58 found
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  1. added 2017-11-22
    The Critical Theory of Artistic Capitalism.Oana Şerban - 2017 - Hermeneia 18:22-33.
    This article takes up Lipovetsky‟s discussion on artistic capitalism in L’esthétisation du monde. Vivre à l’âge du capitalisme artiste, to trace its definitions and methodological construction, but also in order to create a critical theory of artistic capitalism, based on the following working-hypothesis: the production of art and the production of self, understood in the sense of a Foucauldian project of the aesthetics of existence, represent correspondent purposes in artistic capitalism. My research will be focused on examining previous attempts of (...)
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  2. added 2017-11-22
    As Metáforas do Sermão do Monte: Univocidade e Plurivocidade.Rosilene Gomes Ribeiro Francisco - 2015 - Dissertation, Mackenzie, Brazil
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  3. added 2017-11-21
    How Technology Changes Our Idea of the Good.Mark Sentesy - 2011 - In Paul Laverdure & Melchior Mbonimpa (eds.), Eth-ICTs: Ethics and the New Information and Communication Technologies. Sudbury: University of Sudbury. pp. 109-123.
    The ethical neutrality of technology has been widely questioned, for example, in the case of the creation and continued existence of weapons. At stake is whether technology changes the ethical character of our experience: compare the experience of seeing a beating to videotaping it. Interpreting and elaborating on the work of George Grant and Marshall McLuhan, this paper consists of three arguments: 1) the existence of technologies determines the structures of civilization that are imposed on the world, 2) technologies shape (...)
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  4. added 2017-11-20
    A Dramaturgia Negativa: Dialética Trágica e Formação do Teatro Brasileiro.Ivan Delmanto Franklin de Matos - 2016 - Dissertation, USP, Brazil
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  5. added 2017-11-20
    A Arte Mimetiza a Natureza.Marina Leonhardt Palmieri - 2014 - Revele 7:151-165.
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  6. added 2017-11-20
    Pássaros de Carne e Lenda: A Poesia Plástica de Ismael Nery e Murilo Mendes.André Teixeira Cordeiro - 2008 - Dissertation, USP, Brazil
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  7. added 2017-11-19
    Konzeptuelle Kunst in Amerika Und England Zwischen 1963 Und 1976.Thomas Dreher - 1988 - Dissertation, Ludwig-Maximilians-Universität
    The core of the Conceptual artists (Mel Bochner, Sol LeWitt; the Siegelaub group with Robert Barry, Douglas Huebler, Joseph Kosuth, Lawrence Weiner; English and American members of Art & Language) is situated in the art context of the late sixties and the first half of the seventies. The self-positioning of the Conceptual artists within the art world in texts dealing with art theoretical as well as institutional problems is outlined, and selected works are interpreted.
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  8. added 2017-11-18
    Giovanni of Capestrano and Jan Brugman in a Manuscript of The Brothers of The Common Life: The Hague, Koninklijke Bibliotheek, MS 78 H 54.Delcorno Pietro - 2017 - Franciscan Studies 75 (1):89-116.
    This article explores the presence and function of texts by two spokesmen of the Franciscan Observance sub vicaris, namely Giovanni of Capestrano and Jan Brugman, within a religious miscellany most probably used – if not composed – by the Brothers of the Common Life in the house of Lüchtenhof, founded in 1440 in the neighbourhood of Hildesheim, Lower Saxony. The miscellany attests to the influence of these two prominent preachers beyond their religious order and beyond the geographic areas in which (...)
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  9. added 2017-11-18
    Writing Polemic as History: The Apocalyptic Implications of Elias of Cortona, Hugh of Digne, and Gerardo Segarelli in Salimbene's Cronica.Powell Austin - 2017 - Franciscan Studies 75 (1):343-384.
    Writing in 1284, the Franciscan chronicler Salimbene of Parma said of his Order's former General Minister, Elias of Cortona, that one of Elias's several faults was "that he accepted many useless men into the Order. I lived in the convent of Siena for two years, for example, and I saw twenty-five lay brothers there."2 For Salimbene, to be a layman in religious life was also to be useless.3 The Franciscan movement at its inception was a lay phenomenon, yet its founder's (...)
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  10. added 2017-11-18
    Olivian Echoes in the Economic Treatises of Bernardine of Siena and John of Capistrano.Sedda Filippo - 2017 - Franciscan Studies 75 (1):385-405.
