Beauty

Edited by Robert R. Clewis (Gwynedd Mercy University, Ludwig Maximilians Universität, München)
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Siblings:History/traditions: Beauty

81 found
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1 — 50 / 81
  1. added 2018-12-03
    Kant on Beauty and the Normative Force of Feeling.Arata Hamawaki - 2006 - Philosophical Topics 34 (1/2):107-144.
  2. added 2018-11-26
    Admiration, Attraction, and the Aesthetics of Exemplarity.Ian James Kidd - forthcoming - Journal of Moral Education.
    The aim of this paper is to show that an aesthetics of exemplarity could be a useful component of projects of moral self-cultivation. Using some in Linda Zagzebski's exemplarism, I describe a distinctive, aesthetically-inflected mode of admiration called moral attraction whose object is the inner beauty of a persn - the expression of the 'inner' virtues or excellences of character of a person in 'outer' forms of bodily comportment that are experienced, by others, as beautiful. I then argue that certain (...)
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  3. added 2018-10-19
    Le Beau – Actes du XXXVIe Congrès de l’Association des Sociétés de philosophie de langue française (ASPLF), Iaşi, 23-27 août 2016.Petru Bejan & Daniel Schulthess (eds.) - 2018 - Editura Universităţii A. I. Cuza.
    Conference Proceedings (ASPLF Conference “Le Beau” in Iaşi, Romania, August 23-27, 2016). -/- Sections: 1. Le beau dans l'histoire de la philosophie; 2. Le beau à travers les cultures; 3. Beauté de la pensée et beauté du langage; 4. Ontologie et métaphysique du beau; 5. Le beau dans la nature et dans la société; 6. Beauté, éthique, politique; 7. Les catégories esthétiques; 8. L'esthétique et la vie quotidienne; 9. Renouvellement et perspectives de l'esthétique. -/- Conference sections: 1. The Beautiful in (...)
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  4. added 2018-09-22
    Buddhism, Beauty, and Virtue.David Cooper - 2017 - In Kathleen J. Higgins, Shakirsaeed Shakirsaeed & Sonia Sonia (eds.), Artistic Visions and the Promise of Beauty,. Dordrecht: Springer. pp. 123-138.
    The chapter challenges hyperbolic claims about the centrality of appreciation of beauty to Buddhism. Within the texts, attitudes are more mixed, except for a form of 'inner beauty' - the beauty found in the expression of virtues or wisdom in forms of bodily comportment. Inner beauty is a stable presence throughout Buddhist history, practices, and art.
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  5. added 2018-09-22
    The Persistence of Beauty.David E. Cooper - 2005 - In Claes Entzenberg & S. Säätela (eds.), Perspectives on Aesthetics, Art and Culture. Stockholm: Thales. pp. 69–80.
    Throughout the twentieth century, aestheticians and art theorists declared the 'death' of beauty as a serious, meaningful concept for aesthetics and art practice. Such declarations are better understood as polemical provocations, making their obituarism premature. Careful attention to the writings of those cited testify to the persistence of beauty, albeit in new, 'difficult', 'challenging' forms. Beauty persists, taking on new forms and inflections.
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  6. added 2018-09-06
    Real Objective Beauty.Christopher Mole - 2016 - British Journal of Aesthetics 56 (4):367-381.
    Once we have distinguished between beauty and aesthetic value, we are faced with the question of whether beauty is a thing of value in itself. A number of theorists have suggested that the answer might be no. They have thought that the pursuit of beauty is just the indulgence of one particular taste: a taste that has, for contingent historical reasons, been privileged. This paper attempts to resist a line of thought that leads to that conclusion. It does so by (...)
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  7. added 2018-07-11
    Renewing the Senses: A Study of the Philosophy and Theology of the Spiritual Life.I. J. Kidd - 2014 - Philosophical Quarterly 64 (255):356-358.
    Review of Mark Wynn's book, Renewing the Senses: A Study of the Philosophy and Theology of the Spiritual Life.
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  8. added 2018-05-26
    A Kantian Hybrid Theory of Art Criticism: A Particularist Appeal to the Generalists.Emine Hande Tuna - 2016 - Journal of Aesthetics and Art Criticism 74 (4):397-411.
