Brentano: Consciousness

This paper offers a phenomenological interpretation of Brentano’s view of mentality. The key idea is that mental phenomena are not only characterized by intentionality; they also exhibit a distinctive way of appearing or being experienced. In short, they also have a distinctive phenomenology. I argue this view may be traced back to Brentano’s theory of inner perception. Challenging the self-representational reading of IP, I maintain the latter is best understood as a way of appearing, that is, in phenomenological terms. Section (...) 1 addresses Brentano’s claim that IP is one mark of the mental alongside intentionality. Sections 2 and 3 present support for a phenomenological interpretation of IP. And Section 4 briefly discusses two objections. (shrink)

It is a regrettable feature of this book symposium that it appears only after the book itself. If I could solicit from three outstanding philosophers detailed analyses of substantial portions of the book before publishing it, the book would have been far better. Below, I indicate some of the ways the book would have been better.

In recent years, Brentano’s theory of consciousness has been systematically reassessed. The reconstruction that has received the most attention is the so-called identity reconstruction. It says that secondary consciousness and the mental phenomenon it is about are one and the same. Crucially, it has been claimed that this thesis is the only one which can make Brentano’s theory immune to what he considers the main threat to it, namely, the duplication of the primary object. In this paper, I argue that (...) the identity reconstruction is untenable, and I defend an alternative, which I name the unity reconstruction. According to the unity reconstruction, secondary consciousness is a real part of the mental phenomenon it is about, and hence is distinct from it. I contend that this thesis does not in itself lead to the duplication of the primary object, and that what should be blamed is rather a controversial thesis about the intentional structure of secondary consciousness—a thesis which Brentano ultimately abandoned. (shrink)

In Brentano’s Philosophical System: Mind, Being, Value, Uriah Kriegel argues that Brentano’s work forms a “live philosophical program” (p. 14, italics omitted) that contemporary philosophy has much to learn from and that is promising and largely correct. To this end, Kriegel argues that Brentano’s notion of consciousness is the contemporary notion of phenomenal consciousness, that Brentano’s rejection of unconscious mentality is a grave mistake that can be fairly neatly excised from his overall view, and that Brentano’s notion of intentionality is (...) the contemporary notion of phenomenal intentionality. This paper raises some doubts about these claims, suggesting that Brentano’s notion of consciousness might more closely align with the contemporary notion of transitive consciousness than with that of phenomenal consciousness, that Brentano’s rejection of unconscious mentality cannot be so easily excised from his overall view but that it is not such a grave mistake, and that Brentano’s notion of intentionality may not be that of phenomenal intentionality but rather that of generic abountness. I wrap up by considering the extent to which we might agree with Kriegel that Brentano’s work forms a live philosophical program that contemporary philosophy has much to learn from. (shrink)

According to some philosophers, the mind enjoys a form of presence to itself. That is to say, in addition to being aware of whatever objects it is aware of, it is also (co-presently) aware of itself. This paper explores the proposal that we should think about this kind of experiential-presence in terms of a form of non-intentional awareness. Various candidates for the relevant form of awareness, as constituting supposed non-intentional experiential-presence, are considered and are shown to encounter significant problems. The (...) fact that a plausible account of the non-intentional awareness which experience putatively has of itself cannot be framed with reference to such forms of awareness is grounds for scepticism concerning the cogency of non-intentional experiential presence. (shrink)

