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  1. added 2018-12-21
    Arystotelesowskie Ujęcie Homonimii.Mikołaj Domaradzki - 2016 - Diametros 50:1-24.
    The purpose of the paper is to discuss Aristotle’s account of homonymy. The major thesis advocated here is that Aristotle considers both entities and words to be homonymous, depending on the object of his criticism. Thus, when he takes issue with Plato, he tends to view homonymy more ontologically, upon which it is entities that become homonymous. When, on the other hand, he gainsays the exegetes or the sophists, he is inclined to perceive homonymy more semantically, upon which it is (...)
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  2. added 2018-11-07
    Aristotle on Chance, Causation, and Teleology.Emily Nancy Kress - 2018 - Dissertation,
  3. added 2017-10-26
    Methodology in Aristotle’s Theory of Spontaneous Generation.Karen Zwier - 2018 - Journal of the History of Biology 51 (2):355-386.
    Aristotle’s theory of spontaneous generation offers many puzzles to those who wish to understand his theory both within the context of his biology and within the context of his more general philosophy of nature. In this paper, I approach the difficult and vague elements of Aristotle’s account of spontaneous generation not as weaknesses, but as opportunities for an interesting glimpse into the thought of an early scientist struggling to reconcile evidence and theory. The paper has two goals: to give as (...)
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  4. added 2014-03-12
    Material Vicissitudes and Technical Wonders: The Ambiguous Figure of Automaton in Aristotle's Metaphysics of Sexual Difference.Emanuela Bianchi - 2006 - Epoché: A Journal for the History of Philosophy 11 (1):109-139.
    In Aristotle’s physics and biology, matter’s capacity for spontaneous, opaque, chance deviation is named by automaton and marked with a feminine sign, while at the same time these mysterious motions are articulated, rendered knowable and predictable via the figure of ta automata, the automatic puppets. This paper traces how automaton functions in the Aristotelian text as a symptomatic crossing-point, an uncanny and chiasmatic figure in which materiality and logos, phusis, and technē, death and life, masculine and feminine, are intertwined and (...)
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