    I would like to begin this presentation with a quote from pope Francis's most recent encyclical Laudato si', in which we hear again the powerful voices of Bernardine of Siena and John of Capistrano, which resound again in XV century square:The principle of the subordination of private property to the universal destination of goods, and thus the right of everyone to their use, is a golden rule of social conduct and "the first principle of the whole ethical and social order". (...)
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  11. added 2017-11-18
    Essays on Giovanni of Capestrano Preface.James D. Mixson & Bert Roest - 2017 - Franciscan Studies 75 (1):1-3.
    The following essays focus on one of the most important figures in the religious history of the later middle ages. Giovanni of Capestrano is in one sense familiar to many, above all to scholars and students of Franciscan history. The story of the friar from Abruzzo, one of the 'four pillars' of the Observance, appears in every standard account of the Order's history: his career as a jurist, his conversion and tutelage under Bernardino, his fierce advocacy for the Observants, his (...)
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  12. added 2017-11-18
    Giovanni of Capestrano's Anti-Judaism Within a Franciscan Context: An Evaluation Based On Recent Scholarship.Roest Bert - 2017 - Franciscan Studies 75 (1):117-143.
    Since at least the later nineteenth century, scholars have discussed the ways in which the Observant Franciscan Giovanni of Capestrano dealt with Jews and Judaism in his writings and in his preaching rallies. Not surprisingly, the scholarly positions to a large extent have reflected the particular Sitz im Leben of the protagonists. On the one hand, Franciscan historians and other Catholic scholars who admired Capestrano's evangelical zeal have tended to downplay his anti-Judaism or have presented it as a legitimate, albeit (...)
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  13. added 2017-11-18
    Memorializing Identity: The Foundation and Reform of San Lorenzo in Panisperna.E. Graham Emily - 2017 - Franciscan Studies 75 (1):467-495.
    In the year 1308, Cardinal Giacomo Colonna was a tremendously busy man. He had returned to Rome only a few years earlier in the aftermath of a devastating papal war waged against his family by Boniface VIII. The papal court had been absent from the city for years, leaving an administrative void in Rome as it established itself first in Poitiers, then in Avignon from 1308 under the leadership of the Gascon pope Clement V. In 1306 Giacomo was fully reinstated (...)
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  14. added 2017-11-18
    The Function and Spirituality of Bonaventure's "Treatise" on the Miracles of St. Francis.George F. Rambow - 2017 - Franciscan Studies 75 (1):323-341.
    A notion that was prevalent throughout the twentieth century and persists into the present, is that Bonaventure compiled the Legenda maior as a means to make peace between two quarreling factions within the Franciscan order—the Spirituals and the Conventuals.2 Some have suggested a twofold function: "restoration of peace and harmony within the order" and the "[vindication of] the friars in the eyes of the world."3 Others prefer to regard the political implications of the Legenda as incidental, focusing instead on the (...)
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  15. added 2017-11-18
    Giovanni of Capestrano's Liturgical Office for the Feast of Saint Bernardino of Siena.Solvi Daniele - 2017 - Franciscan Studies 75 (1):49-71.
    In the years following the death of Bernardino of Siena Giovanni of Capestrano was intensely involved with the tasks of his role as the main supporter of the cause of canonization. This project, which finally came to be realized in the Jubilee year of 1450, was close to his heart for both personal reasons and for the legitimating power that a Bernardino who had been proclaimed a saint would have for advancing the interests of the Observant movement. Along with a (...)
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  16. added 2017-11-18
    Saint Giovanni of Capestrano in the Artistic Representations of the Franciscan Family Tree.Cassio Giuseppe - 2017 - Franciscan Studies 75 (1):233-273.
    The present work proposes to investigate, through an analysis of certain artistic works, the reasons that led Giovanni of Capestrano to be included, or not included, in the Franciscan family tree. After engaging the same theme with respect to the early martyrs of the Order of Friars Minor,1 and, more recently, the representation of Saint Louis of Toulouse in the subject under investigation,2 this investigation of the figure of the friar from Abruzzo represents a further opportunity to propose certain artistic (...)
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  17. added 2017-11-18
    Between Christianitas and Europe: Giovanni of Capestrano as an Historical Issue.Pellegrini Letizia & Viallet Ludovic - 2017 - Franciscan Studies 75 (1):5-26.
