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  1. Identification in the Cinema.R. Allen - 2012 - British Journal of Aesthetics 52 (2):197-200.
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  2. Film Spectatorship: A Reply to Murray Smith.Richard Allen - 1998 - Journal of Aesthetics and Art Criticism 56 (1):61-63.
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  3. The Twisted Femmes Fatales of Christopher Nolan.Kania Andrew - 2014 - Aesthetics for Birds.
    Philosophical reflections on the trope of the femme fatale in the films of Christopher Nolan.
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  4. A Miscast of Character: Actors, Characters, & Character Actors.Mag Uidhir Christy - 2016 - In Iskra Fileva (ed.), A Question of Character. Oxford University Press. pp. 444-458.
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  5. Empathy and Identification in Cinema.Berys Gaut - 2010 - Midwest Studies in Philosophy 34 (1):136-157.
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  6. The Finale of A.I. Artificial Intelligence.Alessandro Giovannelli - 2017 - Film and Philosophy 21:1-16.
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  7. Cognitive Value and Imaginative Identification: The Case of Kubrick's Eyes Wide Shut.Alessandro Giovannelli - 2010 - Journal of Aesthetics and Art Criticism 68 (4):355-366.
  8. The Existential Significance of Cinema in Educational Administration. Mulryan & Mackler - 2015 - Journal of Aesthetic Education 49 (2):1-19.
    This article considers the ramifications of the persistently negative representations of educational administrators in popular film and television. It begins with the argument that Hollywood’s pejorative portrayals of principals not only reflect something about what it already means to be an educational administrator, but they also serve a pedagogical role in creating educational administrators. While some scholarship in film studies and cultural studies aptly describe representations of educational administrators, much of this work relies on implicit philosophical assumptions that this article (...)
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