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  1. The Dionysian Vision of the World.Ira J. Allen (ed.) - 2013 - Univocal Publishing.
    Before the world knew of the thinker who “philosophizes with a hammer,” there was a young, passionate thinker who was captivated by the two forces found within Greek art: Dionysus and Apollo. In this essay, which was the forerunner to his groundbreaking book _The Birth of Tragedy, The Dionysian Vision of the World_ provides an unparalleled look into the philosophical mind of one of Europe’s greatest and provocative intellects at the beginning of his philosophical interrogation on the subject of art. (...)
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  2. Radical Landscapes Reinventing Outdoor Space.Jane Amidon - 2001
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  3. How I Made the World Shaping a View of Landscape.Jay Appleton - 1994
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  4. Humans in the Land: The Ethics and Aesthetics of the Cultural Landscape.Sven Arntzen & Emily Brady (eds.) - 2008 - Unipub.
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  5. Il Paesaggio E L'Estetica.Rosario Assunto - 1973 - Giannini.
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  6. The Artful Universe Expanded.John D. Barrow - 2005 - Oxford University Press.
    Our love of art, writes John Barrow, is the end product of millions of years of evolution. How we react to a beautiful painting or symphony draws upon instincts laid down long before humans existed. Now, in this enhanced edition of the highly popular The Artful Universe, Barrow further explores the close ties between our aesthetic appreciation and the basic nature of the Universe. Barrow argues that the laws of the Universe have imprinted themselves upon our thoughts and actions in (...)
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  7. The Artful Universe.John D. Barrow - 1995 - Oxford University Press.
    Our likes and dislikes--our senses and sensibilities--did not fall ready-made from the sky, argues internationally acclaimed author John D. Barrow. We know we enjoy a beautiful painting or a passionate symphony, but what we don't necessarily understand is that these experiences conjure up latent instincts laid down and perpetuated over millions of years. Now, in The Artful Universe, Barrow explores the close ties between our aesthetic appreciation and the basic nature of the Universe, challenging the commonly held view that our (...)
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  8. Le Paysage, Un Projet Politique.Mario Bédard (ed.) - 2009 - Presses de l'Université du Québec.
    Poser ces questions, est-il soutenu dans ce recueil qui explore les référents culturels et les imaginaires paysagers issus de l'histoire, des pratiques d'aménagement et des politiques du paysage au Canada et en Europe, n'est-ce pas se ...
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  9. The Art in Knowing a Landscape.A. Berleant - 2013 - Diogenes 59 (1-2):52-62.
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  10. Cultivating an Urban Aesthetic.A. Berleant - 1986 - Diogenes 34 (136):1-18.
  11. The Landscape of Waste.Alberto Bertagna - 2011 - Skira.
    The first book ever published to survey waste as a building material. Focusing on the projects, this book gives readers the tools they need to grasp the language and forms of a new architectural language and offers scientific and non-biased overviews to ensure credibility in the environmental science and engineering communities.
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  12. Paesaggi Fatti Ad Arte.Alberto Bertagna (ed.) - 2010 - Quodlibet.
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  13. Aesthetics of the Natural Environment.Emily Brady - 2000 - University of Alabama Press.
    Emily Brady provides a systematic account of aesthetics in relation to the natural environment, offering a critical understanding of what aesthetic appreciation ...
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  14. L'invenzione Della Natura Selvaggia: Storia di Un'idea Dal Xviii Secolo a Oggi.Franco Brevini - 2013 - Bollati Boringhieri.
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  15. Delight in the Natural World: Kant on the Aesthetic Appreciation of Nature. Part 1: Natural Beauty.M. Budd - 1998 - British Journal of Aesthetics 38 (1):1-18.
  16. Objectivity and the Aesthetic Value of Nature: Reply to Parsons.Malcolm Budd - 2006 - British Journal of Aesthetics 46 (3):267-273.
    The Aesthetic Appreciation of Nature I advance a view of the aesthetic value of nature that Glenn Parsons seeks to contest. Here I attempt to show three things. The first is that his critique of my view of the aesthetic value of a natural thing is malfounded. The second is that his proposed alternative, which is intended to vindicate the claim to objectivity of certain judgements of the aesthetic value of a natural thing, is unconvincing. And the third is that, (...)
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  17. The Aesthetic Appreciation of Nature.Malcolm Budd - 2003 - Oxford University Press UK.