Both Franz Brentano and Edmund Husserl addressed sound while trying to explain the inner consciousness of time and gave to it the status of a supporting example. Although their inquiries were not aimed at clarifying in detail the nature of the auditory experience or sounds themselves, they made some interesting observations that can contribute to the current philosophical discussion on sounds. On the other hand, in analytic philosophy, while inquiring the nature of sounds, their location, auditory experience or the audible (...) qualities and so on, the representatives of that trend of thought have remained silent about the depiction of sound and the auditory phenomena in the phenomenological tradition. The paper’s intention is to relate both endeavours, yet the perspective carried out is that of analytic philosophy and, thus, I pay special attention to conceptual analysis as a methodological framework. In this sense, I first explain what sound ontology is in the context of analytic philosophy and the views that it encompasses— namely, the Property View (PV), the Wave View (WV) and the Event View (EV)—. Secondly, I address the problems it entails, emphasising that of sound individuation. In a third section, I propose the possibly controversial conjunction of a “Brentano-Husserl Analysis of the Consciousness of Time” (for short “Brentano-Husserl analysis”) and outline the commonalities of both authors, without ignoring its discrepancies. My main focus is Husserl’s 1905 Vorlesungen zur Phänomenologie des Inneren Zeitbewusstseins. While addressing the Brentano-Husserl analysis, I elaborate on the problem of temporal and spatial extension (Raumlichkeit and Zeitlichkeit, respectively) of both consciousness and sound. Such comparison is a key one, since after these two developments, one can notice some theoretical movements concerning the shift of attention from sounds to the unity of consciousness, and how they mirror each other. After examining the controversial claims concerning the temporal and spatial extension of both consciousness and sound, I argue in the concluding paragraphs that while considering the accounts of sound ontology, the Brentano-Husserl analysis would probably endorse a Property View and that this could have interesting consequences for the issue of Sound Individuation. (shrink)

This paper seeks to define the main trends, arguments and problems regarding the question of method formulated by Twardowski and his students. In this regard, the aim of the paper is twofold. First, I situate Brentano’s project of descriptive psychology within the context of disputes in the school of Twardowski concerning the method of both psychology and phenomenology, arguing that descriptive-psychological analysis was dominant in this respect. Second, the study explores the notion of eidetic phenomenology, as founded on a methodological (...) procedure, which supposed to guarantee infallibility of its descriptions. To show this, I first reconstruct Brentano’s concept of descriptive psychology, its object, its method and aims. Second, I track the changes and reinterpretations provided by Twardowski in his view of descriptive-psychological analysis. Third, I explore Witwicki’s and Bandrowski’s—both early students of Twardowski—discussions of the descriptive approach. I try to show that the former accepted psychologism, while the latter overcame it by means of logical analysis. Fourth, I suggest that the only student of Twardowski who renounced the Brentanian method was Ingarden, who developed eidetic phenomenology. Finally, I present Blaustein’s—one of the last students of Twardowski—reappraisal of descriptive psychology and his critique of Ingarden’s method. This controversy over the method of descriptive psychology reveals how one can situate Twardowski’s legacy within early phenomenology in Poland. (shrink)

Dans quelle mesure l'outillage conceptuel de Brentano peut rendre compte des processus psychiques dont la découverte est usuellement attribuée à Freud ? Il y a, entre le maître Brentano et l'élève Freud, une opposition fondamentale : le premier rejette l'existence de processus psychiques inconscients, tandis que le second les érige en principe majeur d'explication de la vie psychique. Après le rappel des arguments de Freud en faveur de l'inconscient, deux concepts brentaniens négligés, ceux d'association et de disposition, sont présentés, qui (...) permettent d'expliquer certains phénomènes dont l'étude est traditionnellement réservée à la psychanalyse. (shrink)

This article argues that Brentano’s classification of mental phenomena is best understood against the background of the theories of natural classification held by Auguste Comte and John Stuart Mill. Section 1 offers a reconstruction of Brentano’s two-premise argument for his tripartite classification. Section 2 gives a brief overview of the reception and historical background of the classification project. Section 3 addresses the question as to why a classification of mental phenomena is needed at all and traces the answer back to (...) Mill’s view that psychological laws are class-specific. Section 4 and 5 connect the second premise of Brentano’s argument to Comte’s principle of comparative likeness and Mill’s insistance that class membership is determined by the possession of common characteristics. And section 6 briefly discusses the evidence Brentano provides for the first premise. (shrink)

Entry on the influence of Stumpf et Brentano on Husserl's early phenomenology during the Halle period.

Marx Textor's Brentano's Mind begins with a short, illuminating introduction which clearly sets out the author's main aims. The two questions Textor wants to consider are, "What is the nature of mind?" and, "What is the structure of consciousness?" From the outset, Textor explicitly states that his intent is not to provide a historically plausible exegesis of "Brentano's often dense and difficult texts", but to take his "bold, suggestive, and influential" answers to these questions as an inspiration for new systematic (...) analyses. The book is then divided in two parts, corresponding to the two questions.The central concept at stake in the first part is intentionality, or rather "Brentano's thesis" that "all... (shrink)

