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  1. Representational and Realised Design: Problems for Analogies Between Organisms and Artifacts.Greg Bamford - 2010 - Copenhagen Working Papers on Design 2010 // No. 2.
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  2. Research, Knowledge and Design.Greg Bamford - 2003 - In Clare Newton, Sandra Kaj-O'Grady & Simon Wollan (eds.), Design + Research: Project Based Research in Architecture. Second International Conference of the Association of Australasian Schools of Architecture, Melbourne 28 – 30 September, 2003. Association of Architecture Schools of Australasia.
    The discussion about relations between research and design has a number of strands, and presumably motivations. Putting aside the question whether or not design or “creative endeavour” should be counted as research, for reasons to do with institutional recognition or reward, the question remains how, if at all, is design research? This question is unlikely to have attracted much interest but for matters external to Architecture within the modern university. But Architecture as a discipline now needs to understand research much (...)
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  3. From Analysis/Synthesis to Conjecture/Analysis: A Review of Karl Popper’s Influence on Design Methodology in Architecture. [REVIEW]Greg Bamford - 2002 - Design Studies 23 (3):245-61.
    The two principal models of design in methodological circles in architecture—analysis/synthesis and conjecture/analysis—have their roots in philosophy of science, in different conceptions of scientific method. This paper explores the philosophical origins of these models and the reasons for rejecting analysis/synthesis in favour of conjecture/analysis, the latter being derived from Karl Popper’s view of scientific method. I discuss a fundamental problem with Popper’s view, however, and indicate a framework for conjecture/analysis to avoid this problem.
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  4. Design, Science and Conceptual Analysis.Greg Bamford - 1991 - In Jim Plume (ed.), Architectural Science and Design in Harmony: Proceedings of the joint ANZAScA / ADTRA conference, Sydney, 10-12 July, 1990. School of Architecture, University of NSW.
    Philosophers expend considerable effort on the analysis of concepts, but the value of such work is not widely appreciated. This paper principally analyses some arguments, beliefs, and presuppositions about the nature of design and the relations between design and science common in the literature to illustrate this point, and to contribute to the foundations of design theory.
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  5. Institutional Design and Public Space: Hegel, Architecture, and Democracy.J. C. Berendzen - 2008 - Journal of Social Philosophy 39 (2):291-307.
    Habermas's conception of deliberative democracy could be fruitfully supplemented with a discussion of the "institutional design" of civil society; for example the architecture of public spaces should be considered. This paper argues that Hegel's discussion of architecture in his 'Aesthetics' can speak to this issue. For Hegel, architecture culminates in the gothic cathedral, because of how it fosters reflection on the part of the worshiper. This discussion suggests the possibility that architecture could foster a similar kind of intersubjective reflection. To (...)
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  6. The Environment and the Arts.Arnold Berleant (ed.) - 2002 - Ashgate Press.
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  7. Vacant NL, Where Architecture Meets Ideas.Jurgen Bey, Joost Grootens, Erik Rietveld, Ronald Rietveld, Saskia Van Stein & Barbara Visser (eds.) - 2010 - NAI.
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  8. Is Critical Regionalist Philosophy Possible?Thorsten Botz-Bornstein - 2010 - Comparative and Continental Philosophy 2 (1):11-25.
    In architecture, the concept of Critical Regionalism gained popularity as a synthesis of universal, “modern” elements and individualistic elements derived from local cultures. Critical Regionalist alternatives are more than a postmodern mix of ethno styles but integrate conceptual qualities like local light, perspective, and tectonic quality into a modern architectural framework. In order to “critically” root architectural works in their corresponding traditions, Critical Regionalists base their conceptual stances on those philosophers that have produced a critical consciousness in European culture like (...)
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  9. Architecture of Consequence: Dutch Designs on the Future.Ole Bouman, Anneke Abhelakh, Mieke Dings & Martine Zoeteman (eds.) - 2009 - NAI Publishers.
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  10. L’habiter ou le bien de l’architecture.Rabah Bousbaci - 2009 - Les ateliers de l'éthique/The Ethics Forum 4 (1):20-33.