    The aesthetics of nature has over the last few decades become an intense focus of philosophical reflection, as it has been ever more widely recognised that it is not a mere appendage to the aesthetics of art. Everyone delights in the beauty of flowers, and some are thrilled by the immensity of mountains or of the night sky. But what is involved in serious aesthetic appreciation of the natural world? Malcolm Budd presents four interlinked studies in the aesthetics of nature, (...)
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  18. The Aesthetic Appreciation of Nature: Essays on the Aesthetics of Nature.Malcolm Budd - 2002 - Oxford University Press.
    The aesthetics of nature has over the last few decades become an intense focus of philosophical reflection, as it has been ever more widely recognised that it is not a mere appendage to the aesthetics of art. Everyone delights in the beauty of flowers, and some are thrilled by the immensity of mountains or of the night sky. But what is involved in serious aesthetic appreciation of the natural world? Malcolm Budd presents four interlinked studies in the aesthetics of nature, (...)
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  19. Delight in the Natural World: Kant on the Aesthetic Appreciation of Nature Part III: The Sublime in Nature.Malcolm Budd - 1998 - British Journal of Aesthetics 38 (3):233-250.
  20. Delight in the Natural World: Kant on the Aesthetic Appreciation of Nature. Part I: Natural Beauty.Malcolm Budd - 1998 - British Journal of Aesthetics 38 (1):1-18.
  21. The Aesthetic Appreciation of Nature.Malcolm Budd - 1996 - British Journal of Aesthetics 36 (3):207-222.
    The aesthetics of nature has over the last few decades become an intense focus of philosophical reflection, as it has been ever more widely recognised that it is not a mere appendage to the aesthetics of art. Just as nature offers aesthetic experiences beyond the reach of art, so the aesthetics of nature raises issues not contained within the philosophy of art. -/- Malcolm Budd presents four interlinked essays addressing all the main problems about the aesthetics of nature. These include: (...)
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  22. VII—The Aesthetics of Nature.Malcom Budd - 2000 - Proceedings of the Aristotelian Society 100 (2):137-157.
    I begin by demonstrating the inadequacy of the idea that the aesthetic appreciation of nature should be understood as the appreciation of nature as if it were art. This leads to a consideration of three theses: from the aesthetic point of view natural items should be appreciated under concepts of the natural things or phenomena they are, what aesthetic properties a natural item really possesses is determined by the right categories of nature to experience the item as falling under, and (...)
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  23. “The Line of Beauty”.Sara Cannizzaro - 2009 - In Leonard Sbrocchi & John Deely (eds.), Semiotics. Legas Publishing. pp. 849-857.
    There seems to be a relation or some sort of 'unity' between man's works and the spontaneously occurring works produced by nature such as shells, nests, horns and so on. To use Bertalanffy's term for describing common properties of objects or systems (1973), nature's forms and human forms are isomorphic. For example, efficient structures typical of shells or plants such as spirals and radii, are very common archetypes that recur throughout the whole body of humans' architecture. A spiral form can (...)
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  24. Aesthetic Appreciation of Nature and Environmentalism.Allen Carlson - 2011 - Royal Institute of Philosophy Supplement 69:137-155.
    This article is a response to yuriko saito's "is there a correct aesthetic appreciation of nature?" (jae 18:4) which challenges the position on the aesthetic appreciation of nature that i develop in a series of recent articles. i here consider saito's arguments, concluding that they neither establish the correctness of a wide range of kinds of aesthetic appreciations of nature nor undercut the grounds for the prominence i grant to scientific considerations in such appreciation.
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  25. Nature and Landscape: An Introduction to Environmental Aesthetics.Allen Carlson - 2008 - Cambridge University Press.
    The roots of environmental aesthetics reach back to the ideas of eighteenth-century thinkers who found nature an ideal source of aesthetic experience. Today, having blossomed into a significant subfield of aesthetics, environmental aesthetics studies and encourages the appreciation of not just natural environments but also human-made and human-modified landscapes. _Nature and Landscape_ is an important introduction to this rapidly growing area of aesthetic understanding and appreciation. Allen Carlson begins by tracing the development of the field's historical background, and then surveys (...)
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  26. Budd and Brady on the Aesthetics of Nature. [REVIEW]Allen Carlson - 2005 - Philosophical Quarterly 55 (218):106 - 113.