    Giovanni of Capestrano, who is largely ignored by non-specialists in religious history, is very well-known to scholars from the countries which he crossed during his turbulent mission of only six years between Wiener Neustadt and Ilok. However, the fragmentation of research in national historiographies remains very considerable, even though Giovanni's Great Mission seems to constitute, ex natura we could say, a point of convergence among them. The repeated efforts made during the past century to collect and publish his correspondence (still (...)
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  18. added 2017-11-18
    'An Liceat Cum Iudeis Participare' A Consilium of Giovanni of Capestrano.Sedda Filippo - 2017 - Franciscan Studies 75 (1):145-174.
    To ensure that the perfidious Jews and their accomplices, defenders and supporters, do not seek their own frivolous exception from the burdens of the statutes of the church or the abrogation of laws, it has been deemed expedient, by the approval and confirmation of recommendations, to extend the commission of the devout friar Giovanni of Capestrano, which he has with regard to the conduct of the Jews and the renewal and confirmation of the regulations of the church concerning the Jews (...)
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  19. added 2017-11-18
    Giovanni of Capestrano as Novus Bernardinus. An Attempt in Iconography and Relics.Langer Pavla - 2017 - Franciscan Studies 75 (1):175-208.
    Bernardino of Siena and Giovanni of Capestrano, both preachers and among the most relevant figures of the Observance, shaped that branch of the Franciscan Order during the first half of the fifteenth century. After Bernardino's death in 1444 Giovanni zealously promoted his friend's canonization, which occurred in 1450. The Observants' first sanctified friar signaled the official legitimacy of this branch of the Order and Giovanni subsequently tried to establish L'Aquila, Bernardino's place of death, as the center of the Franciscan reform (...)
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  20. added 2017-11-18
    Giovanni da Capestrano: Iconografia di Un Predicatore Osservante Dalle Origini Alla Canonizzazione by Luca Pezzuto.Roest Bert - 2017 - Franciscan Studies 75 (1):547-550.
    The initial conception this work, in fact a combination of a large repertory and image catalogue, an introduction into the iconographic depiction of the Observant friar Giovanni of Capestrano, and additional contributions on the life of Giovanni, the controversies surrounding him, and his hagiographic representation prior to his canonization in 1690, apparently lies with Luca Pezzuto's visit of the Museo Nazionale d'Abruzzo as a young graduate student. Impressed by the painting Beato Giovanni da Capestrano e quattro miracoli della sua vita, (...)
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  21. added 2017-11-13
    Counterfactual Claims About Fictional Characters: Philosophical and Literary Perspectives.Luis Galván - 2017 - Journal of Literary Semantics 46 (2):87-107.
    The problems of making and evaluating counterfactual claims about fictional characters cannot be adequately handled without taking into account the practices of literary criticism, interpretation, and re-creation. The direct-reference theory of names explains only a subset of the phenomena of fiction and explains away the rest as irrelevant or pseudo-problems, whereas some criticisms of that theory bring in metaphysical concepts that may obscure the issue. This paper suggests that the indeterminacy of fictions and the conventions of the aforementioned practices are (...)
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  22. added 2017-11-12
    ARTEFATOS E MODELOS DA MÚSICA NA ANTIGUIDADE OCIDENTAL.Cynthia Sampaio De Gusmão - 2015 - Dissertation, University of São Paulo, Brazil
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  23. added 2017-11-12
    REPRESENTAÇÃO E PRÁTICA DA CRIAÇÃO LITERÁRIA NA OBRA DE JOÃO CABRAL DE MELO NETO. ANÁLISE TEXTUAL E PROTOTEXTUAL.Francisco José Gonçalves Lima Rocha - 2011 - Dissertation, University of São Paulo, Brazil
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  24. added 2017-11-09
    A female saint in Anglo-Saxon poetic tradition: stylistic and linguocultural peculiarities of the image.O. V. Tomberg - 2017 - Liberal Arts in Russia 6 (4):312-321.
    The article devoted to the study of an artistic image of female saint from stylistic and linguocultural perspectives. The image is represented by the characters of Judith and Juliana in Anglo-Saxon literature. Stylistic peculiarities of the image are result of the fact that it emerges as a combination of heroic and religious genres. Thus, two genre pictures of the world account for characteristics of the image: on the one hand, it is described by epithets relating to the sphere of divinity, (...)