Brentano's theory of consciousness has garnered a surprising amount of attention in recent philosophy of mind. Here I argue for a novel interpretation of Brentano's theory that casts it as more original than previously appreciated and yet quite plausible upon inspection. According to Brentano's theory, as interpreted here, a conscious experience of a tree is a mental state that can be simultaneously thought of, or framed, equally accurately as an awareness of a tree or an awareness of an awareness of (...) a tree. (shrink)

Uriah Kriegel presents a rich exploration of the philosophy of the great nineteenth-century thinker Franz Brentano. He locates Brentano at the crossroads where the Anglo-American and continental European philosophical traditions diverged. At the centre of this account of Brentano's philosophy is the connection between mind and reality. Kriegel aims to develop Brentano's central ideas where they are overly programmatic or do not take into account philosophical developments that have taken place since Brentano's death a century ago; and to offer a (...) partial defense of Brentano's system as quite plausible and in any case extraordinarily creative and thought-provoking. Brentano's system grounds a complete metaphysics and value theory in a well-developed philosophy of mind, and accordingly the book is divided into three parts, devoted to Brentano's philosophy of mind, his metaphysics, and his moral philosophy. The book's fundamental ambition is to show how Brentano combines the clarity and precision of the analytic philosopher with the sweeping vision of the continental philosopher. Brentano pays careful attention to important distinctions, conscientiously defines key notions, presents precise arguments for his claims, judiciously considers potential objections, and in general proceeds very methodically - yet he does so not as an end in itself, but as a means only. His end is the crafting of a grand philosophical system in the classical sense, attempting to produce nothing less than a unified theory of the true, the good, and the beautiful. (shrink)

__ In this work we study the treatment of F. Brentano over the agent intellect in three of his works. We conclude that, for him, it is an immaterial and non-cognitive ‘power’ of the human soul, an ‘active force’ not pre-existent to it, but subsisting with it post-mortem; Its role is abstractive, not activation of the possible intellect, reason or intelligence. _Keywords:_ F. Brentano, agent intellect, psychology, non-cognitive immaterial power of the human soul.

This paper offers a reconstruction of Franz Brentano’s mereological solution to the problem of the unity of consciousness and explores some implications of this solution for the ontology of the mind. In section 1 I sketch Brentano’s ontological distinctions between things, collectives, and divisives. In section 2 I present Brentano’s mereological solution and in section 3 I review his main pro-arguments. Eventually, in section 4 I consider some Jamesian objections to the mereological approach. I argue the notion of ‘mental parts’ (...) can be given a rather innocuous meaning by being conceived of as the expression of conceptual distinctions grounded in similarity and contrast relations between total mental phenomena. (shrink)

Overview of the complex relationship between Brentano and Stumpf.

The question of the unity of consciousness is often treated as the question of how different conscious experiences are related to each other in order to be unified. Many contemporary views on the unity of consciousness are based on this bottom-up approach. In this paper I explore an alternative, top-down approach, according to which (to a first approximation) a subject undergoes one single conscious experience at a time. From this perspective, the problem of unity of consciousness becomes rather the problem (...) of how we can distinguish a multiplicity of goings-on within our conscious experience at any time, given that it is unique. I will present three possible top-down approaches to unity of consciousness, which I call Priority unity monism, Existence unity monism, and Brentanian unity monism. Priority monism and Existence monism are defined in analogy with the homonymous metaphysical theories of object constitution. Brentanian monism retraces Franz Brentano’s view on unity of consciousness, and is defined by appeal to some of his mereological ideas. I will argue that the latter is the best top-down approach to unity of consciousness. (shrink)

