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61 found
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1 — 50 / 61
  1. added 2019-01-30
    Comments on the Poetry and the Poetry.Li Xueqin - 2008 - Contemporary Chinese Thought 39 (4):18-29.
  2. added 2018-02-02
    Issues of Contemporary Art and Aesthetics in Chinese Context.Eva Kit Wah Man - 2015 - Berlin: Springer Berlin Heidelberg.
    This book discusses how China’s transformations in the last century have shaped its arts and its philosophical aesthetics. For instance, how have political, economic and cultural changes shaped its aesthetic developments? Further, how have its long-standing beliefs and traditions clashed with modernizing desires and forces, and how have these changes materialized in artistic manifestations? In addition to answering these questions, this book also brings Chinese philosophical concepts on aesthetics into dialogue with those of the West, making an important contribution to (...)
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  3. added 2018-02-02
    The Chinese Aesthetic Tradition.Li Zehou - 2009 - Honolulu: University of Hawai‘i Press.
    The Chinese Aesthetic Tradition touches on all areas of artistic activity, including poetry, painting, calligraphy, architecture, and the "art of living." Right government, the ideal human being, and the path to spiritual transcendence all come under the provenance of aesthetic thought. According to Li this was the case from early Confucian explanations of poetry as that which gives expression to intent, through Zhuangzi’s artistic depictions of the ideal personality who discerns the natural way of things and lives according to it, (...)
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  4. added 2017-01-28
    Aesthetic Enjoyment.R. K. Sen - 1968 - Philosophy East and West 18 (4):338-339.
  5. added 2017-01-21
    Sense of Beauty and Beauty.Hsiao P'ing - 1975 - Contemporary Chinese Thought 6 (3):137-170.
    The debate on the problems in aesthetics now is focused on the most basic question, the question of whether beauty is subjective or objective. More than a year of debate has shown that idealism still has great influence. The reason for this is that, on the one hand, idealist aesthetics offers explanations, which although fictitious, are capable of misleading people; and on the other hand, mechanical materialist aesthetics provides only mechanical and vulgar explanations of the problems in aesthetics, and it (...)
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  6. added 2017-01-19
    Aesthetic Symbols.David Wieck - 1969 - Philosophy East and West 19 (3):327-342.
  7. added 2017-01-18
    On David Wieck's "Aesthetic Symbols".Winfield E. Nagley - 1969 - Philosophy East and West 19 (3):345-348.
  8. added 2017-01-18
    On David Wieck's "Aesthetic Symbols".Donald Keene - 1969 - Philosophy East and West 19 (3):343-344.
  9. added 2017-01-18
    The Undifferentiated Aesthetic Continuum.F. S. C. Northrop - 1964 - Philosophy East and West 14 (1):67-71.
  10. added 2016-04-16
    Aesthetics and Morality in Kant and Confucius. A Second Step.Christian Helmut Wenzel - 2010 - In Stephen Palmquist (ed.), Cultivating Personhood. Kant and Asian Philosophy. Walter de Gruyter. pp. 321-332.
    In the framework of his transcendental philosophy, Kant strictly separates morality from aesthetics. The pleasure in the good and the pleasure in the beautiful are two different kinds of pleasure (Arten des Wohlgefallens). As a consequence, a moral act as such cannot be beautiful. It is only in a second step that Kant indicates possible connections, in his comments on aesthetic ideas, symbolism, the sensus communis, and education in general. In Confucius on the other hand we do not find such (...)
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  11. added 2014-12-10
    Fine Aphorisms, Proverbs & Philosophical Quotes.Yoji K. Gondor (ed.) - 2014 - Sintesi Point Publishing.
    This is a small collection of proverbs with some philosophical content. I also included here are some of my favorite philosophical quotes. The quotes were collected during many years from my personal reading. I am sure that the reader will identify and enjoy proverbs and some quotes that are new and unique to this publication. A printed copy available at amazon.com. Feedback: gondork@yahoo.com .