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  25. added 2017-11-09
    Benjamin Gittel: Lebendige Erkenntnis und ihre literarische Kommunikation. Robert Musil im Kontext der Lebensphilosophie [Living knowledge and its communication through literature. Robert Musil in the context of Lebensphilosophie].Benjamin Gittel - 2013 - Münster, Germany: mentis.
    This study seeks to contribute to the current debate in literary studies, philosophy, and the history of science about knowledge’s forms of representation and the “knowledge of literature,” while in two respects also going beyond the debate. First, it shows how and why the demand for an alternative non-scientific form of knowledge mediated by literature becomes widespread within a particular constellation in the history of ideas. In particular, it situates this phenomenon within the philosophy of life (Lebensphilosophie) and the so-called (...)
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  26. added 2017-11-03
    G. Binding & A. Speer, , Mittelalterliches Kunsterleben Nach Quellen des 11. Bis 13. Jahrhunderts, Friedrich Fromman Verlag — Gunther Holzboog GmbH & Co., Stuttgart-Bad Cannstatt 1993, 346 P. ISBN 3 7728 1538 3. [REVIEW] Tummers - 1995 - Vivarium 33 (2):258-259.
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  27. added 2017-11-01
    The Evolution of Human Wisdom.Celia Deane-Drummond & Augustin Fuentes (eds.) - 2017 - Lanham, MD: Lexington Books.
    This volume addresses key questions about the puzzle of human origins by focusing on a topic that is largely unexplored thus far, namely, the evolution of human wisdom. How can we best understand the human capacity for wisdom, where did it come from, and how did it emerge? It explores lines of convergence and divergence between Christian theology and evolutionary anthropology in its search to identify different aspects of wisdom. Critical to this discussion are the philosophical difficulties that arise when (...)
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  28. added 2017-10-31
    Review of: "Anthony Dykes, Reading Sin in the World. The Hamartigenia of Prudentius and the Vocation of the Responsible Reader. Cambridge 2015 [Paperback edition of the original edition 2011]." In: Gymnasium 124 (2017). S. 483-486. [REVIEW]Magnus Frisch - 2017 - Gymnasium - Zeitschrift Für Kultur der Antike Und Humanistische Bildung 124 (5):483-486.
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  29. added 2017-10-26
    “Keys to Words That Are Already There”: Chief Bromden’s Psychedelic Journey Towards Redemption.Mongia Besbes - 2016 - The IAFOR International Conference on Global Studies 2016 Official Conference Proceedings:1-10.
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  30. added 2017-10-21
    1,000 Holes in the Wall.Gavin Keeney - manuscript
    Co-authored research paper written with José Vela Castillo on the subject of Pablo Román's wall of 1,000 images, Vienna, 2013. -/- “Vienna” or “The Wall” is an ongoing project by architect/artist Pablo Román that, upon its completion, will consist of the round number of 1,000 images taped onto an off-white wall. One of the many walls he has designed/produced in the past months (architectural or otherwise), its elementary condition is at the same time enhanced and diminished by its very presence (...)
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  31. added 2017-10-17
    Recital A Anunciação para Palavras Perdidas.Juliano Ozga - 2017 - Rio de Janeiro, Brasil: CBJE Editora.
    Afonso Penna Mascarenhas Júnior Ouro Preto, 26 de março de 2013. Juliano, As coisas, palavras e sentimentos não só começam a fazer sentido, quando já estão em pleno exercício da fé, do amor e da esperança. Você, Juliano, terno/menino/homem e já tão consciente; são nítidas as impressões, um plácido regato, um manso cordeiro. Consciência do saber da beleza que não é mais ilusão, do atávico medo do homem-urbano, do pavor de todos nós... Alinhave tuas palavras, que concretas serãoa nos traspassar (...)
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  32. added 2017-10-16
    Empathy, Engagement, Entrainment: The Interaction Dynamics of Aesthetic Experience.Ingar Brinck - 2017 - Cognitive Processing:1-10.
    A recent version of the view that aesthetic experience is based in empathy as inner imitation explains aesthetic experience as the automatic simulation of actions, emotions, and bodily sensations depicted in an artwork by motor neurons in the brain. Criticizing the simulation theory for committing to an erroneous concept of empathy and failing to distinguish regular from aesthetic experiences of art, I advance an alternative, dynamic approach and claim that aesthetic experience is enacted and skillful, based in the recognition of (...)