    Le bâtir est un trait fondamental de la condition humaine. À notre époque, les réflexions en vue de mieux comprendre le sens phénoménologique et anthropologique de l’acte de bâtir se mul- tiplient. La constante qui semble rallier ces réflexions consiste à reconnaître l’enracinement du sens de l’acte de bâtir dans l’habiter : le bâtir puiserait ainsi sa signification première dans l’ha- biter. Ce ralliement et ce consensus semblent marquer ainsi ce que l’histoire pourrait un jour désigner comme le « tournant (...)
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  11. Dragonfly: An Ecological Approach to Digital Architectural Design.Michael Braund & Daniel Hambleton - 2011 - In J. M. Taron, V. Parlac, B. Kolarevic & J. S. Johnson (eds.), ACADIA: Integration through Computation.
    In his keynote address delivered to The American Society for Esthetics in 1976, James J. Gibson wrote, “Architecture and design do not have a satisfactory theoretical basis.” He then asked, “Can an ecological approach to the psychology of perception and behavior provide it?” (1976, p. 413) We believe that it can, at least in part. In this paper, we expand upon Gibson’s insights into the nature of perceptual experience by applying the concept of “affordances” to the design of architectural objects (...)
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  12. “Religious Sentiment And Church Design In The Later Middle Ages,”.C. Brooke - 1967 - Bulletin of the John Rylands Library 50 (1):13-33.
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  13. The Appropriation of Space.Christophe Bruchansky - 2010
    In this paper, I study some aspects of urban environment using the concept of non-place intro- duced by Marc Augé in 1995. I first define the concepts of space, place and non-place. I then explain why nomadism plays an important role in the way that we appropriate urban space. I discuss the role of narrative architects and how they intervene in the politics of space. And I conclude by questioning the supposedly superiority of places over non-places.
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  14. New Approaches to Medieval Architecture. AVISTA Studies in the History of Medieval Technology, Science and Art. [REVIEW]Caroline Bruzelius - 2012 - The Medieval Review 3.
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  15. Non-Places: An Introduction to Supermodernity. [REVIEW]Eric Buck - 2009 - Theory in Action 2 (3):134-140.
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  16. Notes on the Synthesis of Form. [REVIEW]D. C. - 1965 - Review of Metaphysics 19 (1):148-148.
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  17. Hotels on the Border: Cinematic Situations of Transgression and Transcendence.Melinda Campbell - 2011 - In Hyperborean Wind: Reflections on Design and the City.
    Three important 20th-century American films prominently feature a hotel as the site for morally ambiguous and sexually charged events depicted in the plot: Orson Welles's Touch of Evil (1958), Alfred Hitchcock's Psycho (1960), and Joel and Ethan Coen's Barton Fink (1991). While all three films have a multiplicity of elements that present how hotel spaces open horizons displaying human behaviors both normal and abnormal, moral and immoral, secret and public, sane and insane, the paper presents an extended argument for seeing (...)
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  18. LES CONDITIONS DE L'ECRITURE SUR L'HABITER. LE DEFI DE DEUX DISCOURS SAVANTS : L'ARCHITECTURE ET LA PHILOSOPHIE.Madjid Chachour - manuscript
    Les vertus de l’écrit sur l’oîkos (l’habitation chez les grecques) ou les récits du Domus (l’habitation chez les romains) et les conditions dont ces derniers leurs favorisent l’écriture posent l’hypothèse sur la nature des relations qui existent entre l'expérience de l’habiter et sa sémantique spatiale, l’écrit des philosophes contemporains dans ce domaine est, cependant convergeant vers un savoir qui s’articule au niveau de la configuration d’un seuil interprétatif très complexe. En effet, en tant que précurseurs dans la compréhension de la (...)
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  19. When Windmills Turn Into Giants.Erik Champion - 2007 - Techné: Research in Philosophy and Technology 10 (3):1-16.
    While many papers may claim that virtual environments have much to gain from architectural and urban planning theory, few seem to specify in any verifiable or falsifiable way, how notions of place and interaction are best combined and developed for specific needs. The following is an attempt to summarize a theory of place for virtual environments and explain both the shortcomings and the advantages of this theory.
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  20. Church-Building In The Middle Ages.C. Cheney - 1951 - Bulletin of the John Rylands Library 34 (1):20-36.
