Alexander Baumgarten

Edited by Courtney Fugate (American University of Beirut, American University of Beirut)
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  1. 18th Century German Philosophy Prior to Kant.Corey W. Dyck & Brigitte Sassen - forthcoming - Stanford Encyclopedia of Philosophy.
  2. Rationalism and Kant's Rejection of the Ontological Argument.Dai Heide - forthcoming - Journal of the History of Philosophy.
    Kant rejects the ontological argument on the grounds that the ontological argument inescapably must assume that existence is a "determination" or "real predicate," which it is not. Most understand Kant's argument for this claim to be premised upon his distinctive proto-Fregean theory of existence. But this leaves Kant dialectically vulnerable: the defender of the ontological argument can easily reject this as question-begging. I show that Kant relies upon two distinct arguments, both of which contend that the claim that existence is (...)
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  3. Baumgarten and Kant on Rational Theology: Deism, Theism, and the Role of Analogy.Brian Chance & Lawrence Pasternack - 2019 - In Courtney Fugate (ed.), Kant's Lectures of Metaphysics. Cambridge University Press.
    In both his published works and lecture notes Kant distinguishes between Transcendental and Natural Theology, associating the former with Deism and the latter with Theism. The purpose of this paper is to explore these distinctions, particularly as they are shaped by Kant’s engagement with Baumgarten’s Philosophical Theology.
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  4. Einzigartigkeit. Die Logik des Genuinen und ihre Genealogie aus der Logik.Stefan Färber - 2019 - In Unarten. Kleist und das Gesetz der Gattung. Bielefeld, Deutschland: pp. 71-92.
  5. Was heißt Fortschritt im Wissen? Gnoseoto­pi­sche Überlegungen zur Auf­klä­rung und ihren Folgen.Hans Adler - 2018 - Kantian Journal 37 (1):40-61.
  6. Between Wolffianism and Pietism: Baumgarten's Rational Psychology.Corey W. Dyck - 2018 - In Courtney Fugate & John Hymers (eds.), Baumgarten and Kant on Metaphysics. Oxford: Oxford University Press. pp. 78-93.
    In this paper, I consider Baumgarten’s views on the soul in the context of the Pietist critique of Wolff’s rational psychology. My primary aim is to account for the largely unacknowledged differences between Wolff’s and Baumgarten’s rational psychology, though I also hope to show that, in some cases, the Pietists were rather more perceptive in their reading of Wolff than they are typically given credit for as their criticisms frequently succeed in drawing attention to significant omissions in Wolff’s discussion.
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  7. Über Die Unsterblichkeit der Seele.Corey W. Dyck & Georg Friedrich Meier (eds.) - 2018 - Hildesheim: Olms.
    Meier’s Gedancken von dem Zustande der Seele nach dem Tode (Gedancken) deserves a prominent place among treatments of the immortality of the soul in 18th century German philosophy, both within and without the Wolffian tradition of rational psychology. It does not wilt next to Mendelssohn’s Phädon in its quality of expression, and might even be compared with Kant’s discussion in the Paralogisms chapter of his Kritik der reinen Vernunft in terms of the boldness of its argument and its philosophical rigour. (...)
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  8. Baumgarten and Kant on Metaphysics.Courtney D. Fugate & John Hymers (eds.) - 2018 - Oxford University Press.
    This volume explores the metaphysics of Alexander Gottlieb Baumgarten and its decisive influence on Immanuel Kant. Eleven specially written essays by leading scholars of German philosophy will boost further the growth of interest in Baumgarten as a key figure in the history of European thought.
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  9. Kant’s Debt to Baumgarten in His Religious (Un‐)Grounding of Ethics.Toshiro Osawa - 2018 - Kant Yearbook 10 (1):105-123.
    Alexander Gottlieb Baumgarten’s ethics had a significant influence on the formation of Kant’s ethics. The extent of this influence, however, has not been sufficiently investigated by existing Kant scholarship. Filling this gap, this paper aims to reveal Baumgarten’s substantial influence on the formation of Kant’s ethics, particularly the complex ways in which Kant’s ethics retains the concept of God as crucial for ensuring that his ethics persist under the scrutiny of reason. In a systematic comparison of the ethics of the (...)
