Classics

Plutarch charges that Stoic theory is inconsistent with Stoic political engagement no matter what they decide to do, because the Stoics' endorsement of the political life is inconsistent with their cosmopolitan rejection of ordinary politics (Stoic.rep., ab init.). Drawing on evidence from Chrysippus and Seneca, I develop an argument that answers this charge, and I draw out two interesting implications of the argument. The first implication is for scholars of ancient Stoicism who like to say that Stoicism is apolitical. The (...) argument I reconstruct turns on the political importance of the practice of giving and taking advice, and in this way makes clear a philosophically significant way in which Stoic ethics is itself political. The second implication is for moral and political theorists who are quick to contrast cosmopolitanism with patriotic political engagement. My Chrysippean and Senecan argument shows how Stoics could envision local political engagement as an instantiation of cosmopolitan commitments. (shrink)

This paper proposes that before the opening of Sophocles’ play Oedipus the King, the “hero” had to solve a lot of riddles.

Aristotle's Poetics has been the basis for theories of entertainment for over 2,000 years. But the general approach it uses has led to a number of gaps, contradictions, and difficulties in predicting the success of books, plays, movies, and entertainment as a whole, so much so that sayings like "there are no rules, but you break them at your peril," and "in Hollywood, nobody knows anything" have become widespread and accepted. -/- However, it turns out that a model of entertainment (...) that defines literary conventions by the pleasurable feelings they release in the brain, and then equates them with outside experiences that people subconsciously attach to the literary work, in the same way that we can be conditioned to feel love when we view our wedding rings, can actually resolve almost every seeming contradiction in Aristotle's ideas and traditional theories of storytelling when compared to real-world results. -/- Furthermore, this approach can be extended to the other major forms of art, including painting, music and even video games, leading to a "Non-Aristotelian" theory that modifies the fundamental aspects of each of these fields, but in a natural and necessary way, which strengthens both our understanding and our ability to predict the success or failure of art in the future. -/- My work as a vlogger and writer, mostly done via my Youtube channel "StoryBrain," has been viewed over 6 million times, and written about in MovieMaker magazine, Creative Screenwriting magazine, on the front page of major sites like Reddit, Roger Ebert online, and in international newspapers like the Sydney Morning-Herald in Australia and Fotogramas in Spain. My work is also the subject of a chapter of the currently-in-release book "Neuro-Design," by Kogan Page publishing, called "The Neuro Movie Analyst." This paper is a detailed introduction to the theory of Emotional Indiscretion which I have talked about in my work. (shrink)

Isocrates' Antidosis ("Defense against the Exchange") and Aristotle's Protrepticus ("Exhortation to Philosophy") were recovered from oblivion in the late nineteenth century. In this article we demonstrate that the two texts happen to be directly related. Aristotle's Protrepticus was a response, on behalf of the Academy, to Isocrates' criticism of the Academy and its theoretical preoccupations. -/- Contents: I. Introduction: Protrepticus, text and context II. Authentication of the Protrepticus of Aristotle III. Isocrates and philosophy in Athens in the 4th century IV. (...) The Protrepticus of Aristotle as a response to the Antidosis of Isocrates V. Conclusion: dueling conceptions of philosophy, still dueling. (shrink)

Vortrag, gehalten am 11. November 2020 im Rahmen einer Ringvorlesung am Regensburger Zentrum für Klassikstudien zum Thema "Entfernte Verwandte - Mensch und Tier". Die aristotelische Bestimmung des Menschen ist ein Rätsel. Daher soll sie im Folgenden auch als ein Rätsel behandelt werden. Ziel ist es, hier nicht das bei Aristoteles finden zu wollen, was wir heute ohnehin schon über den Menschen als ein Lebewesen wissen oder zu wissen glauben, sondern es gilt im Folgenden von Aristoteles ahnen zu lernen, was wir (...) noch nicht wissen, wofür wir heute, in unserer technisierten, wissenschaftsorientierten und digitalisierten Blickbahn vielleicht noch gar nicht gerüstet sind. (shrink)

