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  1. added 2019-06-14
    Пропаганда у сучасному російському кінематографі.Vladyslav Levytskyi - 2017 - NaUKMA Research Papers. History and Theory of Culture 191:29-32.
    Статтю присвячено розгляду пропаганди у сучасному російському кінематографі. Зроблено спробу оглянути і порівняти обмежену вибірку фільмів 2009–2014 рр., показати прийоми пропаганди і їх зв’язок між внутрішньою та зовнішньою політикою Російської Федерації.
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  2. added 2018-03-05
    Realism in Film: Less is More.Jiri Benovsky - 2017 - Dialogue 56 (1):131-141.
    What is realism in film? Focusing on a test case of HFR high-definition movies, I discuss in this article various types of realism as well as their interrelations. Precision, recessiveness of the medium, transparency, and 'Collapse' are discussed and compared. At the end of the day, I defend the claim that 'less is more' in the sense that more image precision can actually have a negative impact on storytelling.
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  3. added 2017-04-16
    A Miscast of Character: Actors, Characters, & Character Actors.Mag Uidhir Christy - 2016 - In Iskra Fileva (ed.), A Question of Character. Oxford University Press. pp. 444-458.
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  4. added 2015-08-26
    Brecht.Angela Curran - 2008 - In Paisley Livingston & Carl Plantinga (eds.), Routledge Companion to the Philosophy of Film. Routledge.
    This paper focuses on philosophical issues regarding Bertolt Brecht's engagement with film. Topics that are discussed include: Brecht's influence on filmmaking and film theory; the claim that Brecht held that mainstream films place viewers under the "illusion" that what they are watching on screen is real; Brecht's rejection of empathy; and the linkage of film form and socially critical content.
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  5. added 2014-03-07
    Cognitive Value and Imaginative Identification: The Case of Kubrick's Eyes Wide Shut.Alessandro Giovannelli - 2010 - Journal of Aesthetics and Art Criticism 68 (4):355-366.
  6. added 2013-12-14
    Happy-Go-Lucky Revisited: A Response to Basileios Kroustallis.Christopher Grau - 2015 - Film-Philosophy 19 (1):1-15.
  7. added 2013-06-16
    Projecting Illusion: Film Spectatorship and the Impression of Reality.Richard Allen - 1995 - Cambridge University Press.
    Projecting Illusion offers a systematic analysis of the impression of reality in the cinema and the pleasure it gives to the film spectator. Film provides a compelling experience that can be considered as a form of illusion akin to the experience of day-dream and dream. Examining the concept of illusion and its relationship to fantasy in the experience of visual representation, Richard Allen situates his explanation within the context of an analytical criticism of contemporary film and critical theory. He argues (...)
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