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  33. added 2017-10-16
    A Música na Obra de Pitágoras de Samos e os Pitagóricos. Breves Fragmentos.Juliano Ozga (ed.) - 2017 - Saarbrücken, Deutschland: NEA Novas Edições Acadêmicas.
    O tema desse livro, conforme o título é a música (do grego μουσική τέχνη – musiké téchne, i.e., “a arte das musas”) na obra de Pitágoras, primeiro pensador na história da filosofia a fazer dessa arte o centro de sua visão de mundo, através de sua inclusão até mesmo nas assim chamadas “ciências exatas”. Para que haja maior compreensão e clareza a respeito do pensamento de Pitágoras, cujos escritos chegaram até o século XXI extremamente fragmentados e em número muito reduzido, (...)
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  34. added 2017-10-10
    Editor’s Preface: Negation and Return.Gavin Keeney - 2017 - In Heide Hatry (ed.), Icons in Ash. Barrytown, NY: Station Hill Press.
  35. added 2017-10-10
    Architectural Scholarship and Cognitive Capitalism.Gavin Keeney - 2017 - Project 6 (Spring 2017):40-45.
    This essay samples and describes the state of architectural scholarship across various platforms in the age of Cognitive Capitalism. The premise is that, much like scholarship in the Arts and Humanities generally, architectural scholarship suffers from the Either/Or schism between traditional academic research of a non-utilitarian form and the heavily mediatic practices of the mainstream – “mainstream” defined as both online and print publications that eschew the long-form essay or book in favor of the populist modality that serves the neo-liberalization (...)
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  36. added 2017-10-10
    The Bipolar Nature of Academic Publishing.Gavin Keeney - 2016 - IP Watch: Inside Views (May 5, 2016).
    Since the late twentieth-century shift from the liberal university to the neoliberal university (the latter distinguished by the managerial class installed to leverage and extract value from academic research, plus polish the brand of the franchise), the publications’ ecosystem for academics, foremost in the Arts and Humanities, has been altered beyond recognition. Notably, it has exponentially expanded while at the same time suffering maximum constriction in the form of what legal scholars have called the “great copyright robbery”.
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  37. added 2017-10-10
    Postdoctoral Limbo, Holy Poverty, and Quantum Scholarship.Gavin Keeney - 2016 - TRACE (July 28, 2016).
    My two-year experience with post-doctoral limbo has been categorically thrilling and appalling, at once. Upon finishing a PhD at Deakin University, in Australia, in June 2014 (meaning submitting my dissertation “Visual Agency in Art and Architecture” for external review), and having barely subsisted for almost three years on a nonetheless generous Australian Government-sponsored International Postgraduate Research Scholarship, plus stipend and occasional paid teaching, I first escaped to Ljubljana, Slovenia, by way of Hong Kong and England, where I wrote my first (...)
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  38. added 2017-10-10
    Not-I/Thou: Agent Intellect and the Immemorial.Gavin Keeney - 2015 - In Manuel Gausa (ed.), Rebel Matters/Radical Patterns. Genoa: University of Genoa/De Ferrari. pp. 446-51.
    Not-I/Thou: The Other Subject of Art & Architecture is to be a highly focused exhibition/folio of works by perhaps 12 artists (preferably little-known or obscure), with precise commentaries denoting the discord between the autonomous object (the artwork or architectural object per se) and the larger field of reference (worlds); inference (associative magic), and insurrection (against power and privilege) – or, the Immemorial. Engaging the age-old “theological apparatuses” of the artwork, the folio is intended to upend the current fascination with personality, (...)
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  39. added 2017-10-10
    Visual Agency in Art and Architecture.Gavin Keeney - 2014 - Dissertation, Deakin University
  40. added 2017-10-10
    Left-Wing Melancholies.Gavin Keeney - 2013 - In Mirjana Lozanovska (ed.), Cultural Ecology: New Approaches to Culture, Architecture and Ecology. Geelong: Deakin University. pp. 106-11.
  41. added 2017-10-10
    Medvedkine.Gavin Keeney - 2013 - eVolo 5 (Architecture Xenoculture):247-49.
    Chris Marker’s portrait of Alexandre Medvedkine in the 1993 film Le tombeau d’Alexandre/The Last Bolshevik is highly instructive of his own relationship to Soviet cinema. Most especially, this difficult or troubled rapport with the antecedents to cinéma vérité in the West (and its protean formal properties, in terms of structure and often satirical-critical commentary) comes forth in the figures he assembles to comment upon Medvedkine’s life work. When Medvedkine’s Scast’e (Le Bonheur/Happiness) (1934) leaked to the West (c.1967), sent like an (...)