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  10. Anna-Maria C. Bartsch: Form Und Formalismus. Stationen der Ästhetik Bei Baumgarten, Kant Und Zimmermann, Würzburg 2017. [REVIEW]Martina Sauer - 2018 - Sehepunkte. Rezensionsjournal für Geschichtswissenschaften 18 (7/8).
  11. Wahrscheinliche Weltweisheit. Alexander Gottlieb Baumgartens Metaphysik des Erkennens und Handelns.Alexander Aichele - 2017 - Hamburg: Meiner.
    Die Untersuchung analysiert deswegen nach einem einleitenden Vorschlag zur Bestimmung des Verhältnisses von Logik und Metaphysik im Anschluss an Leibniz Baumgartens Erkenntnistheorie in ihrer charakteristischen Komplementarität von Ästhetik und Logik, die das gesamte Feld aller möglichen Gewissheit, d. h. des Bewusstseins der Wahrheit der verschiedensten Erkenntnisse, abdecken. Darüber hinaus erörtert sie auch deren mögliche Gegenstände, nämlich die Beschaffenheit der Dinge, wie sie das Wissen Gottes als eine ideale Metaphysik enthielte. Auf der Grundlage einer Ontologie teilweise unbestimmer aktualer Existenz kommt Baumgarten (...)
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  12. Rationalism and Perfectionism.Stefano Bacin - 2017 - In Sacha Golob & Jens Timmermann (eds.), The Cambridge History of Moral Philosophy. Cambridge University Press. pp. 379-393.
    The chapter provides a brief survey of the moral views of some of the main writers advocating rationalist conceptions in philosophical ethics in Eighteenth-Century Britain and Germany, prior to Reid and Kant: Samuel Clarke, William Wollaston, John Balguy, Richard Price, Christian Wolff (along with his adversary Christian August Crusius), Alexander Gottlieb Baumgarten.
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  13. Alexander Baumgarten: Metaphysics. A Critical Translation with Kant’s Elucidations. Selected Notes, and Related Materials. Transl. And Ed. With an Introduction by Courtney D. Fugate and John Hymers. London/New Delhi/New York/Sydney: Bloomsbury, 2013. 471 P. ISBN 978-1-4411-3294-9. [REVIEW]Sophie Grapotte - 2017 - Kant-Studien 108 (1):152-155.
    Name der Zeitschrift: Kant-Studien Jahrgang: 108 Heft: 1 Seiten: 152-155.
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  14. The Emergence of Modern Aesthetic Theory: Religion and Morality in Enlightenment Germany and Scotland.Simon Grote - 2017 - Cambridge University Press.
    Broad in its geographic scope and yet grounded in original archival research, this book situates the inception of modern aesthetic theory – the philosophical analysis of art and beauty - in theological contexts that are crucial to explaining why it arose. Simon Grote presents seminal aesthetic theories of the German and Scottish Enlightenments as outgrowths of a quintessentially Enlightenment project: the search for a natural 'foundation of morality' and a means of helping naturally self-interested human beings transcend their own self-interest. (...)
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  15. Die Vermessung des Sinnlichen. Zur Etablierung der empirischen Ästhetik und ihrer Bedeutung für die Kunstpädagogik.Nicolas Kleinschmidt - 2017 - BDK-MItteilungen 4:37-39.
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  16. Clear and Distinct Ideas in Eighteenth Century Germany: Metaphysics, Logic, Aesthetics.Colin McQuillan - 2017 - In Manuel Sánchez-Rodríguez & Miguel Escribano (eds.), Leibniz en Dialogo. Seville: Themata.
  17. Kierkegaard’s Сoncept of the Аesthetics and Alexander Gottlieb Baumgarten.Ihor Pasitschnyk - 2016 - Sententiae 34 (1):124-131.