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  12. added 2014-09-02
    Generativities: Western Philosophy, Chinese Painting, and the Yijing.Eric S. Nelson - 2013 - Orbis Idearum 1 (1):97–104.
    Western philosophy has been defined through the exclusion of non-Western forms of thought as non-philo-sophical. In this paper, I place the notion of what is “properly” philosophy into question by contrasting the essence/appearance paradigm governing Western metaphysics and its deconstructive critics with the more fluid, dynamic, and participatory forms of encountering and performatively enacting the world that are articulated in Chinese thinking and made apparent in Chinese painting. In this hermeneutical contrast, Western and Chinese thinking themselves are interpeted as co-relational (...)
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  13. added 2014-04-02
    Confucian Ethics of the Axial Age: A Reconstruction Under the Aspect of the Breakthrough Toward Postconventional Thinking by Heiner Roetz.Kwong-Loi Shun - 1995 - Journal of Chinese Philosophy 22 (3):351-362.
  14. added 2014-04-01
    Chinese Philosophy and the Suggestion of a Matriarchal Aesthetics.Eva K. W. Man - 1996 - Journal of Chinese Philosophy 23 (4):453-466.
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  15. added 2014-03-28
    Philosophical Reflection and Visual Art in Traditional China.Stephen J. Goldberg - 2009 - In David Edward Jones & Ellen R. Klein (eds.), Asian Texts, Asian Contexts: Encounters with Asian Philosophies and Religions. State University of New York Press.
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  16. added 2014-03-28
    Experience as Art.Sor‐Hoon Tan - 1999 - Asian Philosophy 9 (2):107 – 122.
    Chinese philosophy views experience as intrinsically aesthetic. This world view could be elucidated through a consideration of John Dewey's aesthetics and features of Chinese art. Dewey's philosophy of art starts with an understanding of experience as 'live processes' of living creatures interacting with their environment. Such processes are autopoietic in being self-sustaining, ever-changing, capable of increasing complexity, capable of generating novelty, direction and progress on its own. Its autopoietic character is a precondition of the aesthetic in the process of experience. (...)
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  17. added 2014-03-28
    The Aesthetic in Confucianism Examined From Three Viewpoints.Gang Xu - 1998 - Journal of Chinese Philosophy 26 (4):425-444.
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  18. added 2014-03-28
    Chinese Poetry and Symbolism.Paul Groarke - 1998 - Journal of Chinese Philosophy 26 (4):489-512.
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  19. added 2014-03-28
    A Philosophical Perspective of Contemporary Chinese Conceptual Art.John Zijiang Ding - 1998 - Journal of Chinese Philosophy 26 (4):445-468.
  20. added 2014-03-24
    Wu-Wei: Lao-Zi, Zhuang-Zi and the Aesthetic Judgement.Rui Zhu - 2002 - Asian Philosophy 12 (1):53 – 63.
    The concept of wu-wei (nonaction) has undergone significant changes from Lao-zi to Zhuang-zi. This paper will argue that, while wu-wei in Lao-zi is a utilitarian principle, wu-wei of Zhuan-zi represents an aesthetic world-view. The aesthetic nature of the Daoist nonaction will be illustrated through Kant's concept of 'purposiveness without purpose'.
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  21. added 2014-03-24
    Aesthetic Commonalities in the Ethics of Daoism and Stoicism.Earle J. Coleman - 2002 - Journal of Chinese Philosophy 29 (3):385–395.
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  22. added 2014-03-24
    Exploring the Logical Space in the Patterns of Classical Chinese Mathematical Art.Jinmei Yuan - 2002 - Journal of Chinese Philosophy 29 (4):519–531.
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  23. added 2014-03-21
    Truth, Beauty, and the Social Function of Art.Tom Rockmore - 2004 - Journal of Chinese Philosophy 31 (1):17–32.