For many years, the importance and significance of Brentano’s conception of time-consciousness in contemporary philosophy was closely tied with Husserl’s adaptation of this conception in his own lectures on time-consciousness. These lectures, which Husserl held in Göttingen in 1904-05, were edited in the 1920s by the brilliant phenomenologist Edith Stein and are the source of many of the central ideas of transcendental phenomenology. In April 1926, Stein’s work was then taken over by Martin Heidegger, a young careerist who, after spending (...) some years as Husserl’s assistant in Freiburg, took over many of Husserl’s ideas and published a volume on being and time that would convince Husserl to choose him as his successor. Soon enough, and thanks to the publication of Husserl’s lectures, “Brentano’s conception of time-consciousness” became the heading of a supposedly surpassed and defective theory, which was to be replaced subsequently by transcendental phenomenology and its heirs in Freiburg and later in France. This brief and quite tragic history of the reception of Brentano’s conception of time-consciousness has meanwhile been rectified to some extent by a number of works that offer a less biased picture of Brentano’s various conceptions of time-consciousness. The picture remains incomplete, however, without a consideration of the motivations behind the different conceptions advocated by Brentano. By taking Brentano’s metaphysical views into account as his background motivation, it is possible to draw a comprehensive picture of the different conceptions he defended and to get around the uneasy division of his works into early and ‘mature’ views, which has often been taken as a starting point for assessing the importance of reism (see CHAP. 13) at the expense of the rest of his works. While such divisions may be historically justified, they tend to hide the forest behind the trees. For this reason, I will first start with a description of the forest (§§2-3) to finish with a classification of the trees (§4). (shrink)

Brentano’s views on psychology influenced the way philosophy was made at the beginning of the 20th century. But did this influence spread as far as to give place to Freud’s revolutionary discovery of the psychoanalytical unconscious? There are reasons to believe that Brentano had a profound influence on Freud. An attentive analysis of Freud’s vocabulary as well as his arguments against “philosophical” objections supports this point rather convincingly. However, Freud was not a philosopher and Brentano’s historical influence does not suffice (...) to transform the Freudian unconscious in a philosophical concept. It is the purpose of this paper to sketch a way to make a philosophical use of Freud’s unconscious by reconstructing the dialogue between Brentano and Freud on a conceptual level. Despite the explicit critique of the unconscious that we find in Brentano’s Psychology from an Empirical Standpoint, I show that Freud never truly opposed Brentano. He rather took Brentano’s descriptive psychology a step further: he introduced a dynamic component to the analysis of the psyche that is complementary to Brentano’s descriptive psychology and could be considered a type of genetic psychology. (shrink)

This paper examines the phenomenon of music in relation to time and time-consciousness based on the philosophies of Augustine, Brentano and Husserl. They analyzed music, or more precisely, the melody of tones and rhythm in their theories of time and time-consciousness, because the process of perceiving music uncloaks the phenomenon of time-understanding.

Perhaps the philosophical thesis most commonly associated with Brentano is that intentionality is the mark of the mental. But in fact Brentano often and centrally uses also what he calls ‘inner perception’ to demarcate the mental. In this paper, I offer a new interpretation of Brentano’s conception of the interrelations between mentality, intentionality, and inner perception. According to this interpretation, Brentano took the concept of mind to be a natural-kind concept, with intentionality constituting the underlying nature of the mental and (...) inner-perceivability serving as the concept’s reference-fixer. (shrink)

Both through his own work and that of his students, Franz Clemens Brentano had an often underappreciated influence on the course of 20 th - and 21 st -century philosophy. _The Routledge Handbook of Franz Brentano and the Brentano School_ offers full coverage of Brentano’s philosophy and his influence. It contains 38 brand-new essays from an international team of experts that offer a comprehensive view of Brentano’s central research areas—philosophy of mind, metaphysics, and value theory—as well as of the principal (...) figures shaped by Brentano’s school of thought. A General Introduction serves as an overview of Brentano and the contents of the volume and three separate bibliographies point students and researchers on to further avenues of inquiry. Systematic and detailed, _The Routledge Handbook of Franz Brentano and the Brentano School_ provides readers with a valuable reference to Brentano’s work, and to his lasting importance in the history of philosophy and in contemporary debates. (shrink)

In Chapter 3 of Book I of Psychology from an Empirical Standpoint, Brentano articulates what he takes to be the four most basic and central tasks of psychology. One of them is to discover the ‘fundamental classification’ of mental phenomena. Brentano attends to this task in Chapters 5-9 of Book II of the Psychology, reprinted (with appendices) in 1911 as a standalone book (Brentano 1911a). The classification is further developed in an essay entitled “A Survey of So-Called Sensory and Noetic (...) Objects of Inner Perception,” published posthumously in Brentano 1928/1981b, as well as a 1907 dictation entitled “Loving and Hating,” reprinted in Brentano 1969. (shrink)