Among the extant masterworks of Roman art, there is probably none that has generated more scholarly debate than the Portland Vase over the interpretation of its elegant frieze. No fewer than forty-four different theories attempting to interpret the scenes on the vase have appeared in the last 400 years. In the main, the theories fall into two categories, those relating the frieze to Greek myth, and those linking the figures to Roman personages. Moreover, there is no consensus whether the frieze (...) is two separate scenes or one continuous story. The obstacle to interpreting the frieze is that all but one of the figures lack identifying attributes. This paper will demonstrate (1) that in lieu of standard iconography, a synthesis of visual and literary tropes in the form of hidden letters, that is, cryptograms, tells the viewer how to read the frieze; (2) that scene A of the frieze illustrates specifically lines 26-30 of Catullus 64 by visually rendering the epithets and tropes used in those lines; (3) that visual reproductions of other tropes in Catullus 64 further substantiate the relationship between frieze and poem; (4) that scene B of the frieze is an intentional aberration from the poem; (5) that there is a complex and unfinished interaction between scenes A and B which the viewer must complete; and (6) that in the final analysis, the frieze duplicates both the theme and central structure of Catullus 64.10 . (shrink)

'People travelled for numerous reasons,' so J.W. Drijvers submits at the beginning of his piece on travel and pilgrimage literature. Be it ‘commerce, government affairs, religion, education, military business or migration,’ people ‘made use of the elaborate system of roads and modes of transport such as wagons, horses and boats’ to traverse the far-reaching stretches of the Roman Empire. And for 4th century Christians in particular, participating in religious festivals as well as interaction with holy sites, sacred artifacts and clergymen (...) had become greater a reason to travel still. Motivation to travel, in other words, was aplenty. But what exactly allowed for Christian religious travel in the 4th century AD to develop as quickly as it did? (shrink)

The most discussed of architectural marvels tend to be the Temple of Zeus at Olympia, the Mausoleum at Halicarnassus or the Parthenon at Athens, supposedly because they are the ones we happen to have nominated ‘world wonders’; but that doesn’t mean all the rest of temple-type sites to be found across the greater Mediterranean area have less wonder about them. On the contrary; when wanting to explore and explain the role temples played in the lives of their ‘subscribers’ and a (...) temple site’s place as often the nucleus of a community, the Serapeum at Alexandria is as excellent a piece of architecture to examine as any. (shrink)

Seeing how the idea of the ‘ruler cult’ and the necessary ‘myth-making’ to establish it exists to this day, as seen with the regime of a 21st century dictator like Kim Jong-il, it would be most interesting to see what parallels exist between cases of divine leadership and what we might learn about our contemporary cult rulers when looking at the dynamics of the two-millennia-old cult of the deified Emperor Augustus. As such, I have formulated a central question that focuses (...) on the reign of Divus Augustus, and in doing so provides opportunity to extrapolate from it new insights in similar but contemporary figures of leadership. A clear case of 'to understand motives in the present, one must look at actions in the past.'. (shrink)

This note offers a new conjecture on the manuscripts’ puri at Lucr. 4.1026 which would identify more clearly the dreaming bed-wetters as well-wined dinner guests.

In a passage from Apollodorus’ Against Neaera ([Dem.] 59.113), the manuscripts have unanimously transmitted the feminine plural genitive of ‘citizen’, πολιτίδων. Since Reiske's 1770 emendation, however, editions of the text have printed the considerably more common masculine form, πολιτῶν. Emphasizing the importance of female citizenship in Athens, this note proposes restoring the manuscript reading of the text.

At the climax of the quarrel between Achilles and Agamemnon in the Iliad, Achilles ponders whether to kill the king (1.191). The first half of the line, however, has received little attention, but the various interpretations that have been put forth have been unconvincing. This article proposes an interpretation that reveals an Achilles at least momentarily contemplating fomenting a revolt on the part of the army against Agamemnon's authority.

In describing the Stoic principles, the manuscript tradition of DL 7.134 preserves readings which variously call them σώµατα, ‘bodies’, or ἀσώµατα, ‘incorporeals’; but the Suida quotes this passage with ἀσωµάτους, ‘incorporeal’. This paper shows that the Suida has the best reading. This is not the only, or the clearest, case where the Suida can correct our text: another example considered here concerns DL 7.74.

This article focusses on a hitherto underappreciated distinction between immortality and everlastingness in a Greek commentary of disputed authorship on Aristotle's De anima Book 3. This article argues that this distinction calls into question the attribution of the commentary to Philoponus.