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  24. added 2014-03-21
    Placing Artworks—Placing Ourselves.Joseph Margolis - 2004 - Journal of Chinese Philosophy 31 (1):1–16.
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  25. added 2014-03-18
    Confucius's Aesthetic Concept of Noble Man: Beyond Moralism.Ha Poong Kim - 2006 - Asian Philosophy 16 (2):111 – 121.
    The prevailing interpretation of ren (humanness) in the Analects is ethical. One consequence of this interpretation is the one-dimensional image of the Confucian junzi (noble man) as a rigid moralist, a fastidious observer of li (ritual). But there are numerous passages in the Analects that resist such a one-sided representation of the junzi, especially Confucius's remarks related to the (Book of) Songs and music. My basic thesis is that Confucius's concept of junji is aesthetic. This is implied by his notion (...)
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  26. added 2014-03-18
    Beauty in Kant and Confucius: A First Step.Christian Helmut Wenzel - 2006 - Journal of Chinese Philosophy 33 (1):95–107.
  27. added 2014-03-12
    Jing (景): A Phenomenological Reflection on Chinese Landscape and Qing (情).Hui Zou - 2008 - Journal of Chinese Philosophy 35 (2):353-368.
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  28. added 2014-03-12
    Shaping the Lotus Sutra: Buddhist Visual Culture in Medieval China – by Eugene Y. Wang.An-yi Pan - 2008 - Journal of Chinese Philosophy 35 (1):182–185.
  29. added 2014-03-12
    The Chan Interpretations of Wang Wei's Poetry: A Critical Review – by Yang Jingqing.Kyle David Anderson - 2008 - Journal of Chinese Philosophy 35 (3):540-543.
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  30. added 2014-03-09
    The Boundaries of Beauty in Pre-Qin Confucian Aesthetics.Qian Zhang - 2009 - Frontiers of Philosophy in China 4 (1):52-63.
    “Beauty” is a very important concept in Pre-Qin Confucian aesthetics. Pre-Qin Confucian aesthetics generally had two viewpoints when defining beauty: Negatively, by stressing that “beauty” in the aesthetic sense was not “good”; and positively, by stressing two factors: one, that beauty was related to “feeling” which was not an animal instinct, the other was that “beauty” was a special texture with a particular meaning. “Beauty” in Pre-Qin Confucian aesthetics may be defined as “texture (or form)” capable of communicating feeling or (...)
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  31. added 2014-03-09
    The Chan Interpretations of Wang Wei's Poetry: A Critical Review – by Jingqing Yang.Kyle David Anderson - 2009 - Journal of Chinese Philosophy 36 (1):180-183.
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  32. added 2014-03-09
    Mozi Versus Xunzi on Music.Keping Wang - 2009 - Journal of Chinese Philosophy 36 (4):653-665.
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  33. added 2014-03-09
    Aesthetic Judgment: The Power of the Mind in Understanding Confucianism. [REVIEW]Xialing Xie - 2009 - Frontiers of Philosophy in China 4 (1):38-51.
    Mou Zongsan incorrectly uses Kant’s practical reason to interpret Confucianism. The saying that “what is it that we have in common in our minds? It is the li 理 (principles) and the yi 义 (righteousness)” reveals how Mencius explains the origin of li and yi through a theory of common sense. In “the li and the yi please our minds, just as the flesh of beef and mutton and pork please our mouths,” “please” is used twice, proving aesthetic judgment is (...)
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  34. added 2014-03-06
    Art as Sedimentation.Keping Wang - 2010 - Journal of Chinese Philosophy 37 (1):131-138.
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  35. added 2014-03-04
    Stones From Other Mountains: Chinese Painting Studies in Postwar America – Edited and Introduced by Jason C. Kuo.Kuang-Ming Wu - 2011 - Journal of Chinese Philosophy 38 (3):499-501.