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  18. Kant’s Lectures on Ethics and Baumgarten’s Moral Philosophy.Stefano Bacin - 2015 - In Lara Denis & Oliver Sensen (eds.), Kant's Lectures on Ethics: A Critical Guide. Cambridge University Press. pp. 15-33.
    The chapter shows how Kant’s ethical thought as reflected in the lectures, responds to Baumgarten’s works on moral philosophy. I argue that Kant chose Baumgarten’s textbooks for his classes for genuinely philosophical reasons. The thorough discussion of Baumgarten’s views provided Kant with important clues for developing an original position, even if mostly in opposition to Baumgarten. I illustrate this complex role of Baumgarten with a few significant examples, that also highlight some original aspects of Baumgarten’s position in comparison to Wolff’s: (...)
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  19. Alexander Gottlieb Baumgarten: Metaphysica = Metaphysik. Historisch-kritische Ausgabe, übers., eingel. und hrsg. von Günter Gawlick und Lothar Kreimendahl. [REVIEW]Alexander Gunkel - 2015 - Philosophischer Literaturanzeiger 68 (2):108-117.
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  20. Early Modern Aesthetics.J. Colin McQuillan - 2015 - Rowman & Littlefield International.
    A clear and concise account of the relationship between aesthetics and philosophy in Europe during the seventeenth and eighteenth centuries and the development of aesthetics as a discipline in its own right.
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  21. Kant's Critique of Baumgarten's Aesthetics.J. Colin McQuillan - 2015 - Idealistic Studies 45 (1).
    This article considers three objections Immanuel Kant raises against Alexander Baumgarten’s plan for a science of aesthetics at different points in his career. Although Kant’s objections appear to be contradictory, this article argues that the contradiction is the result of an anachronism in the composition of Kant’s Logic. When the contradiction is resolved, it becomes apparent that Kant’s main reason for rejecting Baumgarten’s aesthetics during the pre-critical period—the lack of a priori principles for a critique of taste—loses its force after (...)
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  22. Gewissen. Interdisziplinäre Perspektiven auf das 18. Jahrhundert.Katerina Mihaylova & Simon Bunke - 2015 - Würzburg, Deutschland: Königshausen & Neumann.
  23. Ancient or Modern? Alexander G. Baumgarten and the Coming of Age of Aesthetics.Alessandro Nannini - 2015 - Filozofija I Društvo 26 (3):629-651.
    The aim of this essay is to examine Baumgarten?s conception on the history of aesthetics and on his role in it. In the first part, I analyze the way in which Baumgarten?s aesthetic innovation has been perceived by two of his disciples, namely Georg Conrad Winckelmann and Georg Andreas Will. While the former puts the emphasis on the modernity of aesthetics, Will seems more inclined to attribute the birth of aesthetics to ancient philosophers. Despite this apparent disagreement, my thesis is (...)
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  24. Ciencia Del Conocimiento Sensible: Principios Racionalistas En la Estética de Alexander Baumgarten.Pablo Chiuminatto - 2014 - Revista de filosofía (Chile) 70:61-73.
    A mediados del siglo XVIII, A. Baumgarten estableció una “ciencia del conocimiento sensible ” o estética. Su propuesta ampliaba el legado de Leibniz y Wolff, profundizaba la noción de experiencia y asumía el esquema tradicional de la Idea que Leibniz criticó a Descartes, pero considerando la acepción de ideas “simbólicas”. No obstante su relevancia, la propuesta de Baumgarten no siempre es considerada para comprender la teoría del arte, que aparece como una vía menos relevante frente a la revolución kantiana de (...)
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  25. Ciencia del conocimiento sensible: principios racionalistas en la doctrina estética de Alexander Baumgarten.Pablo Chiuminatto - 2014 - Revista de filosofía (Chile) 70:61-73.
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  26. Alexander Baumgarten on the Principle of Sufficient Reason.Courtney D. Fugate - 2014 - Philosophica -- Revista Do Departamento de Filosofia da Faculdade de Letras de Lisboa 44.