In contemporary analytic philosophy of mind, Franz Brentano is known mostly for his thesis that intentionality is ‘the mark of the mental.’ Among Brentano scholars, there are also lively debates on his theory of consciousness and his theory of judgment. Brentano’s theory of will and emotion is less widely discussed, even within the circles of Brentano scholarship. In this paper, I want to show that this is a missed opportunity, certainly for Brentano scholars but also for contemporary philosophy of mind. (...) Brentano’s accounts of the will and of emotion are, I will argue, both insightful, creative, and surprising, on the one hand, and strikingly plausible, upon reflection, on the other. (shrink)

Can we maintain that purple seems composed of red and blue without giving up the impenetrability of the red and blue parts that compose it? Brentano thinks we can. Purple, according to him, is a chessboard of red and blue tiles which, although individually too small to be perceived, are together indistinctly perceived within the purple. After a presentation of Brentano’s solution, we raise two objections to it. First, Brentano’s solution commits him to unperceivable intentional objects (the chessboard’s tiles). Second, (...) his chessboard account fails in the end to explain the phenomenal spatial continuity of compound colours. We then sketch an alternative account, which, while holding fast to the phenomenal compoundedness of the purple and to the impenetrability of component colours, avoids introducing inaccessible intentional objects and compromising on the continuity of the purple. According to our proposal, instead of being indistinctly perceived spatial parts of the purple, red and blue are distinctly perceived non- spatial parts of it. (shrink)

_ Source: _Volume 94, Issue 3, pp 359 - 380 In this paper the author discusses and defends a theory of consciousness inspired by Franz Brentano, according to which every conscious experience involves a certain kind of immediate awareness of itself. All conscious experience is in a certain fundamental sense ‘self-intimating’—it constitutively involves awareness of that very awareness. The author calls this ‘the awareness of awareness thesis’, and she calls the phenomenon that it concerns ‘awareness of awareness’. The author attempts (...) to give a substantive description of what AOA consists in in two ways, first, by listing some of its positive features, and second, by comparing it and contrasting it with introspection. The idea is that there are many different ways we can be aware of our experiences, introspection being one way, AOA being another, distinct way. By clarifying the distinction between AOA and introspection, we can get a better grasp of both phenomena. (shrink)

In this paper I consider Franz Brentano’s theory of emotion. I focus on three of its central claims: (i) emotions are sui generis intentional phenomena; (ii) emotions are essentially evaluative phenomena; (iii) emotions provide the basis of an epistemology of objective value. I argue that all three claims are correct, and I weave together Brentano’s arguments with some of my own to support them. In the course of defending these claims, Brentano argues that ‘feeling and will’ are united into the (...) same fundamental class. I summarize two of his arguments for this claim, what I call ‘the nature of desire’ argument and ‘the transition’ argument. I show how a central plank of these arguments relies crucially on Brentano’s epistemology of value. (shrink)

Franz Brentano’s theory of emotion is tightly bound up with many of his other central claims, in such a way that one has to work out how it relates to these other claims if one is to understand its distinctive character. There are two main axes of investigation. The first results from the fact that Brentano introduces his theory of emotion as part of his overall theory of mind, which consists of a number of closely interconnected theses concerning the nature (...) of mental phenomena, the nature of consciousness, and the classification of mental phenomena into fundamental kinds (Brentano 1874/1973a). The second derives from the fact that his theory of emotion also forms the foundation of his epistemology of objective value, which he elaborates in a framework constituted by an epistemic theory of truth and an extended analogy he draws between emotions and judgments (Brentano 1889/1969). I will consider both of these axes in what follows. (shrink)

This chapter has three sections. The first introduces Brentano’s view of sensations by presenting the intentional features of sensations irreducible to features of the sensory objects. The second presents Brentano’s view of sensory objects —which include sensory qualities— and the features of sensations that such objects allow to explain, such as their intensity. The third section presents Brentano’s approach to sensory pleasures and pains, which combines both appeal to specific modes of reference and to specific sensory qualities.