    Noël Carroll proposes a generalist theory of art criticism, which essentially involves evaluations of artworks on the basis of their success value, at the cost of rendering evaluations of reception value irrelevant to criticism. In this article, I argue for a hybrid account of art criticism, which incorporates Carroll's objective model but puts Carroll-type evaluations in the service of evaluations of reception value. I argue that this hybrid model is supported by Kant's theory of taste. Hence, I not only present (...)
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  9. added 2018-05-21
    The Empirical Case for Moral Beauty.Panos Paris - 2017 - Australasian Journal of Philosophy 96 (4):642-656.
    ABSTRACTAlthough formative of modern value theory, the moral beauty view—which states that moral virtue is beautiful and moral vice is ugly—is now mostly neglected by philosophers. The two contemporary defences of the view mostly capitalize on its intuitive attractiveness, but to little avail: such considerations hardly convince sceptics of what is nowadays a rather unpopular view. Historically, the view was supported by thought experiments; and although these greatly increase its plausibility, they also raise empirical questions, which they leave unanswered. Here, (...)
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  10. added 2018-03-09
    Review of Kirwan Beauty. [REVIEW]Jennifer A. McMahon - 2001 - Journal of Aesthetics and Art Criticism 59 (3):334-336.
    Kirwan identifies three kinds of beauty theory within the Western tradition. These are: ‘in the eye of the beholder’ theories; neoplatonic theories; and what he refers to as synaesthetic theories; which he discusses in chapters 2, 3 and 4 respectively. He places himself within the synaesthetic tradition whose emphasis is apparently on the interaction between the beautiful object and the perceiver. Kirwan, however, does not analyse this interaction. Nor does he concern himself with what makes the experience of beauty possible, (...)
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  11. added 2018-03-05
    Body Aesthetics.Aili Bresnahan - 2018 - British Journal of Aesthetics 58 (1):111-113.
    £ British Society of Aesthetics 2017. Published by Oxford University Press on behalf of the British Society of Aesthetics. All rights reserved. For Permissions, please email: journals.permissions@oup.comThis unique and sprawling collection of sixteen essays explores a wide range of perspectives on the human body and how it is embodied, lived, viewed, perceived, and constructed by ourselves and by others in both positive and harmful ways. The book’s contributors include philosophers, sociologists, anthropologists, and artists, as well as scholars who focus on (...)
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  12. added 2018-03-01
    Karl Wilhelm Ferdinand Solger, Vorlesungen über Ästhetik.Giovanna Pinna (ed.) - 2017 - Hamburg, Germany: Felix Meiner Verlag.
    The first commented edition of K.W.F. Solger's Vorlesungen über Ästhetik (1819), edited by Giovanna Pinna.
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  13. added 2018-02-02
    Truth Approximation by Empirical and Aesthetic Criteria: Reply to David Miller.Theo A. F. Kuipers - 2005 - Poznan Studies in the Philosophy of the Sciences and the Humanities 83 (1):356-360.
    Polish version, see Kuipers (2002) "O dwóch rodzajach idealizcji I konkretyzacki. Przypadek aproksymacji prawdy".
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  14. added 2018-02-02
    Essays in Idleness: The Tsurezuregusa of Kenkō.Yoshida Kenkō - 1998 - Columbia University Press.
    Despite the turbulent times in which he lived, the Buddhist priest Kenkō met the world with a measured eye. As Emperor Go-Daigo fended off a challenge from the usurping Hojo family, and Japan stood at the brink of a dark political era, Kenkō held fast to his Buddhist beliefs and took refuge in the pleasures of solitude. Written between 1330 and 1332, Essays in Idleness reflects the congenial priest's thoughts on a variety of subjects. His brief writings, some no more (...)
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  15. added 2018-01-17
    MONTANO, ULIANOV. Explaining Beauty in Mathematics: An Aesthetic Theory of Mathematics. New York: Springer, 2014, 220 Pp., $103.20 Cloth. [REVIEW]Nick Riggle - 2016 - Journal of Aesthetics and Art Criticism 74 (4):418-420.
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  16. added 2018-01-17
    27. Beauty and the Emotions.Guy Sircello - 2015 - In New Theory of Beauty. Princeton University Press. pp. 94-97.
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  17. added 2018-01-17
    Reflections on Mathematics and Aesthetics.John L. Bell - 2015 - Aisthesis: Pratiche, Linguaggi E Saperi Dell’Estetico 8 (1):159-179.