    This paper defends the Principle of Sufficient Reason, taking Baumgarten as its guide. The primary aim is not to vindicate the principle, but rather to explore the kinds of resources Baumgarten originally thought sufficient to justify the PSR against its early opponents. The paper also considers Baumgarten's possible responses to Kant's pre-Critical objections to the proof of the PSR. The paper finds that Baumgarten possesses reasonable responses to all these objections. While the paper notes that in the absence of a (...)
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  27. Baumgarten, Alexander., Metaphysics: A Critical Translation, with Kant’s Elucidations, Selected Notes, and Related Materials. [REVIEW]Edward Kanterian - 2014 - Review of Metaphysics 67 (4):867-869.
  28. Baumgarten on Sensible Perfection.J. Colin McQuillan - 2014 - Philosophica -- Revista Do Departamento de Filosofia da Faculdade de Letras de Lisboa 44.
    One of the most important concepts Baumgarten introduces in his Reflections on Poetry is the concept of sensible perfection. It is surprising that Baumgarten does not elaborate upon this concept in his Metaphysics, since it plays such an important role in the new science of aesthetics that he proposes at the end of the Reflections on Poetry and then further develops in the Aesthetics. This article considers the significance of the absence of sensible perfection from the Metaphysics and its implications (...)
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  29. Theoretische Ästhetik.Alexander Gottlieb Baumgarten - 2013 - Felix Meiner Verlag.
    Mit der Veröffentlichung der »Aesthetica« löste Baumgarten ein, was er in seiner Metaphysica im Ansatz formulierte: die Ästhetik als eigenständige Disziplin, das ist als »Wissenschaft der sinnlichen Erkenntnis«, systematisch zu begründen und zur Darstellung zu bringen. Der Impuls, der davon ausging, hatte wirkungsgeschichtlich zunächst nur als Entwurf einer besonderen Philosophie der Kunst breite Resonanz. Das eigentliche Ziel war jedoch sehr viel weiter gesteckt: Gegen Wolff, der die Formen der »sinnlichen Erkenntnis« noch dem »unteren Erkenntnisvermögen« zurechnete, erweist Baumgarten das Eigenrecht der (...)
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  30. Texte Zur Grundlegung der Ästhetik.Alexander Gottlieb Baumgarten - 2013 - Felix Meiner Verlag.
    Die in diesem Band vereinten Texte , lassen die Einbettung der Baumgartenschen Ästhetik als der Lehre vom sinnlichen Erkennen in seine metaphysische Gesamtkonzeption deutlich werden. Die dem lateinischen Text beigegebene Übersetzung ist besonders wertvoll, weil Baumgartens kompakte und eigenwillige lateinische Ausdrucksweise auch dem Kenner vielfach Schwierigkeiten bereitet.
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  31. The Founding of Aesthetics in the German Enlightenment: The Art of Invention and the Invention of Art.Stefanie Buchenau - 2013 - Cambridge University Press.
    When, in 1735, Alexander Gottlieb Baumgarten added a new discipline to the philosophical system, he not only founded modern aesthetics but also contributed to shaping the modern concept of art or 'fine art'. In The Founding of Aesthetics in the German Enlightenment, Stefanie Buchenau offers a rich analysis and reconstruction of the origins of this new discipline in its wider context of German Enlightenment philosophy. Present-day scholars commonly regard Baumgarten's views as an imperfect prefiguration of Kantian and post-Kantian aesthetics, but (...)
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  32. Metaphysics: A Critical Translation with Kant's Elucidations, Selected Notes, and Related Materials.Courtney Fugate, John Hymers & Alexander Baumgarten - 2013 - Bloomsbury Academic.
    Available for the first time in English, this critical translation draws from the original seven Latin editions and Georg Friedrich Meier's 18th-century German translation. Together with a historical and philosophical introduction, extensive glossaries and notes, the text is supported by translations of Kant's elucidations and notes, Eberhard's insertions in the 1783 German edition and texts from the writings of Meier and Wolff. For scholars of Kant, the German Enlightenment and the history of metaphysics, Alexander Baumgarten's Metaphysics is an essential, authoritative (...)