    This essay is a critical notice of Malcolm Budd's _The Aesthetics of Nature (Oxford, 2002) and Emily Brady's _Aesthetics of the Natural Environment (Edinburgh, 2003). I argue that, although each of the volumes makes an important contribution to our understanding of the aesthetic experience of nature, the accounts of aesthetic appreciation of nature that are developed by Budd and Brady are each somewhat defective in that neither grants an adequate role to knowledge in such appreciation, and specifically to scientific knowledge.
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  27. Review: Budd and Brady on the Aesthetics of Nature. [REVIEW]Allen Carlson - 2005 - Philosophical Quarterly 55 (218):106 - 113.
    This essay is a critical notice of Malcolm Budd's _The Aesthetics of Nature (Oxford, 2002) and Emily Brady's _Aesthetics of the Natural Environment (Edinburgh, 2003). I argue that, although each of the volumes makes an important contribution to our understanding of the aesthetic experience of nature, the accounts of aesthetic appreciation of nature that are developed by Budd and Brady are each somewhat defective in that neither grants an adequate role to knowledge in such appreciation, and specifically to scientific knowledge.
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  28. Aesthetics and the Environment: The Appreciation of Nature, Art and Architecture.Allen Carlson - 2002 - Routledge.
    Traditional aesthetics is often associated with the appreciation of art, Allen Carlson shows how much of our aesthetic experience does not encompass art but nature. He argues that knowledge of what it is we are appreciating is essential to having an appropriate aesthetic experience and that scientific understanding of nature can enhance our appreciation of it, rather than denigrate it.
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  29. Nature Appreciation and the Question of Aesthetic Relevance.Allen Carlson - 2002 - In Arnold Berleant (ed.), The Environment and the Arts. Ashgate Press. pp. 61--74.
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  30. Nature, Aesthetic Appreciation, and Knowledge.Allen Carlson - 1995 - Journal of Aesthetics and Art Criticism 53 (4):393-400.
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  31. Appreciation and the Natural Environment.Allen Carlson - 1979 - Journal of Aesthetics and Art Criticism 37 (3):267-275.
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  32. The Aesthetics of Natural Environments.Allen Carlson & Arnold Berleant (eds.) - 2004 - Broadview Press.
    The Aesthetics of Natural Environments is a collection of essays investigating philosophical and aesthetics issues that arise in our appreciation of natural environments. The introduction gives an historical and conceptual overview of the rapidly developing field of study known as environmental aesthetics. The essays consist of classic pieces as well as new contributions by some of the most prominent individuals now working in the field and range from theoretical to applied approaches. The topics covered include the nature and value of (...)
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  33. Costelloe, Timothy M., Ed. The Sublime: From Antiquity to the Present. Cambridge University Press, 2012, Xiii + 304 Pp., 36 B&W Illus., $35.95 Paper. [REVIEW]Tom Cochrane - 2013 - Journal of Aesthetics and Art Criticism 71 (4):390-392.
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  34. Collision. Bass Pro Shops, Environmental Thought, and the Animatronic Dead.Christina M. Colvin - 2015 - Evental Aesthetics 4 (2):105-115.
    This essay collides with the aesthetic of wilderness cultivated by the North American retail chain Bass Pro Shops. Through elaborate displays and décor that render each store part rustic lodge, aquarium, amusement park, natural history museum, and hunting simulator, the stores represent the natural world and its inhabitants as abundant resources for human consumption. The stores’ aesthetic is primarily wrought through the arrangement of taxidermied animals. These animals include both traditional wildlife mounts posed in lifelike attitudes as well as animatronic (...)
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  35. The Transformation Nature in Art.Ananda Kentish Coomaraswamy - 1934 - Harvard University Press.
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  36. The Transformation of Nature in Art.Ananda Kentish Coomaraswamy - 1934 - Sterling Publishers Pvt..
    The theory of art in Asia.--Meister Eckhart's view of art.--Reactions to art in India.--Aesthetic of the Śukranītsāra.--Paroksa.--Ábhása.--Origin and use of images in India.--Notes.--Sanskrit glossary.--List of Chinese characters.--Bibliography (p. [235]-245).
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  37. In Praise of Gardens.David E. Cooper - 2003 - British Journal of Aesthetics 43 (2):101-113.