    In this paper I reflect on the nature of mathematical beauty, and examine the connections between mathematics and the arts. I employ Plutarch’s distinction between the intelligible and the sensible, to compare the beauty of mathematics with the beauties of music, poetry and painting. While the beauty of mathematics is almost exclusively intelligible, and the beauties of these arts primarily sensible, it is pointed out that the latter share with mathematics a certain kind of intelligible beauty. The paper also contains (...)
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  18. added 2018-01-17
    Listening to Many Voices: Athenian Tragedy as Popular Art.William Allan & Adrian Kelly - 2013 - In Anna Marmodoro & Jonathan Hill (eds.), The Author's Voice in Classical and Late Antiquity. Oxford University Press. pp. 77.
    By analysing how the audience interpreted the many voices of tragic performance, this chapter suggests a new model for understanding tragedy’s relationship to the world of the watching community. Although the idea that the poet expresses his personal opinions through the chorus or his characters is now rightly seen as old-fashioned and naïve, it is still legitimate to ask how the poet uses his heroic characters and their voices to speak to his contemporary audience—using ‘speak to’ in the broadest sense, (...)
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  19. added 2018-01-17
    Reflections on a Sofa Bed: Functional Beauty and Looking Fit. De Clercq - 2013 - Journal of Aesthetic Education 47 (2):35-48.
    This essay argues for two conclusions about functional beauty, as this notion has been understood by Parsons and Carlson in a recent book by the same name. First of all, it is argued that functional beauty either is not a distinct kind of beauty or that the members of this kind are not all and only instances of the property of looking fit. Second, it is argued that functional beauty is relative only to categories corresponding to essential functions. The second (...)
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  20. added 2018-01-17
    Sufi Aesthetics: Beauty, Love, and the Human Form in the Writings of Ibn 'Arabi and 'Iraqi.Cyrus Ali Zargar - 2011 - University of South Carolina Press.
    Perception according to Ibn 'Arabi: God in forms -- Perception according to 'Iraqi: witnessing and divine self-love -- Beauty according to Ibn 'Arabi and 'Iraqi: that which causes love -- Ibn 'Arabi and human beauty: the school of passionate love -- 'Iraqi and the tradition of love, witnessing, and shahidbazi -- The amorous lyric as mystical language: union of the sacred and profane.
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  21. added 2018-01-17
    Bello es lo que uno ama.Pablo García Castillo - 2010 - Anales Del Seminario de Historia de la Filosofía 27:255-275.
    Desde la poesía lírica griega hasta la estética de Plotino, puede contemplarse la visión de la belleza como el objeto del amor y del deseo del Bien. Platón no alcanza una definición de lo bello en los diálogos juveniles, pero expresa de forma brillante su concepción del amor y de la belleza en el Banquete y en el Fedro. Y Plotino, interpretando estos textos platónicos, eleva el concepto de la belleza hasta la contemplación gozosa del Bien. Para él, la gracia (...)
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  22. added 2018-01-17
    Functional Beauty.Glenn Parsons - 2008 - Oxford University Press.
    Functional beauty in the aesthetic tradition -- Functional beauty in contemporary aesthetic theory -- Indeterminacy and the concept of function -- Function and form -- Nature and environment -- Architecture and the built environment -- Artefacts and everyday aesthetics -- The functions of art.
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  23. added 2018-01-17
    O Sentido Do Belo No Século Xii: E Outros Estudos.José Acácio Aguiar de Castro - 2006 - Imprensa Nacional-Casa da Moeda.
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  24. added 2018-01-17
    Beauty is in the Eye of the Beholder (but Only When You Don't Agree with Me . . . ).David C. Graves - 1997 - Cogito 11 (3):207-214.
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  25. added 2018-01-17
    Beauty as Suitability.Rudolf Arnheim - 1996 - Journal of Aesthetics and Art Criticism 54 (3):251-253.
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  26. added 2018-01-17
    The Notion of Beauty in the Ethics of St. Thomas.Charles J. O'Neil - 1940 - New Scholasticism 14 (4):346-378.
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  27. added 2017-12-09
    Beautiful Bodhisattvas: The Aesthetics of Spiritual Exemplarity.Ian James Kidd - 2017 - Contemporary Buddhism 18 (2):331-345.