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  21. Fortress-Churches of Languedoc: Architecture, Religion, and Conflict in the High Middle Ages. [REVIEW]William Clark - 1998 - Speculum 73 (4):1115-1117.
  22. The Hyperintellectual in the Balkans: Recomposed.Rory J. Conces - 2016 - Global Outlook 1 (1):51-110.
    Although hypointellectuals have long been a part of our cultural landscape, it is in post-conflict societies, such as those in Bosnia and Kosovo, that there has arisen a strong need for a different breed of intellectual, one who is more than simply a social critic, an educator, a person of action, and a compassionate individual. Enter the non-partisan intellectual—the hyperintellectual. It is the hyperintellectual, whose non-partisanship is manifested through a reciprocating critique and defense of both the nationalist enterprise and strong (...)
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  23. Using Public Evocative Objects to Support a Multiethnic Democractic Society in Kosovo (II) Fields of Existence Vs. Fields of Battle.Rory J. Conces - 2011 - Bosnia Daily:9-10.
  24. Using Public Evocative Objects to Support a Multiethnic Democratic Society in Kosovo (I) Friendly and Enemy Images.Rory J. Conces - 2011 - Bosnia Daily.
  25. Intuitive Cities: Pre-Reflective, Aesthetic and Political Aspects of Urban Design.Matthew Crippen - 2016 - Journal of Aesthetics and Phenomenology 3:125-145.
    Evidence affirms that aesthetic engagement patterns our movements, often with us barely aware. This invites an examination of pre-reflective engagement within cities and also aesthetic experience as a form of the pre-reflective. The invitation is amplified because design has political implications. For instance, it can draw people in or exclude them by establishing implicitly recognized public-private boundaries. The Value Sensitive Design school, which holds that artifacts embody ethical and political values, stresses some of this. But while emphasizing that design embodies (...)
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  26. The Senses of the Sublime: Possibilities for a Non-Ocular Sublime in Kant's Critique of Judgment.C. E. Emmer - 2001 - In Volker Gerhardt, Rolf Horstmann & Ralph Schumacher (eds.), Kant und die Berliner Aufklärung: Akten des IX. Internationalen Kant-Kongresses, Vol. 3. Walter de Gruyter. pp. 512-519.
    It might at first seem that the senses (the five traditionally recognized conduits of outer sense) would have very little to contribute to an investigation of Kant's aesthetics. Is not Kant's aesthetic theory based on a relation of the higher cognitive faculties? Much however can be revealed by asking to what degree sight is essential to aesthetic judgment (of beauty and the sublime) as Kant describes it in the 'Critique of Judgment.' Here the sublime receives particular attention.
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  27. Certeau: The Question of the Subject.Bennett Gilbert - manuscript
    A reading of two essays by Certeau against spatialized critical theory and in support of a critical rhetorical approach to dialectic. (Draft.). (2010).
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  28. Architectural Thought: History and Theory Entangled.Timothy Gough - unknown
    This paper revisits a recent essay by Stanford Anderson, where he analyses Peter Eisenman’s take on Corbusier’s Maison Dom-ino. The two takes on that perspective diagram are read in the light of Gadamer’s notion of effective-historical consciousness (in Truth and Method), and Deleuze’s notion of the different/cation of the Idea (in Difference and Repetition). The argument is made in the context of architectural studies and practice that an unconventional framing of through would allow historical consciousness to be theory; and theory (...)
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  29. How Does Inclusive Design Relate to Good Design? Designing as a Deliberative Enterprise.Ann Heylighen & Matteo Bianchin - 2013 - Design Studies 34 (1):93-110.
    Underlying the development of inclusive design approaches seems to be the assumption that inclusivity automatically leads to good design. What good design means, however, and how this relates to inclusivity, is not very clear. In this paper we try to shed light on these questions. In doing so, we provide an argument for conceiving design as a deliberative enterprise. We point out how inclusivity and normative objectivity can be reconciled, by defining the norm of good design in terms of a (...)
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  30. Design in Mind.Ann Heylighen, Humberto Cavallin & Matteo Bianchin - 2009 - Design Issues 25 (1):94-105.