    The paper asks whether gardens may be objects of ‘serious’ (in Ronald Hepburn's sense) and distinctive appreciation. Dismissive attitudes to the possibility of such appreciation, including Hegel's, are rejected, as is the view—Kant's, for example—that garden appreciation is ‘factorizable’ into the modes appropriate for artworks and ‘raw’ nature respectively. That view entails that there is nothing distinctive in garden appreciation. Attention then turns to the idea that it is the representational/symbolic capacities of gardens that render them objects of distinctive appreciation. (...)
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  38. The Beauties of Scenery a Geographical Survey.Vaughan Cornish - 1944 - F. Muller.
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  39. My Kind of Countryside: Finding Design Principles in the Land.Roger G. Courtenay - 2010 - the University of Chicago Press.
    Breathing ground -- Moving in nature -- Making buildings -- Modifying places -- My kind of countryside.
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  40. The Pattern of Landscape.Sylvia Crowe - 1988 - Packard.
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  41. Filosofia Del Paesaggio.Paolo D'Angelo - 2010 - Quodlibet.
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  42. Delighting in Natural Beauty: Joint Attention and the Phenomenology of Nature Aesthetics.Johan De Smedt & Helen De Cruz - 2013 - European Journal for Philosophy of Religion 5 (4):167-186.
    Empirical research in the psychology of nature appreciation suggests that humans across cultures tend to evaluate nature in positive aesthetic terms, including a sense of beauty and awe. They also frequently engage in joint attention with other persons, whereby they are jointly aware of sharing attention to the same event or object. This paper examines how, from a natural theological perspective, delight in natural beauty can be conceptualized as a way of joining attention to creation. Drawing on an analogy between (...)
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  43. Saving ‘Disinterestedness’ in Environmental Aesthetics: A Defence Against Berleant.Damla Dönmez - 2016 - Estetika: The Central European Journal of Aesthetics 53 (2):149-164.
    The old, historical concept of ‘disinterestedness’ has dominated the tradition of aesthetics for almost two centuries. In environmental aesthetics, a rather recent branch of aesthetics, some scholars such as Arnold Berleant have criticized disinterestedness, claiming that it is not a satisfactory criterion since it views the environment as an artwork. As an alternative, Berleant proposes a theory of the ‘aesthetics of engagement’. I claim that although his main intention is to introduce a comprehensive perception of nature, ‘appreciating nature as nature’, (...)
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  44. Controversy About the Aesthetic Nature of Art.Bohdan Dziemidok - 1988 - British Journal of Aesthetics 28 (1):1-17.
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  45. Fact and Fiction in the Aesthetic Appreciation of Nature.Marcia Muelder Eaton - 1998 - Journal of Aesthetics and Art Criticism 56 (2):149-156.
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  46. Patterns of the Earth.Bernhard Edmaier - 2007 - Phaidon.
    Bands -- Stripes -- Ripples -- Circles -- Spots -- Grains -- Forks -- Branches -- Webs -- Curves -- Ribbons -- Swirls -- Spikes -- Grids -- Cracks.
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  47. Representing Place. [REVIEW]C. E. Emmer - 2004 - Review of Metaphysics 57 (3):610-612.
  48. The Senses of the Sublime: Possibilities for a Non-Ocular Sublime in Kant's Critique of Judgment.C. E. Emmer - 2001 - In Volker Gerhardt, Rolf Horstmann & Ralph Schumacher (eds.), Kant und die Berliner Aufklärung: Akten des IX. Internationalen Kant-Kongresses, Vol. 3. Walter de Gruyter. pp. 512-519.
    It might at first seem that the senses (the five traditionally recognized conduits of outer sense) would have very little to contribute to an investigation of Kant's aesthetics. Is not Kant's aesthetic theory based on a relation of the higher cognitive faculties? Much however can be revealed by asking to what degree sight is essential to aesthetic judgment (of beauty and the sublime) as Kant describes it in the 'Critique of Judgment.' Here the sublime receives particular attention.
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  49. Aesthetic Appreciation of the Natural.Ie Environmen - 2008 - In Alex Neill & Aaron Ridley (eds.), Arguing About Art: Contemporary Philosophical Debates. Routledge. pp. 157.
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  50. Sheng Tai Wen Yi Yu Zhongguo Wen Yi Si Xiang de Xian Dai Zhuan Huan.Guang Ge - 2007 - Qi Lu Shu She.
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1 — 50 / 148