    The world’s spiritual traditions incorporate a variety of types of exemplar, persons who exemplify a life of aspiration to, or attainment of, spiritual goods. Within Buddhism, the range of exemplars includes monastics, boddhisattvas, the Zen masters, and the Buddha himself. Spiritual exemplars are typically described as having a distinctive form of bodily beauty, closely related to their ethical and spiritual qualities, that manifests as a form of radiance, luminosity, or charisma. Drawing on recent work on beauty, virtue, and the body (...)
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  28. added 2017-12-07
    A Critique of Moderate Formalism.Simon Fokt - 2013 - Estetika 50 (1):41-52.
    Moderate formalism is the view that all artworks which have aesthetic properties have formal aesthetic properties, and some but not all of those works also have non-formal aesthetic properties. Nick Zangwill develops this view in his Metaphysics of Beauty after having argued against its alternatives – extreme formalism and anti-formalism. This article reviews his arguments against the rivals of moderate formalism, and argues that the rejection of anti-formalism is unjustified. Zangwill does not succeed in proving that the broadly determined (context-determined) (...)
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  29. added 2017-10-05
    The Pleasant and the Beautiful.G. Katkov - 1939 - Proceedings of the Aristotelian Society 40 (1):177-206.
  30. added 2017-08-11
    Only a Promise of Happiness: The Place of Beauty in a World of Art. [REVIEW]Peg Zeglin Brand Weiser - 2007 - College Art Association Reviews:online.
    College Art Association Review of Nehemas' 2007 book on beauty that challenges his exclusion of consideration of issues of gender, i.e., I ask the questions, "whose beauty?" and "beauty for whom?".
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  31. added 2017-08-08
    Misleading Aesthetic Norms of Beauty: Perceptual Sexism in Elite Women's Sports.Peg Zeglin Brand Weiser & Edward B. Weiser - 2016 - In Sherri Irvin (ed.), Body Aesthetics. Oxford University Press. pp. 192-221.
    The history of gender challenges faced by women in elite sports is fraught with controversy and injustice. These athletes' unique physical beauty creates what appears to be a paradox yet is, in fact, scientifically predictable. Intense training for the highest levels of competition leads to unique bodily strength and rare beauty associated with specific anatomic changes, leading top athletes to be singled out as exceptions from their gender and even excluded from competing. Authorities like the IOC and IAF, as well (...)
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  32. added 2017-08-08
    Symposium: Beauty Matters.Peg Zeglin Brand - 1999 - Journal of Aesthetics and Art Criticism 57 (1):1-10.
    The point of this symposium is to locate one trajectory of the new wave of discussions about beauty beyond the customary confines of analytic aesthetics and to situate it at the intersection of aesthetics, ethics, social-political philosophy, and cultural criticism. Three essays follow this introduction authored by Marica Muelder Eaton, Paul C. Taylor, and Susan Bordo. They represent a conjoined effort to move 'beauty' beyond the traditional parameters of past contextual theories of art. This introductory essay offers some guidance as (...)
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  33. added 2017-08-07
    ORLAN Revisited: Disembodied Virtual Hybrid Beauty.Peg Zeglin Brand Weiser - 2013 - In Peg Zeglin Brand Weiser (ed.), Beauty Unlimited. Bloomington, IN: Indiana University Press. pp. 306-340.
    I argued in 2000 that the French artist ORLAN may have moved away from her Reincarnation performances toward her Self-Hybridizations because she thought that in the latter she would be more transparently obvious in meaning and less frequently misunderstood. I may have overstated the ability of audiences to comprehend, however. In this essay I argue that the virtual beauty that ORLAN unfolds in her ongoing series Self-Hybridizations is not a real or actual beauty but rather a fake beauty, causally disembodied, (...)
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  34. added 2017-08-07
    Bound to Beauty: An Interview with Orlan.Peg Zeglin Brand Weiser - 2000 - In Peg Zeglin Brand Weiser (ed.), Beauty Matters. Bloomington, IN: Indiana University Press. pp. 289-313.
    Orlan is a French performance artist whose work on beauty elicits shock and disgust. Beginning in 1990, she began a series of nine aesthetic surgeries entitled The Reincarnation of St. Orlan that altered her face and body, placed her at risk in the operating room, and centered her within certain controversy in the art world. Undergoing only epidural anaesthesia and controlling the performance to the greatest degree possible, she "choreographs" and documents the events. This enhanced interview I conducted with Orlan (...)