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  33. Vom Ich zur Welt: Formen der Weltbeziehung in Kants Anthropologie.Riccardo Martinelli - 2013 - In Margit Ruffing, Claudio La Rocca, Alfredo Ferrarin & Stefano Bacin (eds.), Kant Und Die Philosophie in Weltbürgerlicher Absicht: Akten des Xi. Kant-Kongresses 2010. De Gruyter. pp. 413-424.
    This essay focuses on the relation between man and the world in Kant’s anthropology. Within Baumgarten’s Metaphysica, used as a manual by Kant for his lessons, empirical psychology is situated between cosmology and rational psychology. However, this view is untenable for Kant, at least after the first Critique. Consequently, whereas Baumgarten explains, for instance, obscure ideas referring to the bodily position in the world, Kant’s pragmatic approach excludes this. Yet, the concept of «Welt» retains paramount importance within Kant’s Anthropology. The (...)
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  34. Enthymematik und Wahrscheinlichkeit. Die epistemologische Rechtfertigung singulärer Urteile in Universaljurisprudenz und Logik der deutschen Aufklärung: Christian Wolff und Alexander Gottlieb Baumgarten.Alexander Aichele - 2011 - Rechtstheorie 42 (4):495-513.
  35. Alexander Gottlieb Baumgarten - Ein Intellektuelles Porträt: Studien Zur Metaphysik Und Ethik von Kants Leitautor.Clemens Schwaiger - 2011 - Frommann-Holzboog.
  36. La dignidad de la imaginación. Alexander Baumgarten y el contexto denacimiento de la Estética.Julio del Valle - 2011 - Areté. Revista de Filosofía 23 (2):303-328.
    “The Dignity of Imagination. Alexander Baumgarten and the Context ofthe Birth of Aesthetics”. The paper deals with the role of imagination in the disciplinaryconstitution of Aesthetics. For this purpose it is divided into three sections:the first one focuses on showing how imagination acquires a certain dignity at aspecific moment in the history of western thought; the second section shows howthis new status will allow, within the special historical context of Enlightenment,the birth of aesthetic reflection lead by Alexander Baumgarten. The third (...)
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  37. Full Competency or Restriction? Alexander Gottlieb Baumgarten's Critique of Christian Wolff's Concept of Philosophy.Alexander Aichele - 2010 - Studia Leibnitiana 42 (2):162-185.
  38. Alexander Baumgarten: Metaphysics (1739). Baumgarten - 2009 - In Eric Watkins (ed.), Kant's Critique of Pure Reason: Background Source Materials. Cambridge University Press.
  39. Ästhetik.Alexander Gottlieb Baumgarten - 2009 - Felix Meiner Verlag.
    Mit seiner 'Aesthetica' hat Baumgarten die gleichnamige philosophische Disziplin begründet. Der umfangreiche, in zwei Teilen erschienene Text liegt nun erstmals in einer vollständigen deutschen Übersetzung vor.
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  40. Alexander Gottlieb Baumgarten, Ästhetik. [REVIEW]Armin Emmel - 2009 - Zeitschrift für Philosophische Forschung 63 (2).
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  41. Alexander Gottlieb Baumgarten: Ästhetik.Tomáš Hlobil - 2009 - Estetika 46 (1):105-110.
    A review of Alexander Gottlieb Baumgarten‘s Ästhetik. Latin-German edition. Trans., preface, notes, indexes by Dagmar Mirbach. 2 vols (vol. 1, pp. LXXX, 1--595; vol. 2, pp. IX, 596--1305). Hamburg: Felix Meiner Verlag, 2007, ISBN 3787317732. This is the first complete German translation of the two volumes of Baumgarten’s Aesthetics from 1750 and 1758.
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  42. Book Review: Alexander Gottlieb Baumgarten: Ästhetik. [REVIEW]Tomáš Hlobil - 2009 - Estetika:105-110.
