableto account for the response-dependence of (aesthetic, moral, epistemic ...) values. I therefore propose tosupplement the traditional conception with an alternativeone. My claim is that only a combination of the twoconceptions is able to account for all intuitivecases of response-dependence.
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  41. Contextualism Was Ambitious.Murray Krieger - 1962 - Journal of Aesthetics and Art Criticism 21 (1):81-88.
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Aesthetic Realism
  1. Aesthetic Values Are Distal Versions of Practical Values.Tom Cochrane - forthcoming - Journal of Aesthetics and Art Criticism.
    This is a 1000 word summary of my theory of aesthetic value. I claim that value should be understood as an activity rather than a property, that aesthetic values are objectified final values, that they are distal versions of practical values, and that each one involves balancing a tension. This is for an upcoming symposium at the JAAC in which 11 philosophers outline their positions on aesthetic value.
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  2. The Aesthetic Value of Literary Works in Roman Ingarden’s Philosophy.Hicham Jakha - 2022 - Kultura I Wartości (32):165-185.
    In this paper, I attempt to formulate an Ingardenian conception of the literary work’s aesthetic value. Following Mitscherling’s lead, I attempt to place Ingarden’s aesthetics within his overall phenomenological-ontological project. That is, I argue that Ingarden’s aesthetics can only be properly fathomed in the context of his ontological deliberations, since, as he himself often enunciated, all his philosophical investigations constitute a realist rejoinder to Husserl’s turn toward transcendental idealism. To this end, I bring together insights from his aesthetics and ontology (...)
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  3. Aesthetic Realism and Manifest Properties.Andrea Sauchelli - 2022 - Journal of Aesthetics and Art Criticism 80 (2):201-213.
    This article outlines a realist theory of aesthetic properties as higher-order manifest properties and defends it from several objections, including a possible conflict with contextualist approaches to the aesthetic properties of works of art.
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  4. Cavendish's Aesthetic Realism.Daniel Whiting - forthcoming - Philosophers' Imprint.
    In this paper, I offer a new interpretation of Margaret Cavendish’s remarks on beauty. According to it, Cavendish takes beauty to be a real, response-independent quality of objects. In this sense, Cavendish is an aesthetic realist. This position, which remains constant throughout her philosophical writings, contrasts with the non-realist views that were soon after to dominate philosophical reflections on matters of taste in the early modern period. It also, I argue, contrasts with the realism of Cavendish’s contemporary, Henry More. While (...)
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  5. How to Be an Aesthetic Realist.Elizabeth Tropman - 2022 - Ratio 35 (1):61-70.
    This paper develops a form of realism about aesthetics that is stronger than typical versions of aesthetic realism. As I conceive of it, aesthetic realism is the view that there are some response-independent aesthetic facts. This kind of realism is unpopular in aesthetics and is often viewed as a non-starter. Against this pessimism, I argue that the prospects for this realist approach are more favorable than commonly supposed. I offer some reasons to prefer my brand of aesthetic realism to competing (...)
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  6. The Aesthetic Value of the World.Tom Cochrane - 2021 - Oxford, UK: Oxford University Press.
    This book defends Aestheticism- the claim that everything is aesthetically valuable and that a life lived in pursuit of aesthetic value can be a particularly good one. Furthermore, in distilling aesthetic qualities, artists have a special role to play in teaching us to recognize values; a critical component of virtue. I ground my account upon an analysis of aesthetic value as ‘objectified final value’, which is underwritten by an original psychological claim that all aesthetic values are distal versions of practical (...)
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  7. Ugliness Is in the Gut of the Beholder.Ryan P. Doran - forthcoming - Ergo: An Open Access Journal of Philosophy.
    I offer the first sustained defence of the claim that ugliness is constituted by the disposition to disgust. I advance three main lines of argument in support of this thesis. First, ugliness and disgustingness tend to lie in the same kinds of things and properties (the argument from ostensions). Second, the thesis is better placed than all existing accounts to accommodate the following facts: ugliness is narrowly and systematically distributed in a heterogenous set of things, ugliness is sometimes enjoyed, and (...)
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  8. Tasty Roads to Flavour.Axel Barceló Aspeitia - 2020 - Manuscrito 43 (4):1-12.
    The goal of this brief note is to offer a generalisation of Gómez-Torrente argumentative strategy against perspectivism, which he has developed as a defence of color realism in (2016) and (2019) and then apply it to evaluative language. In particular, I want to defend the thesis that at least some aesthetic predicates can have non-evaluative reference. As an example, I will work with the predicate “tasty” (and its antonym “disgusting”) to argue that it some times refers to a non-subjective non-evaluative (...)
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  9. The Aesthetic Experience of Artwork.Mika Suojanen - 2014 - In Kaisa Koivisto, Jani Kukkola, Timo Latomaa & Pirkko Sandelin (eds.), Experience Research IV. Rovaniemi: Lapland University Press. pp. 57–72.
    What is beautiful or ugly vary from one person another, from time to time and from culture to culture. However, at the same time, people are certain that there are aesthetic properties in the nature, artworks and other persons and, furthermore, they can be perceived by the naked eye. This article argues that experience does not reveal the aesthetic properties of the objects.
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