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  35. added 2017-06-15
    The Deformity-Related Conception of Ugliness.Panos Paris - 2017 - British Journal of Aesthetics 57 (2):139-160.
    Ugliness is a neglected topic in contemporary analytic aesthetics. This is regrettable given that this topic is not just genuinely fascinating, but could also illuminate other areas in the field, seeing as ugliness, albeit unexplored, does feature rather prominently in several debates in aesthetics. This paper articulates a ‘deformity-related’ conception of ugliness. Ultimately, I argue that deformity, understood in a certain way, and displeasure, jointly suffice for ugliness. First, I motivate my proposal, by locating a ‘deformity-related’ conception of ugliness in (...)
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  36. added 2017-05-30
    The Distinct Basic Good of Aesthetic Experience and Its Political Import.Michael R. Spicher - 2013 - American Catholic Philosophical Quarterly 87 (4):711 - 729.
    To protect art under the First Amendment, John Finnis claims that art is simply the expression of emotion. Later, to protect aesthetic experience from subjectivity, Finnis claims that aesthetic experience is just a form of knowledge. However, neither of these claims adequately accounts for the nature of their objects nor fully protects them. The expression of emotion—intrinsic to art in Finnis’s view—is not always clear or even present, yet people can still appreciate the work. Equally problematic, aesthetic experience is not (...)
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  37. added 2017-04-01
    The Stoic Definition of Beauty as Summetria.Aiste Celkyte - 2017 - Classical Quarterly 67 (1).
    The Stoa might be not the first philosophical school that comes to mind when considering the most important ancient contributions to aesthetics, yet multiple extant fragments show that the Stoics had a non-marginal theoretical interest in aesthetic properties. Probably the most important piece of evidence for the Stoic attempts to theorize beauty is the definition of beauty as summetria of parts with each other and with the whole. In the first half of this article, I present and analyse the main (...)
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  38. added 2017-03-29
    A Companion to Ancient Aesthetics. [REVIEW]Aiste Celkyte - 2017 - International Journal of Philosophical Studies 25 (5):731-734.
    A free copy of the review can be obtained by following this link: -/- http://www.tandfonline.com/eprint/pKdJUN4BCKP7z8SneF6X/full .
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  39. added 2017-03-03
    La belleza como "locis theologico" Hans Urs von Balthasar y la recuperación de la belleza en la teologí­a del siglo XX.Francisco Berrizbeitia Hernández - 2011 - Lumen Veritatis 4:30-47.
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  40. added 2017-02-24
    The Perfect Bikini Body: Can We All Really Have It? Loving Gaze as an Antioppressive Beauty Ideal.Sara Protasi - 2017 - Thought: A Journal of Philosophy 6 (2):93-101.
    In this paper, I ask whether there is a defensible philosophical view according to which everybody is beautiful. I review two purely aesthetical versions of this claim. The No Standards View claims that everybody is maximally and equally beautiful. The Multiple Standards View encourages us to widen our standards of beauty. I argue that both approaches are problematic. The former fails to be aspirational and empowering, while the latter fails to be sufficiently inclusive. I conclude by presenting a hybrid ethical–aesthetical (...)
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  41. added 2016-12-09
    Sun and Lightning: The Visibility of Radiance.Spuybroek Lars - 2016 - In J. Brouwer, S. van Tuinen & L. Spuybroek (eds.), The War of Appearances: Transparency, Opacity, Radiance. V2_Publishing. pp. 98-127.
    A long chapter for The War of Appearances: Transparency, Opacity, Radiance (V2_Publishing, 2016) building on the findings of “Charis and Radiance,” an essay published two years earlier. It discusses the inherent connection between visibility and radiance within the framework of Plato’s sun model as the source of reality. The argument develops a system where transcendent verticality and earthly horizontality together construct an “arena of presence” in which things flood each other with light, absorbing and returning portions of it in a (...)
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  42. added 2016-12-08
    Sublime Hunger: A Consideration of Eating Disorders Beyond Beauty.Lintott Sheila - 2003 - Hypatia 18 (4):65-86.
    : In this paper, I argue that one of the most intense ways women are encouraged to enjoy sublime experiences is via attempts to control their bodies through excessive dieting. If this is so, then the societal-cultural contributions to the problem of eating disorders exceed the perpetuation of a certain beauty ideal to include the almost universal encouragement women receive to diet, coupled with the relative shortage of opportunities women are afforded to experience the sublime.