  43. Magnitudo Aesthetica, Aesthetic Greatness. Ethical Aspects of Alexander Gottlieb Baumgarten's Fragmentary Aesthetica.Dagmar Mirbach - 2009 - Nordic Journal of Aesthetics 20 (36-37).
  44. Kant's Critique of Pure Reason: Background Source Materials.Eric Watkins (ed.) - 2009 - Cambridge University Press.
    This volume provides English translations of texts that form the essential background to Kant's Critique of Pure Reason. Presenting the projects of Kant's predecessors and contemporaries in eighteenth-century Germany, it enables readers to understand the positions that Kant might have identified with 'pure reason', the criticisms of pure reason that had developed prior to Kant's, and alternative attempts at synthesizing empiricist elements within a rationalist framework. The volume contains chapters on Christian Wolff, Martin Knutzen, Alexander Baumgarten, Christian Crusius, Leonhard Euler, (...)
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  45. El principio de la estética y su relación con el ser humano. Acerca de la dimensión antropológica de la Estética de Alexander Baumgarten.Julio Valle Ballón - 2008 - Estudios de Filosofía (Universidad de Antioquia) 38:47-68.
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  46. Ästhetik I.Alexander Gottlieb Baumgarten - 2007 - Felix Meiner Verlag.
    Mit seiner 'Aesthetica' hat Baumgarten die gleichnamige philosophische Disziplin begründet. Der umfangreiche, in zwei Teilen erschienene Text liegt nun erstmals in einer vollständigen deutschen Übersetzung vor.
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  47. Ästhetik Ii.Alexander Gottlieb Baumgarten - 2007 - Felix Meiner Verlag.
    Mit seiner 'Aesthetica' hat Baumgarten die gleichnamige philosophische Disziplin begründet. Der umfangreiche, in zwei Teilen erschienene Text liegt nun erstmals in einer vollständigen deutschen Übersetzung vor.
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  48. L'esthétique de l'analogon rationis: une introduction à la philosophie d'Alexander Gottlieb Baumgarten.Gilda Bouchat - 2007 - Revue de Théologie Et de Philosophie 139 (1):1-20.
    Les multiples histoires des idées qui retracent la constitution, relativement récente, de la discipline appelée «esthétique», mentionnent souvent le nom d�Alexander Gottlieb Baumgarten (1714-1762) en lui attribuant l�«invention» du néologisme «æsthetica». Très rapidement, ce terme latin, traduit en allemand, entre dans l�usage courant. De nos jours, il désigne un ensemble de discours souvent très hétérogènes sur les beaux-arts. Mais le sens originaire d�æsthetica, c�est-à-dire le contenu de l�ouvrage éponyme de 1750, demeure largement méconnu. Le présent article souhaite contribuer à souligner (...)
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  49. Kant's Rationalist Aesthetics.Rachel Zuckert - 2007 - Kant-Studien 98 (4):443-463.
    It is quite standard, even banal, to describe Kant's project in the Critique of Pure Reason [KrV] as a critical reconciliation of rationalism and empiricism, most directly expressed in Kant's claim that intuitions and concepts are two distinct, yet equally necessary, and necessarily interdependent sources of cognition. Similarly, though Kant rejects both the rationalist foundation of morality in the concept of perfection and that of the empiricists in feeling or in the moral sense, one might broadly characterize Kant's moral philosophy (...)
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  50. Kant and Herder on Baumgarten's Aesthetica.Angelica Nuzzo - 2006 - Journal of the History of Philosophy 44 (4):577-597.
    Angelica Nuzzo - Kant and Herder on Baumgarten's Aesthetica - Journal of the History of Philosophy 44:4 Journal of the History of Philosophy 44.4 577-597 Muse Search Journals This Journal Contents Kant and Herder on Baumgarten's Aesthetica Angelica Nuzzo While philosophers since antiquity have offered reflections and theories on subjects such as the beautiful, the sublime, art, and its appreciation, "aesthetics" as a discipline in its own right dates back only to the second half of the eighteenth-century. We owe to (...)
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