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  31. “Review Essay of George Hinge and Jens A. Krasilnikoff, (Eds.), Alexandria: A Cultural and Religious Melting Pot (Aarhus, Denmark: Aarhus University Press, 1990),”. [REVIEW]J. F. Humphrey - 2012 - Nordicum-Mediterraneum 7 (1).
  32. The Architecture of History.Napoleon Ono Imaah - 2009 - Dialogue and Universalism 19 (3):307-323.
    The paper examines the bond between architecture and history on the premise that everybody is familiar with both architecture and history. The paper views architecture as a profession that is satiated with imaginative and creative thinking; and contends that architecture extends, historically, into wherever human beings live their life. The author opines that architecture easily extends its influence, as a vivid universal metaphor into every sphere of human activity as a synonym, in building either concrete or abstract forms. Thus, the (...)
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  33. Synergy and Dialogue.Napoleon Ono Imaah - 2006 - Dialogue and Universalism 16 (11/12):57-67.
    This paper acknowledges the fact human beings are social animals, as they tend to live in well-organized societies. However, human population expansion explodes into internal implosions that continue to wreck havoc globally on the social, economic, political, architectural, and aesthetic environments. To harness the universal territorial imperatives, of contending components harmoniously, the world requires synergy and dialogue.
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  34. Wittgenstein and Modernism.Zumhagen-Yekplé Karen & LeMahieu Michael (eds.) - 2017 - Chicago: University of Chicago Press.
    Ludwig Wittgenstein famously declared that philosophy “ought really to be written only as a form of poetry,” and he even described the Tractatus as “philosophical and, at the same time, literary.” But few books have really followed up on these claims, especially as they relate to the special literary and artistic period in which Wittgenstein worked. This book offers the first collection to address the rich, vexed, and often contradictory relationship between modernism—the twentieth century’s predominant cultural and artistic movement—and Wittgenstein, (...)
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  35. Free Play and the Foreclosure of New Babylon.Gerald Keaney - 2012 - Environment and Planning D 30:418-433.
    Automation may be able to completely eliminate the need for labour. But how should we use the freed-up time? In his proposal for a future urbanism, New Babylon, Constant Nieuwenhuys thought people would engage in nonstop free play, remaking surroundings. I argue that at the core of New Babylon is an intuition about a satisfying life, that of Homo ludens. This intuition had a broad appeal in the 1960s. New Babylon is an intuition pump, not a utopia, and Constant wants (...)
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  36. Ten Short Theses on Architecture as Art.Gavin Keeney - manuscript
    Drops Dripped - WKCD - What Does It Do? - Techne - Faux Year Zero - Commercium as Ethics - Fictitious Space - The Module - The Image - Art, Love, Revolution. A version of this essay appeared in Gavin Keeney, "Else-where": Essays in Art, Architecture, and Cultural Production 2002-2011 (CSP, 2011), pp. 285-306.
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  37. Dossier LANY 2001-2008.Gavin Keeney - manuscript
    Landscape Agency New York was founded by Gavin Keeney, c.1997, and encompassed a wide array of activities and effects – e.g., research, writing, design, consulting, and teaching. /S/OMA (Syntactical Operations Metaphorical Affects) was the mobile, and sometimes global design and teaching module within LANY, focusing primarily on entirely hypothetical and/or irreal projects, many becoming the foundation for lectures and courses delivered at institutions in the US, Canada, Australia, and Europe, from 2003 to 2007. Lastly, the LANY Archive-Grotto was established following (...)
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  38. 11 Visual Poems.Gavin Keeney - manuscript
    The 11 experimental, pseudo-avantgarde visual poems (wordless, other than title and date) are an indirect homage to the late-great filmmaker and photographer, Chris Marker (1921-2012), foremost to his penchant for utilizing disintegrating imagery in his film-essays and multimedia installations. All images were captured using a Research in Motion, BlackBerry 8520 cellphone, and subsequently 100-percent de-saturated, and 100-percent contrast-adjusted, using Microsoft Office Picture Manager. The images, as a result, resemble the primitive production values given to the pinhole camera, and the “dogmatic” (...)
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  39. Sub-Calla: Pieces of San Francisco.Gavin Keeney - manuscript
    Photo-essay/travelogue from 2004 regarding the gentrification of San Francisco.