In this paper, I will describe how Brentano was able to integrate descriptive philosophy and logical analysis fruitfully by pointing out Brentano’s concept of philosophy as a rigorous science. First I will clarify how Brentano attempted to turn philosophy into a rigorous descriptive science by applying scientific methods to philosophical questions. After spelling out the implications of such a descriptive understanding of philosophy, I will contrast this descriptive view of philosophy with a semantic-analytic understanding of philosophy as proposed by Frege. (...) After having thus set the stage I will argue that the current separation of philosophy into the seemingly antithetical strands of phenomenology and analytic philosophy may be seen as a consequence of how the term ‘rigorous science’ in ‘philosophy as a rigorous science’ is interpreted: Does a rigorous science grasp its object with as much exactitude as possible? Or is a science rigorous when its theories are expressed unambiguously, and their implications are drawn with precision? In the course of this investigation I will also point out how Brentano’s integrative use of descriptive philosophy and analysis can provide a suitable starting point for an equally successful integration of these methods in contemporary philosophy. (shrink)

Husserl famously retracted his early portrayal, in Logische Untersuchungen, of phenomenology as empirical psychology. Previous scholarship has typically understood this transcendental turn in light of the Ideen’s revised conception of the ἐποχή, and its distinction between noesa and noemata. This essay thematizes the evolution of the concept of mental acts in Husserl’s work as a way of understanding the shift. I show how the recognition of the pure ego in Ideen I and II enabled Husserl to radically alter his conception (...) of mental acts, coming to understand them all in terms of genuine acts in a way that had been essentially precluded for descriptive psychologists so long as the pure ego was denied. This reading challenges a widespread assumption in the secondary literature that “mental act” is a merely technical term or misnomer. (shrink)

Mark Textor presents a critical study of the work of Franz Brentano, one of the most important thinkers of the nineteenth century. His work has influenced analytic philosophers like Russell as well as phenomenologists like Husserl and Sartre, and continues to shape debates in the philosophy of mind. Brentano made intentionality a central topic in the philosophy of mind by proposing that 'directedness' is the distinctive feature of the mental. The first part of the book investigates Brentano's intentionalism as well (...) as attempts to improve or develop it. Textor argues that there is no plausible version of this doctrine, and rejects it in favour of a mark of the mental proposed by Brentano's student Husserl: mental phenomena have no appearances. The second part of the book develops and defends Brentano's view about the structure of perceptual awareness. Awareness of a mental activity and this mental activity are not distinct mental acts, the first representing the second. They are one and the same activity that has several objects. Textor shows that Brentano held that intentionality is plural - directedness is directedness on some objects - and shows how the plural conception solves thorny problems. The third part of the book is devoted to Brentano's view of pleasure and pain. Textor draws out parallels between enjoying an activity and awareness of it and argues that enjoying an activity and the activity enjoyed are not distinct. The final part of the book extends the plural view to the conscious mental life of a thinker at a time (the unity of synchronic consciousness): it is one mental act with many objects. (shrink)

Consider a perceptual activity such as seeing a colour, hearing a tone, tasting a flavour. How are these activities related to one’s awareness of them? I will use Brentano’s struggle with this question to guide the reader through the development of his view on consciousness. My starting point will be Brentano’s book Die Psychologie des Aristoteles (Brentano 1867), in which he developed an inner sense view of consciousness (§§1-2). Brentano’s early view is underexplored in the literature, but crucial for understanding (...) the development of his thought on the matter. In his major work Psychologie vom Empirischen Standpunkt (1874) he rejected the existence of an inner sense: the exercises of our five senses yield awareness of the world (or at least of intentional objects) as well as awareness of these perceptions. This same-level view of consciousness has been explored and developed by contemporary philosophers of mind. I will discuss the arguments that moved Brentano to change his mind, outline the view and, finally, respond to Husserl’s influential criticism of Brentano’s view (§§3-5). (shrink)

In his Psychologie vom empirischen Standpunkt Brentano proposed a view of consciousness that neither has room nor need for a subject of mental acts, a soul. Later he changed his mind: there is a soul that appears in consciousness. In this paper I will argue that Brentano’s change of view is not justified. The subjectless view of consciousness can be defended against Brentano’s argument and it is superior to its predecessor.

Phenomenological accounts of intuition are often considered as significantly different from, or even incommensurable with most of the conception of intuitions defended in analytical philosophy. In this paper, I reject this view. Starting with what I consider to be a relatively neutral phenomenological account of intuition, I first present the main features of Husserl’s and Brentano’s accounts of intuition, showing the structural similarities and differences between these two views. After confronting them, I finally come back to what unites the two (...) views in order to outline a map of the problem of intuition in which both traditions, the analytical and the phenomenological, appear as two complementary takes on one and the same problem. (shrink)