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  36. added 2012-05-03
    Observance of Forms: An Aesthetic Analysis of Analects 6.25.Tae-Seung Lim - 2012 - Dao: A Journal of Comparative Philosophy 11 (2):147-162.
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  37. added 2011-08-23
    Taoism and Modern Chinese Poetry.Michelle Yeh - 1988 - Journal of Chinese Philosophy 15 (2):173-197.
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  38. added 2011-08-23
    Taoist Themes in Yuan Drama (with Emphasis on the Plays of Ma Chih-Yuan).Shiao-Ling Yu - 1988 - Journal of Chinese Philosophy 15 (2):123-149.
  39. added 2011-08-21
    An Exegetic Study of the So-Called Proposition of Confucian Aesthetics.Yi Wang & Xiaowei Fu - 2008 - Journal of Aesthetic Education 42 (1):80-89.
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  40. added 2011-08-20
    Jiang, Wenye 江文也, a Discourse on Confucius's Music 孔子的樂論. Translated From 上代支那正樂考—孔子の音樂論 by Y Ang Rubin 楊儒賓.Huaiyu Wang - 2010 - Dao: A Journal of Comparative Philosophy 9 (1):115-119.
    Jiang, Wenye 江文也, A Discourse on Confucius’s Music 孔子的樂論. Translated from 上代支那正樂考—孔子の音樂論 by Y ang Rubin 楊儒賓 Content Type Journal Article DOI 10.1007/s11712-009-9148-3 Authors Huaiyu Wang, Georgia College & State University Department of History, Geography, and Philosophy Campus Box 47 Milledgeville GA 31061 USA Journal Dao Online ISSN 1569-7274 Print ISSN 1540-3009 Journal Volume Volume 9 Journal Issue Volume 9, Number 1.
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  41. added 2011-08-20
    Taoist Cultural Reality: The Harmony of Aesthetic Order.Kirill O. Thompson - 1990 - Journal of Chinese Philosophy 17 (2):175-185.
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  42. added 2011-08-19
    Pragmatist Aesthetics and Confucianism.Richard Shusterman - 2009 - Journal of Aesthetic Education 43 (1):pp. 18-29.
  43. added 2011-08-19
    Dewey and Taoism: Teleology and Art.Crispin Sartwell - 2009 - Journal of Aesthetic Education 43 (1):pp. 30-40.
  44. added 2011-08-19
    Confucius and Country Music.Crispin Sartwell - 1993 - Philosophy East and West 43 (2):243-254.
  45. added 2011-08-19
    Is the Tao of Chinese Aesthetics Like a Western Theory of Art? Some Issues in Comparative Aesthetics.Richard Sclafani - 1977 - Journal of Chinese Philosophy 4 (1):49-62.
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  46. added 2011-08-19
    Unless There Are Hills and Valleys in One's Breast: On the Inward Life of Chinese Landscape Painting.Ben-Ami Scharfstein - 1976 - Journal of Chinese Philosophy 3 (4):317-354.
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  47. added 2011-08-16
    The Taoist Vision. A Study of T'ao Yuan-Ming's Nature Poetry.Angela Jung Palandri - 1988 - Journal of Chinese Philosophy 15 (2):97-121.
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  48. added 2011-08-15
    Taoist Philosophy and its Influence on Tang Naturalist Poetry.Masato Mitsuda - 1988 - Journal of Chinese Philosophy 15 (2):199-215.
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  49. added 2011-08-15
    Neo-Confucianism and Wen-Jen Aesthetic Theory.David E. Mungello - 1969 - Philosophy East and West 19 (4):367-383.
  50. added 2011-08-11
    Confucian Moral Cultivation : Some Parallels with Musical Training.Karyn L. Lai - 2003 - In Kim Chong Chong, Sor-Hoon Tan & C. L. Ten (eds.), The Moral Circle and the Self: Chinese and Western Approaches. Open Court.
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