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  43. added 2016-10-13
    Understanding Art: A Checklist of the Three Most Basic Categories of Crafted Material.Jakob Zaaiman - 2016 - Alldaynight.Info.
    One of the difficulties standing in the way of a straightforward understanding of art is caused by the confusion that arises at a very basic level between the purposes and functions of various types of crafted material. In fact, there are only three major types – covering all eventualities – and being able to differentiate between them very much helps to pinpoint exactly what the special nature of ‘art’ is.
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  44. added 2016-09-29
    Terrible Beauty: Paul de Man's Retreat From the Aesthetic.Ian MacKenzie - 1993 - Journal of Aesthetics and Art Criticism 51 (4):551-560.
    Paul de Man calls for rhetorical reading attentive to the materiality of language and the metaphorical nature of all words and concepts. He insists that tropes are purely cognitive and devoid of any aesthetic function, and describes language as mechanical and non-human. He contests Schiller’s account of aesthetic education, in which the ‘aesthetic state’– enjoyment of beauty or pure aesthetic form – leads man to truth and moral freedom. He links Schiller’s advocacy of pure form with the idea in Kleist’s (...)
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  45. added 2016-06-16
    An Argument From Divine Beauty Against Divine Simplicity.Matthew Baddorf - 2017 - Topoi 36 (4):657-664.
    Some versions of the doctrine of divine simplicity imply that God lacks really differentiated parts. I present a new argument against these views based on divine beauty. The argument proceeds as follows: God is beautiful. If God is beautiful, then this beauty arises from some structure. If God’s beauty arises from a structure, then God possesses really differentiated parts. If these premises are true, then divine simplicity is false. I argue for each of the argument’s premises and defend it against (...)
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  46. added 2016-06-13
    The Compass of Beauty: A Search for the Middle.Lars Spuybroek - forthcoming - In Maria Voyatzaki (ed.), Architectural Materialisms: Nonhuman Creativity. Edinburgh University Press.
    This chapter is a rethinking of my earlier “The Ages of Beauty” which investigated Charles Hartshorne’s Diagram of Aesthetic Values. The argument is placed in a long history of beauty being considered as the middle between extremes. It slowly develops into a structure not merely of aesthetic experience but of existence itself, making it a competitor of Heidegger’s fourfold.
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  47. added 2016-04-25
    Greenberg, Kant, and Aesthetic Judgments of Modernist Art.Robert R. Clewis - 2008 - AE: Canadian Aesthetics Journal 18.
  48. added 2016-03-25
    Against Aesthetic/Sensory Dependence.Jiri Benovsky - 2016 - Nordic Journal of Aesthetics 25 (51).
    In his book The Metaphysics of Beauty Nick Zangwill argues for the claim that aesthetic properties metaphysically necessarily depend on sensory properties. This claim plays a role in his argument against physicalist aesthetic realism as well as in the formulation of his own response- dependence view. In this article, I offer reasons to resist the aesthetic/ sensory dependence claim by a discussion of the case of theories, theorems, proofs, and similar theoretical objects, which do possess genuinely aesthetic properties, while these (...)
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  49. added 2016-03-08
    Brentano on Beauty and Aesthetics.Wolfgang Huemer - 2017 - In Uriah Kriegel (ed.), Routledge Companion to Brentano and the Brentano School. London & New York: Routledge.
    In his entire oeuvre Brentano defended a scientific conception of philosophy and advocated the adoption of a rigorous, scientific method. Given this background it might come as a surprise that in his reflections on aesthetics he firmly rejected the classic definition of aesthetics as the science of beauty. This must not be read as an expression of disinterest in – or a dismissal of – aesthetics, though. It is rather an expression of Brentano's view concerning the position of aesthetics in (...)
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  50. added 2016-02-16
    On the Interest in Beauty and Disinterest.Nick Riggle - 2016 - Philosophers' Imprint 16:1-14.
    Contemporary philosophical attitudes toward beauty are hard to reconcile with its importance in the history of philosophy. Philosophers used to allow it a starring role in their theories of autonomy, morality, or the good life. But today, if beauty is discussed at all, it is often explicitly denied any such importance. This is due, in part, to the thought that beauty is the object of “disinterested pleasure”. In this paper I clarify the notion of disinterest and develop two general strategies (...)
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