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  42. added 2017-10-10
    Linnaeus’ Gaze.Gavin Keeney - 2012 - In Heide Hatry (ed.), Not a Rose. Milan: Charta. pp. 48-50.
  43. added 2017-10-10
    America’s Other: Voyage(s) to the People.Gavin Keeney - 2012 - In Alessandro Cosmelli Gaia Light (ed.), Brooklyn Buzz. Bologna: Damiani.
  44. added 2017-10-10
    Foreword: The Return of the Subject.Gavin Keeney - 2011 - In Simone Brott (ed.), Architecture for a Free Subjectivity: Deleuze and Guattari at the Horizon of the Real. Farnham: Ashgate.
  45. added 2017-10-08
    Meaning and Fulfilment in Life: The Roles of Criticism, Self-Discovery and Autobiography.Tony Summer - 2017 - Journal of Philosophy of Life 7 (3):391-405.
    I offer a personal case-study to show how poor self-knowledge due in part to self-deception led to wasted life, a life lacking in meaning, and descent into severe anxiety and depression. A meaningful human life connects with things of value outside of itself and provides fulfilment for its bearer. For humans, fulfilment depends upon self-discovery, which requires a process of conjecture and refutation, a willingness to question and criticise received views and to welcome challenges and criticism to views that one (...)
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  46. added 2017-10-08
    The Artistic Turn.Tine Wilde - 2012 - Dutch Internet Journal BLIND! 29 (Macht).
    We are living in an increasingly complex world. How are we able to cope with this complexity and the difficulties that arise from it? Can philosophy and art, classified as the two utmost useless and pointless disciplines, have any (positive) influence on the urgent and pressing problems at hand? And, related to this, if the two have more than just their uselessness in common, how, then, are philosophy and art related? In this article, I will argue that although ‘useless’ disciplines (...)
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  47. added 2017-10-07
    Christ-Shaped Moral Philosophy and the Triviality of 20th Century 'Christian Ethics'.Harry Bunting - 2014 - Evangelical Philosophical Society: The Christ - Shaped Philosophy Project.
    Christian moral philosophy is a distinctive kind of moral philosophy owing to the special role it assigns to God in Christ. Much contemporary 'Christian ethics' focuses on semantic, modal, conceptual and epistemological issues. This may be helpful but it omits the distinctive focus of Christian moral philosophy: the human condition in a morally ordered universe and the redemptive work of jesus Christ as a response to that predicament. Christian moral philosophers should seek to remedy that neglect.
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  48. added 2017-10-04
    “Shocking Grace, Sudden Enlightenment: O’Connor and the Koans of Zen Buddhism.”.Scott Forschler - 2017 - The Flannery O'Connor Review 15:50-69.
    The work argues that the koans of Zen Buddhism have several intriguing non-accidental parallels with the short stories of Catholic author Flannery O'Connor. Both typically portray characters in a state of non-enlightenment in which they are egoistically obsessed with something which prevents them from perceiving and properly responding to the real world around them. Both present the characters with some opportunity for enlightenment, which they may or may not take up. Both come in a variety of forms, in order to (...)
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  49. added 2017-09-29
    Distanza e pathos.Antonio Chiocchi - 2017 - In Zigzagando. Biella: Zigzagando. pp. 1-147.
    Etiche e poetiche negli arcipelaghi della forza. Dall'etica spinoziana alle dissavventure del sé narrante. Dalle scritture/letture alle controtestualità. Dalle controtestualità alla disperazione kafkiana. E per finire al potere, alla legge e alla speranza in Kafka.
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  50. added 2017-09-29
    L'interminabile cammino.Antonio Chiocchi - 2017 - Biella,Italy: Zigzagando - Letteratura e dintorni.
    Kafka, il potere, la legge e noi. Il potere della legge e la legge del potere smascherati dalle opere e dalla vita di Kafka che diventano messaggero di verità e libertà. Proprio dal fondo più cupo dell'inferno in cui è stata inghiottita l'umanità, rinasce la speranza e la possibilità del vivere e amare. Kafka ci conduce sempre su quel finire della sera che ci accompagna alla nuova alba, dove tutto è sempre e nuovamente possibile.
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