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  40. Pure Visuality: Notes on Intellection & Form in Art & Architecture.Gavin Keeney - manuscript
    Diaristic, mixed notes on: John Ruskin's The Poetry of Architecture (1837) and Modern Painters (1885); Caravaggio, Victorian Aesthetes, G.K. Chesterton, and Tacita Dean; Jay Fellows' Ruskin’s Maze: Mastery and Madness in His Art (1981); Slavoj Žižek at Jack Tilton Gallery, New York, New York, USA, April 23, 2009, “Architectural Parallax: Spandrels and Other Phenomena of Class Struggle”; “Titian, Tintoretto, Veronese: Rivals in Renaissance Venice”, Museum of Fine Arts, Boston, Massachusetts, USA, March 15-August 16, 2009; Janet Harbord, Chris Marker: La Jetée (...)
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  41. Things Czech 1997-2006.Gavin Keeney - manuscript
    Essays and documents surveying the post-communist architectural scene in the Czech Republic. - 1/ “Wild & Wilder” (1997) – A brief travelogue with comments on Kew Gardens, London, and Mies van der Rohe’s Villa Tugendhat (1930), Brno. 2/ “Angel City” (1999) – A short report on Jean Nouvel’s Golden Angel office tower in Smíchov, Prague. 3/ “Read & Weep: Scandal in Bohemia” (1999) – Essay on post-communist machinations within the architectural scene in the Czech Republic, including reports on: Jean Nouvel’s (...)
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  42. Terra Incognita: New York to Ljubljana.Gavin Keeney - manuscript
    Photo-essay on six cities: New York, Melbourne, Hong Kong, London, Paris, and Ljubljana.
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  43. "Else-Where": Essays in Art, Architecture, and Cultural Production 2002-2011.Gavin Keeney - 2011 - Cambridge Scholars Press.
    “Else-where” is a synoptic survey of the representational values given to art, architecture, and cultural production from 2002 through 2011. Written primarily as a critique of what is suppressed in architecture and what is disclosed in art, the essays are informed by the passage out of post-structuralism and its disciplinary analogues toward the real Real . While architecture nominally addresses an environmental ethos, it also famously negotiates its own representational values by way of its putative autonomy ; its main repression (...)
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  44. "Upstream": What is "in" Formal Agency?Gavin Keeney & Parsa Khalili - manuscript
    A discussion of what operates from "within" formal agency as irreal surplus to artworks and how otherwise discursive systems become abstracted by the artwork. Text by Gavin Keeney. Images by Parsa Khalili.
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  45. ‘What to Wear?’: Clothing as an Example of Expression and Intentionality.Ian King - 2015 - Argument: Biannual Philosophical Journal 5 (1):59-78.
    I will argue here that for many of us the act of dressing our bodies is evidence of intentional expression before different audiences. It is important to appreciate that intentionality enables us to understand how and why we act the way we do. The novel contribution this paper makes to this examination is employing clothing as a means of revealing the characteristics of intentionality. In that, it is rare to identify one exemplar that successfully captures the relationships between the cognitive (...)
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  46. Descartes in arhitektura.Gregor Kroupa - 2006 - Filozofski Vestnik 27 (3):23-38.
    Descartes and Architecture -/- The article analyses the architectural metaphor in Descartes' Discourse on Method and The Seventh replies. The idea of Descartes' project, introduced to the reader as a construction of a building and planning of a city, is much more indebted to its architectural imagery than, or so its critics say, is "sound" for a philosophical theory. Architecture is an analogon of philosophy in Descartes' texts. By producing a figure of philosopher-architect, Descartes tries to legitimate his philosophical theory (...)
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  47. Art Criticism.Donald Kuspit (ed.) - 1998
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  48. Between the Lines: The Jewish Museum, Berlin.Daniel Libeskind - 1992 - Research in Phenomenology 22 (1):82-87.
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  49. Front Yards.Kevin Melchionne - 2002 - In Arnold Berleant (ed.), The Environment and the Arts. Ashgate Press.
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  50. Re-Thinking Site-Specificity in Public Art: Some Critical and Philosophical Problems.Kevin Melchionne - 1998 - In Donald Kuspit (ed.), Art Criticism. pp. 36-49.
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